Tönnies, Merle. Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century. no. 3, 2023, pp. 268–70, doi: https://doi.org/10.33675/ANGL/2023/3/20.
LibreCat: /record/50264
DOI:  https://doi.org/10.33675/ANGL/2023/3/20

Tönnies, Merle, and Christina Flotmann-Scholz. “Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics.” Anglistik: International Journal of English Studies, vol. 33, no. 2, 2022, pp. 257–72.
LibreCat: /record/34452

Tönnies, Merle, and Eckart Voigts. “Anger, Anxiety and Hope: The Complicit Realities and Engaged/Ing Communities of Contemporary Briitsh Dys/Utopian Theatre.” Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies), vol. 32, Walter deGruyter, 2022.
LibreCat: /record/34454

Tönnies, Merle. “Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain.” Mentalities and Materialities: Essays in Honour of Jürgen Kamm, edited by Philip Jacobi and Anette Pankratz, Königshausen &; Neumann, 2021, pp. 149–63.
LibreCat: /record/24539

Tönnies, Merle. “The Black British Bildungsroman: Gender-Specific Plot Models?” Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas, edited by Merle Tönnies and Hendrick Schlieper, vol. 21, Harrassowitz, 2021, pp. 235-263.
LibreCat: /record/21826

Tönnies, Merle, and Aleks Sierz. “‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama.” Journal of Contemporary Drama in English, vol. 9, no. 1, DeGruyter, 2021, pp. 20–42.
LibreCat: /record/29244

Tönnies, Merle, and Eckart Voigts. “Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre.” Journal of Contemporary Drama in English, vol. 8, no. 2, DeGruyter, 2020, pp. 295–312.
LibreCat: /record/21824

Tönnies, Merle, and Matthias Göhrmann. “British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach.” How to Do Cultural Studies: Ideas, Approaches, Scenarios, edited by Jürgen Kramer and Bernd Lenz, Königshausen &; Neumann, 2020, pp. 303–39.
LibreCat: /record/17058

Tönnies, Merle, and Dennis Henneböhl. “Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit.” Journal for the Study of British Cultures, vol. 26, no. 2, 2019, pp. 181–93.
LibreCat: /record/17057

Tönnies, Merle, and Anna Lienen. “Changing Uses of the City in Contemporary Black British Novels.” Resistance and the City. Negotiating Urban Identities: Race, Class, Gender, edited by Christoph Ehland and Pascal Fischer, vol. 28, Brill, 2018, pp. 66–82.
LibreCat: /record/9694

Tönnies, Merle. “The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias.” Journal of Contemporary Drama in English, vol. 5, no. 1, 2017, pp. 156–72.
LibreCat: /record/9692

Tönnies, Merle. “Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011).” Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama, edited by Kerstin Frank and Caroline Lusin, vol. 82, Narr Francke Attempto, 2017, pp. 19–39.
LibreCat: /record/9693

Tönnies, Merle. “Pope, G.: Reading London’s Suburbs.” Anglistik. International Journal of English Studies, vol. 28, no. 1, 2017, pp. 175–77.
LibreCat: /record/9696

Tönnies, Merle. “The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power.” Storyworlds: A Journal of Narrative Studies, vol. 9, no. 1–2, 2017, pp. 95–120.
LibreCat: /record/13875

Tönnies, Merle. “Religion im zeitgenössischen britischen Drama.” Religion und Kultur, edited by Klaus von Stosch et al., transcript, 2016, pp. 81–96.
LibreCat: /record/9689

Tönnies, Merle. “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s.” Anglistik. International Journal of English Studies, vol. 27, no. 1, 2016, pp. 113–24.
LibreCat: /record/9690

Tönnies, Merle, et al. “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance.” Zeitschrift Für Anglistik Und Amerikanistik, vol. 64, no. 3, 2016, pp. 301–20.
LibreCat: /record/9691

Tönnies, Merle. “Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political.” Journal of Contemporary Drama in English, vol. 3, no. 2, 2015, pp. 355–58.
LibreCat: /record/9695

Tönnies, Merle. “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama.” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, Peter Lang, 2015, pp. 243–60.
LibreCat: /record/6769

Tönnies, Merle. “Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism.” Arbeiten Aus Anglistik Und Amerikanistik, vol. 39, 2014, pp. 203–07.
LibreCat: /record/9627