Tönnies, Merle. Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century. no. 3, 2023, pp. 268–70, doi: https://doi.org/10.33675/ANGL/2023/3/20.
LibreCat: /record/50264
DOI:  https://doi.org/10.33675/ANGL/2023/3/20

Tönnies, Merle, and Christina Flotmann-Scholz. “Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics.” Anglistik: International Journal of English Studies, vol. 33, no. 2, 2022, pp. 257–72.
LibreCat: /record/34452

Tönnies, Merle, and Eckart Voigts. “Anger, Anxiety and Hope: The Complicit Realities and Engaged/Ing Communities of Contemporary Briitsh Dys/Utopian Theatre.” Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies), vol. 32, Walter deGruyter, 2022.
LibreCat: /record/34454

Tönnies, Merle. “Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain.” Mentalities and Materialities: Essays in Honour of Jürgen Kamm, edited by Philip Jacobi and Anette Pankratz, Königshausen &; Neumann, 2021, pp. 149–63.
LibreCat: /record/24539

Tönnies, Merle. “The Black British Bildungsroman: Gender-Specific Plot Models?” Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas, edited by Merle Tönnies and Hendrick Schlieper, vol. 21, Harrassowitz, 2021, pp. 235-263.
LibreCat: /record/21826

Tönnies, Merle, and Aleks Sierz. “‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama.” Journal of Contemporary Drama in English, vol. 9, no. 1, DeGruyter, 2021, pp. 20–42.
LibreCat: /record/29244

Tönnies, Merle, and Eckart Voigts. “Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre.” Journal of Contemporary Drama in English, vol. 8, no. 2, DeGruyter, 2020, pp. 295–312.
LibreCat: /record/21824

Tönnies, Merle, and Matthias Göhrmann. “British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach.” How to Do Cultural Studies: Ideas, Approaches, Scenarios, edited by Jürgen Kramer and Bernd Lenz, Königshausen &; Neumann, 2020, pp. 303–39.
LibreCat: /record/17058

Tönnies, Merle, and Dennis Henneböhl. “Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit.” Journal for the Study of British Cultures, vol. 26, no. 2, 2019, pp. 181–93.
LibreCat: /record/17057

Tönnies, Merle, and Anna Lienen. “Changing Uses of the City in Contemporary Black British Novels.” Resistance and the City. Negotiating Urban Identities: Race, Class, Gender, edited by Christoph Ehland and Pascal Fischer, vol. 28, Brill, 2018, pp. 66–82.
LibreCat: /record/9694

Tönnies, Merle. “The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias.” Journal of Contemporary Drama in English, vol. 5, no. 1, 2017, pp. 156–72.
LibreCat: /record/9692

Tönnies, Merle. “Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011).” Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama, edited by Kerstin Frank and Caroline Lusin, vol. 82, Narr Francke Attempto, 2017, pp. 19–39.
LibreCat: /record/9693

Tönnies, Merle. “Pope, G.: Reading London’s Suburbs.” Anglistik. International Journal of English Studies, vol. 28, no. 1, 2017, pp. 175–77.
LibreCat: /record/9696

Tönnies, Merle. “The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power.” Storyworlds: A Journal of Narrative Studies, vol. 9, no. 1–2, 2017, pp. 95–120.
LibreCat: /record/13875

Tönnies, Merle. “Religion im zeitgenössischen britischen Drama.” Religion und Kultur, edited by Klaus von Stosch et al., transcript, 2016, pp. 81–96.
LibreCat: /record/9689

Tönnies, Merle. “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s.” Anglistik. International Journal of English Studies, vol. 27, no. 1, 2016, pp. 113–24.
LibreCat: /record/9690

Tönnies, Merle, et al. “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance.” Zeitschrift Für Anglistik Und Amerikanistik, vol. 64, no. 3, 2016, pp. 301–20.
LibreCat: /record/9691

