Tönnies, Merle. “Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century,”https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20__2023.https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20 .

Tönnies, Merle, and Christina Flotmann-Scholz. “Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics.” Anglistik: International Journal of English Studies 33, no. 2 (2022): 257–72.

Tönnies, Merle, and Eckart Voigts. “Anger, Anxiety and Hope: The Complicit Realities and Engaged/Ing Communities of Contemporary Briitsh Dys/Utopian Theatre.” Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies) 32 (2022).

Tönnies, Merle. “Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain.” In Mentalities and Materialities: Essays in Honour of Jürgen Kamm, edited by Philip Jacobi and Anette Pankratz, 149–63. Würzburg: Königshausen &; Neumann, 2021.

Tönnies, Merle. “The Black British Bildungsroman: Gender-Specific Plot Models?” In Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas, edited by Merle Tönnies and Hendrick Schlieper, 21:235-263. Culturae. Harrassowitz, 2021.

Tönnies, Merle, and Aleks Sierz. “‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama.” Journal of Contemporary Drama in English 9, no. 1 (2021): 20–42.

Tönnies, Merle, and Eckart Voigts. “Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre.” Journal of Contemporary Drama in English 8, no. 2 (2020): 295–312.

Tönnies, Merle, and Matthias Göhrmann. “British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach.” In How to Do Cultural Studies: Ideas, Approaches, Scenarios, edited by Jürgen Kramer and Bernd Lenz, 303–39. Würzburg: Königshausen &; Neumann, 2020.

Tönnies, Merle, and Dennis Henneböhl. “Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit.” Journal for the Study of British Cultures 26, no. 2 (2019): 181–93.

Tönnies, Merle, and Anna Lienen. “Changing Uses of the City in Contemporary Black British Novels.” In Resistance and the City. Negotiating Urban Identities: Race, Class, Gender, edited by Christoph Ehland and Pascal Fischer, 28:66–82. Spatial Practices . Leiden: Brill, 2018.

Tönnies, Merle. “The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias.” Journal of Contemporary Drama in English 5, no. 1 (2017): 156–72.

Tönnies, Merle. “Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011).” In Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama, edited by Kerstin Frank and Caroline Lusin, 82:19–39. Mannerheimer Beiträge Zur Literatur- Und Kulturwissenschaft. Tübingen: Narr Francke Attempto, 2017.

Tönnies, Merle. “Pope, G.: Reading London’s Suburbs.” Anglistik. International Journal of English Studies, 2017.

Tönnies, Merle. “The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power.” Storyworlds: A Journal of Narrative Studies 9, no. 1–2 (2017): 95–120.

Tönnies, Merle. “Religion im zeitgenössischen britischen Drama.” In Religion und Kultur, edited by Klaus von Stosch, Michael Hofmann, and Sabine Schmitz, 81–96. Bielefeld: transcript, 2016.

Tönnies, Merle. “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s.” Anglistik. International Journal of English Studies 27, no. 1 (2016): 113–24.

Tönnies, Merle, Joana Brüning, and Andrea Sand. “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance.” Zeitschrift Für Anglistik Und Amerikanistik 64, no. 3 (2016): 301–20.

Tönnies, Merle. “Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political.” Journal of Contemporary Drama in English, 2015.

Tönnies, Merle. “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama.” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, 2015, 243–60.

Tönnies, Merle. “Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism.” Arbeiten Aus Anglistik Und Amerikanistik, 2014.

Tönnies, Merle. (En-)Gendering a Popular Theatrical Genre. The Roles of Women in Nineteenth-Century British Melodrama. 1. Heidelberg: Winter, 2014.

Tönnies, Merle. “Anti-hegemoniale Strategien des Kleinen. Britische dokumentarische Farbfotografie als Kritik des Thatcherismus.” Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien, 2014, 321–33.

Tönnies, Merle. “Middeke,M. / Schnierer, P.P. / Sierz, A. (Hg.): The Methuen Guide to Contemporary British Playwrights.” Anglia, 2013.

Tönnies, Merle. “Rossow, H. Globalismus Und Lew Labour.” Anglistik. International Journal of English Studies, 2013.

Tönnies, Merle. “Baumbach, S. / Neumann, B. / Nünning, A.: A History of British Drama.” Anglistik. International Journal of English Studies, 2013.

Tönnies, Merle. “Northern Landscapes and Anti-Thatcherite Positioning.” Journal for the Study of British Cultures 20, no. 2 (2013): 115–24.

Tönnies, Merle. “Feminising a Classical Male Plot Model? Black British Women Writers and the ‘Bildungsroman.’” International Journal of English Studies 24, no. 1 (2013): 51–61.

