Tönnies, Merle. “Peter Brook’s Glückliche Tage.” The Beckett Circle 26, no. 2 (2003): 1–3.

Tönnies, Merle. “‘New Lingo - New Theatre’?” In Anglistik &; Englischunterricht, 65:169–91, 2003.

Tönnies, Merle. “The ‘Postcolonial University Novel’ in Britain.” Xenophobic Memories: Otherness in Postcolonial Constructions of the Past, 2003, 13–37.

Tönnies, Merle, Pankratz Annette, von Rothkirch Alyce, and Stark Kathleen. “Making Play-Texts Live: Teaching Drama as Experience.” Global Challenges and Regional Responses in Contemporary Drama in English 10 (2003): 247–64.

Tönnies, Merle. “Sager, P.: Oxford &; Cambridge. Eine Kulturgeschichte.” Journal for the Study of British Cultures, 2003.

Tönnies, Merle. “Veit, C.: Ich-Konzept Und Körper in Becketts Dualen Konstruktionen, 2002.” The Beckett Circle, 2003.

Tönnies, Merle. “Logan, T.: The Victorian Parlour, 2001.” Anglia, 2003.

Tönnies, Merle. “Keipert, H.: Pope, Popovskij Und Die Popen, 2001.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 2003.

Tönnies, Merle. “Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen Und Ästhetische Konstruktion Bei Jean Paul Und Samuel Beckett, 2001.” The Beckett Circle, 2003.

Tönnies, Merle. “Beckett, S.: Dante Und Der Hummer. Gesammelte Prosa, 2000.” The Beckett Circle, 2003.

Tönnies, Merle. “Good/Bad Girls and Their Fathers.” Journal for the Study of British Cultures 9, no. 2 (2002): 185–95.

Tönnies, Merle. “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions.” In Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, edited by Manfred Pfister, 57:99–119. A History of Laughter: Laughter from Beowulf to Beckett and Beyond. Amsterdam: Rodopi, 2002.

Tönnies, Merle. “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, Its 1960s Forebears and the Beginning of the 21st Century .” Contemporary Drama in English 9 (2002): 57–71.

Tönnies, Merle. “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000.” Forum Modernes Theater, 2002.

Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000 11 (2001): 194–201.

Tönnies, Merle. “The Limits of Defining Power in Terms of Exclusion.” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, 2001, 61–64.

Tönnies, Merle, and Claus-Ulrich Viol, eds. British Political Speeches from Churchill to Blair. Stuttgart: Reclam, 2001.

Tönnies, Merle. “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998.” Journal for the Study of British Cultures, 2000.

Tönnies, Merle, Gerd Stratmann, Claus-Ulrich Viol, and Anglistik und Englischunterricht 63, eds. Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter, 2000.

Tönnies, Merle, and Claus-Ulrich Viol, eds. Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam, 1999.