[{"user_id":"61139","department":[{"_id":"233"},{"_id":"856"},{"_id":"615"}],"project":[{"name":"KIO: KreativInstitut.OWL","_id":"1048"},{"name":"OPEN Edirom","_id":"1064"}],"_id":"54925","language":[{"iso":"eng"}],"type":"conference","publication":"Proceedings of the 11th International Conference on Digital Libraries for Musicology","status":"public","abstract":[{"lang":"eng","text":"The OPEN Edirom project is developing a digital edition of incidental music for Goethe’s play Faust, representing an innovative initiative within the realm of music philology and MEI/TEI edition. Embracing the \"data first\" principle, OPEN Edirom prioritizes making its content openly accessible, thereby enabling diverse potential uses for researchers and performers. Our aim involves presenting the scholarly text and music edition in its entirety, incorporating its various forms of data, i.e. music, texts, source images, metadata, and annotations, all displayed with Edirom software.\r\nThe piece we edit in this project is Goethe’s renowned play Faust I, as adapted by Carl Seydelmann, along with the corresponding music composed by Peter Joseph von Lindpaintner for the Court Theatre in Stuttgart. The work premiered in 1832.\r\nThis paper delves into the concept of music edition as open data publication and delineates its advantages over analog and hybrid editions in terms of reusability and alignment with the FAIR principles. It also addresses the challenges encountered in data preparation, both specific to incidental music and in general data processing. Furthermore, we propose solutions and recommendations for similar projects based on our insights."}],"author":[{"id":"86796","full_name":"Frömmel, Lena","last_name":"Frömmel","orcid":"0009-0009-6539-7081","first_name":"Lena"},{"full_name":"Bachmann, Tobias","last_name":"Bachmann","first_name":"Tobias"},{"first_name":"Anna Viktoria Katrin","id":"102981","full_name":"Plaksin, Anna Viktoria Katrin","orcid":"0000-0002-9969-0608","last_name":"Plaksin"},{"last_name":"Münzmay","orcid":"0000-0002-8373-4055","full_name":"Münzmay, Andreas","id":"61139","first_name":"Andreas"}],"date_created":"2024-06-28T18:17:53Z","publisher":"ACM","date_updated":"2025-09-02T09:11:50Z","oa":"1","main_file_link":[{"url":"https://dl.acm.org/doi/pdf/10.1145/3660570.3660582","open_access":"1"}],"doi":"10.1145/3660570.3660582","title":"Open Edirom: From hybrid music edition to open data publication","publication_status":"published","quality_controlled":"1","citation":{"apa":"Frömmel, L., Bachmann, T., Plaksin, A. V. K., &#38; Münzmay, A. (2024). Open Edirom: From hybrid music edition to open data publication. <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>. <a href=\"https://doi.org/10.1145/3660570.3660582\">https://doi.org/10.1145/3660570.3660582</a>","mla":"Frömmel, Lena, et al. “Open Edirom: From Hybrid Music Edition to Open Data Publication.” <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>, ACM, 2024, doi:<a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>.","short":"L. Frömmel, T. Bachmann, A.V.K. Plaksin, A. Münzmay, in: Proceedings of the 11th International Conference on Digital Libraries for Musicology, ACM, 2024.","bibtex":"@inproceedings{Frömmel_Bachmann_Plaksin_Münzmay_2024, title={Open Edirom: From hybrid music edition to open data publication}, DOI={<a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>}, booktitle={Proceedings of the 11th International Conference on Digital Libraries for Musicology}, publisher={ACM}, author={Frömmel, Lena and Bachmann, Tobias and Plaksin, Anna Viktoria Katrin and Münzmay, Andreas}, year={2024} }","ama":"Frömmel L, Bachmann T, Plaksin AVK, Münzmay A. Open Edirom: From hybrid music edition to open data publication. In: <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>. ACM; 2024. doi:<a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>","ieee":"L. Frömmel, T. Bachmann, A. V. K. Plaksin, and A. Münzmay, “Open Edirom: From hybrid music edition to open data publication,” 2024, doi: <a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>.","chicago":"Frömmel, Lena, Tobias Bachmann, Anna Viktoria Katrin Plaksin, and Andreas Münzmay. “Open Edirom: From Hybrid Music Edition to Open Data Publication.” In <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>. ACM, 2024. <a href=\"https://doi.org/10.1145/3660570.3660582\">https://doi.org/10.1145/3660570.3660582</a>."},"year":"2024"},{"date_created":"2025-02-10T14:11:58Z","author":[{"full_name":"Berndt, Axel","id":"55565","last_name":"Berndt","first_name":"Axel"},{"first_name":"F.","full_name":"Vollmer, F.","last_name":"Vollmer"},{"last_name":"Münzmay","orcid":"0000-0002-8373-4055","id":"61139","full_name":"Münzmay, Andreas","first_name":"Andreas"}],"date_updated":"2025-09-03T18:18:21Z","title":"Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology","citation":{"apa":"Berndt, A., Vollmer, F., &#38; Münzmay, A. (2024). Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology. <i>{Diskografentag: International Conference on Recorded Music}</i>.","bibtex":"@inproceedings{Berndt_Vollmer_Münzmay_2024, place={Guildford, Surrey, England}, title={Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology}, booktitle={{Diskografentag: International Conference on Recorded Music}}, author={Berndt, Axel and Vollmer, F. and Münzmay, Andreas}, year={2024} }","short":"A. Berndt, F. Vollmer, A. Münzmay, in: {Diskografentag: International Conference on Recorded Music}, Guildford, Surrey, England, 2024.","mla":"Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and Its Potential for Ethnomusicology.” <i>{Diskografentag: International Conference on Recorded Music}</i>, 2024.","ieee":"A. Berndt, F. Vollmer, and A. Münzmay, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology,” 2024.","chicago":"Berndt, Axel, F. Vollmer, and Andreas Münzmay. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and Its Potential for Ethnomusicology.” In <i>{Diskografentag: International Conference on Recorded Music}</i>. Guildford, Surrey, England, 2024.","ama":"Berndt A, Vollmer F, Münzmay A. Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology. In: <i>{Diskografentag: International Conference on Recorded Music}</i>. ; 2024."