Tönnies, Merle. “Mergenthal, S.: A Fast-Forward Version of England, 2003.” Anglia, vol. 122, no. 4, 2004, pp. 758–61.
LibreCat: /record/9657

Mildorf, Jarmila. “Narrativising the Body: Fragmentation and Unification in Jed Mercurio’s ‘Bodies.’” Interdisciplinary Perspectives on Health, Illness and Disease, edited by Peter L. Twohig and Vera Kalitzkus, Rodopi, 2004, pp. 97–112.
LibreCat: /record/9249

Mildorf, Jarmila. “Narratives of Domestic Violence Cases: GPs Defining Their Professional Role.” Making Sense of Health, Illness and Disease, edited by Peter L. Twohig and Vera Kalitzkus, Rodopi, 2004, pp. 173–96.
LibreCat: /record/9250

Mildorf, Jarmila. “Book Review: Vera and Ansgar Nünning (Eds) (2002). Erzähltheorie Transgenerisch, Intermedial, Interdisziplinär. Trier: WVT. / Ansgar and Vera Nünning (Eds) (2002). Neue Ansätze in Der Erzähltheorie. Trier: WVT.” Narrative Inquiry, vol. 14, no. 1, 2004, pp. 219–34.
LibreCat: /record/9842

Mindt, Ilka. “Is I Think a Discourse Marker.” Anglistentag 2002 Bayreuth. Proceedings of the Conference of  	the German Association of University Teachers of English, Volume XXIV, edited by Ewald Mengel et al., Wissenschaftler Verlag, 2003, pp. 473–83.
LibreCat: /record/17849

Mindt, Ilka. “Tagungsbericht über das Internationale Kolloquium Korpuslinguistik  	Deutsch: synchron – diachron – kontrastiv (klde 2003).” Zeitschrift für Deutsche  	Philologie 122, vol. Heft 3, 2003, pp. 435–39.
LibreCat: /record/17850

Mindt, Ilka, and Joybrato Mukherjee. “Form and Function of Parasyntactic Presentation  	Structures. A Corpus-Based Study of Talk Units in Spoken English.” ICAME Journal, 27, Computers in English Linguistics, Rodopi, 2001, 2003, pp. 65–71.
LibreCat: /record/17909

Tönnies, Merle. “Peter Brook’s Glückliche Tage.” The Beckett Circle, vol. 26, no. 2, 2003, pp. 1–3.
LibreCat: /record/8849

Tönnies, Merle. “‘New Lingo - New Theatre’?” Anglistik &; Englischunterricht, vol. 65, 2003, pp. 169–91.
LibreCat: /record/8850

Tönnies, Merle. “The ‘Postcolonial University Novel’ in Britain.” Xenophobic Memories: Otherness in Postcolonial Constructions of the Past, Winter, 2003, pp. 13–37.
LibreCat: /record/8851

Tönnies, Merle, et al. “Making Play-Texts Live: Teaching Drama as Experience.” Global Challenges and Regional Responses in Contemporary Drama in English, vol. 10, WVT, 2003, pp. 247–64.
LibreCat: /record/8852

Tönnies, Merle. “Sager, P.: Oxford &; Cambridge. Eine Kulturgeschichte.” Journal for the Study of British Cultures, vol. 10, no. 2, 2003.
LibreCat: /record/9658

Tönnies, Merle. “Veit, C.: Ich-Konzept Und Körper in Becketts Dualen Konstruktionen, 2002.” The Beckett Circle, vol. 26, no. 2, 2003, p. 18.
LibreCat: /record/9659

Tönnies, Merle. “Logan, T.: The Victorian Parlour, 2001.” Anglia, vol. 121, no. 2, 2003, pp. 323–25.
LibreCat: /record/9660

Tönnies, Merle. “Keipert, H.: Pope, Popovskij Und Die Popen, 2001.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 240, no. 1, 2003, pp. 141–44.
LibreCat: /record/9661

Tönnies, Merle. “Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen Und Ästhetische Konstruktion Bei Jean Paul Und Samuel Beckett, 2001.” The Beckett Circle, vol. 26, no. 1, 2003, p. 20.
LibreCat: /record/9662

Tönnies, Merle. “Beckett, S.: Dante Und Der Hummer. Gesammelte Prosa, 2000.” The Beckett Circle, vol. 26, no. 1, 2003, pp. 15–16.
LibreCat: /record/9663

Mindt, Ilka. “Functions of Intonation in Sentences and Texts.” New Frontiers of Corpus Research. Papers from the Twenty  	First International Conference on English Language Research on Computerized  	Corpora, edited by Pam Peters et al., Rodopi, 2002, pp. 283–93.
LibreCat: /record/17851

