Tönnies, Merle. “The ‘Sensationalist Theatre of Cruelty’ in 1990s Britain, Its 1960s Forebears and the Beginning of the 21st Century .” Contemporary Drama in English, vol. 9, WVT, 2002, pp. 57–71.

Tönnies, Merle. “Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000.” Forum Modernes Theater, vol. 17, no. 1, 2002, pp. 95–98.

Tönnies, Merle. “Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett’s Mature Drama.” Samuel Beckett Today / Aujourd’hui: Endlessness in the Year 2000 / Fin sans Fin En l’an 2000, vol. 11, 2001, pp. 194–201.

Tönnies, Merle. “The Limits of Defining Power in Terms of Exclusion.” Common Ground? Crossovers between Cultural Studies and Postcolonial Studies, WVT, 2001, pp. 61–64.

Tönnies, Merle, and Claus-Ulrich Viol, editors. British Political Speeches from Churchill to Blair. Reclam, 2001.

Tönnies, Merle. “Lewis, J.E.: Mary Queen of Scots. Romance and Nation, 1998.” Journal for the Study of British Cultures, vol. 7, no. 1, 2000, pp. 80–83.

Tönnies, Merle, et al., editors. Youth Identities. Teens and Twens in British Culture. Winter, 2000.

Tönnies, Merle, and Claus-Ulrich Viol, editors. Hanif Kureishi. My Beautiful Laundrette. Reclam, 1999.

Tönnies, Merle, and Reinhold Schiffer, editors. British Literature and Culture. Divergent Views and Attitudes. On the Occasion of Gerd Stratmann’s 60th Birthday. WVT, 1999.

Tönnies, Merle. “Falk, P. / C. Campbell (Hg.): The Shopping Experience, 1997.” Journal for the Study of British Cultures, vol. 6, no. 2, 1999, pp. 211–13.

Tönnies, Merle. “Becker, J.: Nicht-Ich-Identität. Ästhtische Subjektivität in Samuel Becketts Arbeiten Für Theater, Radio, Film Und Fernsehen, 1998.” Forum Modernes Theater, vol. 14, no. 2, 1999, pp. 229–33.

Tönnies, Merle. “Ledger, S.: The New Woman. Fiction and Feminism at the ‘Fin de Siècle’, 1997.” Anglia, vol. 117, 1999, pp. 460–62.

Tönnies, Merle. Samuel Beckett’s Dramatic Strategy. Audience Laughter and the Postmodernist Debate. WVT, 1997.

Tönnies, Merle. “The Spectator as Participant: The Role of Integrating Audience Laughter in Samuel Beckett’s Drama.” Forum Modernes Theater, vol. 11, no. 2, 1996, pp. 185–96.