},"year":"2024","place":"Guildford, Surrey, England","user_id":"61139","department":[{"_id":"36"},{"_id":"233"},{"_id":"870"},{"_id":"615"},{"_id":"856"}],"project":[{"name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition","_id":"1614"}],"_id":"58552","language":[{"iso":"eng"}],"type":"conference","publication":"{Diskografentag: International Conference on Recorded Music}","status":"public"},{"language":[{"iso":"ger"}],"_id":"58554","project":[{"_id":"1614","name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition"}],"department":[{"_id":"36"},{"_id":"233"},{"_id":"870"},{"_id":"615"},{"_id":"856"}],"user_id":"61139","status":"public","type":"conference","title":"Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze","conference":{"location":"Frankfurt am Main","end_date":"2024-1123","start_date":"2024-11-22","name":"Edition von Filmmusik: Herausforderungen der Multimedialität"},"date_updated":"2026-03-18T17:28:32Z","author":[{"first_name":"Axel","last_name":"Berndt","full_name":"Berndt, Axel","id":"55565"},{"full_name":"Münzmay, Andreas","id":"61139","orcid":"0000-0002-8373-4055","last_name":"Münzmay","first_name":"Andreas"}],"date_created":"2025-02-10T14:12:16Z","year":"2024","citation":{"ama":"Berndt A, Münzmay A. Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze. In: ; 2024.","chicago":"Berndt, Axel, and Andreas Münzmay. “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” 2024.","ieee":"A. Berndt and A. Münzmay, “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” presented at the Edition von Filmmusik: Herausforderungen der Multimedialität, Frankfurt am Main, 2024.","bibtex":"@inproceedings{Berndt_Münzmay_2024, title={Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze}, author={Berndt, Axel and Münzmay, Andreas}, year={2024} }","short":"A. Berndt, A. Münzmay, in: 2024.","mla":"Berndt, Axel, and Andreas Münzmay. <i>Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze</i>. 2024.","apa":"Berndt, A., &#38; Münzmay, A. (2024). <i>Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze</i>. Edition von Filmmusik: Herausforderungen der Multimedialität, Frankfurt am Main."}},{"related_material":{"link":[{"relation":"contains","url":"https://open-faust.zenmem.de/index.html"}]},"citation":{"ama":"Bachmann T, Frömmel L, Münzmay A. <i> OPEN FAUST Preview (Dataset)</i>. RADAR4Culture; 2024. doi:<a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">10.22000/uupxmgkq94r0jpsk</a>","chicago":"Bachmann, Tobias, Lena Frömmel, and Andreas Münzmay. <i> OPEN FAUST Preview (Dataset)</i>. RADAR4Culture, 2024. <a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">https://doi.org/10.22000/uupxmgkq94r0jpsk</a>.","ieee":"T. Bachmann, L. Frömmel, and A. Münzmay, <i> OPEN FAUST Preview (dataset)</i>. RADAR4Culture, 2024.","apa":"Bachmann, T., Frömmel, L., &#38; Münzmay, A. (2024). <i> OPEN FAUST Preview (dataset)</i>. RADAR4Culture. <a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">https://doi.org/10.22000/uupxmgkq94r0jpsk</a>","bibtex":"@book{Bachmann_Frömmel_Münzmay_2024, title={ OPEN FAUST Preview (dataset)}, DOI={<a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">10.22000/uupxmgkq94r0jpsk</a>}, publisher={RADAR4Culture}, author={Bachmann, Tobias and Frömmel, Lena and Münzmay, Andreas}, year={2024} }","mla":"Bachmann, Tobias, et al. <i> OPEN FAUST Preview (Dataset)</i>. RADAR4Culture, 2024, doi:<a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">10.22000/uupxmgkq94r0jpsk</a>.","short":"T. Bachmann, L. Frömmel, A. Münzmay,  OPEN FAUST Preview (Dataset), RADAR4Culture, 2024."},"year":"2024","date_created":"2024-09-27T15:01:39Z","author":[{"last_name":"Bachmann","id":"100930","full_name":"Bachmann, Tobias","first_name":"Tobias"},{"first_name":"Lena","id":"86796","full_name":"Frömmel, Lena","orcid":"0009-0009-6539-7081","last_name":"Frömmel"},{"full_name":"Münzmay, Andreas","id":"61139","last_name":"Münzmay","orcid":"0000-0002-8373-4055","first_name":"Andreas"}],"date_updated":"2026-03-18T17:26:54Z","publisher":"RADAR4Culture","doi":"10.22000/uupxmgkq94r0jpsk","title":" OPEN FAUST Preview (dataset)","type":"research_data","status":"public","abstract":[{"lang":"eng","text":"Peter Joseph von Lindpaintner: Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann. Historical-Critical Digital Edition by Tobias Bachmann, Lena Frömmel and Andreas Münzmay. The dataset, consisting of TEI and MEI files, is the historical-critical digital edition. The data structure allows for visualization via EDIROM ONLINE. "}],"user_id":"61139","department":[{"_id":"233"},{"_id":"856"},{"_id":"36"},{"_id":"572"}],"project":[{"name":"KIO: KreativInstitut.OWL","_id":"1048"},{"name":"OPEN Edirom","_id":"1064"}],"_id":"56269"},{"title":"Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition","author":[{"last_name":"Berndt","full_name":"Berndt, Axel","id":"55565","first_name":"Axel"},{"first_name":"Andreas","full_name":"Münzmay, Andreas","id":"61139","last_name":"Münzmay","orcid":"0000-0002-8373-4055"},{"first_name":"Frithjof","full_name":"Bömcke-Vollmer, Frithjof","id":"124535","last_name":"Bömcke-Vollmer"}],"date_created":"2025-02-10T14:11:50Z","date_updated":"2026-03-18T17:23:44Z","citation":{"mla":"Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” <i>{DAGA 2024 – 50. Jahrestagung Für Akustik}</i>, 2024.","bibtex":"@inproceedings{Berndt_Münzmay_Bömcke-Vollmer_2024, place={Hannover, Germany}, title={Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition}, booktitle={{DAGA 2024 – 50. Jahrestagung für Akustik}}, author={Berndt, Axel and Münzmay, Andreas and Bömcke-Vollmer, Frithjof}, year={2024} }","short":"A. Berndt, A. Münzmay, F. Bömcke-Vollmer, in: {DAGA 2024 – 50. Jahrestagung Für Akustik}, Hannover, Germany, 2024.","ama":"Berndt A, Münzmay A, Bömcke-Vollmer F. Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition. In: <i>{DAGA 2024 – 50. Jahrestagung Für Akustik}</i>. ; 2024.","apa":"Berndt, A., Münzmay, A., &#38; Bömcke-Vollmer, F. (2024). Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition. <i>{DAGA 2024 – 50. Jahrestagung Für Akustik}</i>.","ieee":"A. Berndt, A. Münzmay, and F. Bömcke-Vollmer, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition,” 2024.","chicago":"Berndt, Axel, Andreas Münzmay, and Frithjof Bömcke-Vollmer. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” In <i>{DAGA 2024 – 50. Jahrestagung Für Akustik}</i>. Hannover, Germany, 2024."