Tönnies, Merle. Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century. no. 3, 2023, pp. 268–70, doi: https://doi.org/10.33675/ANGL/2023/3/20.

Tönnies, Merle, et al., editors. Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre. Walter deGruyter, 2022.

Tönnies, Merle, and Christina Flotmann-Scholz. “Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics.” Anglistik: International Journal of English Studies, vol. 33, no. 2, 2022, pp. 257–72.

Tönnies, Merle, and Eckart Voigts. “Anger, Anxiety and Hope: The Complicit Realities and Engaged/Ing Communities of Contemporary Briitsh Dys/Utopian Theatre.” Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies), vol. 32, Walter deGruyter, 2022.

Strauß, Sara. “‘Elizabeth Grubgeld, Disability and Life Writing in Post-Independence Ireland’, Book Review.” European Journal of Life Writing, vol. 11, 2022, pp. 29–34.

Tönnies, Merle. “Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain.” Mentalities and Materialities: Essays in Honour of Jürgen Kamm, edited by Philip Jacobi and Anette Pankratz, Königshausen &; Neumann, 2021, pp. 149–63.

Tönnies, Merle, and Hendrick Schlieper, editors. Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas. Vol. 21, Harrassowitz, 2021.

Tönnies, Merle. “The Black British Bildungsroman: Gender-Specific Plot Models?” Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas, edited by Merle Tönnies and Hendrick Schlieper, vol. 21, Harrassowitz, 2021, pp. 235-263.

Tönnies, Merle, and Aleks Sierz. “‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama.” Journal of Contemporary Drama in English, vol. 9, no. 1, DeGruyter, 2021, pp. 20–42.

Fakha, Nadja. “Promoting Critical Thinking in Literary and Cultural Studies.” Die Hochschullehre, no. 7, 2021.

Strauß, Sara. “Ageing (Female) Bodies and Mortality in Eighteenth-Century Poetry.” Transient Bodies in Anglophone Literature and Culture, edited by Sara Strauß and Sarah Schäfer-Althaus, Winter, 2020, pp. 205–26.

Strauß, Sara. “Visualising Memory Loss and the Politics of Representation in Contemporary Portraiture.” Journal for the Study of British Cultures, vol. 27, no. 1, 2020, pp. 63–76.

Tönnies, Merle, and Eckart Voigts. “Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre.” Journal of Contemporary Drama in English, vol. 8, no. 2, DeGruyter, 2020, pp. 295–312.

Strauß, Sara, and Sarah Schäfer-Althaus, editors. Transient Bodies in Anglophone Literature and Culture. Winter, 2020.

Flotmann-Scholz, Christina, and Anna Lienen, editors. Victorian Ideologies in Contemporary British Cultures. Universitätsverlag Winter, 2019.

Flotmann-Scholz, Christina, and Anna Lienen. “(New?) Masculinities in Nineteenth-Century Sensation Fiction and Contemporary Black British Fiction.” Victorian Ideologies in Contemporary British Cultures, edited by Christina Flotmann-Scholz and Anna Lienen, Universitätsverlag Winter, 2019, pp. 135–73.

Flotmann-Scholz, Christina, and Anna Lienen. “Introduction.” Victorian Ideologies in Contemporary British Cultures, edited by Christina Flotmann-Scholz and Anna Lienen, Universitätsverlag Winter, 2019.

Flotmann-Scholz, Christina, and Anna Lienen, editors. Victorian Ideologies in Contemporary British Cultures. Universitätsverlag Winter, 2019.

Strauß, Sara. “‘Victorian Values in Nineteenth- and Twenty-First-Century Advertising and Consumer Practices.’” Victorian Ideologies in Contemporary British Cultures, edited by Christina Flotmann-Scholz and Anna Lienen, Winter, 2019, pp. 113–34.

Strauß, Sara. “‘Silvia Pellicer-Ortín, Julia Tofantsuk (Eds.), Women on the Move. Body, Memory and Femininity in Present-Day Transnational Diasporic Writing.’” Miranda: Multidisciplinary Peer-Reviewed Journal on the English-Speaking World, vol. 19, 2019.

Tönnies, Merle, and Anna Lienen. “Changing Uses of the City in Contemporary Black British Novels.” Resistance and the City. Negotiating Urban Identities: Race, Class, Gender, edited by Christoph Ehland and Pascal Fischer, vol. 28, Brill, 2018, pp. 66–82.

Strauß, Sara. “Visualising Memory Loss and the Politics of Representation in Contemporary Portraiture.” Age Matters, 2018.

