Tönnies, M., &; Henneböhl, D. (2019). Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit. Journal for the Study of British Cultures, 26(2), 181–193.

Tönnies, M., &; Lienen, A. (2018). Changing Uses of the City in Contemporary Black British Novels. In C. Ehland &; P. Fischer (Eds.), Resistance and the City. Negotiating Urban Identities: Race, Class, Gender (Vol. 28, pp. 66–82). Leiden: Brill.

Tönnies, M. (2017). The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias. Journal of Contemporary Drama in English, 5(1), 156–172.

Tönnies, M. (2017). Still/Again “Political”? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011). In K. Frank &; C. Lusin (Eds.), Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama (Vol. 82, pp. 19–39). Tübingen: Narr Francke Attempto.

Tönnies, M. (2017). Pope, G.: Reading London’s Suburbs. Anglistik. International Journal of English Studies.

Tönnies, M. (2017). The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power. Storyworlds: A Journal of Narrative Studies, 9(1–2), 95–120.

Tönnies, M., Ehland, C., &; Mindt, I. (Eds.). (2016). Anglistentag 2015 Paderborn: Proceedings. Presented at the Anglistentag, Trier: WVT.

Tönnies, M. (2016). Religion im zeitgenössischen britischen Drama. In K. von Stosch, M. Hofmann, &; S. Schmitz (Eds.), Religion und Kultur (pp. 81–96). Bielefeld: transcript.

Tönnies, M. (2016). The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s. Anglistik. International Journal of English Studies, 27(1), 113–124.

Tönnies, M., Brüning, J., &; Sand, A. (2016). The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance. Zeitschrift Für Anglistik Und Amerikanistik, 64(3), 301–320.

Tönnies, M. (2015). Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political. Journal of Contemporary Drama in English.

Tönnies, M. (2015). Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama. Dramatic Minds. Performance, Cognition, and the Representation of Interiority, 243–260.

Tönnies, M. (2014). Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism. Arbeiten Aus Anglistik Und Amerikanistik.

Tönnies, M. (2014). (En-)Gendering a Popular Theatrical Genre. The Roles of Women in Nineteenth-Century British Melodrama (1.). Heidelberg: Winter.

Tönnies, M. (2014). Anti-hegemoniale Strategien des Kleinen. Britische dokumentarische Farbfotografie als Kritik des Thatcherismus. Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien, 321–333.

Tönnies, M. (2013). Middeke,M. / Schnierer, P.P. / Sierz, A. (Hg.): The Methuen Guide to Contemporary British Playwrights. Anglia.

Tönnies, M. (2013). Rossow, H. Globalismus und Lew Labour. Anglistik. International Journal of English Studies.

Tönnies, M. (2013). Baumbach, S. / Neumann, B. / Nünning, A.: A History of British Drama. Anglistik. International Journal of English Studies.

Tönnies, M. (2013). Northern Landscapes and Anti-Thatcherite Positioning. Journal for the Study of British Cultures, 20(2), 115–124.

Tönnies, M. (2013). Feminising a Classical Male Plot Model? Black British Women Writers and the “Bildungsroman.” International Journal of English Studies, 24(1), 51–61.