},"year":"2024","place":"Hannover, Germany","language":[{"iso":"eng"}],"department":[{"_id":"36"},{"_id":"233"},{"_id":"870"},{"_id":"615"},{"_id":"856"}],"user_id":"61139","_id":"58551","project":[{"name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition","_id":"1614"}],"status":"public","publication":"{DAGA 2024 – 50. Jahrestagung für Akustik}","type":"conference"},{"date_created":"2025-01-09T13:58:45Z","author":[{"first_name":"Antje","last_name":"Tumat","orcid":"0009-0002-9132-0925","full_name":"Tumat, Antje","id":"72268"}],"date_updated":"2026-04-18T14:10:57Z","publisher":"Textum","title":"Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde","publication_identifier":{"unknown":["978-3-8288-4979-2"]},"publication_status":"published","page":"27-71","corporate_editor":["Andreas Meyer"],"citation":{"bibtex":"@article{Tumat_2024, place={Baden-Baden}, series={Music and Religions in the 21st century}, title={Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde}, publisher={Textum}, author={Tumat, Antje}, editor={Höink, Dominik and Andreas Meyer}, year={2024}, pages={27–71}, collection={Music and Religions in the 21st century} }","short":"A. Tumat, (2024) 27–71.","mla":"Tumat, Antje. <i>Weltethos and Wunderzaichen: Religion in the Music of the Western Avant-Garde</i>. Edited by Dominik Höink and Andreas Meyer, Textum, 2024, pp. 27–71.","apa":"Tumat, A. (2024). <i>Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde</i> (D. Höink &#38; Andreas Meyer, Eds.; pp. 27–71). Textum.","ama":"Tumat A. Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde. Höink D, Andreas Meyer, eds. Published online 2024:27-71.","ieee":"A. Tumat, “Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde.” Textum, Baden-Baden, pp. 27–71, 2024.","chicago":"Tumat, Antje. “Weltethos and Wunderzaichen: Religion in the Music of the Western Avant-Garde.” Edited by Dominik Höink and Andreas Meyer. Music and Religions in the 21st Century. Baden-Baden: Textum, 2024."},"year":"2024","place":"Baden-Baden","department":[{"_id":"233"},{"_id":"856"}],"user_id":"72268","series_title":"Music and Religions in the 21st century","_id":"58131","language":[{"iso":"eng"}],"type":"conference","status":"public","editor":[{"last_name":"Höink","full_name":"Höink, Dominik","first_name":"Dominik"}]},{"citation":{"apa":"Bohl, B. W., &#38; Ried, D. (2023). »Play it again, Sam« – Levels of Complexity in Encoding Performance Personnel. In D. M. Weigl (Ed.), <i>Music Encoding Conference Proceedings 2022</i>. <a href=\"https://doi.org/10.17613/XN3G-VS35\">https://doi.org/10.17613/XN3G-VS35</a>","bibtex":"@inproceedings{Bohl_Ried_2023, title={»Play it again, Sam« – Levels of Complexity in Encoding Performance Personnel}, DOI={<a href=\"https://doi.org/10.17613/XN3G-VS35\">10.17613/XN3G-VS35</a>}, booktitle={Music Encoding Conference Proceedings 2022}, author={Bohl, Benjamin W. and Ried, Dennis}, editor={Weigl, David M.}, year={2023} }","short":"B.W. Bohl, D. Ried, in: D.M. Weigl (Ed.), Music Encoding Conference Proceedings 2022, 2023.","mla":"Bohl, Benjamin W., and Dennis Ried. “»Play It Again, Sam« – Levels of Complexity in Encoding Performance Personnel.” <i>Music Encoding Conference Proceedings 2022</i>, edited by David M. 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Henze-Digital, 2023. <a href=\"https://doi.org/10.5281/ZENODO.10391194\">https://doi.org/10.5281/ZENODO.10391194</a>."},"year":"2023","department":[{"_id":"233"},{"_id":"856"}],"user_id":"90722","_id":"51684","project":[{"grant_number":"459602398","_id":"738","name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk"}],"type":"research_data","status":"public"},{"title":"HenDi-WebApp v1.0.0","doi":"10.5281/ZENODO.8304639","publisher":"Henze-Digital","date_updated":"2024-02-28T09:40:05Z","author":[{"first_name":"Dennis","last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088","full_name":"Ried, Dennis","id":"90722"}],"date_created":"2024-02-21T10:20:25Z","year":"2023","citation":{"chicago":"Ried, Dennis. <i>HenDi-WebApp v1.0.0</i>. Henze-Digital, 2023. <a href=\"https://doi.org/10.5281/ZENODO.8304639\">https://doi.org/10.5281/ZENODO.8304639</a>.","ieee":"D. Ried, <i>HenDi-WebApp v1.0.0</i>. Henze-Digital, 2023.","apa":"Ried, D. (2023). <i>HenDi-WebApp v1.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.8304639\">https://doi.org/10.5281/ZENODO.8304639</a>","ama":"Ried D. <i>HenDi-WebApp v1.0.0</i>. Henze-Digital; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.8304639\">10.5281/ZENODO.8304639</a>","short":"D. Ried, HenDi-WebApp v1.0.0, Henze-Digital, 2023.","bibtex":"@book{Ried_2023, title={HenDi-WebApp v1.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.8304639\">10.5281/ZENODO.8304639</a>}, publisher={Henze-Digital}, author={Ried, Dennis}, year={2023} }","mla":"Ried, Dennis. <i>HenDi-WebApp v1.0.0</i>. Henze-Digital, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.8304639\">10.5281/ZENODO.8304639</a>."},"project":[{"name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738","grant_number":"459602398"}],"_id":"51680","user_id":"90722","department":[{"_id":"233"},{"_id":"856"}],"status":"public","type":"research_data"},{"status":"public","type":"research_data","_id":"51683","project":[{"grant_number":"459602398","_id":"738","name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk"}],"department":[{"_id":"233"},{"_id":"856"}],"user_id":"90722","year":"2023","citation":{"chicago":"Ried, Dennis, Irmlind Capelle, and Elena Minetti. <i>HenDi-ODD v1.0.0</i>. Henze-Digital, 2023. <a href=\"https://doi.org/10.5281/ZENODO.8304804\">https://doi.org/10.5281/ZENODO.8304804</a>.","ieee":"D. Ried, I. Capelle, and E. Minetti, <i>HenDi-ODD v1.0.0</i>. Henze-Digital, 2023.","ama":"Ried D, Capelle I, Minetti E. <i>HenDi-ODD v1.0.0</i>. Henze-Digital; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.8304804\">10.5281/ZENODO.8304804</a>","apa":"Ried, D., Capelle, I., &#38; Minetti, E. (2023). <i>HenDi-ODD v1.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.8304804\">https://doi.org/10.5281/ZENODO.8304804</a>","short":"D. Ried, I. Capelle, E. Minetti, HenDi-ODD v1.0.0, Henze-Digital, 2023.","bibtex":"@book{Ried_Capelle_Minetti_2023, title={HenDi-ODD v1.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.8304804\">10.5281/ZENODO.8304804</a>}, publisher={Henze-Digital}, author={Ried, Dennis and Capelle, Irmlind and Minetti, Elena}, year={2023} }","mla":"Ried, Dennis, et al. <i>HenDi-ODD v1.0.0</i>. Henze-Digital, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.8304804\">10.5281/ZENODO.8304804</a>."