Tönnies, M. (2023). Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century (Vol. 34, Issue 3, pp. 268–270).https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20 
LibreCat: /record/50264
DOI:  https://doi.org/10.33675/ANGL/2023/3/20

Tönnies, M., Voigts, E., &; The German Society for Contemporary Theatre and Drama in English (Eds.). (2022). Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (Vol. 32). Walter deGruyter.
LibreCat: /record/34453

Tönnies, M., &; Flotmann-Scholz, C. (2022). Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics. Anglistik: International Journal of English Studies, 33(2), 257–272.
LibreCat: /record/34452

Tönnies, M., &; Voigts, E. (2022). Anger, Anxiety and Hope: The Complicit Realities and Engaged/ing Communities of Contemporary Briitsh Dys/Utopian Theatre. Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies), 32.
LibreCat: /record/34454

Strauß, S. (2022). “Elizabeth Grubgeld, Disability and Life Writing in Post-Independence Ireland”, Book Review. In European Journal of Life Writing (Vol. 11, pp. 29–34).
LibreCat: /record/31598

Tönnies, M. (2021). Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain. In P. Jacobi &; A. Pankratz (Eds.), Mentalities and Materialities: Essays in Honour of Jürgen Kamm (pp. 149–163). Königshausen &; Neumann.
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Tönnies, M., &; Schlieper, H. (Eds.). (2021). Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas (Vol. 21). Harrassowitz.
LibreCat: /record/21825

Tönnies, M. (2021). The Black British Bildungsroman: Gender-specific Plot Models? In M. Tönnies &; H. Schlieper (Eds.), Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas (Vol. 21, pp. 235-263.). Harrassowitz.
LibreCat: /record/21826

Tönnies, M., &; Sierz, A. (2021). ‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama. Journal of Contemporary Drama in English, 9(1), 20–42.
LibreCat: /record/29244

Fakha, N. (2021). Promoting Critical Thinking in Literary and Cultural Studies. Die Hochschullehre, 7.
LibreCat: /record/29262

Strauß, S. (2020). Ageing (Female) Bodies and Mortality in Eighteenth-Century Poetry. In S. Strauß &; S. Schäfer-Althaus (Eds.), Transient Bodies in Anglophone Literature and Culture (pp. 205–226). Heidelberg: Winter.
LibreCat: /record/20861

Strauß, S. (2020). Visualising Memory Loss and the Politics of Representation in Contemporary Portraiture. Journal for the Study of British Cultures, 27(1), 63–76.
LibreCat: /record/20862

Tönnies, M., &; Voigts, E. (2020). Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre. Journal of Contemporary Drama in English, 8(2), 295–312.
LibreCat: /record/21824

Strauß, S., &; Schäfer-Althaus, S. (Eds.). (2020). Transient Bodies in Anglophone Literature and Culture. Heidelberg: Winter.
LibreCat: /record/9711

Flotmann-Scholz, C., &; Lienen, A. (Eds.). (2019). Victorian Ideologies in Contemporary British Cultures. Heidelberg: Universitätsverlag Winter.
LibreCat: /record/9719

Flotmann-Scholz, C., &; Lienen, A. (2019). (New?) Masculinities in Nineteenth-Century Sensation Fiction and Contemporary Black British Fiction. In C. Flotmann-Scholz &; A. Lienen (Eds.), Victorian Ideologies in Contemporary British Cultures (pp. 135–173). Heidelberg: Universitätsverlag Winter.
LibreCat: /record/9720

Flotmann-Scholz, C., &; Lienen, A. (2019). Introduction. In C. Flotmann-Scholz &; A. Lienen (Eds.), Victorian Ideologies in Contemporary British Cultures. Heidelberg: Universitätsverlag Winter.
LibreCat: /record/9721

Flotmann-Scholz, C., &; Lienen, A. (Eds.). (2019). Victorian Ideologies in Contemporary British Cultures. Heidelberg: Universitätsverlag Winter.
LibreCat: /record/9810

