Tönnies, Merle. “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions.” In Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, edited by Manfred Pfister, 57:99–119. A History of Laughter: Laughter from Beowulf to Beckett and Beyond. Amsterdam: Rodopi, 2002.
LibreCat: /record/8862

Tönnies, Merle. “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, Its 1960s Forebears and the Beginning of the 21st Century .” Contemporary Drama in English 9 (2002): 57–71.
LibreCat: /record/8863

Tönnies, Merle. “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000.” Forum Modernes Theater, 2002.
LibreCat: /record/9664

Mildorf, Jarmila. “'Opening up a Can of Worms’: Physicians’ Narrative Construction of Knowledge about Domestic Violence.” Narrative Inquiry 12, no. 2 (2002): 233–60.
LibreCat: /record/9218

Mildorf, Jarmila. General Practitioners’ Narrative Discourse on Domestic Violence: A Sociolinguistic Study. Aberdeen: University of Aberdeen, 2002.
LibreCat: /record/9650

McKie, Linda, Barbara Fennell, and Jarmila Mildorf. “Time to Disclose, Timing Disclosure: GPs’ Discourses on Disclosing Domestic Abuse in Primary Care.” Sociology of Health and Illness 24, no. 3 (2002): 327–46.
LibreCat: /record/9219

Mindt, Ilka. Intonation im Lancaster/IBM Spoken English Corpus. Falls und  fall-rises, Sprecherwechsel, paratones, declination. Vol. 23. Language in Performance . Tübingen: Narr, 2001.
LibreCat: /record/17688

Mindt, Ilka. “Longman Idioms Dictionary.” In Anglistik.  	Mitteilungen Des Deutschen Anglistenverbandes, Heft 12/1, März 2001., 193–95. Harlow: Longman, 1998, 2001.
LibreCat: /record/17911

Mindt, Ilka, and Marianne Hundt. “New Zealand English Grammar Fact or Fiction?  A  	Corpus-Based Study in Morphosyntactic Variation.” In Anglistik: Mitteilungen Des Deutschen Anglistenverbandes, Heft 12/2, September 2001., 169–72. Amsterdam / Philadelphia: John Benjamins, 1998, 2001.
LibreCat: /record/17912

Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000 11 (2001): 194–201.
LibreCat: /record/8864

Tönnies, Merle. “The Limits of Defining Power in Terms of Exclusion.” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, 2001, 61–64.
LibreCat: /record/8865

Tönnies, Merle, and Claus-Ulrich Viol, eds. British Political Speeches from Churchill to Blair. Stuttgart: Reclam, 2001.
LibreCat: /record/6760

Mindt, Ilka. “Prosodic Cues at Speaker Turns.” In Corpus Linguistics and Linguistic Theory. Papers from the Twentieth  International Conference on English Language Research on Computerized Corpora  (ICAME 20), edited by Christian Mair and Marianne Hundt, 255–65. Amsterdam: Rodopi, 2000.
LibreCat: /record/17852

Tönnies, Merle. “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998.” Journal for the Study of British Cultures, 2000.
LibreCat: /record/9665

Tönnies, Merle, Gerd Stratmann, Claus-Ulrich Viol, and Anglistik und Englischunterricht 63, eds. Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter, 2000.
LibreCat: /record/6762

Tönnies, Merle, and Claus-Ulrich Viol, eds. Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam, 1999.
LibreCat: /record/6765

Tönnies, Merle, and Reinhold Schiffer, eds. British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. Trier: WVT, 1999.
LibreCat: /record/6767

Tönnies, Merle. “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997.” Journal for the Study of British Cultures, 1999.
LibreCat: /record/9666

Tönnies, Merle. “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten Für Theater, Radio, Film Und Fernsehen, 1998.” Forum Modernes Theater, 1999.
LibreCat: /record/9667

Tönnies, Merle. “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997.” Anglia, 1999.
LibreCat: /record/9668

Tönnies, Merle. Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT, 1997.
LibreCat: /record/6752

Tönnies, Merle. “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama.” Forum Modernes Theater 11, no. 2 (1996): 185–96.
LibreCat: /record/9626