Tönnies, M. (2001). The Limits of Defining Power in Terms of Exclusion. Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, 61–64.
LibreCat: /record/8865

Tönnies, M., &; Viol, C.-U. (Eds.). (2001). British Political Speeches from Churchill to Blair. Stuttgart: Reclam.
LibreCat: /record/6760

Mindt, I. (2000). Prosodic Cues at Speaker Turns. In C. Mair &; M. Hundt (Eds.), Corpus Linguistics and Linguistic Theory. Papers from the Twentieth  International Conference on English Language Research on Computerized Corpora  (ICAME 20) (pp. 255–265). Amsterdam: Rodopi.
LibreCat: /record/17852

Tönnies, M. (2000). Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998. Journal for the Study of British Cultures.
LibreCat: /record/9665

Tönnies, M., Stratmann, G., Viol, C.-U., &; Anglistik und Englischunterricht 63 (Eds.). (2000). Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter.
LibreCat: /record/6762

Tönnies, M., &; Viol, C.-U. (Eds.). (1999). Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam.
LibreCat: /record/6765

Tönnies, M., &; Schiffer, R. (Eds.). (1999). British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. Trier: WVT.
LibreCat: /record/6767

Tönnies, M. (1999). Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997. In Journal for the Study of British Cultures (Vol. 6, Issue 2, pp. 211–213).
LibreCat: /record/9666

Tönnies, M. (1999). Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten für Theater, Radio, Film und Fernsehen, 1998. In Forum Modernes Theater (Vol. 14, Issue 2, pp. 229–233).
LibreCat: /record/9667

Tönnies, M. (1999). Ledger, S.: The New Woman. Fiction and Feminism at the “Fin de Siècle”, 1997. In Anglia (Vol. 117, pp. 460–462).
LibreCat: /record/9668

Tönnies, M. (1997). Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT.
LibreCat: /record/6752

Tönnies, M. (1996). The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama. Forum Modernes Theater, 11(2), 185–196.
LibreCat: /record/9626