Tönnies, Merle. “Peter Brook’s Glückliche Tage.” The Beckett Circle, vol. 26, no. 2, 2003, pp. 1–3.
LibreCat: /record/8849

Tönnies, Merle. “‘New Lingo - New Theatre’?” Anglistik &; Englischunterricht, vol. 65, 2003, pp. 169–91.
LibreCat: /record/8850

Tönnies, Merle. “The ‘Postcolonial University Novel’ in Britain.” Xenophobic Memories: Otherness in Postcolonial Constructions of the Past, Winter, 2003, pp. 13–37.
LibreCat: /record/8851

Tönnies, Merle, et al. “Making Play-Texts Live: Teaching Drama as Experience.” Global Challenges and Regional Responses in Contemporary Drama in English, vol. 10, WVT, 2003, pp. 247–64.
LibreCat: /record/8852

Tönnies, Merle. “Sager, P.: Oxford &; Cambridge. Eine Kulturgeschichte.” Journal for the Study of British Cultures, vol. 10, no. 2, 2003.
LibreCat: /record/9658

Tönnies, Merle. “Veit, C.: Ich-Konzept Und Körper in Becketts Dualen Konstruktionen, 2002.” The Beckett Circle, vol. 26, no. 2, 2003, p. 18.
LibreCat: /record/9659

Tönnies, Merle. “Logan, T.: The Victorian Parlour, 2001.” Anglia, vol. 121, no. 2, 2003, pp. 323–25.
LibreCat: /record/9660

Tönnies, Merle. “Keipert, H.: Pope, Popovskij Und Die Popen, 2001.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 240, no. 1, 2003, pp. 141–44.
LibreCat: /record/9661

Tönnies, Merle. “Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen Und Ästhetische Konstruktion Bei Jean Paul Und Samuel Beckett, 2001.” The Beckett Circle, vol. 26, no. 1, 2003, p. 20.
LibreCat: /record/9662

Tönnies, Merle. “Beckett, S.: Dante Und Der Hummer. Gesammelte Prosa, 2000.” The Beckett Circle, vol. 26, no. 1, 2003, pp. 15–16.
LibreCat: /record/9663

Tönnies, Merle. “Good/Bad Girls and Their Fathers.” Journal for the Study of British Cultures, vol. 9, no. 2, 2002, pp. 185–95.
LibreCat: /record/8853

Tönnies, Merle. “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions.” Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, edited by Manfred Pfister, vol. 57, Rodopi, 2002, pp. 99–119.
LibreCat: /record/8862

Tönnies, Merle. “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, Its 1960s Forebears and the Beginning of the 21st Century .” Contemporary Drama in English, vol. 9, WVT, 2002, pp. 57–71.
LibreCat: /record/8863

Tönnies, Merle. “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000.” Forum Modernes Theater, vol. 17, no. 1, 2002, pp. 95–98.
LibreCat: /record/9664

Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000, vol. 11, 2001, pp. 194–201.
LibreCat: /record/8864

Tönnies, Merle. “The Limits of Defining Power in Terms of Exclusion.” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, WVT, 2001, pp. 61–64.
LibreCat: /record/8865

Tönnies, Merle, and Claus-Ulrich Viol, editors. British Political Speeches from Churchill to Blair. Reclam, 2001.
LibreCat: /record/6760

Tönnies, Merle. “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998.” Journal for the Study of British Cultures, vol. 7, no. 1, 2000, pp. 80–83.
LibreCat: /record/9665

Tönnies, Merle, et al., editors. Youth Identities. Teens and Twens in British Culture. Winter, 2000.
LibreCat: /record/6762

Tönnies, Merle, and Claus-Ulrich Viol, editors. Hanif Kureishi. My Beautiful Laundrette. Reclam, 1999.
LibreCat: /record/6765