---
_id: '54925'
abstract:
- lang: eng
text: "The OPEN Edirom project is developing a digital edition of incidental music
for Goethe’s play Faust, representing an innovative initiative within the realm
of music philology and MEI/TEI edition. Embracing the \"data first\" principle,
OPEN Edirom prioritizes making its content openly accessible, thereby enabling
diverse potential uses for researchers and performers. Our aim involves presenting
the scholarly text and music edition in its entirety, incorporating its various
forms of data, i.e. music, texts, source images, metadata, and annotations, all
displayed with Edirom software.\r\nThe piece we edit in this project is Goethe’s
renowned play Faust I, as adapted by Carl Seydelmann, along with the corresponding
music composed by Peter Joseph von Lindpaintner for the Court Theatre in Stuttgart.
The work premiered in 1832.\r\nThis paper delves into the concept of music edition
as open data publication and delineates its advantages over analog and hybrid
editions in terms of reusability and alignment with the FAIR principles. It also
addresses the challenges encountered in data preparation, both specific to incidental
music and in general data processing. Furthermore, we propose solutions and recommendations
for similar projects based on our insights."
author:
- first_name: Lena
full_name: Frömmel, Lena
id: '86796'
last_name: Frömmel
orcid: 0009-0009-6539-7081
- first_name: Tobias
full_name: Bachmann, Tobias
last_name: Bachmann
- first_name: Anna Viktoria Katrin
full_name: Plaksin, Anna Viktoria Katrin
id: '102981'
last_name: Plaksin
orcid: 0000-0002-9969-0608
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
citation:
ama: 'Frömmel L, Bachmann T, Plaksin AVK, Münzmay A. Open Edirom: From hybrid music
edition to open data publication. In: Proceedings of the 11th International
Conference on Digital Libraries for Musicology. ACM; 2024. doi:10.1145/3660570.3660582'
apa: 'Frömmel, L., Bachmann, T., Plaksin, A. V. K., & Münzmay, A. (2024). Open
Edirom: From hybrid music edition to open data publication. Proceedings of
the 11th International Conference on Digital Libraries for Musicology. https://doi.org/10.1145/3660570.3660582'
bibtex: '@inproceedings{Frömmel_Bachmann_Plaksin_Münzmay_2024, title={Open Edirom:
From hybrid music edition to open data publication}, DOI={10.1145/3660570.3660582},
booktitle={Proceedings of the 11th International Conference on Digital Libraries
for Musicology}, publisher={ACM}, author={Frömmel, Lena and Bachmann, Tobias and
Plaksin, Anna Viktoria Katrin and Münzmay, Andreas}, year={2024} }'
chicago: 'Frömmel, Lena, Tobias Bachmann, Anna Viktoria Katrin Plaksin, and Andreas
Münzmay. “Open Edirom: From Hybrid Music Edition to Open Data Publication.” In
Proceedings of the 11th International Conference on Digital Libraries for Musicology.
ACM, 2024. https://doi.org/10.1145/3660570.3660582.'
ieee: 'L. Frömmel, T. Bachmann, A. V. K. Plaksin, and A. Münzmay, “Open Edirom:
From hybrid music edition to open data publication,” 2024, doi: 10.1145/3660570.3660582.'
mla: 'Frömmel, Lena, et al. “Open Edirom: From Hybrid Music Edition to Open Data
Publication.” Proceedings of the 11th International Conference on Digital Libraries
for Musicology, ACM, 2024, doi:10.1145/3660570.3660582.'
short: 'L. Frömmel, T. Bachmann, A.V.K. Plaksin, A. Münzmay, in: Proceedings of
the 11th International Conference on Digital Libraries for Musicology, ACM, 2024.'
date_created: 2024-06-28T18:17:53Z
date_updated: 2025-09-02T09:11:50Z
department:
- _id: '233'
- _id: '856'
- _id: '615'
doi: 10.1145/3660570.3660582
language:
- iso: eng
main_file_link:
- open_access: '1'
url: https://dl.acm.org/doi/pdf/10.1145/3660570.3660582
oa: '1'
project:
- _id: '1048'
name: 'KIO: KreativInstitut.OWL'
- _id: '1064'
name: OPEN Edirom
publication: Proceedings of the 11th International Conference on Digital Libraries
for Musicology
publication_status: published
publisher: ACM
quality_controlled: '1'
status: public
title: 'Open Edirom: From hybrid music edition to open data publication'
type: conference
user_id: '61139'
year: '2024'
...