},"title":"HenDi-ODD v1.0.0","doi":"10.5281/ZENODO.8304804","date_updated":"2024-02-28T09:40:28Z","publisher":"Henze-Digital","author":[{"first_name":"Dennis","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried","id":"90722","full_name":"Ried, Dennis"},{"first_name":"Irmlind","full_name":"Capelle, Irmlind","last_name":"Capelle"},{"first_name":"Elena","full_name":"Minetti, Elena","id":"90723","last_name":"Minetti"}],"date_created":"2024-02-21T10:24:39Z"},{"date_created":"2024-02-21T10:21:26Z","author":[{"first_name":"Dennis","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried","full_name":"Ried, Dennis","id":"90722"}],"date_updated":"2024-02-28T09:40:21Z","publisher":"Henze-Digital","doi":"10.5281/ZENODO.10390049","title":"HenDi-WebApp v2.0.0","citation":{"ieee":"D. Ried, <i>HenDi-WebApp v2.0.0</i>. Henze-Digital, 2023.","chicago":"Ried, Dennis. <i>HenDi-WebApp v2.0.0</i>. Henze-Digital, 2023. <a href=\"https://doi.org/10.5281/ZENODO.10390049\">https://doi.org/10.5281/ZENODO.10390049</a>.","ama":"Ried D. <i>HenDi-WebApp v2.0.0</i>. Henze-Digital; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.10390049\">10.5281/ZENODO.10390049</a>","apa":"Ried, D. (2023). <i>HenDi-WebApp v2.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.10390049\">https://doi.org/10.5281/ZENODO.10390049</a>","bibtex":"@book{Ried_2023, title={HenDi-WebApp v2.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.10390049\">10.5281/ZENODO.10390049</a>}, publisher={Henze-Digital}, author={Ried, Dennis}, year={2023} }","short":"D. Ried, HenDi-WebApp v2.0.0, Henze-Digital, 2023.","mla":"Ried, Dennis. <i>HenDi-WebApp v2.0.0</i>. Henze-Digital, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.10390049\">10.5281/ZENODO.10390049</a>."},"year":"2023","department":[{"_id":"233"},{"_id":"856"}],"user_id":"90722","_id":"51681","project":[{"grant_number":"459602398","name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738"}],"type":"research_data","status":"public"},{"type":"research_data","abstract":[{"lang":"eng","text":"This is the data set of the project Henze-Digital. It contains project specific authority files (e.g., persons, organizations, places) and editions (e.g., letters, documents)."}],"status":"public","_id":"51678","project":[{"_id":"738","name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","grant_number":"459602398"}],"department":[{"_id":"233"},{"_id":"856"}],"user_id":"90722","year":"2023","citation":{"short":"I. Capelle, E. Minetti, D. Ried, A. Tumat, HenDi-Data (Data Package) v2.0.0, Henze-Digital, 2023.","mla":"Capelle, Irmlind, et al. <i>HenDi-Data (Data Package) v2.0.0</i>. Henze-Digital, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.10391419\">10.5281/ZENODO.10391419</a>.","bibtex":"@book{Capelle_Minetti_Ried_Tumat_2023, title={HenDi-Data (data package) v2.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.10391419\">10.5281/ZENODO.10391419</a>}, publisher={Henze-Digital}, author={Capelle, Irmlind and Minetti, Elena and Ried, Dennis and Tumat, Antje}, year={2023} }","apa":"Capelle, I., Minetti, E., Ried, D., &#38; Tumat, A. (2023). <i>HenDi-Data (data package) v2.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.10391419\">https://doi.org/10.5281/ZENODO.10391419</a>","ama":"Capelle I, Minetti E, Ried D, Tumat A. <i>HenDi-Data (Data Package) v2.0.0</i>. Henze-Digital; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.10391419\">10.5281/ZENODO.10391419</a>","ieee":"I. Capelle, E. Minetti, D. Ried, and A. Tumat, <i>HenDi-Data (data package) v2.0.0</i>. Henze-Digital, 2023.","chicago":"Capelle, Irmlind, Elena Minetti, Dennis Ried, and Antje Tumat. <i>HenDi-Data (Data Package) v2.0.0</i>. Henze-Digital, 2023. <a href=\"https://doi.org/10.5281/ZENODO.10391419\">https://doi.org/10.5281/ZENODO.10391419</a>."},"publisher":"Henze-Digital","date_updated":"2024-03-20T11:32:31Z","author":[{"last_name":"Capelle","full_name":"Capelle, Irmlind","id":"21488","first_name":"Irmlind"},{"id":"90723","full_name":"Minetti, Elena","last_name":"Minetti","first_name":"Elena"},{"last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088","full_name":"Ried, Dennis","id":"90722","first_name":"Dennis"},{"id":"72268","full_name":"Tumat, Antje","last_name":"Tumat","first_name":"Antje"}],"date_created":"2024-02-21T10:11:47Z","title":"HenDi-Data (data package) v2.0.0","doi":"10.5281/ZENODO.10391419"},{"abstract":[{"lang":"eng","text":"This is the data set of the project Henze-Digital. It contains project specific authority files (e.g., persons, organizations, places) and editions (e.g., letters, documents)."}],"status":"public","type":"research_data","project":[{"_id":"738","name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","grant_number":"459602398"}],"_id":"51679","user_id":"90722","department":[{"_id":"233"},{"_id":"856"}],"year":"2023","citation":{"ieee":"I. Capelle, E. Minetti, D. Ried, and A. Tumat, <i>HenDi-Data (data package) v1.0.0</i>. Henze-Digital, 2023.","chicago":"Capelle, Irmlind, Elena Minetti, Dennis Ried, and Antje Tumat. <i>HenDi-Data (Data Package) v1.0.0</i>. Henze-Digital, 2023. <a href=\"https://doi.org/10.5281/ZENODO.8304688\">https://doi.org/10.5281/ZENODO.8304688</a>.","ama":"Capelle I, Minetti E, Ried D, Tumat A. <i>HenDi-Data (Data Package) v1.0.0</i>. Henze-Digital; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.8304688\">10.5281/ZENODO.8304688</a>","short":"I. Capelle, E. Minetti, D. Ried, A. Tumat, HenDi-Data (Data Package) v1.0.0, Henze-Digital, 2023.","mla":"Capelle, Irmlind, et al. <i>HenDi-Data (Data Package) v1.0.0</i>. Henze-Digital, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.8304688\">10.5281/ZENODO.8304688</a>.","bibtex":"@book{Capelle_Minetti_Ried_Tumat_2023, title={HenDi-Data (data package) v1.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.8304688\">10.5281/ZENODO.8304688</a>}, publisher={Henze-Digital}, author={Capelle, Irmlind and Minetti, Elena and Ried, Dennis and Tumat, Antje}, year={2023} }","apa":"Capelle, I., Minetti, E., Ried, D., &#38; Tumat, A. (2023). <i>HenDi-Data (data package) v1.