Strauß, Sara. “This Bright Inward Cinema of Thought” – Stream of Consciousness in Contemporary English Fiction. Trier: WVT, 2013.

Flotmann, Christina. “‘Monstrous’ Homes: How Private Spaces Shape Characters’ Identities in  19th-Century Sensation Fiction.” In Monstrous Geographies: Places and Spaces of the Monstrous, edited by Sarah Montin and Evelyn Tsitas, 75–96. Oxfordshire: Inter-Disciplinary Press, 2013.

Flotmann, Christina. Ambiguity in ‘Star Wars’ and ‘Harry Potter’: A (Post-)Structuralist Reading of Two Popular Myths. Bielefeld: transcript, 2013.

Flotmann, Christina. Populäre Mythen Bei Star Wars Und Harry Potter. Berlin: radioeins rbb Berlin, Die Profis, 2013.

Tönnies, Merle. “Northern Landscapes and Anti-Thatcherite Positioning.” Journal for the Study of British Cultures 20, no. 2 (2013): 115–24.

Tönnies, Merle. “Feminising a Classical Male Plot Model? Black British Women Writers and the ‘Bildungsroman.’” International Journal of English Studies 24, no. 1 (2013): 51–61.

Strauß, Sara. “Victorian Values in Nineteenth- and Twenty-First-Century Advertising and Consumer Practices.” In Anglistik &; Englischunterricht. Victorian Structures of Feeling, n.d.

Strauß, Sara. “Facets of Children’s Fears in Twentieth- and Twenty-First-Century Stream-of-Consciousness Fiction.” In Who’s Afraid of...? Facets of Fear in Anglophone Literature and Film, edited by Marion Gymnich, 141–56. Bonn: V&;R Unipress Bonn, 2012.

Strauß, Sara. “Constructions of ‘Otherness’ in Frances Hodgson Burnett’s The Secret Garden.” In A Hundred Years of The Secret Garden – Frances Hodgson Burnett’s Children’s Classic Revisited, edited by Marion Gymnich and Imke Lichterfeld, 77–89. Göttingen: V&;R Unipress Bonn, 2012.

Strauß, Sara, ed. The Persistence of Modernism in Light. Critical Engagements: A Journal of Criticism and Theory: Special Section: Eva Figes. Vol. 5, 2012.

Flotmann, Christina. Der Zauber Magischer Welten. Deutschlandfunk, 2012.

Tönnies, Merle, Heike Buschmann, and Anglistik und Englischunterricht, eds. Spatial Representations of British Identities. Heidelberg: Winter, 2012.

Tönnies, Merle. “A Bricolage of Identities in Crisis. Colour Photography Documenting Northern England under Thatcher.” Facteurs d’Identité / Faktoren Der Identität, 2012, 301–23.

Flotmann, Christina, and Merle Tönnies. “Introducing Narrative in Drama.” In Narrative in Drama: CDE Studies 18, edited by Merle Tönnies and Christina Flotmann-Scholz, 18:9–17. Trier: WVT, 2011.

Tönnies, Merle, and Christina Flotmann, eds. Narrative in Drama. Trier: WVT, 2011.

Tönnies, Merle, Christina Flotmann, and Contemporary Drama in English, eds. Narrative in Drama. Trier: WVT, 2011.

Tönnies, Merle, Ina Grimm, and Journal for the Study of British Cultures, eds. Reading British Spaces. Tübingen: Narr, 2010.

Tönnies, Merle, and WVT Handbücher zum literaturwissenschaftlichen Studium 13, eds. Das englische Drama der Gegenwart: Kategorien-Entwicklungen-Modellnterpretationen. Trier: WVT, 2010.

Tönnies, Merle, and Andrea Sand. “The Features of Meanings of Orality in Black British Performance Poetry.” Anglistentag 2009 Klagenfurt. Proceedings, 2010, 105–14.

Tönnies, Merle. “Transgressive Melodrama. The ‘Sensational’ 1860s and Their After-Effects.” Victorian Highways - Victorian Byways. New Approaches to Nineteenth-Century British Literature and Culture, 2010, 157–80.