S. Strauß, “Narrative Ethics and Dementia in Alice LaPlante’s Turn of Mind,” in Dementia and Subjectivity. Aesthetic, Literary and Philosophical Perspectives, R. Daniela, S. Strauß, and L. Süwolto, Eds. Frankfurt: Lang, 2017.

S. Strauß, “Introduction,” in Dementia and Subjectivity. Aesthetic, Literary and Philosophical Perspectives, D. Ringkamp, S. Strauß, and L. Süwolto, Eds. Frankfurt: Lang, 2017.

S. Strauß, “Neuroethical Reflections on Body and Awareness in Kazuo Ishiguro’s Never Let Me Go and Ian McEwan’s Saturday,” in Presence of the Body: Awareness In and Beyond Experience, G. Hofmann and S. Zori , Eds. Boston: Rodopi, 2017, pp. 139–153.

M. Tönnies, “The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias,” Journal of Contemporary Drama in English, vol. 5, no. 1, pp. 156–172, 2017.

M. Tönnies, “Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011),” in Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama, vol. 82, K. Frank and C. Lusin, Eds. Tübingen: Narr Francke Attempto, 2017, pp. 19–39.

M. Tönnies, “Pope, G.: Reading London’s Suburbs,” Anglistik. International Journal of English Studies, vol. 28, no. 1. pp. 175–177, 2017.

S. Strauß, D. Ringkamp, and L. Süwolto, Eds., Dementia and Subjectivity. Aesthetic, Literary and Philosophical Perspectives. Frankfurt: Lang, 2017.

S. Strauß, “Fragments of a Life Remembered: Fragmentation and Silences in Dementia Narratives,” in Narrative and Mental Health, Paderborn, 2017.

M. Tönnies, “The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power,” Storyworlds: A Journal of Narrative Studies, vol. 9, no. 1–2, pp. 95–120, 2017.

C. Ehland, “The Scott Monument and Scottish Cultural Memory,” in Literature and Cultural Memory, M. Irimia, Ed. Leiden and Boston: Brill, 2017, pp. 232–249.

M. Tönnies, C. Ehland, and I. Mindt, Eds., Anglistentag 2015 Paderborn: Proceedings. Trier: WVT, 2016.

M. Tönnies, “Religion im zeitgenössischen britischen Drama,” in Religion und Kultur, K. von Stosch, M. Hofmann, and S. Schmitz, Eds. Bielefeld: transcript, 2016, pp. 81–96.

M. Tönnies, “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s,” Anglistik. International Journal of English Studies, vol. 27, no. 1, pp. 113–124, 2016.

M. Tönnies, J. Brüning, and A. Sand, “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance,” Zeitschrift für Anglistik und Amerikanistik, vol. 64, no. 3, pp. 301–320, 2016.

S. Strauß, “Memory, Dementia and Narrative Identity in Alice Munro’s ‘The Bear Came Over the Mountain,’” in Traces of Aging: Old Age and Memory in Contemporary Narrative, vol. 9, M. C. Moreno and N. P. Soler, Eds. Bielefeld: transcript, 2016, pp. 133–147.

C. Flotmann-Scholz, “The Making of English Popular Culture. ed. by John Storey,” Journal for the Study of British Cultures, vol. 23, no. 1. pp. 75–78, 2016.

C. Flotmann-Scholz, “Die literarische Kommunikationsspirale: Strukturelle Wechselwirkungen zwischen literarischem Text und Rezeption in der angelsächsischen Kinder- und Jugendliteratur des späten 20./ frühen 21. Jahrhunderts. by Uta Woiwod,” Anglistik: International Journal of English Studies, vol. 27, no. 2. pp. 189–90, 2016.

C. Flotmann-Scholz, “Oedipal Murders and Nostalgic Ressurections: The Victorians in Historical Middlebrow Fiction, 1914-1959. by Caterina Maria Grasl,” Literaturwissenschaftliches Jahrbuch, vol. 57. pp. 259–262, 2016.

C. Ehland and C. Wächter, Eds., Middlebrow and Gender: 1890-1945, vol. Volume 62. Leiden and Boston: Brill, 2016.

M. Tönnies, “Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political,” Journal of Contemporary Drama in English, vol. 3, no. 2. pp. 355–358, 2015.