ChoraleWind: An Expressive Wind-Quartet Dataset for End-to-End Rendering from the Neues Thüringer Choralbuch
A. Axel, A. Aida, M. Manuel, M. Meinard, S. Stefan, in: Proc. of the International Computer Music Conference (ICMC), Hamburg, Germany, 2026, pp. 43–50.

Methoden und Perspektiven digitaler Edition von Choralbüchern
A. Berndt, A. Münzmay, A. Amiryan-Stein, in: Telemann Als Interdisziplinärer Forschungsgegenstand: Internationale Wissenschaftliche Konferenz, Magdeburg, Germany, 2026.

Musical Instrument Directivity Modelling and Applications to Virtual Acoustics
D.A. Mauro, A. Berndt, in: DAGA 2026 – 52nd Annual Meeting on Acoustics, Dresden, Germany, 2026.

Innovative Computerbasierte Musikinterfaces (ICMI)
L. Engeln, C. Pöpel, H. Reckter, A. Hadjakos, A. Berndt, S. Trump, N. Schnell, M. Akkermann, E. Jürgens, in: Mensch Und Computer 2025 - Workshopband, Gesellschaft für Informatik, 2025.

Digitale Orgel, digitales Notenpult
A. Berndt, in: 9th Autumn Workshop of Young DEGA, Detmold, Germany, 2025.

ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research
S. Balke, A. Berndt, M. Müller, Transactions of the International Society for Music Information Retrieval 8 (2025) 39–54.

Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation pattern using IEEE 1599
D.A. Mauro, L.A. Ludovico, H.H. Aydin, A. Berndt, T. Grothe, in: AM.ICAD: Audio Mostly &; ICAD Joint Conf., ACM, Coimbra, Portugal, 2025.

Detmold interactive Musical Instrument Timbre Explorer (DmITE) - a web application for experimental learning in musical acoustics
T. Grothe, H.B. Aydin, D.A. Mauro, L.A. Ludovico, A. Berndt, in: DAS/DAGA 2025 – 51st Annual Meeting on Acoustics, Copenhagen, Denmark, 2025.

Non/Repeat: Three Case Studies of Non-linear Live-Music Practices
M. Kallionpää, A. Berndt, D.A. Mauro, D. Dziwis, in: AM.ICAD: Audio Mostly &; ICAD Joint Conf., ACM, Coimbra, Portugal, 2025.

Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht
A. Berndt, in: Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between Data, Research and Infrastructure”, KreativInstitut.OWL, Detmold, Germany, 2025.

KreativInstitut.OWL: An Interdisciplinary Institute for Transfer Between Science, Cultural and Creative Industries
A. Berndt, G. Falkemeier, A. Kutter, A.V.K. Plaksin, S. Etezazi, D. Dziwis, in: Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces, Gesellschaft für Informatik, Chemnitz, Germany, 2025.

Automatic Rendering of Ramati’s Ludus Musicalis Scores
D.A. Mauro, A. Berndt, in: 22nd Sound and Music Computing Conf. (SMC 2025), Auditory Landscapes, Graz, Austria, 2025.

Auditory Pointers: Spatial Navigation with Sounds
A. Berndt, in: Forschungskolloquium Zur Audiokommunikation, Berlin, Germany, 2024.

Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze
A. Berndt, A. Münzmay, in: 2024.

Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition
A. Berndt, A. Münzmay, F. Bömcke-Vollmer, in: DAGA 2024 – 50. Jahrestagung Für Akustik, Hannover, Germany, 2024.

Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology
A. Berndt, F. Bömcke-Vollmer, A. Münzmay, in: Diskografentag: International Conference on Recorded Music, Guildford, Surrey, England, 2024.

FlowScore: MEI Streaming to Digital Music Stands
A. Berndt, S. Waloschek, in: Edirom Summer School 2024, Paderborn, Germany, 2024.