---
_id: '58552'
author:
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
- first_name: F.
full_name: Vollmer, F.
last_name: Vollmer
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
citation:
ama: 'Berndt A, Vollmer F, Münzmay A. Multi-Modal Data Networks in Music: Thoughts
on a Digital Performance Edition and its Potential for Ethnomusicology. In: {Diskografentag:
International Conference on Recorded Music}. ; 2024.'
apa: 'Berndt, A., Vollmer, F., & Münzmay, A. (2024). Multi-Modal Data Networks
in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology.
{Diskografentag: International Conference on Recorded Music}.'
bibtex: '@inproceedings{Berndt_Vollmer_Münzmay_2024, place={Guildford, Surrey, England},
title={Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition
and its Potential for Ethnomusicology}, booktitle={{Diskografentag: International
Conference on Recorded Music}}, author={Berndt, Axel and Vollmer, F. and Münzmay,
Andreas}, year={2024} }'
chicago: 'Berndt, Axel, F. Vollmer, and Andreas Münzmay. “Multi-Modal Data Networks
in Music: Thoughts on a Digital Performance Edition and Its Potential for Ethnomusicology.”
In {Diskografentag: International Conference on Recorded Music}. Guildford,
Surrey, England, 2024.'
ieee: 'A. Berndt, F. Vollmer, and A. Münzmay, “Multi-Modal Data Networks in Music:
Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology,”
2024.'
mla: 'Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital
Performance Edition and Its Potential for Ethnomusicology.” {Diskografentag:
International Conference on Recorded Music}, 2024.'
short: 'A. Berndt, F. Vollmer, A. Münzmay, in: {Diskografentag: International Conference
on Recorded Music}, Guildford, Surrey, England, 2024.'
date_created: 2025-02-10T14:11:58Z
date_updated: 2025-09-03T18:18:21Z
department:
- _id: '36'
- _id: '233'
- _id: '870'
- _id: '615'
- _id: '856'
language:
- iso: eng
place: Guildford, Surrey, England
project:
- _id: '1614'
name: 'Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition'
publication: '{Diskografentag: International Conference on Recorded Music}'
status: public
title: 'Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition
and its Potential for Ethnomusicology'
type: conference
user_id: '61139'
year: '2024'
...
---
_id: '58554'
author:
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
citation:
ama: 'Berndt A, Münzmay A. Digitale Interpretationsedition und Filmmusikedition
als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze.
In: ; 2024.'
apa: 'Berndt, A., & Münzmay, A. (2024). Digitale Interpretationsedition und
Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und
Lösungsansätze. Edition von Filmmusik: Herausforderungen der Multimedialität,
Frankfurt am Main.'
bibtex: '@inproceedings{Berndt_Münzmay_2024, title={Digitale Interpretationsedition
und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen
und Lösungsansätze}, author={Berndt, Axel and Münzmay, Andreas}, year={2024} }'
chicago: Berndt, Axel, and Andreas Münzmay. “Digitale Interpretationsedition und
Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und
Lösungsansätze,” 2024.
ieee: 'A. Berndt and A. Münzmay, “Digitale Interpretationsedition und Filmmusikedition
als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,”
presented at the Edition von Filmmusik: Herausforderungen der Multimedialität,
Frankfurt am Main, 2024.'
mla: Berndt, Axel, and Andreas Münzmay. Digitale Interpretationsedition und Filmmusikedition
als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze.
2024.
short: 'A. Berndt, A. Münzmay, in: 2024.'
conference:
end_date: 2024-1123
location: Frankfurt am Main
name: 'Edition von Filmmusik: Herausforderungen der Multimedialität'
start_date: 2024-11-22
date_created: 2025-02-10T14:12:16Z
date_updated: 2026-03-18T17:28:32Z
department:
- _id: '36'
- _id: '233'
- _id: '870'
- _id: '615'
- _id: '856'
language:
- iso: ger
project:
- _id: '1614'
name: 'Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition'
status: public
title: Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern
– Gemeinsame Herausforderungen und Lösungsansätze
type: conference
user_id: '61139'
year: '2024'
...
