Tönnies, Merle. “New Labour in the New Millenium. A Further Theatricalisation of Politics?” Passauer Arbeiten Zur Literatur-Und Kulturwissenschaft, vol. 3, Stutz, 2006, pp. 119–38.
LibreCat: /record/7601

Tönnies, Merle. “Radicalising Postmodern Biofictions. British Fictional Autobiography of the Twenty-First Century.” Salzburg Studies in English Literature and Culture, vol. 3, Lang, 2006, pp. 305–14.
LibreCat: /record/7615

Tönnies, Merle. “A Midsummer Night’s Dream.” Stauffenburg Handbücher, vol. 9, Stauffenburg, 2006, pp. 195–214.
LibreCat: /record/7616

Tönnies, Merle. “Boehmer, E.: Stories of Women, 2005.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 243, no. 2, 2006, pp. 445–47.
LibreCat: /record/9642

Tönnies, Merle. “Middeke, M.: Die Kunst Der Gelebten Zeit, 2004.” Zeitschrift Für Anglistik Und Amerikanistik, vol. 54, no. 3, 2006, pp. 315–17.
LibreCat: /record/9643

Tönnies, Merle. “Kamm, J. / B. Lenz: Großbritannien Verstehen, 2004.” Anglia, vol. 123, no. 4, 2006, pp. 779–82.
LibreCat: /record/9644

Tönnies, Merle. “Nünning, V. / A. Nünning (Hg.): Erzähltextanalyse Und Gender Studies, 2004.” Archiv Für Das Studium Der Neueren Sprachen Und Literaturen, vol. 242, no. 2, 2006, pp. 434–36.
LibreCat: /record/9645

Tönnies, Merle. “Courttia Newland’s Theatre Work. On the Occasion of B Is for Black (Oval House Theatre, London, 1-18 October 2003.” Hard Times, vol. 76, 2005, pp. 31–33.
LibreCat: /record/8352

Tönnies, Merle. “‘Serious’ Science vs. ‘Light’ Entertainment? Femininity Concepts in Nineteenth-Century British Medical Discourse and Popular Fiction.” Unmapped Countries: Biological Visions in Nineteenth-Century Literature and Culture, edited by Anne-Julia Zwierlein, Anthem Press, 2005, pp. 183–92.
LibreCat: /record/8353

Tönnies, Merle. “A New Self-Conscious Turn at the Turn of the Centruy?” Anglistik &; Englischunterricht, vol. 66, 2005, pp. 57–82.
LibreCat: /record/8845

Tönnies, Merle. “Das viktorianische Theater als Populärkultur.” Eine Kulturgeschichte der englischen Literatur: Von der Renaissance bis zur Gegenwart, 2005, pp. 158–70.
LibreCat: /record/8847

Tönnies, Merle. “Hooper, B.: Voices in the Heart. Postcolonialism and Identity in Hong Kong Literature, 2003.” Anglistik, vol. 16, no. 2, 2005, pp. 201–03.
LibreCat: /record/9647

Tönnies, Merle. “New Britain as Consumer Country and Commodity.” Journal for the Study of British Cultures, vol. 11, no. 2, 2004, pp. 117–28.
LibreCat: /record/8848

Tönnies, Merle. “Mergenthal, S.: A Fast-Forward Version of England, 2003.” Anglia, vol. 122, no. 4, 2004, pp. 758–61.
LibreCat: /record/9657

Tönnies, Merle. “Peter Brook’s Glückliche Tage.” The Beckett Circle, vol. 26, no. 2, 2003, pp. 1–3.
LibreCat: /record/8849

Tönnies, Merle. “‘New Lingo - New Theatre’?” Anglistik &; Englischunterricht, vol. 65, 2003, pp. 169–91.
LibreCat: /record/8850

Tönnies, Merle. “The ‘Postcolonial University Novel’ in Britain.” Xenophobic Memories: Otherness in Postcolonial Constructions of the Past, Winter, 2003, pp. 13–37.
LibreCat: /record/8851

Tönnies, Merle, et al. “Making Play-Texts Live: Teaching Drama as Experience.” Global Challenges and Regional Responses in Contemporary Drama in English, vol. 10, WVT, 2003, pp. 247–64.
LibreCat: /record/8852

Tönnies, Merle. “Sager, P.: Oxford &; Cambridge. Eine Kulturgeschichte.” Journal for the Study of British Cultures, vol. 10, no. 2, 2003.
LibreCat: /record/9658

Tönnies, Merle. “Veit, C.: Ich-Konzept Und Körper in Becketts Dualen Konstruktionen, 2002.” The Beckett Circle, vol. 26, no. 2, 2003, p. 18.
LibreCat: /record/9659