Tönnies, Merle. “A Bricolage of Identities in Crisis. Colour Photography Documenting Northern England under Thatcher.” Facteurs d’Identité / Faktoren Der Identität, 2012, 301–23.

Flotmann, Christina, and Merle Tönnies. “Introducing Narrative in Drama.” In Narrative in Drama: CDE Studies 18, edited by Merle Tönnies and Christina Flotmann-Scholz, 18:9–17. Trier: WVT, 2011.

Tönnies, Merle, and Andrea Sand. “The Features of Meanings of Orality in Black British Performance Poetry.” Anglistentag 2009 Klagenfurt. Proceedings, 2010, 105–14.

Tönnies, Merle. “Transgressive Melodrama. The ‘Sensational’ 1860s and Their After-Effects.” Victorian Highways - Victorian Byways. New Approaches to Nineteenth-Century British Literature and Culture, 2010, 157–80.

Tönnies, Merle. “Assmann, A.: Einführung in Die Kulturwissenschaft.” Anglistik. International Journal of English Studies, 2009.

Tönnies, Merle. “Shelagh  Delaney ‘A Taste of Honey.’” In Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “David Hare ‘A Map of the World.’” In Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “David Hare ‘Knuckle.’” In Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “David Hare ‘Plenty.’” In Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Ann Patricia Jellicoe ‘The Knack.’” In Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Stephen Poliakoff ‘Strawberry Fields.’” In Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Peter Shaffer ‘Amadeus.’” In Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Peter Shaffer ‘Equus.’” In Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “George Bernard Shaw ‘Mrs Warren’s Profession.’” In Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Oscar Wilde ‘Mrs Henry Wood.’” In Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Mary Elisabeth Braddon ‘Lady Audley’s Secret.’” In Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Oscar Wilde ‘Lady Windermere’s Fan.’” In Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Alan Ayckbourn ‘Woman in Mind.’” In Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Wilkie Collins ‘The Moonstone.’” In Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Oscar Wilde ‘East Lynne.’” In Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Translating African Traditions and Identities. Black Poetry in Contemporary Britain.” Cultures of Translation, 2008, 87–104.

Tönnies, Merle. “The Visual Strategies of Nineteenth-Century Melodrama.” Anglistik &; Englischunterricht 71, 2008, 183–205.

Tönnies, Merle. “Kulturelle Bedeutungen Und Kontexte Der Indischen Küche in Großbritannien.” Interkulturelle Mahlzeiten. Kulinarische Begegnungen Und Kommunikation in Der Literatur, 2008, 337–54.

Tönnies, Merle. “Caselli, D.: Beckett’s Dante.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 2008.

Tönnies, Merle. “Constructing an Emblematic Northern Space. The New Brighton Photographs of Martin Parr and Tom Wood.” Spatial Practices 2, 2007, 305–24.

Tönnies, Merle. “Stierstorfer, K. / L. Volkmann (Hg.): Kulturwissenschaft Interdisziplinär.” Anglistik. International Journal of English Studies, 2007.

Tönnies, Merle, and Ulrich Voigt. Introduction to the Study of British Culture. Tübingen: Narr Studienbücher, 2007.

Tönnies, Merle. “London-Diversity and Myth.” In Viewfinder Special. Lese-Und Arbeitsbuch Für Die Gymnasiale Oberstufe, edited by Peter Freese, 96–111. Berlin: Langenscheidt, 2007.

Tönnies, Merle. “Forms and Functions of Violence in Contemporary Black British Drama.” In Anglistentag 2005, 69–77. Trier: WVT, 2006.

Tönnies, Merle. “Foregrounding Boundary Zones. Martin Parr’s Photographic (De-)Constructions of Englishness.” Spatial Practices 1, 2006, 225–41.

Tönnies, Merle. “Percy Mtwa, Mbongeni Ngema and Barney Simon: Woza Albert! (1981).” Drama II 2 (2006): 389–404.

Tönnies, Merle. “New Labour in the New Millenium. A Further Theatricalisation of Politics?” Passauer Arbeiten Zur Literatur-Und Kulturwissenschaft 3 (2006): 119–38.

Tönnies, Merle. “Radicalising Postmodern Biofictions. British Fictional Autobiography of the Twenty-First Century.” Salzburg Studies in English Literature and Culture 3 (2006): 305–14.

Tönnies, Merle. “A Midsummer Night’s Dream.” Stauffenburg Handbücher 9 (2006): 195–214.

Tönnies, Merle. “Boehmer, E.: Stories of Women, 2005.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 2006.

