Mildorf, Jarmila. “Thought Presentation and Constructed Dialogue in Oral Storytelling: Limits and Possibilities of a Cross-Disciplinary Narratology.” Partial Answers 6, no. 2 (2008): 279–300.

Hyvärinen, Matti, Kai Mikkonen, and Jarmila Mildorf, eds. Narrative: Knowing, Living, Telling. Partial Answers. Vol. 6. Partial Answers 6(2), 2008.

Geierhos, Michaela. Grammatik der Menschenbezeichner in biographischen Kontexten. 1st ed. Vol. 2. Arbeiten zur Informations- und Sprachverarbeitung. München: Ludwig-Maximilians-Universität, 2007.

Bsiri, Sandra, and Michaela Geierhos. “Informationsextraktion aus Stellenanzeigen im Internet.” In LWA 2007: Lernen - Wissen - Adaption, Halle, September 2007, Workshop Proceedings, edited by Alexander  Hinneburg, 229–36.  Halle-Wittenberg, Germany: Martin-Luther-University, 2007.

Mindt, Ilka. “The Valency of Experiential and Evaluative Adjectives.” In Valency. Theoretical, Descriptive and Cognitive  	Issues, edited by Thomas Herbst and Katrin Götz-Votteler, 101–15. Berlin: Mouton de Gruyter, 2007.

Tönnies, Merle. “Constructing an Emblematic Northern Space. The New Brighton Photographs of Martin Parr and Tom Wood.” Spatial Practices 2, 2007, 305–24.

Tönnies, Merle. “Stierstorfer, K. / L. Volkmann (Hg.): Kulturwissenschaft Interdisziplinär.” Anglistik. International Journal of English Studies, 2007.

Tönnies, Merle, and Ulrich Voigt. Introduction to the Study of British Culture. Tübingen: Narr Studienbücher, 2007.

Tönnies, Merle. “London-Diversity and Myth.” In Viewfinder Special. Lese-Und Arbeitsbuch Für Die Gymnasiale Oberstufe, edited by Peter Freese, 96–111. Berlin: Langenscheidt, 2007.

Mildorf, Jarmila. Storying Domestic Violence: Constructions and Stereotypes of Abuse in the Discourse of General Practitioners. Frontiers of Narrative. Lincoln, NE: University of Nebraska Press, 2007.

Mildorf, Jarmila. “Mad Intertextuality: ‘Jane Eyre’, ‘Wide Sargasso Sea’, ‘After Mrs Rochester.’” In A Breath of Fresh Eyre: Intertextual and Intermedial Reworkings of “Jane Eyre,” edited by Margarete Rubik and Elke Mettinger-Schartmann, 347–62. Amsterdam: Rodopi, 2007.

Mildorf, Jarmila. “Book Review: Katharina Uhsadel (2005). Antonia Byatts Quartet in Der Tradition Des Englischen Bildungsromans. Heidelberg: Winter.” Anglistik, 2007.

Ehland, Christoph, and Robert Fajen, eds. Das Paradigma Des Pikaresken - The Paradigm of the Picaresque. Vol. Beiheft 30. Germanisch-Romanische Monatsschrift . Heidelberg: Winter, 2007.

Ehland, Christoph, ed. Thinking Northern: Textures of Identity in the North of England. Vol. Volume 2. Spatial Practices. Amsterdam and New York: Rodopi, 2007.

Mindt, Ilka. “Distributional Data and Grammatical Structures: The Case of so-  Called Subject Extraposition.” Zeitschrift Für Anglistik Und Amerikanistik 54.2, Special Issue on "The Scope and Limits of Corpus Linguistics – Empiricism in the Description and Analysis of English, 2006, 149–62.

Tönnies, Merle. “Forms and Functions of Violence in Contemporary Black British Drama.” In Anglistentag 2005, 69–77. Trier: WVT, 2006.

Tönnies, Merle. “Foregrounding Boundary Zones. Martin Parr’s Photographic (De-)Constructions of Englishness.” Spatial Practices 1, 2006, 225–41.

Tönnies, Merle. “Percy Mtwa, Mbongeni Ngema and Barney Simon: Woza Albert! (1981).” Drama II 2 (2006): 389–404.