Flotmann-Scholz, Christina. “Identity Politics in George Lucas’ Star Wars. by John C. McDowell.” Cercles: Revue Pluridisciplinaire Du Monde Anglophone, 2018.

Strauß, Sara. “Narrative Ethics and Dementia in Alice LaPlante’s Turn of Mind.” Dementia and Subjectivity. Aesthetic, Literary and Philosophical Perspectives, edited by Ringkamp Daniela et al., Lang, 2017.

Strauß, Sara. “Introduction.” Dementia and Subjectivity. Aesthetic, Literary and Philosophical Perspectives, edited by Daniela Ringkamp et al., Lang, 2017.

Strauß, Sara. “Neuroethical Reflections on Body and Awareness in Kazuo Ishiguro’s Never Let Me Go and Ian McEwan’s Saturday.” Presence of the Body: Awareness In and Beyond Experience, edited by Gert  Hofmann and Snjeeana Zori , Rodopi, 2017, pp. 139–53.

Tönnies, Merle. “The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias.” Journal of Contemporary Drama in English, vol. 5, no. 1, 2017, pp. 156–72.

Tönnies, Merle. “Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011).” Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama, edited by Kerstin Frank and Caroline Lusin, vol. 82, Narr Francke Attempto, 2017, pp. 19–39.

Tönnies, Merle. “Pope, G.: Reading London’s Suburbs.” Anglistik. International Journal of English Studies, vol. 28, no. 1, 2017, pp. 175–77.

Strauß, Sara, et al., editors. Dementia and Subjectivity. Aesthetic, Literary and Philosophical Perspectives. Lang, 2017.

Strauß, Sara. “Fragments of a Life Remembered: Fragmentation and Silences in Dementia Narratives.” Narrative and Mental Health, 2017.

Tönnies, Merle. “The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power.” Storyworlds: A Journal of Narrative Studies, vol. 9, no. 1–2, 2017, pp. 95–120.

Tönnies, Merle, et al., editors. Anglistentag 2015 Paderborn: Proceedings. WVT, 2016.

Tönnies, Merle. “Religion im zeitgenössischen britischen Drama.” Religion und Kultur, edited by Klaus von Stosch et al., transcript, 2016, pp. 81–96.

Tönnies, Merle. “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s.” Anglistik. International Journal of English Studies, vol. 27, no. 1, 2016, pp. 113–24.

Tönnies, Merle, et al. “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance.” Zeitschrift Für Anglistik Und Amerikanistik, vol. 64, no. 3, 2016, pp. 301–20.

Strauß, Sara. “Memory, Dementia and Narrative Identity in Alice Munro’s ‘The Bear Came Over the Mountain.’” Traces of Aging: Old Age and Memory in Contemporary Narrative, edited by Marta Cerezo  Moreno and Nieves Pascual Soler, vol. 9, transcript, 2016, pp. 133–47.

Flotmann-Scholz, Christina. “The Making of English Popular Culture. Ed. by John Storey.” Journal for the Study of British Cultures, vol. 23, no. 1, 2016, pp. 75–78.

Flotmann-Scholz, Christina. “Die literarische Kommunikationsspirale: Strukturelle Wechselwirkungen zwischen literarischem Text und Rezeption in der angelsächsischen Kinder- und Jugendliteratur des späten 20./ frühen 21. Jahrhunderts. by Uta Woiwod.” Anglistik: International Journal of English Studies, vol. 27, no. 2, 2016, pp. 189–90.

Flotmann-Scholz, Christina. “Oedipal Murders and Nostalgic Ressurections: The Victorians in Historical Middlebrow Fiction, 1914-1959. by Caterina Maria Grasl.” Literaturwissenschaftliches Jahrbuch, vol. 57, 2016, pp. 259–62.

Tönnies, Merle. “Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political.” Journal of Contemporary Drama in English, vol. 3, no. 2, 2015, pp. 355–58.

Tönnies, Merle. “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama.” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, Peter Lang, 2015, pp. 243–60.

Tönnies, Merle. “Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism.” Arbeiten Aus Anglistik Und Amerikanistik, vol. 39, 2014, pp. 203–07.

Flotmann, Christina. “Wiki-Wonderland? – Eine Qualitative Analyse zu Vor- und Nachteilen von Wikis für Lehrende und Studierende.” Lehr- und Lernpraxis im Fokus – Forschungs- und Reflexionsbeiträge aus der Universität Paderborn, edited by Robert Kordts-Freudinger et al., 2014.