Tönnies, Merle. “Middeke, M.: Die Kunst Der Gelebten Zeit, 2004.” Zeitschrift Für Anglistik Und Amerikanistik, 2006.

Tönnies, Merle. “Kamm, J. / B. Lenz: Großbritannien Verstehen, 2004.” Anglia, 2006.

Tönnies, Merle. “Nünning, V. / A. Nünning (Hg.): Erzähltextanalyse Und Gender Studies, 2004.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 2006.

Tönnies, Merle. “Courttia Newland’s Theatre Work. On the Occasion of B Is for Black (Oval House Theatre, London, 1-18 October 2003.” Hard Times 76 (2005): 31–33.

Tönnies, Merle. “‘Serious’ Science vs. ‘Light’ Entertainment? Femininity Concepts in Nineteenth-Century British Medical Discourse and Popular Fiction.” In Unmapped Countries: Biological Visions in Nineteenth-Century Literature and Culture, edited by Anne-Julia Zwierlein, 183–92. Anthem Press, 2005.

Tönnies, Merle. “A New Self-Conscious Turn at the Turn of the Centruy?” In Anglistik &; Englischunterricht, 66:57–82, 2005.

Tönnies, Merle. “Das viktorianische Theater als Populärkultur.” Eine Kulturgeschichte der englischen Literatur: Von der Renaissance bis zur Gegenwart, 2005, 158–70.

Tönnies, Merle. “Hooper, B.: Voices in the Heart. Postcolonialism and Identity in Hong Kong Literature, 2003.” Anglistik, 2005.

Tönnies, Merle. “New Britain as Consumer Country and Commodity.” Journal for the Study of British Cultures 11, no. 2 (2004): 117–28.

Tönnies, Merle. “Mergenthal, S.: A Fast-Forward Version of England, 2003.” Anglia, 2004.

Tönnies, Merle. “Peter Brook’s Glückliche Tage.” The Beckett Circle 26, no. 2 (2003): 1–3.

Tönnies, Merle. “‘New Lingo - New Theatre’?” In Anglistik &; Englischunterricht, 65:169–91, 2003.

Tönnies, Merle. “The ‘Postcolonial University Novel’ in Britain.” Xenophobic Memories: Otherness in Postcolonial Constructions of the Past, 2003, 13–37.

Tönnies, Merle, Pankratz Annette, von Rothkirch Alyce, and Stark Kathleen. “Making Play-Texts Live: Teaching Drama as Experience.” Global Challenges and Regional Responses in Contemporary Drama in English 10 (2003): 247–64.

Tönnies, Merle. “Sager, P.: Oxford &; Cambridge. Eine Kulturgeschichte.” Journal for the Study of British Cultures, 2003.

Tönnies, Merle. “Veit, C.: Ich-Konzept Und Körper in Becketts Dualen Konstruktionen, 2002.” The Beckett Circle, 2003.

Tönnies, Merle. “Logan, T.: The Victorian Parlour, 2001.” Anglia, 2003.

Tönnies, Merle. “Keipert, H.: Pope, Popovskij Und Die Popen, 2001.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 2003.

Tönnies, Merle. “Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen Und Ästhetische Konstruktion Bei Jean Paul Und Samuel Beckett, 2001.” The Beckett Circle, 2003.

Tönnies, Merle. “Beckett, S.: Dante Und Der Hummer. Gesammelte Prosa, 2000.” The Beckett Circle, 2003.

Tönnies, Merle. “Good/Bad Girls and Their Fathers.” Journal for the Study of British Cultures 9, no. 2 (2002): 185–95.

Tönnies, Merle. “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions.” In Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, edited by Manfred Pfister, 57:99–119. A History of Laughter: Laughter from Beowulf to Beckett and Beyond. Amsterdam: Rodopi, 2002.

Tönnies, Merle. “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, Its 1960s Forebears and the Beginning of the 21st Century .” Contemporary Drama in English 9 (2002): 57–71.

Tönnies, Merle. “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000.” Forum Modernes Theater, 2002.

Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000 11 (2001): 194–201.

Tönnies, Merle. “The Limits of Defining Power in Terms of Exclusion.” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, 2001, 61–64.

Tönnies, Merle. “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998.” Journal for the Study of British Cultures, 2000.

Tönnies, Merle. “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997.” Journal for the Study of British Cultures, 1999.

Tönnies, Merle. “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten Für Theater, Radio, Film Und Fernsehen, 1998.” Forum Modernes Theater, 1999.

Tönnies, Merle. “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997.” Anglia, 1999.

Tönnies, Merle. Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT, 1997.

Tönnies, Merle. “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama.” Forum Modernes Theater 11, no. 2 (1996): 185–96.