Tönnies, Merle. “New Labour in the New Millenium. A Further Theatricalisation of Politics?” Passauer Arbeiten Zur Literatur-Und Kulturwissenschaft 3 (2006): 119–38.

Tönnies, Merle. “Radicalising Postmodern Biofictions. British Fictional Autobiography of the Twenty-First Century.” Salzburg Studies in English Literature and Culture 3 (2006): 305–14.

Tönnies, Merle. “A Midsummer Night’s Dream.” Stauffenburg Handbücher 9 (2006): 195–214.

Tönnies, Merle. “Boehmer, E.: Stories of Women, 2005.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 2006.

Tönnies, Merle. “Middeke, M.: Die Kunst Der Gelebten Zeit, 2004.” Zeitschrift Für Anglistik Und Amerikanistik, 2006.

Tönnies, Merle. “Kamm, J. / B. Lenz: Großbritannien Verstehen, 2004.” Anglia, 2006.

Tönnies, Merle. “Nünning, V. / A. Nünning (Hg.): Erzähltextanalyse Und Gender Studies, 2004.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 2006.

Mildorf, Jarmila. “Sociolinguistic Implications of Narratology: Focalization and ‘Double Deixis’ in Conversational Storytelling.” In The Travelling Concept of Narrative, edited by Matti Hyvärinen, Anu Korhonen, and Juri Mykkänen, 1:42–59. COLLeGIUM: Studies across Disciplines in the Humanities and Social Sciences. Helsinki: Helsinki Collegium for Advanced Studies, 2006.

Mildorf, Jarmila. “Disenchanting the World, Enchanting the Reader: The Negotiation of Biochemistry in Sinclair Lewis’ ‘Arrowsmith.’” In Magic, Science, Technology, and Literature, edited by Jarmila Mildorf, Hans Ulrich Seeber, and Martin Windisch, 191–207. Münster: LIT Verlag, 2006.

Seeber, Hans Ulrich, Jarmila Mildorf, and Martin Windisch. “Introduction.” In Magic, Science, Technology, and Literature, edited by Hans Ulrich Seeber, Jarmila Mildorf, and Martin Windisch, 9–21. Münster: LIT Verlag, 2006.

Mildorf, Jarmila. “Book Review: Alan Palmer (2004). Fictional Minds. Lincoln: University of Nebraska Press.” Anglia, 2006.

Mindt, Ilka. “Learner English: Ein Überblick über vorhandene Korpora und  	mögliche Forschungsansätze.” In Korpuslinguistik Deutsch: synchron – diachron – kontrastiv. Würzburger Kolloquium  2003, edited by Johannes Schwitalla and Werner Wegstein, 137–46. Tübingen: Niemeyer, 2005.

Mindt, Ilka, and Susan Hunston. “Corpora in Applied Linguistics.” In ICAME Journal 29, Computers in English  	Linguistics, 184–88. Cambridge: Cambridge University Press, 2002, 2005.

Mindt, Ilka, Rodney Huddleston, and Geoffrey K. Pullum. “A Student’s Introduction to  	English Grammar.” In Zeitschrift Für  	Anglistik Und Amerikanisitk. A Quarterly of Language, Literature and Culture. Heft 2,  , 2:195–97. Heft 2. Cambridge: Cambridge University Press, 2005, 2005.

Mindt, Ilka, and Monika Elisabeth Bründl. “Lexikalische Dynamik: Kognitiv-linguistische  	Untersuchungen am englischen Computerwortschatz.” In Anglistik. Mitteilungen des Deutschen Anglistenverbandes, Heft 16/1, März 2005., 194–96. Tübingen: Niemeyer, 2001, 2005.

Tönnies, Merle. “Courttia Newland’s Theatre Work. On the Occasion of B Is for Black (Oval House Theatre, London, 1-18 October 2003.” Hard Times 76 (2005): 31–33.

Tönnies, Merle. “‘Serious’ Science vs. ‘Light’ Entertainment? Femininity Concepts in Nineteenth-Century British Medical Discourse and Popular Fiction.” In Unmapped Countries: Biological Visions in Nineteenth-Century Literature and Culture, edited by Anne-Julia Zwierlein, 183–92. Anthem Press, 2005.

Tönnies, Merle. “A New Self-Conscious Turn at the Turn of the Centruy?” In Anglistik &; Englischunterricht, 66:57–82, 2005.

