Althoff, Sebastian. “Walking with Images: Mimetic-Automatic Production in Hasan Elahi’s Tracking Transcience.” Walking with the Enemy: Reclaiming the Language of Power and Manipulation in the Post-Truth Era, edited by Gediminas Gasparavicius et al., Manchester University Press.

Althoff, Sebastian. “The Condemnation of Hate and the Violence of the Status Quo.” https://doi.org/10.1215/17432197-10969201__Cultural Politics, vol. 20, no. 1, 2024, pp. 45–59, doi: https://doi.org/10.1215/17432197-10969201.

Althoff, Sebastian. Digitale Desökonomie: Unproduktivität, Trägheit und Exzess im digitalen Milieu. transcript, 2023.

Althoff, Sebastian. “Was Heißt Überleben? Die Zweischneidigkeit Eines Ubiquitären Begriffs.” Berliner Debatte Initial, vol. 34, no. 4, 2023, pp. 87–97.

Althoff, Sebastian. “Zweierlei Homophilie: Wendy Hui Kyong Chun und Leo Bersani.”10.30965/9783846764947_016__Mimesis Expanded: Die Ausweitung der mimetischen Zone, edited by Friedrich Balke and Elisa Linseisen, Wilhelm Fink, 2022, pp. 343–362, doi:10.30965/9783846764947_016.

Althoff, Sebastian, et al., editors. Re/Dissolving Mimesis. Wilhelm Fink, 2020.

Althoff, Sebastian. “A CCTV Image That Dissolves like Smeared Data: Distinguishability versus Similarity.”10.30965/9783846764954_012__Re/Dissolving Mimesis, edited by Elisa Linseisen et al., Wilhelm Fink, 2020, doi:10.30965/9783846764954_012.

Althoff, Sebastian, et al. “Editorial: Re/Dissolving Mimesis.”10.30965/9783846764954_004__Re/Dissolving Mimesis, edited by Elisa Linseisen et al., Wilhelm Fink, 2020, doi:10.30965/9783846764954_004.

Althoff, Sebastian. “Seeping Out: The Diminishment of the Subject in Hito Steyerl’s How Not to Be Seen.”10.1080/13528165.2019.1717871__Performance Research, vol. 24, no. 7, 2020, pp. 92–98, doi:10.1080/13528165.2019.1717871.

Althoff, Sebastian. “Inhabiting the Profile: Zach Blas’s Facial Weaponizaton Suite.”10.7202/1058472ar__Intermedialites. Histoire et Theorie Des Art, Des Lettres et Des Techniques, vol. 32, 2018, doi:10.7202/1058472ar.