Mindt, Ilka, and Manfred Krug. “Emerging English Modals: A Corpus-Based Study of  	Grammaticalization.” Journal of English Linguistics, Volume 30, Number 3, vol. Number 3, Mouton de Gruyter, 2000, 2002, pp. 290–94.
LibreCat: /record/17910

Tönnies, Merle. “Good/Bad Girls and Their Fathers.” Journal for the Study of British Cultures, vol. 9, no. 2, 2002, pp. 185–95.
LibreCat: /record/8853

Tönnies, Merle. “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions.” Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, edited by Manfred Pfister, vol. 57, Rodopi, 2002, pp. 99–119.
LibreCat: /record/8862

Tönnies, Merle. “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, Its 1960s Forebears and the Beginning of the 21st Century .” Contemporary Drama in English, vol. 9, WVT, 2002, pp. 57–71.
LibreCat: /record/8863

Tönnies, Merle. “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000.” Forum Modernes Theater, vol. 17, no. 1, 2002, pp. 95–98.
LibreCat: /record/9664

Mildorf, Jarmila. “'Opening up a Can of Worms’: Physicians’ Narrative Construction of Knowledge about Domestic Violence.” Narrative Inquiry, vol. 12, no. 2, 2002, pp. 233–60.
LibreCat: /record/9218

Mildorf, Jarmila. General Practitioners’ Narrative Discourse on Domestic Violence: A Sociolinguistic Study. University of Aberdeen, 2002.
LibreCat: /record/9650

McKie, Linda, et al. “Time to Disclose, Timing Disclosure: GPs’ Discourses on Disclosing Domestic Abuse in Primary Care.” Sociology of Health and Illness, vol. 24, no. 3, 2002, pp. 327–46.
LibreCat: /record/9219

Mindt, Ilka. Intonation im Lancaster/IBM Spoken English Corpus. Falls und  fall-rises, Sprecherwechsel, paratones, declination. Vol. 23, Narr, 2001.
LibreCat: /record/17688

Mindt, Ilka. “Longman Idioms Dictionary.” Anglistik.  	Mitteilungen Des Deutschen Anglistenverbandes, Heft 12/1, März 2001, Longman, 1998, 2001, pp. 193–95.
LibreCat: /record/17911

Mindt, Ilka, and Marianne Hundt. “New Zealand English Grammar Fact or Fiction?  A  	Corpus-Based Study in Morphosyntactic Variation.” Anglistik: Mitteilungen Des Deutschen Anglistenverbandes, Heft 12/2, September 2001, John Benjamins, 1998, 2001, pp. 169–72.
LibreCat: /record/17912

Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000, vol. 11, 2001, pp. 194–201.
LibreCat: /record/8864

Tönnies, Merle. “The Limits of Defining Power in Terms of Exclusion.” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, WVT, 2001, pp. 61–64.
LibreCat: /record/8865

Tönnies, Merle, and Claus-Ulrich Viol, editors. British Political Speeches from Churchill to Blair. Reclam, 2001.
LibreCat: /record/6760

Mindt, Ilka. “Prosodic Cues at Speaker Turns.” Corpus Linguistics and Linguistic Theory. Papers from the Twentieth  International Conference on English Language Research on Computerized Corpora  (ICAME 20), edited by Christian Mair and Marianne Hundt, Rodopi, 2000, pp. 255–65.
LibreCat: /record/17852

Tönnies, Merle. “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998.” Journal for the Study of British Cultures, vol. 7, no. 1, 2000, pp. 80–83.
LibreCat: /record/9665

Tönnies, Merle, et al., editors. Youth Identities. Teens and Twens in British Culture. Winter, 2000.
LibreCat: /record/6762

Tönnies, Merle, and Claus-Ulrich Viol, editors. Hanif Kureishi. My Beautiful Laundrette. Reclam, 1999.
LibreCat: /record/6765

Tönnies, Merle, and Reinhold Schiffer, editors. British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. WVT, 1999.
LibreCat: /record/6767

Tönnies, Merle. “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997.” Journal for the Study of British Cultures, vol. 6, no. 2, 1999, pp. 211–13.
LibreCat: /record/9666

Tönnies, Merle. “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten Für Theater, Radio, Film Und Fernsehen, 1998.” Forum Modernes Theater, vol. 14, no. 2, 1999, pp. 229–33.
LibreCat: /record/9667

Tönnies, Merle. “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997.” Anglia, vol. 117, 1999, pp. 460–62.
LibreCat: /record/9668

Tönnies, Merle. Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. WVT, 1997.
LibreCat: /record/6752

Tönnies, Merle. “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama.” Forum Modernes Theater, vol. 11, no. 2, 1996, pp. 185–96.
LibreCat: /record/9626