Althoff, Sebastian. “Walking with Images: Mimetic-Automatic Production in Hasan Elahi’s Tracking Transcience.” Walking with the Enemy: Reclaiming the Language of Power and Manipulation in the Post-Truth Era, edited by Gediminas Gasparavicius et al., Manchester University Press.
LibreCat: /record/47619

Althoff, Sebastian. “The Condemnation of Hate and the Violence of the Status Quo.” https://doi.org/10.1215/17432197-10969201__Cultural Politics, vol. 20, no. 1, 2024, pp. 45–59, doi: https://doi.org/10.1215/17432197-10969201.
LibreCat: /record/52693
DOI:  https://doi.org/10.1215/17432197-10969201

Althoff, Sebastian. Digitale Desökonomie: Unproduktivität, Trägheit und Exzess im digitalen Milieu. transcript, 2023.
LibreCat: /record/47617

Althoff, Sebastian. “Was Heißt Überleben? Die Zweischneidigkeit Eines Ubiquitären Begriffs.” Berliner Debatte Initial, vol. 34, no. 4, 2023, pp. 87–97.
LibreCat: /record/52692

Althoff, Sebastian. “Zweierlei Homophilie: Wendy Hui Kyong Chun und Leo Bersani.”10.30965/9783846764947_016__Mimesis Expanded: Die Ausweitung der mimetischen Zone, edited by Friedrich Balke and Elisa Linseisen, Wilhelm Fink, 2022, pp. 343–362, doi:10.30965/9783846764947_016.
LibreCat: /record/47621
DOI: 10.30965/9783846764947_016

Althoff, Sebastian, et al., editors. Re/Dissolving Mimesis. Wilhelm Fink, 2020.
LibreCat: /record/47618

Althoff, Sebastian. “A CCTV Image That Dissolves like Smeared Data: Distinguishability versus Similarity.”10.30965/9783846764954_012__Re/Dissolving Mimesis, edited by Elisa Linseisen et al., Wilhelm Fink, 2020, doi:10.30965/9783846764954_012.
LibreCat: /record/47623
DOI: 10.30965/9783846764954_012

Althoff, Sebastian, et al. “Editorial: Re/Dissolving Mimesis.”10.30965/9783846764954_004__Re/Dissolving Mimesis, edited by Elisa Linseisen et al., Wilhelm Fink, 2020, doi:10.30965/9783846764954_004.
LibreCat: /record/47622
DOI: 10.30965/9783846764954_004

Althoff, Sebastian. “Seeping Out: The Diminishment of the Subject in Hito Steyerl’s How Not to Be Seen.”10.1080/13528165.2019.1717871__Performance Research, vol. 24, no. 7, 2020, pp. 92–98, doi:10.1080/13528165.2019.1717871.
LibreCat: /record/47624
DOI: 10.1080/13528165.2019.1717871

Althoff, Sebastian. “Inhabiting the Profile: Zach Blas’s Facial Weaponizaton Suite.”10.7202/1058472ar__Intermedialites. Histoire et Theorie Des Art, Des Lettres et Des Techniques, vol. 32, 2018, doi:10.7202/1058472ar.
LibreCat: /record/47625
DOI: 10.7202/1058472ar