Tönnies, Merle. “Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century,”https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20__2023.https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20 .
LibreCat: /record/50264
DOI:  https://doi.org/10.33675/ANGL/2023/3/20

Tönnies, Merle, and Christina Flotmann-Scholz. “Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics.” Anglistik: International Journal of English Studies 33, no. 2 (2022): 257–72.
LibreCat: /record/34452

Tönnies, Merle, and Eckart Voigts. “Anger, Anxiety and Hope: The Complicit Realities and Engaged/Ing Communities of Contemporary Briitsh Dys/Utopian Theatre.” Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies) 32 (2022).
LibreCat: /record/34454

Tönnies, Merle. “Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain.” In Mentalities and Materialities: Essays in Honour of Jürgen Kamm, edited by Philip Jacobi and Anette Pankratz, 149–63. Würzburg: Königshausen &; Neumann, 2021.
LibreCat: /record/24539

Tönnies, Merle. “The Black British Bildungsroman: Gender-Specific Plot Models?” In Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas, edited by Merle Tönnies and Hendrick Schlieper, 21:235-263. Culturae. Harrassowitz, 2021.
LibreCat: /record/21826

Tönnies, Merle, and Aleks Sierz. “‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama.” Journal of Contemporary Drama in English 9, no. 1 (2021): 20–42.
LibreCat: /record/29244

Tönnies, Merle, and Eckart Voigts. “Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre.” Journal of Contemporary Drama in English 8, no. 2 (2020): 295–312.
LibreCat: /record/21824

Tönnies, Merle, and Matthias Göhrmann. “British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach.” In How to Do Cultural Studies: Ideas, Approaches, Scenarios, edited by Jürgen Kramer and Bernd Lenz, 303–39. Würzburg: Königshausen &; Neumann, 2020.
LibreCat: /record/17058

Tönnies, Merle, and Dennis Henneböhl. “Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit.” Journal for the Study of British Cultures 26, no. 2 (2019): 181–93.
LibreCat: /record/17057

Tönnies, Merle, and Anna Lienen. “Changing Uses of the City in Contemporary Black British Novels.” In Resistance and the City. Negotiating Urban Identities: Race, Class, Gender, edited by Christoph Ehland and Pascal Fischer, 28:66–82. Spatial Practices . Leiden: Brill, 2018.
LibreCat: /record/9694

Tönnies, Merle. “The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias.” Journal of Contemporary Drama in English 5, no. 1 (2017): 156–72.
LibreCat: /record/9692

Tönnies, Merle. “Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011).” In Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama, edited by Kerstin Frank and Caroline Lusin, 82:19–39. Mannerheimer Beiträge Zur Literatur- Und Kulturwissenschaft. Tübingen: Narr Francke Attempto, 2017.
LibreCat: /record/9693

Tönnies, Merle. “Pope, G.: Reading London’s Suburbs.” Anglistik. International Journal of English Studies, 2017.
LibreCat: /record/9696

Tönnies, Merle. “The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power.” Storyworlds: A Journal of Narrative Studies 9, no. 1–2 (2017): 95–120.
LibreCat: /record/13875

Tönnies, Merle. “Religion im zeitgenössischen britischen Drama.” In Religion und Kultur, edited by Klaus von Stosch, Michael Hofmann, and Sabine Schmitz, 81–96. Bielefeld: transcript, 2016.
LibreCat: /record/9689

Tönnies, Merle. “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s.” Anglistik. International Journal of English Studies 27, no. 1 (2016): 113–24.
LibreCat: /record/9690

Tönnies, Merle, Joana Brüning, and Andrea Sand. “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance.” Zeitschrift Für Anglistik Und Amerikanistik 64, no. 3 (2016): 301–20.
LibreCat: /record/9691

Tönnies, Merle. “Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political.” Journal of Contemporary Drama in English, 2015.
LibreCat: /record/9695

Tönnies, Merle. “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama.” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, 2015, 243–60.
LibreCat: /record/6769

Tönnies, Merle. “Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism.” Arbeiten Aus Anglistik Und Amerikanistik, 2014.
LibreCat: /record/9627