Mildorf J. Mad Intertextuality: “Jane Eyre”, “Wide Sargasso Sea”, “After Mrs Rochester.” In: Rubik M, Mettinger-Schartmann E, eds. A Breath of Fresh Eyre: Intertextual and Intermedial Reworkings of “Jane Eyre.” Rodopi; 2007:347-362.

Mildorf J. Book review: Katharina Uhsadel (2005). Antonia Byatts Quartet in der Tradition des Englischen Bildungsromans. Heidelberg: Winter. Anglistik. 2007;18(1):193-194.

Ehland C, Fajen R, eds. Das Paradigma Des Pikaresken - The Paradigm of the Picaresque. Vol Beiheft 30. Winter; 2007.

Ehland C, ed. Thinking Northern: Textures of Identity in the North of England. Vol Volume 2. Rodopi; 2007.

Mindt I. Distributional data and grammatical structures: The case of so-  called subject extraposition. Zeitschrift für Anglistik und Amerikanistik 542, Special issue on "The scope and Limits of Corpus Linguistics – Empiricism in the Description and Analysis of English. 2006:149-162.

Tönnies M. Forms and Functions of Violence in Contemporary Black British Drama. In: Anglistentag 2005. Trier: WVT; 2006:69-77.

Tönnies M. Foregrounding Boundary Zones. Martin Parr’s Photographic (De-)Constructions of Englishness. Spatial Practices 1. 2006:225-241.

Tönnies M. Percy Mtwa, Mbongeni Ngema and Barney Simon: Woza Albert! (1981). Drama II. 2006;2:389-404.

Tönnies M. New Labour in the New Millenium. A Further Theatricalisation of Politics? Passauer Arbeiten zur Literatur-und Kulturwissenschaft. 2006;3:119-138.

Tönnies M. Radicalising Postmodern Biofictions. British Fictional Autobiography of the Twenty-First Century. Salzburg Studies in English Literature and Culture. 2006;3:305-314.

Tönnies M. A Midsummer Night’s Dream. Stauffenburg Handbücher. 2006;9:195-214.

Tönnies M. Boehmer, E.: Stories of Women, 2005. Archiv für das Studium der neueren Sprachen und Literaturen. 2006;243(2):445-447.

Tönnies M. Middeke, M.: Die Kunst der gelebten Zeit, 2004. Zeitschrift für Anglistik und Amerikanistik. 2006;54(3):315-317.

Tönnies M. Kamm, J. / B. Lenz: Großbritannien verstehen, 2004. Anglia. 2006;123(4):779-782.

Tönnies M. Nünning, V. / A. Nünning (Hg.): Erzähltextanalyse und Gender Studies, 2004. Archiv für das Studium der neueren Sprachen und Literaturen. 2006;242(2):434-436.

Mildorf J. Sociolinguistic Implications of Narratology: Focalization and ‘Double Deixis’ in Conversational Storytelling. In: Hyvärinen M, Korhonen A, Mykkänen J, eds. The Travelling Concept of Narrative. Vol 1. COLLeGIUM: Studies across Disciplines in the Humanities and Social Sciences. Helsinki Collegium for Advanced Studies; 2006:42-59.

Mildorf J. Disenchanting the World, Enchanting the Reader: The Negotiation of Biochemistry in Sinclair Lewis’ “Arrowsmith.” In: Mildorf J, Seeber HU, Windisch M, eds. Magic, Science, Technology, and Literature. LIT Verlag; 2006:191-207.

Seeber HU, Mildorf J, Windisch M. Introduction. In: Seeber HU, Mildorf J, Windisch M, eds. Magic, Science, Technology, and Literature. LIT Verlag; 2006:9-21.

Mildorf J. Book review: Alan Palmer (2004). Fictional Minds. Lincoln: University of Nebraska Press. Anglia. 2006;123(4):775-779.

Mindt I. Learner English: Ein Überblick über vorhandene Korpora und  	mögliche Forschungsansätze. In: Schwitalla J, Wegstein W, eds. Korpuslinguistik Deutsch: synchron – diachron – kontrastiv. Würzburger Kolloquium  2003. Tübingen: Niemeyer; 2005:137-146.

Mindt I, Hunston S. Corpora in Applied Linguistics. In: ICAME Journal 29, Computers in English  	Linguistics. Cambridge: Cambridge University Press, 2002; 2005:184-188.

Mindt I, Huddleston R, Pullum GK. A Student’s Introduction to  	English Grammar. In: Zeitschrift Für  	Anglistik Und Amerikanisitk. A Quarterly of Language, Literature and Culture. Heft 2,  . Vol 2. Heft 2. Cambridge: Cambridge University Press, 2005; 2005:195-197.