---
_id: '56269'
abstract:
- lang: eng
text: 'Peter Joseph von Lindpaintner: Ouverture, Entreacte, Chöre und Lieder zu
Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann. Historical-Critical
Digital Edition by Tobias Bachmann, Lena Frömmel and Andreas Münzmay. The dataset,
consisting of TEI and MEI files, is the historical-critical digital edition. The
data structure allows for visualization via EDIROM ONLINE. '
author:
- first_name: Tobias
full_name: Bachmann, Tobias
id: '100930'
last_name: Bachmann
- first_name: Lena
full_name: Frömmel, Lena
id: '86796'
last_name: Frömmel
orcid: 0009-0009-6539-7081
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
citation:
ama: Bachmann T, Frömmel L, Münzmay A. OPEN FAUST Preview (Dataset). RADAR4Culture;
2024. doi:10.22000/uupxmgkq94r0jpsk
apa: Bachmann, T., Frömmel, L., & Münzmay, A. (2024). OPEN FAUST Preview
(dataset). RADAR4Culture. https://doi.org/10.22000/uupxmgkq94r0jpsk
bibtex: '@book{Bachmann_Frömmel_Münzmay_2024, title={ OPEN FAUST Preview (dataset)},
DOI={10.22000/uupxmgkq94r0jpsk},
publisher={RADAR4Culture}, author={Bachmann, Tobias and Frömmel, Lena and Münzmay,
Andreas}, year={2024} }'
chicago: Bachmann, Tobias, Lena Frömmel, and Andreas Münzmay. OPEN FAUST Preview
(Dataset). RADAR4Culture, 2024. https://doi.org/10.22000/uupxmgkq94r0jpsk.
ieee: T. Bachmann, L. Frömmel, and A. Münzmay, OPEN FAUST Preview (dataset).
RADAR4Culture, 2024.
mla: Bachmann, Tobias, et al. OPEN FAUST Preview (Dataset). RADAR4Culture,
2024, doi:10.22000/uupxmgkq94r0jpsk.
short: T. Bachmann, L. Frömmel, A. Münzmay, OPEN FAUST Preview (Dataset), RADAR4Culture,
2024.
date_created: 2024-09-27T15:01:39Z
date_updated: 2026-03-18T17:26:54Z
department:
- _id: '233'
- _id: '856'
- _id: '36'
- _id: '572'
doi: 10.22000/uupxmgkq94r0jpsk
project:
- _id: '1048'
name: 'KIO: KreativInstitut.OWL'
- _id: '1064'
name: OPEN Edirom
publisher: RADAR4Culture
related_material:
link:
- relation: contains
url: https://open-faust.zenmem.de/index.html
status: public
title: ' OPEN FAUST Preview (dataset)'
type: research_data
user_id: '61139'
year: '2024'
...
---
_id: '58551'
author:
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
- first_name: Frithjof
full_name: Bömcke-Vollmer, Frithjof
id: '124535'
last_name: Bömcke-Vollmer
citation:
ama: 'Berndt A, Münzmay A, Bömcke-Vollmer F. Multi-Modal Data Networks in Music:
Thoughts on a Digital Performance Edition. In: {DAGA 2024 – 50. Jahrestagung
Für Akustik}. ; 2024.'
apa: 'Berndt, A., Münzmay, A., & Bömcke-Vollmer, F. (2024). Multi-Modal Data
Networks in Music: Thoughts on a Digital Performance Edition. {DAGA 2024 –
50. Jahrestagung Für Akustik}.'
bibtex: '@inproceedings{Berndt_Münzmay_Bömcke-Vollmer_2024, place={Hannover, Germany},
title={Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition},
booktitle={{DAGA 2024 – 50. Jahrestagung für Akustik}}, author={Berndt, Axel and
Münzmay, Andreas and Bömcke-Vollmer, Frithjof}, year={2024} }'
chicago: 'Berndt, Axel, Andreas Münzmay, and Frithjof Bömcke-Vollmer. “Multi-Modal
Data Networks in Music: Thoughts on a Digital Performance Edition.” In {DAGA
2024 – 50. Jahrestagung Für Akustik}. Hannover, Germany, 2024.'
ieee: 'A. Berndt, A. Münzmay, and F. Bömcke-Vollmer, “Multi-Modal Data Networks
in Music: Thoughts on a Digital Performance Edition,” 2024.'
mla: 'Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital
Performance Edition.” {DAGA 2024 – 50. Jahrestagung Für Akustik}, 2024.'
short: 'A. Berndt, A. Münzmay, F. Bömcke-Vollmer, in: {DAGA 2024 – 50. Jahrestagung
Für Akustik}, Hannover, Germany, 2024.'
date_created: 2025-02-10T14:11:50Z
date_updated: 2026-03-18T17:23:44Z
department:
- _id: '36'
- _id: '233'
- _id: '870'
- _id: '615'
- _id: '856'
language:
- iso: eng
place: Hannover, Germany
project:
- _id: '1614'
name: 'Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition'
publication: '{DAGA 2024 – 50. Jahrestagung für Akustik}'
status: public
title: 'Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition'
type: conference
user_id: '61139'
year: '2024'
...
