Althoff, Sebastian. “Walking with Images: Mimetic-Automatic Production in Hasan Elahi’s Tracking Transcience.” In Walking with the Enemy: Reclaiming the Language of Power and Manipulation in the Post-Truth Era, edited by Gediminas Gasparavicius, Maia Toteva, and Tom Williams. Manchester: Manchester University Press, n.d.
LibreCat: /record/47619

Althoff, Sebastian. “The Condemnation of Hate and the Violence of the Status Quo.”https://doi.org/ https://doi.org/10.1215/17432197-10969201__Cultural Politics 20, no. 1 (2024): 45–59.https://doi.org/ https://doi.org/10.1215/17432197-10969201 .
LibreCat: /record/52693
DOI:  https://doi.org/10.1215/17432197-10969201

Althoff, Sebastian. Digitale Desökonomie: Unproduktivität, Trägheit und Exzess im digitalen Milieu. Bielefeld: transcript, 2023.
LibreCat: /record/47617

Althoff, Sebastian. “Was Heißt Überleben? Die Zweischneidigkeit Eines Ubiquitären Begriffs.” Berliner Debatte Initial 34, no. 4 (2023): 87–97.
LibreCat: /record/52692

Althoff, Sebastian. “Zweierlei Homophilie: Wendy Hui Kyong Chun und Leo Bersani.”https://doi.org/10.30965/9783846764947_016__In Mimesis Expanded: Die Ausweitung der mimetischen Zone, edited by Friedrich Balke and Elisa Linseisen, 343–362. Paderborn: Wilhelm Fink, 2022.https://doi.org/10.30965/9783846764947_016 .
LibreCat: /record/47621
DOI: 10.30965/9783846764947_016

Althoff, Sebastian, Elisa Linseisen, Maja-Lisa Muller, and Franziska Winter, eds. Re/Dissolving Mimesis. Paderborn: Wilhelm Fink, 2020.
LibreCat: /record/47618

Althoff, Sebastian. “A CCTV Image That Dissolves like Smeared Data: Distinguishability versus Similarity.”https://doi.org/10.30965/9783846764954_012__In Re/Dissolving Mimesis, edited by Elisa Linseisen, Maja-Lisa Muller, and Franziska Winter. Paderborn: Wilhelm Fink, 2020.https://doi.org/10.30965/9783846764954_012 .
LibreCat: /record/47623
DOI: 10.30965/9783846764954_012

Althoff, Sebastian, Elisa Linseisen, Maja-Lisa Muller, and Franziska Winter. “Editorial: Re/Dissolving Mimesis.”https://doi.org/10.30965/9783846764954_004__In Re/Dissolving Mimesis, edited by Elisa Linseisen, Maja-Lisa Muller, and Franziska Winter. Paderborn: Wilhelm Fink, 2020.https://doi.org/10.30965/9783846764954_004 .
LibreCat: /record/47622
DOI: 10.30965/9783846764954_004

Althoff, Sebastian. “Seeping Out: The Diminishment of the Subject in Hito Steyerl’s How Not to Be Seen.”https://doi.org/10.1080/13528165.2019.1717871__Performance Research 24, no. 7 (2020): 92–98.https://doi.org/10.1080/13528165.2019.1717871 .
LibreCat: /record/47624
DOI: 10.1080/13528165.2019.1717871

Althoff, Sebastian. “Inhabiting the Profile: Zach Blas’s Facial Weaponizaton Suite.”https://doi.org/10.7202/1058472ar__Intermedialites. Histoire et Theorie Des Art, Des Lettres et Des Techniques 32 (2018).https://doi.org/10.7202/1058472ar .
LibreCat: /record/47625
DOI: 10.7202/1058472ar