Strauß, S. (2019). “Victorian Values in Nineteenth- and Twenty-First-Century Advertising and Consumer Practices.” In C. Flotmann-Scholz &; A. Lienen (Eds.), Victorian Ideologies in Contemporary British Cultures (pp. 113–134). Winter.
LibreCat: /record/31602

Strauß, S. (2019). “Silvia Pellicer-Ortín, Julia Tofantsuk (eds.), Women on the Move. Body, Memory and Femininity in Present-Day Transnational Diasporic Writing.” In Miranda: Multidisciplinary Peer-Reviewed Journal on the English-Speaking World (Vol. 19).
LibreCat: /record/31600

Tönnies, M., &; Lienen, A. (2018). Changing Uses of the City in Contemporary Black British Novels. In C. Ehland &; P. Fischer (Eds.), Resistance and the City. Negotiating Urban Identities: Race, Class, Gender (Vol. 28, pp. 66–82). Leiden: Brill.
LibreCat: /record/9694

Strauß, S. (2018). Visualising Memory Loss and the Politics of Representation in Contemporary Portraiture. In Age Matters. Dresden.
LibreCat: /record/9716

Flotmann-Scholz, C. (2018). Identity Politics in George Lucas’ Star Wars. by John C. McDowell. Cercles: Revue Pluridisciplinaire Du Monde Anglophone.
LibreCat: /record/9728

Strauß, S. (2017). Narrative Ethics and Dementia in Alice LaPlante’s Turn of Mind. In R. Daniela, S. Strauß, &; L. Süwolto (Eds.), Dementia and Subjectivity. Aesthetic, Literary and Philosophical Perspectives. Frankfurt: Lang.
LibreCat: /record/9671

Strauß, S. (2017). Introduction. In D. Ringkamp, S. Strauß, &; L. Süwolto (Eds.), Dementia and Subjectivity. Aesthetic, Literary and Philosophical Perspectives. Frankfurt: Lang.
LibreCat: /record/9672

Strauß, S. (2017). Neuroethical Reflections on Body and Awareness in Kazuo Ishiguro’s Never Let Me Go and Ian McEwan’s Saturday. In G. Hofmann &; S. Zori  (Eds.), Presence of the Body: Awareness In and Beyond Experience (pp. 139–153). Boston: Rodopi.
LibreCat: /record/9673

Tönnies, M. (2017). The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias. Journal of Contemporary Drama in English, 5(1), 156–172.
LibreCat: /record/9692

Tönnies, M. (2017). Still/Again “Political”? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011). In K. Frank &; C. Lusin (Eds.), Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama (Vol. 82, pp. 19–39). Tübingen: Narr Francke Attempto.
LibreCat: /record/9693

Tönnies, M. (2017). Pope, G.: Reading London’s Suburbs. Anglistik. International Journal of English Studies.
LibreCat: /record/9696

Strauß, S., Ringkamp, D., &; Süwolto, L. (Eds.). (2017). Dementia and Subjectivity. Aesthetic, Literary and Philosophical Perspectives. Frankfurt: Lang.
LibreCat: /record/9712

Strauß, S. (2017). Fragments of a Life Remembered: Fragmentation and Silences in Dementia Narratives. In Narrative and Mental Health. Paderborn.
LibreCat: /record/9717

Tönnies, M. (2017). The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power. Storyworlds: A Journal of Narrative Studies, 9(1–2), 95–120.
LibreCat: /record/13875

Tönnies, M., Ehland, C., &; Mindt, I. (Eds.). (2016). Anglistentag 2015 Paderborn: Proceedings. Presented at the Anglistentag, Trier: WVT.
LibreCat: /record/9688

Tönnies, M. (2016). Religion im zeitgenössischen britischen Drama. In K. von Stosch, M. Hofmann, &; S. Schmitz (Eds.), Religion und Kultur (pp. 81–96). Bielefeld: transcript.
LibreCat: /record/9689

