Tönnies, Merle. “Good/Bad Girls and Their Fathers.” Journal for the Study of British Cultures 9, no. 2 (2002): 185–95.

Tönnies, Merle. “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions.” In Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, edited by Manfred Pfister, 57:99–119. A History of Laughter: Laughter from Beowulf to Beckett and Beyond. Amsterdam: Rodopi, 2002.

Tönnies, Merle. “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, Its 1960s Forebears and the Beginning of the 21st Century .” Contemporary Drama in English 9 (2002): 57–71.

Tönnies, Merle. “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000.” Forum Modernes Theater, 2002.

Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000 11 (2001): 194–201.

Tönnies, Merle. “The Limits of Defining Power in Terms of Exclusion.” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, 2001, 61–64.

Tönnies, Merle, and Claus-Ulrich Viol, eds. British Political Speeches from Churchill to Blair. Stuttgart: Reclam, 2001.

Tönnies, Merle. “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998.” Journal for the Study of British Cultures, 2000.

Tönnies, Merle, Gerd Stratmann, Claus-Ulrich Viol, and Anglistik und Englischunterricht 63, eds. Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter, 2000.

Tönnies, Merle, and Claus-Ulrich Viol, eds. Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam, 1999.

Tönnies, Merle, and Reinhold Schiffer, eds. British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. Trier: WVT, 1999.

Tönnies, Merle. “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997.” Journal for the Study of British Cultures, 1999.

Tönnies, Merle. “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten Für Theater, Radio, Film Und Fernsehen, 1998.” Forum Modernes Theater, 1999.

Tönnies, Merle. “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997.” Anglia, 1999.

Tönnies, Merle. Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT, 1997.

Tönnies, Merle. “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama.” Forum Modernes Theater 11, no. 2 (1996): 185–96.