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.8304688\">https://doi.org/10.5281/ZENODO.8304688</a>"},"title":"HenDi-Data (data package) v1.0.0","doi":"10.5281/ZENODO.8304688","publisher":"Henze-Digital","date_updated":"2024-03-20T11:32:25Z","author":[{"first_name":"Irmlind","id":"21488","full_name":"Capelle, Irmlind","last_name":"Capelle"},{"id":"90723","full_name":"Minetti, Elena","last_name":"Minetti","first_name":"Elena"},{"last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088","full_name":"Ried, Dennis","id":"90722","first_name":"Dennis"},{"id":"72268","full_name":"Tumat, Antje","last_name":"Tumat","first_name":"Antje"}],"date_created":"2024-02-21T10:18:09Z"},{"department":[{"_id":"572"},{"_id":"856"},{"_id":"615"}],"user_id":"61139","_id":"47487","project":[{"name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition","_id":"743"},{"_id":"745","name":"NFDI4Culture: NFDI4Culture – Konsortium für Forschungsdaten materieller und immaterieller Kulturgüter","grant_number":"(DFG) – 441958017"},{"name":"OPEN Edirom","_id":"1064"}],"language":[{"iso":"ger"}],"publication":"DHd2023: Open Humanities, Open Culture","type":"conference_abstract","status":"public","author":[{"first_name":"Johannes","full_name":"Kepper, Johannes","id":"1684","last_name":"Kepper","orcid":"0000-0003-4891-260X"},{"orcid":"0000-0002-8373-4055","last_name":"Münzmay","full_name":"Münzmay, Andreas","id":"61139","first_name":"Andreas"}],"date_created":"2023-09-27T07:08:23Z","oa":"1","date_updated":"2025-03-21T11:58:02Z","conference":{"end_date":"2023-03-17","name":"DHd2023: Open Humanities, Open Culture","start_date":"2023-03-13"},"doi":"10.5281/ZENODO.7715387","main_file_link":[{"open_access":"1","url":"https://doi.org/10.5281/zenodo.7715387"}],"title":"Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale","publication_status":"published","citation":{"bibtex":"@inproceedings{Kepper_Münzmay_2023, title={Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>}, booktitle={DHd2023: Open Humanities, Open Culture}, author={Kepper, Johannes and Münzmay, Andreas}, year={2023} }","mla":"Kepper, Johannes, and Andreas Münzmay. “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale.” <i>DHd2023: Open Humanities, Open Culture</i>, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>.","short":"J. Kepper, A. Münzmay, in: DHd2023: Open Humanities, Open Culture, 2023.","apa":"Kepper, J., &#38; Münzmay, A. (2023). Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale. <i>DHd2023: Open Humanities, Open Culture</i>. DHd2023: Open Humanities, Open Culture. <a href=\"https://doi.org/10.5281/ZENODO.7715387\">https://doi.org/10.5281/ZENODO.7715387</a>","chicago":"Kepper, Johannes, and Andreas Münzmay. “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale.” In <i>DHd2023: Open Humanities, Open Culture</i>, 2023. <a href=\"https://doi.org/10.5281/ZENODO.7715387\">https://doi.org/10.5281/ZENODO.7715387</a>.","ieee":"J. Kepper and A. Münzmay, “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale,” presented at the DHd2023: Open Humanities, Open Culture, 2023, doi: <a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>.","ama":"Kepper J, Münzmay A. Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale. In: <i>DHd2023: Open Humanities, Open Culture</i>. ; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>"},"year":"2023"},{"language":[{"iso":"eng"}],"project":[{"name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition","_id":"1614"},{"name":"KreativInstitut.OWL","_id":"1048"}],"_id":"47318","user_id":"61139","department":[{"_id":"856"}],"status":"public","type":"misc","title":"Was ist eine Interpretationsedition?","main_file_link":[{"url":"https://youtu.be/NUTflfuIWlw ","open_access":"1"}],"publisher":"Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen”","date_updated":"2025-09-03T18:25:44Z","oa":"1","author":[{"first_name":"Andreas","last_name":"Münzmay","orcid":"0000-0002-8373-4055","id":"61139","full_name":"Münzmay, Andreas"},{"id":"55565","full_name":"Berndt, Axel","last_name":"Berndt","first_name":"Axel"}],"date_created":"2023-09-25T10:44:06Z","place":"Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023","year":"2023","citation":{"bibtex":"@book{Münzmay_Berndt_2023, place={Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023}, title={Was ist eine Interpretationsedition?}, publisher={Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen”}, author={Münzmay, Andreas and Berndt, Axel}, year={2023} }","short":"A. Münzmay, A. Berndt, Was Ist Eine Interpretationsedition?, Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023, 2023.","mla":"Münzmay, Andreas, and Axel Berndt. <i>Was Ist Eine Interpretationsedition?</i> Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.","apa":"Münzmay, A., &#38; Berndt, A. (2023). <i>Was ist eine Interpretationsedition?</i> Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen.”","ieee":"A. Münzmay and A. Berndt, <i>Was ist eine Interpretationsedition?</i> Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023: Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.","chicago":"Münzmay, Andreas, and Axel Berndt. <i>Was Ist Eine Interpretationsedition?</i> Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023: Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.","ama":"Münzmay A, Berndt A. <i>Was Ist Eine Interpretationsedition?</i> Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen”; 2023."}},{"year":"2022","citation":{"ieee":"D. Ried and C. Gubsch, “METAdata and metaDATA,” University of Alicante, 2022, doi: <a href=\"https://doi.org/10.17613/50T9-Z881\">10.17613/50T9-Z881</a>.","chicago":"Ried, Dennis, and Clemens Gubsch. “METAdata and MetaDATA.” edited by Stefan Münnich and David Rizo, 2022. <a href=\"https://doi.org/10.17613/50T9-Z881\">https://doi.org/10.17613/50T9-Z881</a>.","ama":"Ried D, Gubsch C. METAdata and metaDATA. In: Münnich S, Rizo D, eds. ; 2022. doi:<a href=\"https://doi.org/10.17613/50T9-Z881\">10.17613/50T9-Z881</a>","apa":"Ried, D., &#38; Gubsch, C. (2022). <i>METAdata and metaDATA</i> (S. Münnich &#38; D. Rizo, Eds.). <a href=\"https://doi.org/10.17613/50T9-Z881\">https://doi.org/10.17613/50T9-Z881</a>","short":"D. Ried, C. Gubsch, in: S. Münnich, D. Rizo (Eds.), 2022.","mla":"Ried, Dennis, and Clemens Gubsch. <i>METAdata and MetaDATA</i>. Edited by Stefan Münnich and David Rizo, 2022, doi:<a href=\"https://doi.org/10.17613/50T9-Z881\">10.17613/50T9-Z881</a>.","bibtex":"@inproceedings{Ried_Gubsch_2022, title={METAdata and metaDATA}, DOI={<a href=\"https://doi.org/10.17613/50T9-Z881\">10.17613/50T9-Z881</a>}, author={Ried, Dennis