Tönnies, Merle. “Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political.” Journal of Contemporary Drama in English, vol. 3, no. 2, 2015, pp. 355–58.
LibreCat: /record/9695

Tönnies, Merle. “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama.” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, Peter Lang, 2015, pp. 243–60.
LibreCat: /record/6769

Tönnies, Merle. “Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism.” Arbeiten Aus Anglistik Und Amerikanistik, vol. 39, 2014, pp. 203–07.
LibreCat: /record/9627

Tönnies, Merle. (En-)Gendering a Popular Theatrical Genre. The Roles of Women in Nineteenth-Century British Melodrama. 1., Winter, 2014.
LibreCat: /record/6699

Tönnies, Merle. “Anti-hegemoniale Strategien des Kleinen. Britische dokumentarische Farbfotografie als Kritik des Thatcherismus.” Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien, Wilhelm Fink, 2014, pp. 321–33.
LibreCat: /record/6781

Tönnies, Merle. “Middeke,M. / Schnierer, P.P. / Sierz, A. (Hg.): The Methuen Guide to Contemporary British Playwrights.” Anglia, vol. 131, no. 1, 2013, pp. 183–88.
LibreCat: /record/9629

Tönnies, Merle. “Rossow, H. Globalismus Und Lew Labour.” Anglistik. International Journal of English Studies, vol. 24, no. 2, 2013, pp. 223–25.
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Tönnies, Merle. “Baumbach, S. / Neumann, B. / Nünning, A.: A History of British Drama.” Anglistik. International Journal of English Studies, vol. 24, no. 1, 2013, pp. 201–03.
LibreCat: /record/9632

Tönnies, Merle. “Northern Landscapes and Anti-Thatcherite Positioning.” Journal for the Study of British Cultures, vol. 20, no. 2, 2013, pp. 115–24.
LibreCat: /record/6782

Tönnies, Merle. “Feminising a Classical Male Plot Model? Black British Women Writers and the ‘Bildungsroman.’” International Journal of English Studies, vol. 24, no. 1, 2013, pp. 51–61.
LibreCat: /record/6783

Tönnies, Merle. “A Bricolage of Identities in Crisis. Colour Photography Documenting Northern England under Thatcher.” Facteurs d’Identité / Faktoren Der Identität, Peter Lang, 2012, pp. 301–23.
LibreCat: /record/6784

Flotmann, Christina, and Merle Tönnies. “Introducing Narrative in Drama.” Narrative in Drama: CDE Studies 18, edited by Merle Tönnies and Christina Flotmann-Scholz, vol. 18, WVT, 2011, pp. 9–17.
LibreCat: /record/9726

Tönnies, Merle, and Andrea Sand. “The Features of Meanings of Orality in Black British Performance Poetry.” Anglistentag 2009 Klagenfurt. Proceedings, WVT, 2010, pp. 105–14.
LibreCat: /record/6785

Tönnies, Merle. “Transgressive Melodrama. The ‘Sensational’ 1860s and Their After-Effects.” Victorian Highways - Victorian Byways. New Approaches to Nineteenth-Century British Literature and Culture, 2010, pp. 157–80.
LibreCat: /record/6863

Tönnies, Merle. “Assmann, A.: Einführung in Die Kulturwissenschaft.” Anglistik. International Journal of English Studies, vol. 20, no. 1, 2009, pp. 198–200.
LibreCat: /record/9636

Tönnies, Merle. “Shelagh  Delaney ‘A Taste of Honey.’” Kindlers Literaturlexikon, 2009.
LibreCat: /record/6871

Tönnies, Merle. “David Hare ‘A Map of the World.’” Kindlers Literaturlexikon, 2009.
LibreCat: /record/6874

Tönnies, Merle. “David Hare ‘Knuckle.’” Kindlers Literaturlexikon, 2009.
LibreCat: /record/6875

Tönnies, Merle. “David Hare ‘Plenty.’” Kindlers Literaturlexikon, 2009.
LibreCat: /record/6876

