Tönnies M, Annette P, Alyce  von R, Kathleen S. Making Play-texts Live: Teaching Drama as Experience. Global Challenges and Regional Responses in Contemporary Drama in English. 2003;10:247-264.
LibreCat: /record/8852

Tönnies M. Sager, P.: Oxford &; Cambridge. Eine Kulturgeschichte. Journal for the Study of British Cultures. 2003;10(2).
LibreCat: /record/9658

Tönnies M. Veit, C.: Ich-Konzept und Körper in Becketts dualen Konstruktionen, 2002. The Beckett Circle. 2003;26(2):18.
LibreCat: /record/9659

Tönnies M. Logan, T.: The Victorian Parlour, 2001. Anglia. 2003;121(2):323-325.
LibreCat: /record/9660

Tönnies M. Keipert, H.: Pope, Popovskij und die Popen, 2001. Archiv für das Studium der neueren Sprachen und Literaturen. 2003;240(1):141-144.
LibreCat: /record/9661

Tönnies M. Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen und ästhetische Konstruktion bei Jean Paul und Samuel Beckett, 2001. The Beckett Circle. 2003;26(1):20.
LibreCat: /record/9662

Tönnies M. Beckett, S.: Dante und der Hummer. Gesammelte Prosa, 2000. The Beckett Circle. 2003;26(1):15-16.
LibreCat: /record/9663

Mindt I. Functions of intonation in sentences and texts. In: Peters P, Collins P, Smith A, eds. New Frontiers of Corpus Research. Papers from the Twenty  	First International Conference on English Language Research on Computerized  	Corpora. Amsterdam: Rodopi; 2002:283-293.
LibreCat: /record/17851

Mindt I, Krug M. Emerging English Modals: A Corpus-Based Study of  	Grammaticalization. In: Journal of English Linguistics, Volume 30, Number 3. Vol Number 3. Volume 30. Mouton de Gruyter, 2000; 2002:290-294.
LibreCat: /record/17910

Tönnies M. Good/Bad Girls and their Fathers. Journal for the Study of British Cultures. 2002;9(2):185-195.
LibreCat: /record/8853

Tönnies M. Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions. In: Pfister M, ed. Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft. Vol 57. A History of Laughter: Laughter from Beowulf to Beckett and Beyond. Amsterdam: Rodopi; 2002:99-119.
LibreCat: /record/8862

Tönnies M. The “Sensationalist Theatre of Cruelty” in 1990s Britain, its 1960s Forebears and the Beginning of the 21st Century . Contemporary Drama in English. 2002;9:57-71.
LibreCat: /record/8863

Tönnies M. Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000. Forum Modernes Theater. 2002;17(1):95-98.
LibreCat: /record/9664

Mildorf J. 'Opening up a can of worms’: Physicians’ Narrative Construction of Knowledge about Domestic Violence. Narrative Inquiry. 2002;12(2):233-260.
LibreCat: /record/9218

Mildorf J. General Practitioners’ Narrative Discourse on Domestic Violence: A Sociolinguistic Study. University of Aberdeen; 2002.
LibreCat: /record/9650

McKie L, Fennell B, Mildorf J. Time to Disclose, Timing Disclosure: GPs’ Discourses on Disclosing Domestic Abuse in Primary Care. Sociology of Health and Illness. 2002;24(3):327-346.
LibreCat: /record/9219

Mindt I. Intonation im Lancaster/IBM Spoken English Corpus. Falls und  fall-rises, Sprecherwechsel, paratones, declination. Vol 23. Tübingen: Narr; 2001.
LibreCat: /record/17688

Mindt I. Longman Idioms Dictionary. In: Anglistik.  	Mitteilungen Des Deutschen Anglistenverbandes. Heft 12/1, März 2001. Harlow: Longman, 1998; 2001:193-195.
LibreCat: /record/17911

Mindt I, Hundt M. New Zealand English Grammar Fact or Fiction?  A  	corpus-based study in morphosyntactic variation. In: Anglistik: Mitteilungen Des Deutschen Anglistenverbandes. Heft 12/2, September 2001. Amsterdam / Philadelphia: John Benjamins, 1998; 2001:169-172.
LibreCat: /record/17912

Tönnies M. Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama. Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans fin en l’an 2000. 2001;11:194-201.
LibreCat: /record/8864

Tönnies M. The Limits of Defining Power in Terms of Exclusion. Common Ground? Crossovers between Cultural Studies and Postcolonial Studies. 2001:61-64.
LibreCat: /record/8865

Tönnies M, Viol C-U, eds. British Political Speeches from Churchill to Blair. Stuttgart: Reclam; 2001.
LibreCat: /record/6760

Mindt I. Prosodic Cues at Speaker Turns. In: Mair C, Hundt M, eds. Corpus Linguistics and Linguistic Theory. Papers from the Twentieth  International Conference on English Language Research on Computerized Corpora  (ICAME 20). Amsterdam: Rodopi; 2000:255-265.
LibreCat: /record/17852

Tönnies M. Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998. Journal for the Study of British Cultures. 2000;7(1):80-83.
LibreCat: /record/9665

Tönnies M, Stratmann G, Viol C-U, Anglistik und Englischunterricht 63, eds. Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter; 2000.
LibreCat: /record/6762

Tönnies M, Viol C-U, eds. Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam; 1999.
LibreCat: /record/6765

Tönnies M, Schiffer R, eds. British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. Trier: WVT; 1999.
LibreCat: /record/6767

Tönnies M. Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997. Journal for the Study of British Cultures. 1999;6(2):211-213.
LibreCat: /record/9666

Tönnies M. Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten für Theater, Radio, Film und Fernsehen, 1998. Forum Modernes Theater. 1999;14(2):229-233.
LibreCat: /record/9667

Tönnies M. Ledger, S.: The New Woman. Fiction and Feminism at the “Fin de Siècle”, 1997. Anglia. 1999;117:460-462.
LibreCat: /record/9668

Tönnies M. Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT; 1997.
LibreCat: /record/6752

Tönnies M. The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama. Forum Modernes Theater. 1996;11(2):185-196.
LibreCat: /record/9626