Mindt I, Bründl ME.  Lexikalische Dynamik: Kognitiv-linguistische  	Untersuchungen am englischen Computerwortschatz. In: Anglistik. Mitteilungen des Deutschen Anglistenverbandes. Heft 16/1, März 2005. Tübingen: Niemeyer, 2001; 2005:194-196.

Tönnies M. Courttia Newland’s Theatre Work. On the Occasion of B is for Black (Oval House Theatre, London, 1-18 October 2003. Hard Times. 2005;76:31-33.

Tönnies M. “Serious” Science vs. “Light” Entertainment? Femininity Concepts in Nineteenth-Century British Medical Discourse and Popular Fiction. In: Zwierlein A-J, ed. Unmapped Countries: Biological Visions in Nineteenth-Century Literature and Culture. Anthem Press; 2005:183-192.

Tönnies M. A New Self-Conscious Turn at the Turn of the Centruy? In: Anglistik &; Englischunterricht. Vol 66. ; 2005:57-82.

Tönnies M. Das viktorianische Theater als Populärkultur. Eine Kulturgeschichte der englischen Literatur: Von der Renaissance bis zur Gegenwart. 2005:158-170.

Tönnies M. Hooper, B.: Voices in the Heart. Postcolonialism and Identity in Hong Kong Literature, 2003. Anglistik. 2005;16(2):201-203.

Mildorf J. Words That Strike and Words That Comfort: Discursive Dynamics of Verbal Abuse in Roddy Doyle’s “The Woman Who Walked Into Doors.” Journal of Gender Studies. 2005;14(2):107-122.

Tönnies M. New Britain as Consumer Country and Commodity. Journal for the Study of British Cultures. 2004;11(2):117-128.

Tönnies M. Mergenthal, S.: A Fast-Forward Version of England, 2003. Anglia. 2004;122(4):758-761.

Mildorf J. Narrativising the Body: Fragmentation and Unification in Jed Mercurio’s “Bodies.” In: Twohig PL, Kalitzkus V, eds. Interdisciplinary Perspectives on Health, Illness and Disease. Rodopi; 2004:97-112.

Mildorf J. Narratives of Domestic Violence Cases: GPs Defining their Professional Role. In: Twohig PL, Kalitzkus V, eds. Making Sense of Health, Illness and Disease. Rodopi; 2004:173-196.

Mildorf J. Book review: Vera and Ansgar Nünning (eds) (2002). Erzähltheorie transgenerisch, intermedial, interdisziplinär. Trier: WVT. / Ansgar and Vera Nünning (eds) (2002). Neue Ansätze in der Erzähltheorie. Trier: WVT. Narrative Inquiry. 2004;14(1):219-234.

Mindt I. Is I think a Discourse Marker. In: Mengel E, Schmid H-J, Steppat M, eds. Anglistentag 2002 Bayreuth. Proceedings of the Conference of  	the German Association of University Teachers of English, Volume XXIV. Trier: Wissenschaftler Verlag; 2003:473-483.

Mindt I. Tagungsbericht über das Internationale Kolloquium Korpuslinguistik  	Deutsch: synchron – diachron – kontrastiv (klde 2003). Zeitschrift für Deutsche  	Philologie 122. 2003;Heft 3:435-439.

Mindt I, Mukherjee J. Form and function of parasyntactic presentation  	structures. A corpus-based study of talk units in spoken English. In: ICAME Journal, 27, Computers in English Linguistics. Amsterdam: Rodopi, 2001; 2003:65-71.

Tönnies M. Peter Brook’s Glückliche Tage. The Beckett Circle. 2003;26(2):1-3.

Tönnies M. “New Lingo - New Theatre”? In: Anglistik &; Englischunterricht. Vol 65. ; 2003:169-191.

Tönnies M. The “Postcolonial University Novel” in Britain. Xenophobic Memories: Otherness in Postcolonial Constructions of the Past. 2003:13-37.

Tönnies M, Annette P, Alyce  von R, Kathleen S. Making Play-texts Live: Teaching Drama as Experience. Global Challenges and Regional Responses in Contemporary Drama in English. 2003;10:247-264.

Tönnies M. Sager, P.: Oxford &; Cambridge. Eine Kulturgeschichte. Journal for the Study of British Cultures. 2003;10(2).

Tönnies M. Veit, C.: Ich-Konzept und Körper in Becketts dualen Konstruktionen, 2002. The Beckett Circle. 2003;26(2):18.