---
_id: '58131'
author:
- first_name: Antje
full_name: Tumat, Antje
id: '72268'
last_name: Tumat
orcid: 0009-0002-9132-0925
citation:
ama: 'Tumat A. Weltethos and wunderzaichen: Religion in the Music of the Western
Avant-garde. Höink D, Andreas Meyer, eds. Published online 2024:27-71.'
apa: 'Tumat, A. (2024). Weltethos and wunderzaichen: Religion in the Music of
the Western Avant-garde (D. Höink & Andreas Meyer, Eds.; pp. 27–71). Textum.'
bibtex: '@article{Tumat_2024, place={Baden-Baden}, series={Music and Religions in
the 21st century}, title={Weltethos and wunderzaichen: Religion in the Music of
the Western Avant-garde}, publisher={Textum}, author={Tumat, Antje}, editor={Höink,
Dominik and Andreas Meyer}, year={2024}, pages={27–71}, collection={Music and
Religions in the 21st century} }'
chicago: 'Tumat, Antje. “Weltethos and Wunderzaichen: Religion in the Music of the
Western Avant-Garde.” Edited by Dominik Höink and Andreas Meyer. Music and Religions
in the 21st Century. Baden-Baden: Textum, 2024.'
ieee: 'A. Tumat, “Weltethos and wunderzaichen: Religion in the Music of the Western
Avant-garde.” Textum, Baden-Baden, pp. 27–71, 2024.'
mla: 'Tumat, Antje. Weltethos and Wunderzaichen: Religion in the Music of the
Western Avant-Garde. Edited by Dominik Höink and Andreas Meyer, Textum, 2024,
pp. 27–71.'
short: A. Tumat, (2024) 27–71.
corporate_editor:
- Andreas Meyer
date_created: 2025-01-09T13:58:45Z
date_updated: 2026-04-18T14:10:57Z
department:
- _id: '233'
- _id: '856'
editor:
- first_name: Dominik
full_name: Höink, Dominik
last_name: Höink
language:
- iso: eng
page: 27-71
place: Baden-Baden
publication_identifier:
unknown:
- 978-3-8288-4979-2
publication_status: published
publisher: Textum
series_title: Music and Religions in the 21st century
status: public
title: 'Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde'
type: conference
user_id: '72268'
year: '2024'
...
---
_id: '50289'
author:
- first_name: Benjamin W.
full_name: Bohl, Benjamin W.
last_name: Bohl
- first_name: Dennis
full_name: Ried, Dennis
id: '90722'
last_name: Ried
orcid: https://orcid.org/0000-0001-5545-2088
citation:
ama: 'Bohl BW, Ried D. »Play it again, Sam« – Levels of Complexity in Encoding Performance
Personnel. In: Weigl DM, ed. Music Encoding Conference Proceedings 2022.
; 2023. doi:10.17613/XN3G-VS35'
apa: Bohl, B. W., & Ried, D. (2023). »Play it again, Sam« – Levels of Complexity
in Encoding Performance Personnel. In D. M. Weigl (Ed.), Music Encoding Conference
Proceedings 2022. https://doi.org/10.17613/XN3G-VS35
bibtex: '@inproceedings{Bohl_Ried_2023, title={»Play it again, Sam« – Levels of
Complexity in Encoding Performance Personnel}, DOI={10.17613/XN3G-VS35},
booktitle={Music Encoding Conference Proceedings 2022}, author={Bohl, Benjamin
W. and Ried, Dennis}, editor={Weigl, David M.}, year={2023} }'
chicago: Bohl, Benjamin W., and Dennis Ried. “»Play It Again, Sam« – Levels of Complexity
in Encoding Performance Personnel.” In Music Encoding Conference Proceedings
2022, edited by David M. Weigl, 2023. https://doi.org/10.17613/XN3G-VS35.
ieee: 'B. W. Bohl and D. Ried, “»Play it again, Sam« – Levels of Complexity in Encoding
Performance Personnel,” in Music Encoding Conference Proceedings 2022,
Dalhousie University, Nova Scotia, Canada, 2023, doi: 10.17613/XN3G-VS35.'
mla: Bohl, Benjamin W., and Dennis Ried. “»Play It Again, Sam« – Levels of Complexity
in Encoding Performance Personnel.” Music Encoding Conference Proceedings 2022,
edited by David M. Weigl, 2023, doi:10.17613/XN3G-VS35.