Flotmann, Christina. “Political Rhetoric as a Structural and Ideological Instrument in Star Wars and Harry Potter.” Politics in Fantasy Media: Essays on Ideology and Gender in Fiction, Film, Television and Games, edited by Gerold Sedlmayr and Nicole Waller, McFarland, 2014, pp. 137–49.

Tönnies, Merle. (En-)Gendering a Popular Theatrical Genre. The Roles of Women in Nineteenth-Century British Melodrama. 1., Winter, 2014.

Tönnies, Merle. “Anti-hegemoniale Strategien des Kleinen. Britische dokumentarische Farbfotografie als Kritik des Thatcherismus.” Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien, Wilhelm Fink, 2014, pp. 321–33.

Tönnies, Merle. “Middeke,M. / Schnierer, P.P. / Sierz, A. (Hg.): The Methuen Guide to Contemporary British Playwrights.” Anglia, vol. 131, no. 1, 2013, pp. 183–88.

Tönnies, Merle. “Rossow, H. Globalismus Und Lew Labour.” Anglistik. International Journal of English Studies, vol. 24, no. 2, 2013, pp. 223–25.

Tönnies, Merle. “Baumbach, S. / Neumann, B. / Nünning, A.: A History of British Drama.” Anglistik. International Journal of English Studies, vol. 24, no. 1, 2013, pp. 201–03.

Strauß, Sara. “This Bright Inward Cinema of Thought” – Stream of Consciousness in Contemporary English Fiction. WVT, 2013.

Flotmann, Christina. “‘Monstrous’ Homes: How Private Spaces Shape Characters’ Identities in  19th-Century Sensation Fiction.” Monstrous Geographies: Places and Spaces of the Monstrous, edited by Sarah Montin and Evelyn Tsitas, Inter-Disciplinary Press, 2013, pp. 75–96.

Flotmann, Christina. Ambiguity in ‘Star Wars’ and ‘Harry Potter’: A (Post-)Structuralist Reading of Two Popular Myths. transcript, 2013.

Flotmann, Christina. Populäre Mythen Bei Star Wars Und Harry Potter. radioeins rbb Berlin, Die Profis, 2013.

Tönnies, Merle. “Northern Landscapes and Anti-Thatcherite Positioning.” Journal for the Study of British Cultures, vol. 20, no. 2, 2013, pp. 115–24.

Tönnies, Merle. “Feminising a Classical Male Plot Model? Black British Women Writers and the ‘Bildungsroman.’” International Journal of English Studies, vol. 24, no. 1, 2013, pp. 51–61.

Strauß, Sara. “Victorian Values in Nineteenth- and Twenty-First-Century Advertising and Consumer Practices.” Anglistik &; Englischunterricht.

Strauß, Sara. “Facets of Children’s Fears in Twentieth- and Twenty-First-Century Stream-of-Consciousness Fiction.” Who’s Afraid of...? Facets of Fear in Anglophone Literature and Film, edited by Marion Gymnich, V&;R Unipress Bonn, 2012, pp. 141–56.

Strauß, Sara. “Constructions of ‘Otherness’ in Frances Hodgson Burnett’s The Secret Garden.” A Hundred Years of The Secret Garden – Frances Hodgson Burnett’s Children’s Classic Revisited, edited by Marion Gymnich and Imke Lichterfeld, V&;R Unipress Bonn, 2012, pp. 77–89.

Strauß, Sara, editor. “The Persistence of Modernism in Light.” Critical Engagements: A Journal of Criticism and Theory: Special Section: Eva Figes, vol. 5, no. 2, 2012, pp. 95–108.

Flotmann, Christina. Der Zauber Magischer Welten. Deutschlandfunk, 2012.

Tönnies, Merle, et al., editors. Spatial Representations of British Identities. Winter, 2012.

Tönnies, Merle. “A Bricolage of Identities in Crisis. Colour Photography Documenting Northern England under Thatcher.” Facteurs d’Identité / Faktoren Der Identität, Peter Lang, 2012, pp. 301–23.

Flotmann, Christina, and Merle Tönnies. “Introducing Narrative in Drama.” Narrative in Drama: CDE Studies 18, edited by Merle Tönnies and Christina Flotmann-Scholz, vol. 18, WVT, 2011, pp. 9–17.

Tönnies, Merle, and Christina Flotmann, editors. Narrative in Drama. WVT, 2011.

Tönnies, Merle, et al., editors. Narrative in Drama. WVT, 2011.

Tönnies, Merle, et al., editors. Reading British Spaces. Narr, 2010.