and Gubsch, Clemens}, editor={Münnich, Stefan and Rizo, David}, year={2022} }"},"quality_controlled":"1","title":"METAdata and metaDATA","doi":"10.17613/50T9-Z881","conference":{"start_date":"2021-07-19","name":"Music Encoding Conference 2021","location":"University of Alicante","end_date":"2021-07-22"},"date_updated":"2024-02-28T09:20:25Z","date_created":"2023-08-21T06:27:14Z","author":[{"first_name":"Dennis","full_name":"Ried, Dennis","id":"90722","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried"},{"last_name":"Gubsch","full_name":"Gubsch, Clemens","first_name":"Clemens"}],"editor":[{"first_name":"Stefan","full_name":"Münnich, Stefan","last_name":"Münnich"},{"first_name":"David","last_name":"Rizo","full_name":"Rizo, David"}],"abstract":[{"lang":"eng","text":"Metadata are a very broad and extremely differentiated subject and ranges from rudimentary catalog data to deeply indexed scientific catalogs (e.g., catalogs of works). In this paper, the concept of metadata in the context of MEI is first examined, before two examples are used to show that metadata are more than just rudimentary descriptions. These examples are also intended to illustrate the extent to which metadata are encoded in the field of music philology and thus represent an attempt to create a little more awareness for the work of the Metadata and Cataloging Interest Group of MEI. The examples deal on the one hand with the encoding of performance resources and on the other hand with watermarks. In both cases, the possibilities of metadata encoding with MEI version 4 are exhausted and it is discussed which steps are useful and necessary to create an even deeper, machine-readable structure so that these sub-fields of the MEI metadata can also be used for larger scientific purposes such as analyses."}],"status":"public","type":"conference","language":[{"iso":"eng"}],"project":[{"name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738","grant_number":"459602398"}],"_id":"46582","user_id":"90722","department":[{"_id":"233"},{"_id":"856"}]},{"place":"Detmold","citation":{"apa":"Münzmay, A., Aquavella-RauchJ, S., &#38; Veit, J. (Eds.). (2020). <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i> (Vol. 3). Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold. <a href=\"https://doi.org/10.25366/2020.87\">https://doi.org/10.25366/2020.87</a>","short":"A. Münzmay, S. Aquavella-RauchJ, J. Veit, eds., Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation, Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, Detmold, 2020.","mla":"Münzmay, Andreas, et al., editors. <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i>. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020, doi:<a href=\"https://doi.org/10.25366/2020.87\">10.25366/2020.87</a>.","bibtex":"@book{Münzmay_Aquavella-RauchJ_Veit_2020, place={Detmold}, series={Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold}, title={Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation}, volume={3}, DOI={<a href=\"https://doi.org/10.25366/2020.87\">10.25366/2020.87</a>}, publisher={Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold}, year={2020}, collection={Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold} }","ieee":"A. Münzmay, S. Aquavella-RauchJ, and J. Veit, Eds., <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i>, vol. 3. Detmold: Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020.","chicago":"Münzmay, Andreas, Stefanie Aquavella-RauchJ, and Joachim Veit, eds. <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i>. Vol. 3. Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold. Detmold: Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. <a href=\"https://doi.org/10.25366/2020.87\">https://doi.org/10.25366/2020.87</a>.","ama":"Münzmay A, Aquavella-RauchJ S, Veit J, eds. <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i>. Vol 3. 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Theoretische und praktische Aspekte der Kooperation</i>, vol. 3, A. Münzmay, S. Acquavella-Rauch, and J. Veit, Eds. Detmold: Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020, p. XI–XV.","chicago":"Münzmay, Andreas, Stefanie Aquavella-Rauch, and Joachim Veit. “Brückenschläge zwischen Musikwissenschaft und Informatik – Vorbemerkung.” In <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i>, edited by Andreas Münzmay, Stefanie  Acquavella-Rauch, and Joachim Veit, 3:XI–XV. Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold. Detmold: Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. <a href=\"https://doi.org/10.25366/2020.88\">https://doi.org/10.25366/2020.88</a>.","apa":"Münzmay, A., Aquavella-Rauch, S., &#38; Veit, J. (2020). Brückenschläge zwischen Musikwissenschaft und Informatik – Vorbemerkung. In A. Münzmay, S. Acquavella-Rauch, &#38; J. Veit (Eds.), <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i> (Vol. 3, p. XI–XV). Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold. <a href=\"https://doi.org/10.25366/2020.88\">https://doi.org/10.25366/2020.88</a>","bibtex":"@inbook{Münzmay_Aquavella-Rauch_Veit_2020, place={Detmold}, series={Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold}, title={Brückenschläge zwischen Musikwissenschaft und Informatik – Vorbemerkung}, volume={3}, DOI={<a href=\"https://doi.org/10.25366/2020.88\">10.25366/2020.88</a>}, booktitle={Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation}, publisher={Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold}, author={Münzmay, Andreas and Aquavella-Rauch, Stefanie and Veit, Joachim}, editor={Münzmay, Andreas and Acquavella-Rauch, Stefanie  and Veit, Joachim}, year={2020}, pages={XI–XV}, collection={Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold} }","mla":"Münzmay, Andreas, et al. “Brückenschläge zwischen Musikwissenschaft und Informatik – Vorbemerkung.” <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i>, edited by Andreas Münzmay et al., vol. 3, Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020, p. XI–XV, doi:<a href=\"https://doi.org/10.25366/2020.88\">10.25366/2020.88</a>.","short":"A. Münzmay, S. Aquavella-Rauch, J. Veit, in: A. Münzmay, S. Acquavella-Rauch, J. Veit (Eds.), Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation, Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, Detmold, 2020, p. XI–XV."