M. Tönnies, “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama,” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, pp. 243–260, 2015.

M. Tönnies, “Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism,” Arbeiten aus Anglistik und Amerikanistik, vol. 39. pp. 203–207, 2014.

C. Flotmann, “Wiki-Wonderland? – Eine Qualitative Analyse zu Vor- und Nachteilen von Wikis für Lehrende und Studierende,” in Lehr- und Lernpraxis im Fokus – Forschungs- und Reflexionsbeiträge aus der Universität Paderborn, R. Kordts-Freudinger, D. Urban, and N. Schaper, Eds. 2014.

C. Flotmann, “Political Rhetoric as a Structural and Ideological Instrument in Star Wars and Harry Potter,” in Politics in Fantasy Media: Essays on Ideology and Gender in Fiction, Film, Television and Games, G. Sedlmayr and N. Waller, Eds. Jefferson: McFarland, 2014, pp. 137–149.

M. Tönnies, (En-)Gendering a Popular Theatrical Genre. The Roles of Women in Nineteenth-Century British Melodrama, 1. Heidelberg: Winter, 2014.

M. Tönnies, “Anti-hegemoniale Strategien des Kleinen. Britische dokumentarische Farbfotografie als Kritik des Thatcherismus,” Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien, pp. 321–333, 2014.

M. Tönnies, “Middeke,M. / Schnierer, P.P. / Sierz, A. (Hg.): The Methuen Guide to Contemporary British Playwrights,” Anglia, vol. 131, no. 1. pp. 183–188, 2013.

M. Tönnies, “Rossow, H. Globalismus und Lew Labour,” Anglistik. International Journal of English Studies, vol. 24, no. 2. pp. 223–225, 2013.

M. Tönnies, “Baumbach, S. / Neumann, B. / Nünning, A.: A History of British Drama,” Anglistik. International Journal of English Studies, vol. 24, no. 1. pp. 201–203, 2013.

S. Strauß, “This Bright Inward Cinema of Thought” – Stream of Consciousness in Contemporary English Fiction. Trier: WVT, 2013.

C. Flotmann, “‘Monstrous’ Homes: How Private Spaces Shape Characters’ Identities in  19th-century Sensation Fiction,” in Monstrous Geographies: Places and Spaces of the Monstrous, S. Montin and E. Tsitas, Eds. Oxfordshire: Inter-Disciplinary Press, 2013, pp. 75–96.

C. Flotmann, Ambiguity in ‘Star Wars’ and ‘Harry Potter’: A (Post-)Structuralist Reading of Two Popular Myths. Bielefeld: transcript, 2013.

C. Flotmann, Populäre Mythen bei Star Wars und Harry Potter. Berlin: radioeins rbb Berlin, Die Profis, 2013.

M. Tönnies, “Northern Landscapes and Anti-Thatcherite Positioning,” Journal for the Study of British Cultures, vol. 20, no. 2, pp. 115–124, 2013.

M. Tönnies, “Feminising a Classical Male Plot Model? Black British Women Writers and the ‘Bildungsroman,’” International Journal of English Studies, vol. 24, no. 1, pp. 51–61, 2013.

C. Ehland and I. Berensmeyer, Eds., Perspectives on Mobility, vol. Volume 17. Amsterdam and New York: Rodopi, 2013.

M. Freudinger, Syntactic perspectives on directive speech actsf: a contrastive study. Paderborn: Universitätsbibliothek Paderborn, 2013.

S. Strauß, “Victorian Values in Nineteenth- and Twenty-First-Century Advertising and Consumer Practices,” in anglistik &; englischunterricht, .

S. Strauß, “Facets of Children’s Fears in Twentieth- and Twenty-First-Century Stream-of-Consciousness Fiction,” in Who’s afraid of...? Facets of Fear in Anglophone Literature and Film, M. Gymnich, Ed. Bonn: V&;R Unipress Bonn, 2012, pp. 141–156.

S. Strauß, “Constructions of ‘Otherness’ in Frances Hodgson Burnett’s The Secret Garden,” in A Hundred Years of The Secret Garden – Frances Hodgson Burnett’s Children’s Classic Revisited, M. Gymnich and I. Lichterfeld, Eds. Göttingen: V&;R Unipress Bonn, 2012, pp. 77–89.