@article{55341,
  author       = {{van der Valk, Stefanie}},
  journal      = {{Hispanorama}},
  number       = {{178}},
  pages        = {{64--69}},
  title        = {{{Memes im Spanischunterricht - Ein populärkulturelles Phänomen aus dem Internet als Anlass für kommunikativ-ästhetisches Lernen}}},
  year         = {{2022}},
}

@article{55496,
  author       = {{Büter, Mara Samira}},
  journal      = {{Zeitschrift für romanische Sprachen und ihre Didaktik }},
  number       = {{1}},
  pages        = {{244--249}},
  title        = {{{Zeitschriftenschau Der fremdsprachliche Unterricht Spanisch 73/2021 und 74/2021 }}},
  volume       = {{16}},
  year         = {{2022}},
}

@inbook{38066,
  author       = {{Steigerwald, Jörn}},
  booktitle    = {{Im-Materiell. Kulturerbe-Studien für Eva-Maria Seng zum 60. Geburtstag}},
  editor       = {{Harnack, Maria}},
  pages        = {{59--72}},
  publisher    = {{De Gruyter}},
  title        = {{{Die Vergegenwärtigung höfischer Lustbarkeiten: André Félibiens 'Divertissements de Versailles' (1674/1676)}}},
  year         = {{2022}},
}

@inbook{49553,
  author       = {{Steigerwald, Jörn}},
  booktitle    = {{La Forme idéale à la Renaissance / Forma ideale durante il Rinascimento}},
  editor       = {{Frommel, Sabine and Pfisterer, Ulrich}},
  pages        = {{167--178}},
  publisher    = {{Campisano Editore}},
  title        = {{{Problematisches Sehen illusionärer Schönheit: die Armida-Episode in Torquato Tassos 'Gerusalemme liberata'}}},
  year         = {{2022}},
}

@inbook{38069,
  author       = {{Steigerwald, Jörn}},
  booktitle    = {{ZwischenSpielZeit. Das Theater der Frühaufklärung (1680-1730)}},
  editor       = {{Steigerwald, Jörn and Süwolto, Leonie}},
  publisher    = {{Brill / Fink}},
  title        = {{{Die Geburt der italienischen Liebestragödie. Scipione Maffeis 'Merope'.}}},
  year         = {{2022}},
}

@inbook{38072,
  author       = {{Steigerwald, Jörn}},
  booktitle    = {{Theater-Transfers. Akkulturationen des europäischen Dramas in Gottscheds 'Deutscher Schaubühne'}},
  editor       = {{Süwolto, Leonie}},
  pages        = {{233--253}},
  title        = {{{Der Zorn des ehrlichen Mannes. Die Neudeutung von Molières 'Misanthrope' in der 'Deutschen Schaubühne}}},
  year         = {{2022}},
}

@inbook{39048,
  author       = {{Süwolto, Leonie}},
  booktitle    = {{ZwischenSpielZeit. Das Theater der Frühaufklärung (1680-1740)}},
  editor       = {{Süwolto, Leonie and Steigerwald, Jörn}},
  pages        = {{251--269}},
  publisher    = {{Fink }},
  title        = {{{Transformationen des Heroismus in der Tragödie der Frühaufklärung. Geschlechterpoetik in Luise Gottscheds ‚Panthea‘.}}},
  volume       = {{1}},
  year         = {{2022}},
}

@inbook{50336,
  author       = {{Puscher, Sahra}},
  booktitle    = {{ZwischenSpielZeit. Das Theater der Frühaufklärung (1680-1730)}},
  editor       = {{Süwolto, Leonie  and Steigerwald, Jörn}},
  isbn         = {{9783770567447}},
  pages        = {{219--251}},
  publisher    = {{Brill / Fink}},
  title        = {{{Elegische Liebestragödie. Johann Elias Schlegels "Die Trojanerinnen" (1737/47)}}},
  doi          = {{10.30965/9783846767443}},
  year         = {{2022}},
}

@misc{44635,
  author       = {{Eickelmann, Birgit and Drossel, Kerstin and Labusch, Amelie}},
  publisher    = {{Berlin: IQB – Institut zur Qualitätsentwicklung im Bildungswesen}},
  title        = {{{International Computer and Information Literacy Study 2018 (ICILS 2018) (Version 1)}}},
  year         = {{2022}},
}

@misc{46291,
  author       = {{Eickelmann, Birgit and Drossel, Kerstin and Labusch, Amelie}},
  publisher    = {{IQB – Institut zur Qualitätsentwicklung im Bildungswesen. }},
  title        = {{{ International Computer and Information Literacy Study 2018 (ICILS 2018) (Version 1) [Datensatz]}}},
  year         = {{2022}},
}

@inbook{55678,
  author       = {{Priesching, Nicole and Pahlke, Georg}},
  booktitle    = {{Lorenz Jaeger als Seelsorger}},
  isbn         = {{9783657795468}},
  pages        = {{1–21}},
  publisher    = {{Brill | Schöningh}},
  title        = {{{Einleitung}}},
  doi          = {{10.30965/9783657795468_002}},
  volume       = {{4}},
  year         = {{2022}},
}

@book{55675,
  editor       = {{Priesching, Nicole and Pahlke, Georg}},
  isbn         = {{9783657795468}},
  publisher    = {{Brill | Schöningh}},
  title        = {{{Lorenz Jaeger als Seelsorger}}},
  doi          = {{10.30965/9783657795468}},
  volume       = {{4}},
  year         = {{2022}},
}

