Selective Encoding: Reducing the Burden of Transcription for Digital Musicologists
M. Saccomano, L. Rosendahl, D. Lewis, A. Hankinson, J. Kepper, K. Page, E. Shibata, Journal of the Text Encoding Initiative (n.d.).

Exploring the Genesis of Complex Music Manuscripts
J. Kepper, R.Y. Sänger, J.-P. Voigt, Journal of the Text Encoding Initiative (n.d.).

Zu den Anforderungen einer musikalischen Stilometrie
J. Kepper, in: Paderborn, 2023.

DomesticBeethoven/bith-annotator: Release 2023-04
J. Kepper, DomesticBeethoven/Bith-Annotator: Release 2023-04, Zenodo, 2023.

MEI: The Music Encoding Initiative Guidelines (PDF)
P.D. Roland, J. Kepper, eds., MEI: The Music Encoding Initiative Guidelines (PDF), Zenodo, 2023.

Beethoven in the House: Selective Encodings of Arrangements of Beethoven’s opp. 91, 92, and 93.
L. Rosendahl, Beethoven in the House: Selective Encodings of Arrangements of Beethoven’s Opp. 91, 92, and 93., Zenodo, 2023.

A New Conceptual Model for Musical Sources and Musicological Studies
E. Shibata, D. Lewis, M. Saccomano, J. Kepper, K. Page, in: D. Weigl, J. Bain, A. Ang (Eds.), Proceedings of the Music Encoding Conference 2022, Halifax, Nova Scotia, Canada, 2023, pp. 145–150.

Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection
D. Lewis, E. Shibata, A. Hankinson, J. Kepper, K.R. Page, L. Rosendahl, M. Saccomano, C. Siegert, in: 2023.

Beethoven in the House: Digital Studies of Domestic Music Arrangements
K.R. Page, J. Kepper, C. Siegert, A. Hankinson, D. Lewis, in: S. Münnich, D. Rizo (Eds.), Music Encoding Conference Proceedings 2021, Humanities Commons, 2022, pp. 117–123.

Encoding Genetic Processes II
S. Cox, J. Kepper, in: S. Münnich, D. Rizo (Eds.), Music Encoding Conference Proceedings 2021, Humanities Commons, Alicante, 2022, pp. 85–95.

A model for annotating musical versions and arrangements across multiple documents and media
D. Lewis, E. Shibata, M. Saccomano, L. Rosendahl, J. Kepper, A. Hankinson, C. Siegert, K. Page, in: 9th International Conference on Digital Libraries for Musicology, ACM, Prague Czech Republic, 2022, pp. 10–18.

MusicDiff – A Diff Tool for MEI
K. Herold, J. Kepper, R. Mo, A.R. Seipelt, in: E. De Luca, J. Flanders (Eds.), Music Encoding Conference Proceedings 2020, Humanities Commons, 2020, pp. 59–66.

Music Encoding Conference Proceedings 2015, 2016 and 2017
G. Di Bacco, J. Kepper, P.D. Roland, eds., Music Encoding Conference Proceedings 2015, 2016 and 2017, Bavarian State Library (BSB), 2019.

Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project
J. Kepper, in: G. Di Bacco, J. Kepper, P. Roland (Eds.), Music Encoding Conference Proceedings 2015, 2016 and 2017, Bavarian State Library (BSB), 2019, pp. 95–105.

Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)
J. Kepper, Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017), 2017.

Was ist eine Digitale Edition? Versuch einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017
J. Kepper, L. Pugin, Musiktheorie (Zeitschrift für Musikwissenschaft) Jahrgang 32 (2017) 347–363.

Freischütz Digital: data-music, The Academy 2017 Release
J. Kepper, Freischütz Digital: Data-Music, The Academy 2017 Release, Zenodo, 2017.

Music Encoding Initiative Guidelines Version 3.0.0
J. Kepper, P.D. Roland, Music Encoding Initiative Guidelines Version 3.0.0, Charlottesville und Detmold, 2016.

Die Spuren des Digitalen. Über die Nachnutzbarkeit digitaler Inhalte
J. Kepper, M. Hartwig, in: K. Richts, P. Stadler (Eds.), eEi, dem alten Herrn zoll9 ich Achtung gern9“. Festschrift für Joachim Veit zum 60. Geburtstag, Allitera Verlag, München, 2016, pp. 3193330.

Expression beyond Scope: How FRBR and MEI fit together
J. Kepper, K. Richts, in: IAML Congress Programme with Abstracts, Rome, 2016, pp. 59–60.