M. Tönnies, P. Annette,  von R. Alyce, and S. Kathleen, “Making Play-texts Live: Teaching Drama as Experience,” Global Challenges and Regional Responses in Contemporary Drama in English, vol. 10, pp. 247–264, 2003.

M. Tönnies, “Sager, P.: Oxford &; Cambridge. Eine Kulturgeschichte,” Journal for the Study of British Cultures, vol. 10, no. 2. 2003.

M. Tönnies, “Veit, C.: Ich-Konzept und Körper in Becketts dualen Konstruktionen, 2002,” The Beckett Circle, vol. 26, no. 2. p. 18, 2003.

M. Tönnies, “Logan, T.: The Victorian Parlour, 2001,” Anglia, vol. 121, no. 2. pp. 323–325, 2003.

M. Tönnies, “Keipert, H.: Pope, Popovskij und die Popen, 2001,” Archiv für das Studium der neueren Sprachen und Literaturen, vol. 240, no. 1. pp. 141–144, 2003.

M. Tönnies, “Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen und ästhetische Konstruktion bei Jean Paul und Samuel Beckett, 2001,” The Beckett Circle, vol. 26, no. 1. p. 20, 2003.

M. Tönnies, “Beckett, S.: Dante und der Hummer. Gesammelte Prosa, 2000,” The Beckett Circle, vol. 26, no. 1. pp. 15–16, 2003.

I. Mindt, “Functions of intonation in sentences and texts,” in New Frontiers of Corpus Research. Papers from the Twenty  	First International Conference on English Language Research on Computerized  	Corpora, P. Peters, P. Collins, and A. Smith, Eds. Amsterdam: Rodopi, 2002, pp. 283–293.

I. Mindt and M. Krug, “Emerging English Modals: A Corpus-Based Study of  	Grammaticalization,” in Journal of English Linguistics, Volume 30, Number 3, vol. Number 3, Mouton de Gruyter, 2000, 2002, pp. 290–294.

M. Tönnies, “Good/Bad Girls and their Fathers,” Journal for the Study of British Cultures, vol. 9, no. 2, pp. 185–195, 2002.

M. Tönnies, “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions,” in Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, vol. 57, M. Pfister, Ed. Amsterdam: Rodopi, 2002, pp. 99–119.

M. Tönnies, “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, its 1960s Forebears and the Beginning of the 21st Century ,” Contemporary Drama in English, vol. 9, pp. 57–71, 2002.

M. Tönnies, “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000,” Forum Modernes Theater, vol. 17, no. 1. pp. 95–98, 2002.

J. Mildorf, “'Opening up a can of worms’: Physicians’ Narrative Construction of Knowledge about Domestic Violence,” Narrative Inquiry, vol. 12, no. 2, pp. 233–260, 2002.

J. Mildorf, General Practitioners’ Narrative Discourse on Domestic Violence: A Sociolinguistic Study. Aberdeen: University of Aberdeen, 2002.

L. McKie, B. Fennell, and J. Mildorf, “Time to Disclose, Timing Disclosure: GPs’ Discourses on Disclosing Domestic Abuse in Primary Care,” Sociology of Health and Illness, vol. 24, no. 3, pp. 327–346, 2002.

I. Mindt, Intonation im Lancaster/IBM Spoken English Corpus. Falls und  fall-rises, Sprecherwechsel, paratones, declination, vol. 23. Tübingen: Narr, 2001.

I. Mindt, “Longman Idioms Dictionary,” in Anglistik.  	Mitteilungen des Deutschen Anglistenverbandes, Heft 12/1, März 2001., Harlow: Longman, 1998, 2001, pp. 193–195.

I. Mindt and M. Hundt, “New Zealand English Grammar Fact or Fiction?  A  	corpus-based study in morphosyntactic variation,” in Anglistik: Mitteilungen des Deutschen Anglistenverbandes, Heft 12/2, September 2001., Amsterdam / Philadelphia: John Benjamins, 1998, 2001, pp. 169–172.

M. Tönnies, “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama,” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans fin en l’an 2000, vol. 11, pp. 194–201, 2001.

M. Tönnies, “The Limits of Defining Power in Terms of Exclusion,” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, pp. 61–64, 2001.

M. Tönnies and C.-U. Viol, Eds., British Political Speeches from Churchill to Blair. Stuttgart: Reclam, 2001.

I. Mindt, “Prosodic Cues at Speaker Turns,” in Corpus Linguistics and Linguistic Theory. Papers from the Twentieth  International Conference on English Language Research on Computerized Corpora  (ICAME 20), C. Mair and M. Hundt, Eds. Amsterdam: Rodopi, 2000, pp. 255–265.

M. Tönnies, “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998,” Journal for the Study of British Cultures, vol. 7, no. 1. pp. 80–83, 2000.

M. Tönnies, G. Stratmann, C.-U. Viol, and Anglistik und Englischunterricht 63, Eds., Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter, 2000.

M. Tönnies and C.-U. Viol, Eds., Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam, 1999.

M. Tönnies and R. Schiffer, Eds., British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. Trier: WVT, 1999.

M. Tönnies, “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997,” Journal for the Study of British Cultures, vol. 6, no. 2. pp. 211–213, 1999.

M. Tönnies, “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten für Theater, Radio, Film und Fernsehen, 1998,” Forum Modernes Theater, vol. 14, no. 2. pp. 229–233, 1999.

M. Tönnies, “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997,” Anglia, vol. 117. pp. 460–462, 1999.

M. Tönnies, Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT, 1997.

M. Tönnies, “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama,” Forum Modernes Theater, vol. 11, no. 2, pp. 185–196, 1996.