Tönnies, Merle, Christoph Ehland, and Ilka Mindt, eds. Anglistentag 2015 Paderborn: Proceedings. Trier: WVT, 2016.

Tönnies, Merle. “Religion im zeitgenössischen britischen Drama.” In Religion und Kultur, edited by Klaus von Stosch, Michael Hofmann, and Sabine Schmitz, 81–96. Bielefeld: transcript, 2016.

Tönnies, Merle. “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s.” Anglistik. International Journal of English Studies 27, no. 1 (2016): 113–24.

Tönnies, Merle, Joana Brüning, and Andrea Sand. “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance.” Zeitschrift Für Anglistik Und Amerikanistik 64, no. 3 (2016): 301–20.

Strauß, Sara. “Memory, Dementia and Narrative Identity in Alice Munro’s ‘The Bear Came Over the Mountain.’” In Traces of Aging: Old Age and Memory in Contemporary Narrative, edited by Marta Cerezo  Moreno and Nieves Pascual Soler, 9:133–47. Aging Studies. Bielefeld: transcript, 2016.

Flotmann-Scholz, Christina. “The Making of English Popular Culture. Ed. by John Storey.” Journal for the Study of British Cultures, 2016.

Flotmann-Scholz, Christina. “Die literarische Kommunikationsspirale: Strukturelle Wechselwirkungen zwischen literarischem Text und Rezeption in der angelsächsischen Kinder- und Jugendliteratur des späten 20./ frühen 21. Jahrhunderts. by Uta Woiwod.” Anglistik: International Journal of English Studies, 2016.

Flotmann-Scholz, Christina. “Oedipal Murders and Nostalgic Ressurections: The Victorians in Historical Middlebrow Fiction, 1914-1959. by Caterina Maria Grasl.” Literaturwissenschaftliches Jahrbuch, 2016.

Ehland, Christoph, and Cornelia Wächter, eds. Middlebrow and Gender: 1890-1945. Vol. Volume 62. DQR Studies in Literature. Leiden and Boston: Brill, 2016.

Tönnies, Merle. “Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political.” Journal of Contemporary Drama in English, 2015.

Tönnies, Merle. “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama.” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, 2015, 243–60.

Tönnies, Merle. “Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism.” Arbeiten Aus Anglistik Und Amerikanistik, 2014.

Flotmann, Christina. “Wiki-Wonderland? – Eine Qualitative Analyse zu Vor- und Nachteilen von Wikis für Lehrende und Studierende.” In Lehr- und Lernpraxis im Fokus – Forschungs- und Reflexionsbeiträge aus der Universität Paderborn, edited by Robert Kordts-Freudinger, Diana Urban, and Nicholas Schaper, 2014.

Flotmann, Christina. “Political Rhetoric as a Structural and Ideological Instrument in Star Wars and Harry Potter.” In Politics in Fantasy Media: Essays on Ideology and Gender in Fiction, Film, Television and Games, edited by Gerold Sedlmayr and Nicole Waller, 137–49. Jefferson: McFarland, 2014.

Tönnies, Merle. (En-)Gendering a Popular Theatrical Genre. The Roles of Women in Nineteenth-Century British Melodrama. 1. Heidelberg: Winter, 2014.

Tönnies, Merle. “Anti-hegemoniale Strategien des Kleinen. Britische dokumentarische Farbfotografie als Kritik des Thatcherismus.” Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien, 2014, 321–33.

Tönnies, Merle. “Middeke,M. / Schnierer, P.P. / Sierz, A. (Hg.): The Methuen Guide to Contemporary British Playwrights.” Anglia, 2013.

Tönnies, Merle. “Rossow, H. Globalismus Und Lew Labour.” Anglistik. International Journal of English Studies, 2013.

Tönnies, Merle. “Baumbach, S. / Neumann, B. / Nünning, A.: A History of British Drama.” Anglistik. International Journal of English Studies, 2013.

Strauß, Sara. “This Bright Inward Cinema of Thought” – Stream of Consciousness in Contemporary English Fiction. Trier: WVT, 2013.