M. Tönnies, “Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century,” https://doi.org/10.33675/ANGL/2023/3/20__vol. 34, no. 3. pp. 268–270, 2023, doi: https://doi.org/10.33675/ANGL/2023/3/20 .

M. Tönnies and C. Flotmann-Scholz, “Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics,” Anglistik: International Journal of English Studies, vol. 33, no. 2, pp. 257–272, 2022.

M. Tönnies and E. Voigts, “Anger, Anxiety and Hope: The Complicit Realities and Engaged/ing Communities of Contemporary Briitsh Dys/Utopian Theatre,” Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies), vol. 32, 2022.

M. Tönnies, “Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain,” in Mentalities and Materialities: Essays in Honour of Jürgen Kamm, P. Jacobi and A. Pankratz, Eds. Würzburg: Königshausen &; Neumann, 2021, pp. 149–163.

M. Tönnies, “The Black British Bildungsroman: Gender-specific Plot Models?,” in Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas, vol. 21, M. Tönnies and H. Schlieper, Eds. Harrassowitz, 2021, pp. 235-263.

M. Tönnies and A. Sierz, “‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama,” Journal of Contemporary Drama in English, vol. 9, no. 1, pp. 20–42, 2021.

M. Tönnies and E. Voigts, “Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre,” Journal of Contemporary Drama in English, vol. 8, no. 2, pp. 295–312, 2020.

M. Tönnies and M. Göhrmann, “British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach,” in How to Do Cultural Studies: Ideas, Approaches, Scenarios, J. Kramer and B. Lenz, Eds. Würzburg: Königshausen &; Neumann, 2020, pp. 303–339.

M. Tönnies and D. Henneböhl, “Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit,” Journal for the Study of British Cultures, vol. 26, no. 2, pp. 181–193, 2019.

M. Tönnies and A. Lienen, “Changing Uses of the City in Contemporary Black British Novels,” in Resistance and the City. Negotiating Urban Identities: Race, Class, Gender, vol. 28, C. Ehland and P. Fischer, Eds. Leiden: Brill, 2018, pp. 66–82.

M. Tönnies, “The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias,” Journal of Contemporary Drama in English, vol. 5, no. 1, pp. 156–172, 2017.

M. Tönnies, “Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011),” in Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama, vol. 82, K. Frank and C. Lusin, Eds. Tübingen: Narr Francke Attempto, 2017, pp. 19–39.

M. Tönnies, “Pope, G.: Reading London’s Suburbs,” Anglistik. International Journal of English Studies, vol. 28, no. 1. pp. 175–177, 2017.

M. Tönnies, “The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power,” Storyworlds: A Journal of Narrative Studies, vol. 9, no. 1–2, pp. 95–120, 2017.

M. Tönnies, “Religion im zeitgenössischen britischen Drama,” in Religion und Kultur, K. von Stosch, M. Hofmann, and S. Schmitz, Eds. Bielefeld: transcript, 2016, pp. 81–96.

M. Tönnies, “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s,” Anglistik. International Journal of English Studies, vol. 27, no. 1, pp. 113–124, 2016.

M. Tönnies, J. Brüning, and A. Sand, “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance,” Zeitschrift für Anglistik und Amerikanistik, vol. 64, no. 3, pp. 301–320, 2016.

M. Tönnies, “Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political,” Journal of Contemporary Drama in English, vol. 3, no. 2. pp. 355–358, 2015.

M. Tönnies, “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama,” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, pp. 243–260, 2015.

M. Tönnies, “Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism,” Arbeiten aus Anglistik und Amerikanistik, vol. 39. pp. 203–207, 2014.