},"place":"Detmold","related_material":{"record":[{"status":"public","id":"48045","relation":"contains"}]},"publication_status":"published","doi":"10.25366/2020.88","main_file_link":[{"url":"https://doi.org/10.25366/2020.88","open_access":"1"}],"volume":3,"author":[{"last_name":"Münzmay","orcid":"0000-0002-8373-4055","id":"61139","full_name":"Münzmay, Andreas","first_name":"Andreas"},{"first_name":"Stefanie","full_name":"Aquavella-Rauch, Stefanie","last_name":"Aquavella-Rauch"},{"last_name":"Veit","full_name":"Veit, Joachim","first_name":"Joachim"}],"oa":"1","date_updated":"2024-02-19T10:47:26Z"},{"volume":6,"author":[{"full_name":"Altenhöner, Reinhard","last_name":"Altenhöner","first_name":"Reinhard"},{"first_name":"Ina","full_name":"Blümel, Ina","last_name":"Blümel"},{"last_name":"Boehm","full_name":"Boehm, Franziska","first_name":"Franziska"},{"full_name":"Bove, Jens","last_name":"Bove","first_name":"Jens"},{"first_name":"Katrin","full_name":"Bicher, Katrin","last_name":"Bicher"},{"full_name":"Bracht, Christian","last_name":"Bracht","first_name":"Christian"},{"full_name":"Brand, Ortrun","last_name":"Brand","first_name":"Ortrun"},{"last_name":"Dieckmann","full_name":"Dieckmann, Lisa","first_name":"Lisa"},{"full_name":"Effinger, Maria","last_name":"Effinger","first_name":"Maria"},{"full_name":"Hagener, Malte","last_name":"Hagener","first_name":"Malte"},{"full_name":"Hammes, Andrea","last_name":"Hammes","first_name":"Andrea"},{"full_name":"Heller, Lambert","last_name":"Heller","first_name":"Lambert"},{"full_name":"Kailus, Angela","last_name":"Kailus","first_name":"Angela"},{"full_name":"Kohle, Hubertus","last_name":"Kohle","first_name":"Hubertus"},{"full_name":"Ludwig, Jens","last_name":"Ludwig","first_name":"Jens"},{"first_name":"Andreas","last_name":"Münzmay","orcid":"0000-0002-8373-4055","full_name":"Münzmay, Andreas","id":"61139"},{"first_name":"Sarah","full_name":"Pittroff, Sarah","last_name":"Pittroff"},{"first_name":"Matthias","last_name":"Razum","full_name":"Razum, Matthias"},{"first_name":"Daniel","last_name":"Röwenstrunk","full_name":"Röwenstrunk, Daniel"},{"first_name":"Harald","last_name":"Sack","full_name":"Sack, Harald"},{"first_name":"Holger","last_name":"Simon","full_name":"Simon, Holger"},{"first_name":"Dörte","last_name":"Schmidt","full_name":"Schmidt, Dörte"},{"full_name":"Schrade, Torsten","last_name":"Schrade","first_name":"Torsten"},{"first_name":"Annika-Valeska","full_name":"Walzel, Annika-Valeska","last_name":"Walzel"},{"full_name":"Wiermann, Barbara","last_name":"Wiermann","first_name":"Barbara"}],"date_updated":"2024-02-19T11:01:52Z","oa":"1","doi":"10.3897/rio.6.e57036","main_file_link":[{"open_access":"1","url":"https://doi.org/10.3897/rio.6.e57036"}],"publication_identifier":{"issn":["2367-7163"]},"publication_status":"published","intvolume":"         6","citation":{"ama":"Altenhöner R, Blümel I, Boehm F, et al. NFDI4Culture - Consortium for research data on material and immaterial cultural heritage. <i>Research Ideas and Outcomes</i>. 2020;6. doi:<a href=\"https://doi.org/10.3897/rio.6.e57036\">10.3897/rio.6.e57036</a>","ieee":"R. Altenhöner <i>et al.</i>, “NFDI4Culture - Consortium for research data on material and immaterial cultural heritage,” <i>Research Ideas and Outcomes</i>, vol. 6, 2020, doi: <a href=\"https://doi.org/10.3897/rio.6.e57036\">10.3897/rio.6.e57036</a>.","chicago":"Altenhöner, Reinhard, Ina Blümel, Franziska Boehm, Jens Bove, Katrin Bicher, Christian Bracht, Ortrun Brand, et al. “NFDI4Culture - Consortium for Research Data on Material and Immaterial Cultural Heritage.” <i>Research Ideas and Outcomes</i> 6 (2020). <a href=\"https://doi.org/10.3897/rio.6.e57036\">https://doi.org/10.3897/rio.6.e57036</a>.","apa":"Altenhöner, R., Blümel, I., Boehm, F., Bove, J., Bicher, K., Bracht, C., Brand, O., Dieckmann, L., Effinger, M., Hagener, M., Hammes, A., Heller, L., Kailus, A., Kohle, H., Ludwig, J., Münzmay, A., Pittroff, S., Razum, M., Röwenstrunk, D., … Wiermann, B. (2020). NFDI4Culture - Consortium for research data on material and immaterial cultural heritage. <i>Research Ideas and Outcomes</i>, <i>6</i>. <a href=\"https://doi.org/10.3897/rio.6.e57036\">https://doi.org/10.3897/rio.6.e57036</a>","mla":"Altenhöner, Reinhard, et al. “NFDI4Culture - Consortium for Research Data on Material and Immaterial Cultural Heritage.” <i>Research Ideas and Outcomes</i>, vol. 6, Pensoft Publishers, 2020, doi:<a href=\"https://doi.org/10.3897/rio.6.e57036\">10.3897/rio.6.e57036</a>.","short":"R. Altenhöner, I. Blümel, F. Boehm, J. Bove, K. Bicher, C. Bracht, O. Brand, L. Dieckmann, M. Effinger, M. Hagener, A. Hammes, L. Heller, A. Kailus, H. Kohle, J. Ludwig, A. Münzmay, S. Pittroff, M. Razum, D. Röwenstrunk, H. Sack, H. Simon, D. Schmidt, T. Schrade, A.-V. Walzel, B. Wiermann, Research Ideas and Outcomes 6 (2020).","bibtex":"@article{Altenhöner_Blümel_Boehm_Bove_Bicher_Bracht_Brand_Dieckmann_Effinger_Hagener_et al._2020, title={NFDI4Culture - Consortium for research data on material and immaterial cultural heritage}, volume={6}, DOI={<a href=\"https://doi.org/10.3897/rio.6.e57036\">10.3897/rio.6.e57036</a>}, journal={Research Ideas and Outcomes}, publisher={Pensoft Publishers}, author={Altenhöner, Reinhard and Blümel, Ina and Boehm, Franziska and Bove, Jens and Bicher, Katrin and Bracht, Christian and Brand, Ortrun and Dieckmann, Lisa and Effinger, Maria and Hagener, Malte and et al.}, year={2020} }"},"department":[{"_id":"572"},{"_id":"856"},{"_id":"615"}],"user_id":"61139","_id":"47476","project":[{"name":"NFDI4Culture: NFDI4Culture – Konsortium für Forschungsdaten materieller und immaterieller Kulturgüter","_id":"745"}],"article_type":"original","type":"journal_article","status":"public","date_created":"2023-09-27T07:02:04Z","publisher":"Pensoft Publishers","title":"NFDI4Culture - Consortium for research data on material and immaterial cultural heritage","quality_controlled":"1","year":"2020","language":[{"iso":"eng"}],"keyword":["Research Data Management"],"publication":"Research Ideas and Outcomes","abstract":[{"lang":"eng","text":"Digital data on tangible and intangible cultural assets is an essential part of daily life, communication and experience. It has a lasting influence on the perception of cultural identity as well as on the interactions between research, the cultural economy and society. Throughout the last three decades, many cultural heritage institutions have contributed a wealth of digital representations of cultural assets (2D digital reproductions of paintings, sheet music, 3D digital models of sculptures, monuments, rooms, buildings), audio-visual data (music, film, stage performances), and procedural research data such as encoding and annotation formats. The long-term preservation and FAIR availability of research data from the cultural heritage domain is fundamentally important, not only for future academic success in the humanities but also for the cultural identity of individuals and society as a whole. Up to now, no coordinated effort for professional research data management on a national level exists in Germany. NFDI4Culture aims to fill this gap and create a user-centered, research-driven infrastructure that will cover a broad range of research domains from musicology, art history and architecture to performance, theatre, film, and media studies.