Tönnies, Merle. “Ann Patricia Jellicoe ‘The Knack.’” Kindlers Literaturlexikon, 2009.
LibreCat: /record/6877

Tönnies, Merle. “Stephen Poliakoff ‘Strawberry Fields.’” Kindlers Literaturlexikon, 2009.
LibreCat: /record/6878

Tönnies, Merle. “Peter Shaffer ‘Amadeus.’” Kindlers Literaturlexikon, 2009.
LibreCat: /record/6879

Tönnies, Merle. “Peter Shaffer ‘Equus.’” Kindlers Literaturlexikon, 2009.
LibreCat: /record/6880

Tönnies, Merle. “George Bernard Shaw ‘Mrs Warren’s Profession.’” Kindlers Literaturlexikon, 2009.
LibreCat: /record/6881

Tönnies, Merle. “Oscar Wilde ‘Mrs Henry Wood.’” Kindlers Literaturlexikon, 2009.
LibreCat: /record/6883

Tönnies, Merle. “Mary Elisabeth Braddon ‘Lady Audley’s Secret.’” Kindlers Literaturlexikon, 2009.
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Tönnies, Merle. “Oscar Wilde ‘Lady Windermere’s Fan.’” Kindlers Literaturlexikon, 2009.
LibreCat: /record/6882

Tönnies, Merle. “Alan Ayckbourn ‘Woman in Mind.’” Kindlers Literaturlexikon, 2009.
LibreCat: /record/6865

Tönnies, Merle. “Wilkie Collins ‘The Moonstone.’” Kindlers Literaturlexikon, 2009.
LibreCat: /record/6869

Tönnies, Merle. “Oscar Wilde ‘East Lynne.’” Kindlers Literaturlexikon, 2009.
LibreCat: /record/6884

Tönnies, Merle. “Translating African Traditions and Identities. Black Poetry in Contemporary Britain.” Cultures of Translation, Cambridge Scholars Publishing, 2008, pp. 87–104.
LibreCat: /record/7594

Tönnies, Merle. “The Visual Strategies of Nineteenth-Century Melodrama.” Anglistik &; Englischunterricht 71, 2008, pp. 183–205.
LibreCat: /record/7595

Tönnies, Merle. “Kulturelle Bedeutungen Und Kontexte Der Indischen Küche in Großbritannien.” Interkulturelle Mahlzeiten. Kulinarische Begegnungen Und Kommunikation in Der Literatur, transcript, 2008, pp. 337–54.
LibreCat: /record/7596

Tönnies, Merle. “Caselli, D.: Beckett’s Dante.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 245, no. 1, 2008, pp. 155–56.
LibreCat: /record/9640

Tönnies, Merle. “Constructing an Emblematic Northern Space. The New Brighton Photographs of Martin Parr and Tom Wood.” Spatial Practices 2, Rodopi, 2007, pp. 305–24.
LibreCat: /record/7597

Tönnies, Merle. “Stierstorfer, K. / L. Volkmann (Hg.): Kulturwissenschaft Interdisziplinär.” Anglistik. International Journal of English Studies, vol. 18, no. 1, 2007, pp. 170–71.
LibreCat: /record/9641

Tönnies, Merle, and Ulrich Voigt. Introduction to the Study of British Culture. Narr Studienbücher, 2007.
LibreCat: /record/6751

Tönnies, Merle. “London-Diversity and Myth.” Viewfinder Special. Lese-Und Arbeitsbuch Für Die Gymnasiale Oberstufe, edited by Peter Freese, Langenscheidt, 2007, pp. 96–111.
LibreCat: /record/6759

Tönnies, Merle. “Forms and Functions of Violence in Contemporary Black British Drama.” Anglistentag 2005, WVT, 2006, pp. 69–77.
LibreCat: /record/7598

