Tönnies, M., Annette, P., Alyce,  von R., &; Kathleen, S. (2003). Making Play-texts Live: Teaching Drama as Experience. Global Challenges and Regional Responses in Contemporary Drama in English, 10, 247–264.
LibreCat: /record/8852

Tönnies, M. (2003). Sager, P.: Oxford &; Cambridge. Eine Kulturgeschichte. Journal for the Study of British Cultures.
LibreCat: /record/9658

Tönnies, M. (2003). Veit, C.: Ich-Konzept und Körper in Becketts dualen Konstruktionen, 2002. The Beckett Circle.
LibreCat: /record/9659

Tönnies, M. (2003). Logan, T.: The Victorian Parlour, 2001. Anglia.
LibreCat: /record/9660

Tönnies, M. (2003). Keipert, H.: Pope, Popovskij und die Popen, 2001. Archiv Für Das Studium Der Neueren Sprachen Und Literaturen.
LibreCat: /record/9661

Tönnies, M. (2003). Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen und ästhetische Konstruktion bei Jean Paul und Samuel Beckett, 2001. The Beckett Circle.
LibreCat: /record/9662

Tönnies, M. (2003). Beckett, S.: Dante und der Hummer. Gesammelte Prosa, 2000. The Beckett Circle.
LibreCat: /record/9663

Mindt, I. (2002). Functions of intonation in sentences and texts. In P. Peters, P. Collins, &; A. Smith (Eds.), New Frontiers of Corpus Research. Papers from the Twenty  	First International Conference on English Language Research on Computerized  	Corpora (pp. 283–293). Amsterdam: Rodopi.
LibreCat: /record/17851

Mindt, I., &; Krug, M. (2002). Emerging English Modals: A Corpus-Based Study of  	Grammaticalization. In Journal of English Linguistics, Volume 30, Number 3 (Vol. Number 3, pp. 290–294). Mouton de Gruyter, 2000.
LibreCat: /record/17910

Tönnies, M. (2002). Good/Bad Girls and their Fathers. Journal for the Study of British Cultures, 9(2), 185–195.
LibreCat: /record/8853

Tönnies, M. (2002). Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions. In M. Pfister (Ed.), Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft (Vol. 57, pp. 99–119). Amsterdam: Rodopi.
LibreCat: /record/8862

Tönnies, M. (2002). The “Sensationalist Theatre of Cruelty” in 1990s Britain, its 1960s Forebears and the Beginning of the 21st Century . Contemporary Drama in English, 9, 57–71.
LibreCat: /record/8863

Tönnies, M. (2002). Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000. Forum Modernes Theater.
LibreCat: /record/9664

Mildorf, J. (2002). 'Opening up a can of worms’: Physicians’ Narrative Construction of Knowledge about Domestic Violence. Narrative Inquiry, 12(2), 233–260.
LibreCat: /record/9218

Mildorf, J. (2002). General Practitioners’ Narrative Discourse on Domestic Violence: A Sociolinguistic Study. University of Aberdeen.
LibreCat: /record/9650

McKie, L., Fennell, B., &; Mildorf, J. (2002). Time to Disclose, Timing Disclosure: GPs’ Discourses on Disclosing Domestic Abuse in Primary Care. Sociology of Health and Illness, 24(3), 327–346.
LibreCat: /record/9219

Mindt, I. (2001). Intonation im Lancaster/IBM Spoken English Corpus. Falls und  fall-rises, Sprecherwechsel, paratones, declination (Vol. 23). Tübingen: Narr.
LibreCat: /record/17688

Mindt, I. (2001). Longman Idioms Dictionary. In Anglistik.  	Mitteilungen des Deutschen Anglistenverbandes (Heft 12/1, März 2001, pp. 193–195). Harlow: Longman, 1998.
LibreCat: /record/17911

Mindt, I., &; Hundt, M. (2001). New Zealand English Grammar Fact or Fiction?  A  	corpus-based study in morphosyntactic variation. In Anglistik: Mitteilungen des Deutschen Anglistenverbandes (Heft 12/2, September 2001, pp. 169–172). Amsterdam / Philadelphia: John Benjamins, 1998.
LibreCat: /record/17912

Tönnies, M. (2001). Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama. Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000, 11, 194–201.
LibreCat: /record/8864

Tönnies, M. (2001). The Limits of Defining Power in Terms of Exclusion. Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, 61–64.
LibreCat: /record/8865

Tönnies, M., &; Viol, C.-U. (Eds.). (2001). British Political Speeches from Churchill to Blair. Stuttgart: Reclam.
LibreCat: /record/6760

Mindt, I. (2000). Prosodic Cues at Speaker Turns. In C. Mair &; M. Hundt (Eds.), Corpus Linguistics and Linguistic Theory. Papers from the Twentieth  International Conference on English Language Research on Computerized Corpora  (ICAME 20) (pp. 255–265). Amsterdam: Rodopi.
LibreCat: /record/17852

Tönnies, M. (2000). Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998. Journal for the Study of British Cultures.
LibreCat: /record/9665

Tönnies, M., Stratmann, G., Viol, C.-U., &; Anglistik und Englischunterricht 63 (Eds.). (2000). Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter.
LibreCat: /record/6762

Tönnies, M., &; Viol, C.-U. (Eds.). (1999). Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam.
LibreCat: /record/6765

Tönnies, M., &; Schiffer, R. (Eds.). (1999). British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. Trier: WVT.
LibreCat: /record/6767

Tönnies, M. (1999). Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997. In Journal for the Study of British Cultures (Vol. 6, Issue 2, pp. 211–213).
LibreCat: /record/9666

Tönnies, M. (1999). Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten für Theater, Radio, Film und Fernsehen, 1998. In Forum Modernes Theater (Vol. 14, Issue 2, pp. 229–233).
LibreCat: /record/9667

Tönnies, M. (1999). Ledger, S.: The New Woman. Fiction and Feminism at the “Fin de Siècle”, 1997. In Anglia (Vol. 117, pp. 460–462).
LibreCat: /record/9668

Tönnies, M. (1997). Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT.
LibreCat: /record/6752

Tönnies, M. (1996). The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama. Forum Modernes Theater, 11(2), 185–196.
LibreCat: /record/9626