Tönnies, Merle. “Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions.” In Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft, edited by Manfred Pfister, 57:99–119. A History of Laughter: Laughter from Beowulf to Beckett and Beyond. Amsterdam: Rodopi, 2002.

Tönnies, Merle. “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, Its 1960s Forebears and the Beginning of the 21st Century .” Contemporary Drama in English 9 (2002): 57–71.

Tönnies, Merle. “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000.” Forum Modernes Theater, 2002.

Mildorf, Jarmila. “'Opening up a Can of Worms’: Physicians’ Narrative Construction of Knowledge about Domestic Violence.” Narrative Inquiry 12, no. 2 (2002): 233–60.

Mildorf, Jarmila. General Practitioners’ Narrative Discourse on Domestic Violence: A Sociolinguistic Study. Aberdeen: University of Aberdeen, 2002.

McKie, Linda, Barbara Fennell, and Jarmila Mildorf. “Time to Disclose, Timing Disclosure: GPs’ Discourses on Disclosing Domestic Abuse in Primary Care.” Sociology of Health and Illness 24, no. 3 (2002): 327–46.

Mindt, Ilka. Intonation im Lancaster/IBM Spoken English Corpus. Falls und  fall-rises, Sprecherwechsel, paratones, declination. Vol. 23. Language in Performance . Tübingen: Narr, 2001.

Mindt, Ilka. “Longman Idioms Dictionary.” In Anglistik.  	Mitteilungen Des Deutschen Anglistenverbandes, Heft 12/1, März 2001., 193–95. Harlow: Longman, 1998, 2001.

Mindt, Ilka, and Marianne Hundt. “New Zealand English Grammar Fact or Fiction?  A  	Corpus-Based Study in Morphosyntactic Variation.” In Anglistik: Mitteilungen Des Deutschen Anglistenverbandes, Heft 12/2, September 2001., 169–72. Amsterdam / Philadelphia: John Benjamins, 1998, 2001.

Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000 11 (2001): 194–201.

Tönnies, Merle. “The Limits of Defining Power in Terms of Exclusion.” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, 2001, 61–64.

Tönnies, Merle, and Claus-Ulrich Viol, eds. British Political Speeches from Churchill to Blair. Stuttgart: Reclam, 2001.

Mindt, Ilka. “Prosodic Cues at Speaker Turns.” In Corpus Linguistics and Linguistic Theory. Papers from the Twentieth  International Conference on English Language Research on Computerized Corpora  (ICAME 20), edited by Christian Mair and Marianne Hundt, 255–65. Amsterdam: Rodopi, 2000.

Tönnies, Merle. “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998.” Journal for the Study of British Cultures, 2000.

Tönnies, Merle, Gerd Stratmann, Claus-Ulrich Viol, and Anglistik und Englischunterricht 63, eds. Youth Identities. Teens and Twens in British Culture. Heidelberg: Winter, 2000.

Tönnies, Merle, and Claus-Ulrich Viol, eds. Hanif Kureishi. My Beautiful Laundrette. Stuttgart: Reclam, 1999.

Tönnies, Merle, and Reinhold Schiffer, eds. British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. Trier: WVT, 1999.

Tönnies, Merle. “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997.” Journal for the Study of British Cultures, 1999.

Tönnies, Merle. “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten Für Theater, Radio, Film Und Fernsehen, 1998.” Forum Modernes Theater, 1999.

Tönnies, Merle. “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997.” Anglia, 1999.

Tönnies, Merle. Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. Trier: WVT, 1997.

Tönnies, Merle. “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama.” Forum Modernes Theater 11, no. 2 (1996): 185–96.