Tönnies, Merle. “Foregrounding Boundary Zones. Martin Parr’s Photographic (De-)Constructions of Englishness.” Spatial Practices 1, Rodopi, 2006, pp. 225–41.
LibreCat: /record/7599

Tönnies, Merle. “Percy Mtwa, Mbongeni Ngema and Barney Simon: Woza Albert! (1981).” Drama II, vol. 2, 2006, pp. 389–404.
LibreCat: /record/7600

Tönnies, Merle. “New Labour in the New Millenium. A Further Theatricalisation of Politics?” Passauer Arbeiten Zur Literatur-Und Kulturwissenschaft, vol. 3, Stutz, 2006, pp. 119–38.
LibreCat: /record/7601

Tönnies, Merle. “Radicalising Postmodern Biofictions. British Fictional Autobiography of the Twenty-First Century.” Salzburg Studies in English Literature and Culture, vol. 3, Lang, 2006, pp. 305–14.
LibreCat: /record/7615

Tönnies, Merle. “A Midsummer Night’s Dream.” Stauffenburg Handbücher, vol. 9, Stauffenburg, 2006, pp. 195–214.
LibreCat: /record/7616

Tönnies, Merle. “Boehmer, E.: Stories of Women, 2005.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 243, no. 2, 2006, pp. 445–47.
LibreCat: /record/9642

Tönnies, Merle. “Middeke, M.: Die Kunst Der Gelebten Zeit, 2004.” Zeitschrift Für Anglistik Und Amerikanistik, vol. 54, no. 3, 2006, pp. 315–17.
LibreCat: /record/9643

Tönnies, Merle. “Kamm, J. / B. Lenz: Großbritannien Verstehen, 2004.” Anglia, vol. 123, no. 4, 2006, pp. 779–82.
LibreCat: /record/9644

Tönnies, Merle. “Nünning, V. / A. Nünning (Hg.): Erzähltextanalyse Und Gender Studies, 2004.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 242, no. 2, 2006, pp. 434–36.
LibreCat: /record/9645

Tönnies, Merle. “Courttia Newland’s Theatre Work. On the Occasion of B Is for Black (Oval House Theatre, London, 1-18 October 2003.” Hard Times, vol. 76, 2005, pp. 31–33.
LibreCat: /record/8352

Tönnies, Merle. “‘Serious’ Science vs. ‘Light’ Entertainment? Femininity Concepts in Nineteenth-Century British Medical Discourse and Popular Fiction.” Unmapped Countries: Biological Visions in Nineteenth-Century Literature and Culture, edited by Anne-Julia Zwierlein, Anthem Press, 2005, pp. 183–92.
LibreCat: /record/8353

Tönnies, Merle. “A New Self-Conscious Turn at the Turn of the Centruy?” Anglistik &; Englischunterricht, vol. 66, 2005, pp. 57–82.
LibreCat: /record/8845

Tönnies, Merle. “Das viktorianische Theater als Populärkultur.” Eine Kulturgeschichte der englischen Literatur: Von der Renaissance bis zur Gegenwart, 2005, pp. 158–70.
LibreCat: /record/8847

Tönnies, Merle. “Hooper, B.: Voices in the Heart. Postcolonialism and Identity in Hong Kong Literature, 2003.” Anglistik, vol. 16, no. 2, 2005, pp. 201–03.
LibreCat: /record/9647

Tönnies, Merle. “New Britain as Consumer Country and Commodity.” Journal for the Study of British Cultures, vol. 11, no. 2, 2004, pp. 117–28.
LibreCat: /record/8848

Tönnies, Merle. “Mergenthal, S.: A Fast-Forward Version of England, 2003.” Anglia, vol. 122, no. 4, 2004, pp. 758–61.
LibreCat: /record/9657

Tönnies, Merle. “Peter Brook’s Glückliche Tage.” The Beckett Circle, vol. 26, no. 2, 2003, pp. 1–3.
LibreCat: /record/8849

