Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century
M. Tönnies, 34 (2023) 268–270.

Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre
M. Tönnies, E. Voigts, The German Society for Contemporary Theatre and Drama in English, eds., Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre, Walter deGruyter, Berlin, 2022.

Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics
M. Tönnies, C. Flotmann-Scholz, Anglistik: International Journal of English Studies 33 (2022) 257–272.

Anger, Anxiety and Hope: The Complicit Realities and Engaged/ing Communities of Contemporary Briitsh Dys/Utopian Theatre
M. Tönnies, E. Voigts, Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies) 32 (2022).

Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain
M. Tönnies, in: P. Jacobi, A. Pankratz (Eds.), Mentalities and Materialities: Essays in Honour of Jürgen Kamm, Königshausen &; Neumann, Würzburg, 2021, pp. 149–163.

Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas
M. Tönnies, H. Schlieper, eds., Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas, Harrassowitz, 2021.

The Black British Bildungsroman: Gender-specific Plot Models?
M. Tönnies, in: M. Tönnies, H. Schlieper (Eds.), Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas, Harrassowitz, 2021, pp. 235-263.

‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama
M. Tönnies, A. Sierz, Journal of Contemporary Drama in English 9 (2021) 20–42.

Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre
M. Tönnies, E. Voigts, Journal of Contemporary Drama in English 8 (2020) 295–312.

British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach
M. Tönnies, M. Göhrmann, in: J. Kramer, B. Lenz (Eds.), How to Do Cultural Studies: Ideas, Approaches, Scenarios, Königshausen &; Neumann, Würzburg, 2020, pp. 303–339.

Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith's Seasonal Quartet as a Counter-Narrative to Brexit
M. Tönnies, D. Henneböhl, Journal for the Study of British Cultures 26 (2019) 181–193.

Changing Uses of the City in Contemporary Black British Novels
M. Tönnies, A. Lienen, in: C. Ehland, P. Fischer (Eds.), Resistance and the City. Negotiating Urban Identities: Race, Class, Gender, Brill, Leiden, 2018, pp. 66–82.

The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias
M. Tönnies, Journal of Contemporary Drama in English 5 (2017) 156–172.

Still/Again 'Political'? New Approaches to Questioning Power in Mike Bartlett's 13 (2011)
M. Tönnies, in: K. Frank, C. Lusin (Eds.), Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama, Narr Francke Attempto, Tübingen, 2017, pp. 19–39.

Pope, G.: Reading London's Suburbs
M. Tönnies, Anglistik. International Journal of English Studies 28 (2017) 175–177.

The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power
M. Tönnies, Storyworlds: A Journal of Narrative Studies 9 (2017) 95–120.

Anglistentag 2015 Paderborn: Proceedings
M. Tönnies, C. Ehland, I. Mindt, eds., Anglistentag 2015 Paderborn: Proceedings, WVT, Trier, 2016.

Religion im zeitgenössischen britischen Drama
M. Tönnies, in: K. von Stosch, M. Hofmann, S. Schmitz (Eds.), Religion und Kultur, transcript, Bielefeld, 2016, pp. 81–96.

The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s
M. Tönnies, Anglistik. International Journal of English Studies 27 (2016) 113–124.

The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance
M. Tönnies, J. Brüning, A. Sand, Zeitschrift Für Anglistik Und Amerikanistik 64 (2016) 301–320.