Tönnies, Merle. “Das viktorianische Theater als Populärkultur.” Eine Kulturgeschichte der englischen Literatur: Von der Renaissance bis zur Gegenwart, 2005, 158–70.

Tönnies, Merle. “Hooper, B.: Voices in the Heart. Postcolonialism and Identity in Hong Kong Literature, 2003.” Anglistik, 2005.

Mildorf, Jarmila. “Words That Strike and Words That Comfort: Discursive Dynamics of Verbal Abuse in Roddy Doyle’s ‘The Woman Who Walked Into Doors.’” Journal of Gender Studies 14, no. 2 (2005): 107–22.

Tönnies, Merle. “New Britain as Consumer Country and Commodity.” Journal for the Study of British Cultures 11, no. 2 (2004): 117–28.

Tönnies, Merle. “Mergenthal, S.: A Fast-Forward Version of England, 2003.” Anglia, 2004.

Mildorf, Jarmila. “Narrativising the Body: Fragmentation and Unification in Jed Mercurio’s ‘Bodies.’” In Interdisciplinary Perspectives on Health, Illness and Disease, edited by Peter L. Twohig and Vera Kalitzkus, 97–112. Amsterdam: Rodopi, 2004.

Mildorf, Jarmila. “Narratives of Domestic Violence Cases: GPs Defining Their Professional Role.” In Making Sense of Health, Illness and Disease, edited by Peter L. Twohig and Vera Kalitzkus, 173–96. Amsterdam: Rodopi, 2004.

Mildorf, Jarmila. “Book Review: Vera and Ansgar Nünning (Eds) (2002). Erzähltheorie Transgenerisch, Intermedial, Interdisziplinär. Trier: WVT. / Ansgar and Vera Nünning (Eds) (2002). Neue Ansätze in Der Erzähltheorie. Trier: WVT.” Narrative Inquiry, 2004.

Mindt, Ilka. “Is I Think a Discourse Marker.” In Anglistentag 2002 Bayreuth. Proceedings of the Conference of  	the German Association of University Teachers of English, Volume XXIV, edited by Ewald Mengel, Hans-Jörg Schmid, and Michael Steppat, 473–83. Trier: Wissenschaftler Verlag, 2003.

Mindt, Ilka. “Tagungsbericht über das Internationale Kolloquium Korpuslinguistik  	Deutsch: synchron – diachron – kontrastiv (klde 2003).” Zeitschrift für Deutsche  	Philologie 122 Heft 3 (2003): 435–39.

Mindt, Ilka, and Joybrato Mukherjee. “Form and Function of Parasyntactic Presentation  	Structures. A Corpus-Based Study of Talk Units in Spoken English.” In ICAME Journal, 27, Computers in English Linguistics, 65–71. Amsterdam: Rodopi, 2001, 2003.

Tönnies, Merle. “Peter Brook’s Glückliche Tage.” The Beckett Circle 26, no. 2 (2003): 1–3.

Tönnies, Merle. “‘New Lingo - New Theatre’?” In Anglistik &; Englischunterricht, 65:169–91, 2003.

Tönnies, Merle. “The ‘Postcolonial University Novel’ in Britain.” Xenophobic Memories: Otherness in Postcolonial Constructions of the Past, 2003, 13–37.

Tönnies, Merle, Pankratz Annette, von Rothkirch Alyce, and Stark Kathleen. “Making Play-Texts Live: Teaching Drama as Experience.” Global Challenges and Regional Responses in Contemporary Drama in English 10 (2003): 247–64.

Tönnies, Merle. “Sager, P.: Oxford &; Cambridge. Eine Kulturgeschichte.” Journal for the Study of British Cultures, 2003.

Tönnies, Merle. “Veit, C.: Ich-Konzept Und Körper in Becketts Dualen Konstruktionen, 2002.” The Beckett Circle, 2003.

Tönnies, Merle. “Logan, T.: The Victorian Parlour, 2001.” Anglia, 2003.

Tönnies, Merle. “Keipert, H.: Pope, Popovskij Und Die Popen, 2001.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, 2003.

Tönnies, Merle. “Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen Und Ästhetische Konstruktion Bei Jean Paul Und Samuel Beckett, 2001.” The Beckett Circle, 2003.