Tönnies, Merle. “‘New Lingo - New Theatre’?” Anglistik &; Englischunterricht, vol. 65, 2003, pp. 169–91.
LibreCat: /record/8850

Tönnies, Merle. “The ‘Postcolonial University Novel’ in Britain.” Xenophobic Memories: Otherness in Postcolonial Constructions of the Past, Winter, 2003, pp. 13–37.
LibreCat: /record/8851

Tönnies, Merle, et al. “Making Play-Texts Live: Teaching Drama as Experience.” Global Challenges and Regional Responses in Contemporary Drama in English, vol. 10, WVT, 2003, pp. 247–64.
LibreCat: /record/8852

Tönnies, Merle. “Sager, P.: Oxford &; Cambridge. Eine Kulturgeschichte.” Journal for the Study of British Cultures, vol. 10, no. 2, 2003.
LibreCat: /record/9658

Tönnies, Merle. “Veit, C.: Ich-Konzept Und Körper in Becketts Dualen Konstruktionen, 2002.” The Beckett Circle, vol. 26, no. 2, 2003, p. 18.
LibreCat: /record/9659

Tönnies, Merle. “Logan, T.: The Victorian Parlour, 2001.” Anglia, vol. 121, no. 2, 2003, pp. 323–25.
LibreCat: /record/9660

Tönnies, Merle. “Keipert, H.: Pope, Popovskij Und Die Popen, 2001.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 240, no. 1, 2003, pp. 141–44.
LibreCat: /record/9661

Tönnies, Merle. “Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen Und Ästhetische Konstruktion Bei Jean Paul Und Samuel Beckett, 2001.” The Beckett Circle, vol. 26, no. 1, 2003, p. 20.
LibreCat: /record/9662

Tönnies, Merle. “Beckett, S.: Dante Und Der Hummer. Gesammelte Prosa, 2000.” The Beckett Circle, vol. 26, no. 1, 2003, pp. 15–16.
LibreCat: /record/9663

Tönnies, Merle. “Good/Bad Girls and Their Fathers.” Journal for the Study of British Cultures, vol. 9, no. 2, 2002, pp. 185–95.
LibreCat: /record/8853

Tönnies, Merle. “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions.” Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, edited by Manfred Pfister, vol. 57, Rodopi, 2002, pp. 99–119.
LibreCat: /record/8862

Tönnies, Merle. “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, Its 1960s Forebears and the Beginning of the 21st Century .” Contemporary Drama in English, vol. 9, WVT, 2002, pp. 57–71.
LibreCat: /record/8863

Tönnies, Merle. “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000.” Forum Modernes Theater, vol. 17, no. 1, 2002, pp. 95–98.
LibreCat: /record/9664

Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000, vol. 11, 2001, pp. 194–201.
LibreCat: /record/8864

Tönnies, Merle. “The Limits of Defining Power in Terms of Exclusion.” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, WVT, 2001, pp. 61–64.
LibreCat: /record/8865

Tönnies, Merle. “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998.” Journal for the Study of British Cultures, vol. 7, no. 1, 2000, pp. 80–83.
LibreCat: /record/9665

Tönnies, Merle. “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997.” Journal for the Study of British Cultures, vol. 6, no. 2, 1999, pp. 211–13.
LibreCat: /record/9666

Tönnies, Merle. “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten Für Theater, Radio, Film Und Fernsehen, 1998.” Forum Modernes Theater, vol. 14, no. 2, 1999, pp. 229–33.
LibreCat: /record/9667

Tönnies, Merle. “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997.” Anglia, vol. 117, 1999, pp. 460–62.
LibreCat: /record/9668

Tönnies, Merle. Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. WVT, 1997.
LibreCat: /record/6752

Tönnies, Merle. “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama.” Forum Modernes Theater, vol. 11, no. 2, 1996, pp. 185–96.
LibreCat: /record/9626