Tönnies, M. (2016). The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s. Anglistik. International Journal of English Studies, 27(1), 113–124.
LibreCat: /record/9690

Tönnies, M., Brüning, J., &; Sand, A. (2016). The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance. Zeitschrift Für Anglistik Und Amerikanistik, 64(3), 301–320.
LibreCat: /record/9691

Strauß, S. (2016). Memory, Dementia and Narrative Identity in Alice Munro’s ‘The Bear Came Over the Mountain.’ In M. C. Moreno &; N. P. Soler (Eds.), Traces of Aging: Old Age and Memory in Contemporary Narrative (Vol. 9, pp. 133–147). Bielefeld: transcript.
LibreCat: /record/9697

Flotmann-Scholz, C. (2016). The Making of English Popular Culture. ed. by John Storey. Journal for the Study of British Cultures.
LibreCat: /record/9729

Flotmann-Scholz, C. (2016). Die literarische Kommunikationsspirale: Strukturelle Wechselwirkungen zwischen literarischem Text und Rezeption in der angelsächsischen Kinder- und Jugendliteratur des späten 20./ frühen 21. Jahrhunderts. by Uta Woiwod. Anglistik: International Journal of English Studies.
LibreCat: /record/9730

Flotmann-Scholz, C. (2016). Oedipal Murders and Nostalgic Ressurections: The Victorians in Historical Middlebrow Fiction, 1914-1959. by Caterina Maria Grasl. Literaturwissenschaftliches Jahrbuch.
LibreCat: /record/9731

Tönnies, M. (2015). Jürs-Munby, K. / Carroll, J. / Giles, S. (Hg.): Postdramatic Theatre and the Political. Journal of Contemporary Drama in English.
LibreCat: /record/9695

Tönnies, M. (2015). Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama. Dramatic Minds. Performance, Cognition, and the Representation of Interiority, 243–260.
LibreCat: /record/6769

Tönnies, M. (2014). Kamm, J. / Lenz, B. (Hg.): Representing Terrorism and Deconstructing Terrorism. Arbeiten Aus Anglistik Und Amerikanistik.
LibreCat: /record/9627

Flotmann, C. (2014). Wiki-Wonderland? – Eine Qualitative Analyse zu Vor- und Nachteilen von Wikis für Lehrende und Studierende. In R. Kordts-Freudinger, D. Urban, &; N. Schaper (Eds.), Lehr- und Lernpraxis im Fokus – Forschungs- und Reflexionsbeiträge aus der Universität Paderborn.
LibreCat: /record/9722

Flotmann, C. (2014). Political Rhetoric as a Structural and Ideological Instrument in Star Wars and Harry Potter. In G. Sedlmayr &; N. Waller (Eds.), Politics in Fantasy Media: Essays on Ideology and Gender in Fiction, Film, Television and Games (pp. 137–149). Jefferson: McFarland.
LibreCat: /record/9723

Tönnies, M. (2014). (En-)Gendering a Popular Theatrical Genre. The Roles of Women in Nineteenth-Century British Melodrama (1.). Heidelberg: Winter.
LibreCat: /record/6699

Tönnies, M. (2014). Anti-hegemoniale Strategien des Kleinen. Britische dokumentarische Farbfotografie als Kritik des Thatcherismus. Kulturen des Kleinen. Mikroformate in Literatur, Kunst und Medien, 321–333.
LibreCat: /record/6781

Tönnies, M. (2013). Middeke,M. / Schnierer, P.P. / Sierz, A. (Hg.): The Methuen Guide to Contemporary British Playwrights. Anglia.
LibreCat: /record/9629

Tönnies, M. (2013). Rossow, H. Globalismus und Lew Labour. Anglistik. International Journal of English Studies.
LibreCat: /record/9630

Tönnies, M. (2013). Baumbach, S. / Neumann, B. / Nünning, A.: A History of British Drama. Anglistik. International Journal of English Studies.
LibreCat: /record/9632