Tönnies M. Logan, T.: The Victorian Parlour, 2001. Anglia. 2003;121(2):323-325.

Tönnies M. Keipert, H.: Pope, Popovskij und die Popen, 2001. Archiv für das Studium der neueren Sprachen und Literaturen. 2003;240(1):141-144.

Tönnies M. Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen und ästhetische Konstruktion bei Jean Paul und Samuel Beckett, 2001. The Beckett Circle. 2003;26(1):20.

Tönnies M. Beckett, S.: Dante und der Hummer. Gesammelte Prosa, 2000. The Beckett Circle. 2003;26(1):15-16.

Mindt I. Functions of intonation in sentences and texts. In: Peters P, Collins P, Smith A, eds. New Frontiers of Corpus Research. Papers from the Twenty  	First International Conference on English Language Research on Computerized  	Corpora. Amsterdam: Rodopi; 2002:283-293.

Mindt I, Krug M. Emerging English Modals: A Corpus-Based Study of  	Grammaticalization. In: Journal of English Linguistics, Volume 30, Number 3. Vol Number 3. Volume 30. Mouton de Gruyter, 2000; 2002:290-294.

Tönnies M. Good/Bad Girls and their Fathers. Journal for the Study of British Cultures. 2002;9(2):185-195.

Tönnies M. Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions. In: Pfister M, ed. Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft. Vol 57. A History of Laughter: Laughter from Beowulf to Beckett and Beyond. Amsterdam: Rodopi; 2002:99-119.

Tönnies M. The “Sensationalist Theatre of Cruelty” in 1990s Britain, its 1960s Forebears and the Beginning of the 21st Century . Contemporary Drama in English. 2002;9:57-71.

Tönnies M. Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000. Forum Modernes Theater. 2002;17(1):95-98.

Mildorf J. 'Opening up a can of worms’: Physicians’ Narrative Construction of Knowledge about Domestic Violence. Narrative Inquiry. 2002;12(2):233-260.

Mildorf J. General Practitioners’ Narrative Discourse on Domestic Violence: A Sociolinguistic Study. University of Aberdeen; 2002.

McKie L, Fennell B, Mildorf J. Time to Disclose, Timing Disclosure: GPs’ Discourses on Disclosing Domestic Abuse in Primary Care. Sociology of Health and Illness. 2002;24(3):327-346.

Mindt I. Intonation im Lancaster/IBM Spoken English Corpus. Falls und  fall-rises, Sprecherwechsel, paratones, declination. Vol 23. Tübingen: Narr; 2001.

Mindt I. Longman Idioms Dictionary. In: Anglistik.  	Mitteilungen Des Deutschen Anglistenverbandes. Heft 12/1, März 2001. Harlow: Longman, 1998; 2001:193-195.

Mindt I, Hundt M. New Zealand English Grammar Fact or Fiction?  A  	corpus-based study in morphosyntactic variation. In: Anglistik: Mitteilungen Des Deutschen Anglistenverbandes. Heft 12/2, September 2001. Amsterdam / Philadelphia: John Benjamins, 1998; 2001:169-172.

Tönnies M. Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama. Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans fin en l’an 2000. 2001;11:194-201.

Tönnies M. The Limits of Defining Power in Terms of Exclusion. Common Ground? Crossovers between Cultural Studies and Postcolonial Studies. 2001:61-64.

Tönnies M, Viol C-U, eds. British Political Speeches from Churchill to Blair. Stuttgart: Reclam; 2001.

Mindt I. Prosodic Cues at Speaker Turns. In: Mair C, Hundt M, eds. Corpus Linguistics and Linguistic Theory. Papers from the Twentieth  International Conference on English Language Research on Computerized Corpora  (ICAME 20). Amsterdam: Rodopi; 2000:255-265.

Tönnies M. Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998. Journal for the Study of British Cultures. 2000;7(1):80-83.

Tönnies M, Stratmann G, Viol C-U, Anglistik und Englischunterricht 63, eds. Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter; 2000.

Tönnies M, Viol C-U, eds. Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam; 1999.

Tönnies M, Schiffer R, eds. British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. Trier: WVT; 1999.

Tönnies M. Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997. Journal for the Study of British Cultures. 1999;6(2):211-213.

Tönnies M. Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten für Theater, Radio, Film und Fernsehen, 1998. Forum Modernes Theater. 1999;14(2):229-233.

Tönnies M. Ledger, S.: The New Woman. Fiction and Feminism at the “Fin de Siècle”, 1997. Anglia. 1999;117:460-462.

Tönnies M. Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT; 1997.

Tönnies M. The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama. Forum Modernes Theater. 1996;11(2):185-196.