Tönnies, Merle. “Beckett, S.: Dante Und Der Hummer. Gesammelte Prosa, 2000.” The Beckett Circle, 2003.

Mindt, Ilka. “Functions of Intonation in Sentences and Texts.” In New Frontiers of Corpus Research. Papers from the Twenty  	First International Conference on English Language Research on Computerized  	Corpora, edited by Pam Peters, Peter Collins, and Adam Smith, 283–93. Amsterdam: Rodopi, 2002.

Mindt, Ilka, and Manfred Krug. “Emerging English Modals: A Corpus-Based Study of  	Grammaticalization.” In Journal of English Linguistics, Volume 30, Number 3, Number 3:290–94. Volume 30. Mouton de Gruyter, 2000, 2002.

Tönnies, Merle. “Good/Bad Girls and Their Fathers.” Journal for the Study of British Cultures 9, no. 2 (2002): 185–95.

Tönnies, Merle. “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions.” In Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, edited by Manfred Pfister, 57:99–119. A History of Laughter: Laughter from Beowulf to Beckett and Beyond. Amsterdam: Rodopi, 2002.

Tönnies, Merle. “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, Its 1960s Forebears and the Beginning of the 21st Century .” Contemporary Drama in English 9 (2002): 57–71.

Tönnies, Merle. “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000.” Forum Modernes Theater, 2002.

Mildorf, Jarmila. “'Opening up a Can of Worms’: Physicians’ Narrative Construction of Knowledge about Domestic Violence.” Narrative Inquiry 12, no. 2 (2002): 233–60.

Mildorf, Jarmila. General Practitioners’ Narrative Discourse on Domestic Violence: A Sociolinguistic Study. Aberdeen: University of Aberdeen, 2002.

McKie, Linda, Barbara Fennell, and Jarmila Mildorf. “Time to Disclose, Timing Disclosure: GPs’ Discourses on Disclosing Domestic Abuse in Primary Care.” Sociology of Health and Illness 24, no. 3 (2002): 327–46.

Mindt, Ilka. Intonation im Lancaster/IBM Spoken English Corpus. Falls und  fall-rises, Sprecherwechsel, paratones, declination. Vol. 23. Language in Performance . Tübingen: Narr, 2001.

Mindt, Ilka. “Longman Idioms Dictionary.” In Anglistik.  	Mitteilungen Des Deutschen Anglistenverbandes, Heft 12/1, März 2001., 193–95. Harlow: Longman, 1998, 2001.

Mindt, Ilka, and Marianne Hundt. “New Zealand English Grammar Fact or Fiction?  A  	Corpus-Based Study in Morphosyntactic Variation.” In Anglistik: Mitteilungen Des Deutschen Anglistenverbandes, Heft 12/2, September 2001., 169–72. Amsterdam / Philadelphia: John Benjamins, 1998, 2001.

Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000 11 (2001): 194–201.

Tönnies, Merle. “The Limits of Defining Power in Terms of Exclusion.” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, 2001, 61–64.

Tönnies, Merle, and Claus-Ulrich Viol, eds. British Political Speeches from Churchill to Blair. Stuttgart: Reclam, 2001.

Mindt, Ilka. “Prosodic Cues at Speaker Turns.” In Corpus Linguistics and Linguistic Theory. Papers from the Twentieth  International Conference on English Language Research on Computerized Corpora  (ICAME 20), edited by Christian Mair and Marianne Hundt, 255–65. Amsterdam: Rodopi, 2000.

Tönnies, Merle. “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998.” Journal for the Study of British Cultures, 2000.

Tönnies, Merle, Gerd Stratmann, Claus-Ulrich Viol, and Anglistik und Englischunterricht 63, eds. Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter, 2000.

Tönnies, Merle, and Claus-Ulrich Viol, eds. Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam, 1999.

Tönnies, Merle, and Reinhold Schiffer, eds. British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. Trier: WVT, 1999.

Tönnies, Merle. “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997.” Journal for the Study of British Cultures, 1999.

Tönnies, Merle. “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten Für Theater, Radio, Film Und Fernsehen, 1998.” Forum Modernes Theater, 1999.

Tönnies, Merle. “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997.” Anglia, 1999.

Tönnies, Merle. Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT, 1997.

Tönnies, Merle. “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama.” Forum Modernes Theater 11, no. 2 (1996): 185–96.