Tönnies, Merle, and WVT Handbücher zum literaturwissenschaftlichen Studium 13, editors. Das englische Drama der Gegenwart: Kategorien-Entwicklungen-Modellnterpretationen. WVT, 2010.

Tönnies, Merle, and Andrea Sand. “The Features of Meanings of Orality in Black British Performance Poetry.” Anglistentag 2009 Klagenfurt. Proceedings, WVT, 2010, pp. 105–14.

Tönnies, Merle. “Transgressive Melodrama. The ‘Sensational’ 1860s and Their After-Effects.” Victorian Highways - Victorian Byways. New Approaches to Nineteenth-Century British Literature and Culture, 2010, pp. 157–80.

Tönnies, Merle. “Assmann, A.: Einführung in Die Kulturwissenschaft.” Anglistik. International Journal of English Studies, vol. 20, no. 1, 2009, pp. 198–200.

Flotmann, Christina. “Lionel Johnson.” Kindlers Literaturlexikon, edited by Heinz Ludwig Arnold, 3rd ed., vol. 8, J.B. Metzler Verlag, 2009, pp. 409–10.

Tönnies, Merle. “Shelagh  Delaney ‘A Taste of Honey.’” Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “David Hare ‘A Map of the World.’” Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “David Hare ‘Knuckle.’” Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “David Hare ‘Plenty.’” Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Ann Patricia Jellicoe ‘The Knack.’” Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Stephen Poliakoff ‘Strawberry Fields.’” Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Peter Shaffer ‘Amadeus.’” Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Peter Shaffer ‘Equus.’” Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “George Bernard Shaw ‘Mrs Warren’s Profession.’” Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Oscar Wilde ‘Mrs Henry Wood.’” Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Mary Elisabeth Braddon ‘Lady Audley’s Secret.’” Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Oscar Wilde ‘Lady Windermere’s Fan.’” Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Alan Ayckbourn ‘Woman in Mind.’” Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Wilkie Collins ‘The Moonstone.’” Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Oscar Wilde ‘East Lynne.’” Kindlers Literaturlexikon, 2009.

Tönnies, Merle. “Translating African Traditions and Identities. Black Poetry in Contemporary Britain.” Cultures of Translation, Cambridge Scholars Publishing, 2008, pp. 87–104.

Tönnies, Merle. “The Visual Strategies of Nineteenth-Century Melodrama.” Anglistik &; Englischunterricht 71, 2008, pp. 183–205.

Tönnies, Merle. “Kulturelle Bedeutungen Und Kontexte Der Indischen Küche in Großbritannien.” Interkulturelle Mahlzeiten. Kulinarische Begegnungen Und Kommunikation in Der Literatur, transcript, 2008, pp. 337–54.

Tönnies, Merle. “Caselli, D.: Beckett’s Dante.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 245, no. 1, 2008, pp. 155–56.

Strauß, Sara. “The Frontiers of the Sea.” Peter Ustinov Als Autor – Eine Einführung, edited by Rolf Breuer, Fink, 2008, pp. 170–73.

Strauß, Sara. “A Nose By Any Other Name.” Peter Ustinov Als Autor – Eine Einführung, edited by Rolf Breuer, Fink, 2008, pp. 178–81.

Tönnies, Merle. “Constructing an Emblematic Northern Space. The New Brighton Photographs of Martin Parr and Tom Wood.” Spatial Practices 2, Rodopi, 2007, pp. 305–24.

Tönnies, Merle. “Stierstorfer, K. / L. Volkmann (Hg.): Kulturwissenschaft Interdisziplinär.” Anglistik. International Journal of English Studies, vol. 18, no. 1, 2007, pp. 170–71.

Tönnies, Merle, and Ulrich Voigt. Introduction to the Study of British Culture. Narr Studienbücher, 2007.

Tönnies, Merle. “London-Diversity and Myth.” Viewfinder Special. Lese-Und Arbeitsbuch Für Die Gymnasiale Oberstufe, edited by Peter Freese, Langenscheidt, 2007, pp. 96–111.

Tönnies, Merle. “Forms and Functions of Violence in Contemporary Black British Drama.” Anglistentag 2005, WVT, 2006, pp. 69–77.

Tönnies, Merle. “Foregrounding Boundary Zones. Martin Parr’s Photographic (De-)Constructions of Englishness.” Spatial Practices 1, Rodopi, 2006, pp. 225–41.

Tönnies, Merle. “Percy Mtwa, Mbongeni Ngema and Barney Simon: Woza Albert! (1981).” Drama II, vol. 2, 2006, pp. 389–404.