</jats:p>\r\n          <jats:p>The research landscape addressed by the consortium is characterized by strong institutional differentiation. Research units in the consortium's community of interest comprise university institutes, art colleges, academies, galleries, libraries, archives and museums. This diverse landscape is also characterized by an abundance of research objects, methodologies and a great potential for data-driven research. In a unique effort carried out by the applicant and co-applicants of this proposal and ten academic societies, this community is interconnected for the first time through a federated approach that is ideally suited to the needs of the participating researchers. To promote collaboration within the NFDI, to share knowledge and technology and to provide extensive support for its users have been the guiding principles of the consortium from the beginning and will be at the heart of all workflows and decision-making processes. Thanks to these principles, NFDI4Culture has gathered strong support ranging from individual researchers to high-level cultural heritage organizations such as the UNESCO, the International Council of Museums, the Open Knowledge Foundation and Wikimedia. On this basis, NFDI4Culture will take innovative measures that promote a cultural change towards a more reflective and sustainable handling of research data and at the same time boost qualification and professionalization in data-driven research in the domain of cultural heritage. This will create a long-lasting impact on science, cultural economy and society as a whole."}]},{"publisher":"Walter de Gruyter GmbH","date_created":"2023-09-27T07:03:16Z","title":"Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten","quality_controlled":"1","issue":"1","year":"2019","keyword":["Musikedition","Interpretatsionsforschung","Clifford Curzon"],"language":[{"iso":"ger"}],"publication":"Editio: Internationales Jahrbuch für Editionswissenschaft","abstract":[{"lang":"eng","text":"The article discusses possibilities and specific problems of including audio material in the realm of scholarly music editions. From this perspective, the authors propose to include the sounding manifestation of music both into the notion of the musical ‚work‘ and of the musical ‚text‘. The outcome of this thought experiment which considers music as performative art, Beethoven’s and other classical composers’ own wider notions of musical works as musical practice, phonographic recordings as text, different types of music as different types of data, programmed concordances as specific feature of digital editions, and musical interpreters as authors of musical interpretations is a theoretical model that for the first time makes record productions the object of scholarly critical edition."}],"date_updated":"2025-11-15T13:56:03Z","volume":33,"author":[{"last_name":"Münzmay","orcid":"0000-0002-8373-4055","id":"61139","full_name":"Münzmay, Andreas","first_name":"Andreas"},{"first_name":"Christine","full_name":"Siegert, Christine","last_name":"Siegert"}],"doi":"10.1515/editio-2019-0002","main_file_link":[{"url":"https://doi.org/10.1515/editio-2019-0002"}],"publication_identifier":{"issn":["0931-3079","1865-9446"]},"publication_status":"published","page":"10-30","intvolume":"        33","citation":{"bibtex":"@article{Münzmay_Siegert_2019, title={Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten}, volume={33}, DOI={<a href=\"https://doi.org/10.1515/editio-2019-0002\">10.1515/editio-2019-0002</a>}, number={1}, journal={Editio: Internationales Jahrbuch für Editionswissenschaft}, publisher={Walter de Gruyter GmbH}, author={Münzmay, Andreas and Siegert, Christine}, year={2019}, pages={10–30} }","short":"A. Münzmay, C. Siegert, Editio: Internationales Jahrbuch für Editionswissenschaft 33 (2019) 10–30.","mla":"Münzmay, Andreas, and Christine Siegert. “Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten.” <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i>, vol. 33, no. 1, Walter de Gruyter GmbH, 2019, pp. 10–30, doi:<a href=\"https://doi.org/10.1515/editio-2019-0002\">10.1515/editio-2019-0002</a>.","apa":"Münzmay, A., &#38; Siegert, C. (2019). Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten. <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i>, <i>33</i>(1), 10–30. <a href=\"https://doi.org/10.1515/editio-2019-0002\">https://doi.org/10.1515/editio-2019-0002</a>","ama":"Münzmay A, Siegert C. Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten. <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i>. 2019;33(1):10-30. doi:<a href=\"https://doi.org/10.1515/editio-2019-0002\">10.1515/editio-2019-0002</a>","chicago":"Münzmay, Andreas, and Christine Siegert. “Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten.” <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i> 33, no. 1 (2019): 10–30. <a href=\"https://doi.org/10.1515/editio-2019-0002\">https://doi.org/10.1515/editio-2019-0002</a>.","ieee":"A. Münzmay and C. Siegert, “Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten,” <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i>, vol. 33, no. 1, pp. 10–30, 2019, doi: <a href=\"https://doi.org/10.1515/editio-2019-0002\">10.1515/editio-2019-0002</a>."},"_id":"47478","project":[{"_id":"1614","name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition"}],"department":[{"_id":"572"},{"_id":"856"},{"_id":"615"}],"user_id":"61139","type":"journal_article","status":"public"}]