@inbook{55680,
  author       = {{Priesching, Nicole and Kasprowski, Christian}},
  booktitle    = {{Lorenz Jaeger als Kirchenpolitiker}},
  isbn         = {{9783657791873}},
  pages        = {{1 -- 32}},
  publisher    = {{Brill | Schöningh}},
  title        = {{{Einleitung}}},
  doi          = {{10.30965/9783657791873_001}},
  year         = {{2022}},
}

@inbook{55682,
  author       = {{Priesching, Nicole and Pahlke, Georg}},
  booktitle    = {{Lorenz Jaeger als Seelsorger}},
  isbn         = {{9783657795468}},
  pages        = {{1 -- 21}},
  publisher    = {{Brill | Schöningh}},
  title        = {{{Einleitung}}},
  doi          = {{10.30965/9783657795468_001}},
  volume       = {{4}},
  year         = {{2022}},
}

@inbook{55690,
  author       = {{Priesching, Nicole}},
  booktitle    = {{Lorenz Jaeger als Seelsorger}},
  editor       = {{Priesching, Nicole and Georg, Pahlke}},
  isbn         = {{9783657795468}},
  pages        = {{69 -- 93 }},
  publisher    = {{Brill | Schöningh}},
  title        = {{{„Ich klage an!“ Pfarrer Heinrich Ostermann am 19. Dezember 1945 an Erzbischof Lorenz Jaeger}}},
  doi          = {{10.30965/9783657795468_005}},
  volume       = {{4}},
  year         = {{2022}},
}

@inproceedings{55834,
  abstract     = {{Performance of music in the home was the means by which most works were received before the advent of audio recordings and broadcasts, yet the notation sources that form our primary record of this culture have not been the subject of comprehensive or methodical study. Choices made by arrangers adapting music for domestic consumption – of instrumentation, abbreviation, or simplification – reflect the musical life of the 19th century, and can inform our understanding alongside contemporary accounts such as newspapers, adverts, and diaries. This position paper gives the background, motivation, and proposed approach of research currently being undertaken within the Beethoven in the House project. This will include a study of Steiner editions of Beethoven’s 7th and 8th Symphonies and Wellingtons Sieg, making a detailed comparison between arrangements, systematically identifying a core common to multiple versions, and asking if this reflects the stated values of the publisher. A second survey will look for patterns across a larger sample of lesser-known and poorly catalogued scores, collating emergent indicators of arrangers’ motivations within a narrative of the domestic market – the music industry of its day. Both studies will innovate digital methods which characterise arrangements as music encodings, including ‘sparse’ approaches to notation and annotation.}},
  author       = {{Page, Kevin R. and Kepper, Johannes and Siegert, Christine and Hankinson, Andrew and Lewis, David}},
  booktitle    = {{Music Encoding Conference Proceedings 2021}},
  editor       = {{Münnich, Stefan and Rizo, David}},
  isbn         = {{978-84-13-02173-7}},
  keywords     = {{BitH, mec-proceedings, mec-proceedings-2021}},
  pages        = {{117–123}},
  publisher    = {{Humanities Commons}},
  title        = {{{Beethoven in the House: Digital Studies of Domestic Music Arrangements}}},
  doi          = {{10.17613/389b-xx73}},
  year         = {{2022}},
}

@inproceedings{55839,
  author       = {{Cox, Susanne and Kepper, Johannes}},
  booktitle    = {{Music Encoding Conference Proceedings 2021}},
  editor       = {{Münnich, Stefan and Rizo, David}},
  pages        = {{85–95}},
  publisher    = {{Humanities Commons}},
  title        = {{{Encoding Genetic Processes II}}},
  doi          = {{https://doi.org/10.17613/q6y4-9139}},
  year         = {{2022}},
}

@inproceedings{55830,
  author       = {{Lewis, David and Shibata, Elisabete and Saccomano, Mark and Rosendahl, Lisa and Kepper, Johannes and Hankinson, Andrew and Siegert, Christine and Page, Kevin}},
  booktitle    = {{9th International Conference on Digital Libraries for Musicology}},
  isbn         = {{978-1-4503-9668-4}},
  keywords     = {{BitH}},
  pages        = {{10–18}},
  publisher    = {{ACM}},
  title        = {{{A model for annotating musical versions and arrangements across multiple documents and media}}},
  doi          = {{10.1145/3543882.3543891}},
  year         = {{2022}},
}

@inbook{41165,
  author       = {{Hartung, Olaf and Memminger, Josef}},
  booktitle    = {{Schreiben fachübergreifend fördern. Grundlagen und Praxisanregungen für Schule, Unterricht und Lehrerinnen- und Lehrerbildung}},
  editor       = {{Busse, Vera and Müller, Nora and Siekmann, Lea}},
  isbn         = {{978-3-7727-1652-2 }},
  pages        = {{151--171}},
  publisher    = {{Friedrich Verlag GmbH}},
  title        = {{{‚Schreibsensibel‘ Geschichte unterrichten: Fachspezifische Textkompetenz als Gegenstand und Medium des historischen Lernens}}},
  year         = {{2022}},
}

@article{36843,
  author       = {{Eckel, Julia and Linseisen, Elisa}},
  issn         = {{2192-5445}},
  journal      = {{Rabbit Eye – Zeitschrift für Filmforschung}},
  keywords     = {{Anschaulichkeit, Anschauung, Film, Epistemologie audiovisueller Medien, Erklärbarkeit, Anschauen, Sichtbarkeit, Unsichtbarkeit}},
  number       = {{012}},
  title        = {{{Editorial: Anschaulichkeit – Wissen. Macht. Alternativen.}}},
  year         = {{2022}},
}