short: 'B.W. Bohl, D. Ried, in: D.M. Weigl (Ed.), Music Encoding Conference Proceedings
2022, 2023.'
conference:
end_date: 2022-05-22
location: Dalhousie University, Nova Scotia, Canada
name: ' Music Encoding Conference'
start_date: 2022-05-19
date_created: 2024-01-08T09:56:13Z
date_updated: 2024-02-28T09:19:43Z
department:
- _id: '233'
- _id: '856'
doi: 10.17613/XN3G-VS35
editor:
- first_name: David M.
full_name: Weigl, David M.
last_name: Weigl
language:
- iso: eng
project:
- _id: '738'
grant_number: '459602398'
name: 'Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk'
publication: Music Encoding Conference Proceedings 2022
status: public
title: »Play it again, Sam« – Levels of Complexity in Encoding Performance Personnel
type: conference
user_id: '90722'
year: '2023'
...
---
_id: '51684'
author:
- first_name: Dennis
full_name: Ried, Dennis
id: '90722'
last_name: Ried
orcid: https://orcid.org/0000-0001-5545-2088
- first_name: Irmlind
full_name: Capelle, Irmlind
last_name: Capelle
- first_name: Elena
full_name: Minetti, Elena
id: '90723'
last_name: Minetti
citation:
ama: Ried D, Capelle I, Minetti E. HenDi-ODD v2.0.0. Henze-Digital; 2023.
doi:10.5281/ZENODO.10391194
apa: Ried, D., Capelle, I., & Minetti, E. (2023). HenDi-ODD v2.0.0. Henze-Digital.
https://doi.org/10.5281/ZENODO.10391194
bibtex: '@book{Ried_Capelle_Minetti_2023, title={HenDi-ODD v2.0.0}, DOI={10.5281/ZENODO.10391194},
publisher={Henze-Digital}, author={Ried, Dennis and Capelle, Irmlind and Minetti,
Elena}, year={2023} }'
chicago: Ried, Dennis, Irmlind Capelle, and Elena Minetti. HenDi-ODD v2.0.0.
Henze-Digital, 2023. https://doi.org/10.5281/ZENODO.10391194.
ieee: D. Ried, I. Capelle, and E. Minetti, HenDi-ODD v2.0.0. Henze-Digital,
2023.
mla: Ried, Dennis, et al. HenDi-ODD v2.0.0. Henze-Digital, 2023, doi:10.5281/ZENODO.10391194.
short: D. Ried, I. Capelle, E. Minetti, HenDi-ODD v2.0.0, Henze-Digital, 2023.
date_created: 2024-02-21T10:26:01Z
date_updated: 2024-02-28T09:40:14Z
department:
- _id: '233'
- _id: '856'
doi: 10.5281/ZENODO.10391194
project:
- _id: '738'
grant_number: '459602398'
name: 'Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk'
publisher: Henze-Digital
status: public
title: HenDi-ODD v2.0.0
type: research_data
user_id: '90722'
year: '2023'
...
---
_id: '51680'
author:
- first_name: Dennis
full_name: Ried, Dennis
id: '90722'
last_name: Ried
orcid: https://orcid.org/0000-0001-5545-2088
citation:
ama: Ried D. HenDi-WebApp v1.0.0. Henze-Digital; 2023. doi:10.5281/ZENODO.8304639
apa: Ried, D. (2023). HenDi-WebApp v1.0.0. Henze-Digital. https://doi.org/10.5281/ZENODO.8304639
bibtex: '@book{Ried_2023, title={HenDi-WebApp v1.0.0}, DOI={10.5281/ZENODO.8304639},
publisher={Henze-Digital}, author={Ried, Dennis}, year={2023} }'
chicago: Ried, Dennis. HenDi-WebApp v1.0.0. Henze-Digital, 2023. https://doi.org/10.5281/ZENODO.8304639.
ieee: D. Ried, HenDi-WebApp v1.0.0. Henze-Digital, 2023.
mla: Ried, Dennis. HenDi-WebApp v1.0.0. Henze-Digital, 2023, doi:10.5281/ZENODO.8304639.
short: D. Ried, HenDi-WebApp v1.0.0, Henze-Digital, 2023.
date_created: 2024-02-21T10:20:25Z
date_updated: 2024-02-28T09:40:05Z
department:
- _id: '233'
- _id: '856'
doi: 10.5281/ZENODO.8304639
project:
- _id: '738'
grant_number: '459602398'
name: 'Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk'
publisher: Henze-Digital
status: public
title: HenDi-WebApp v1.0.0
type: research_data
user_id: '90722'
year: '2023'
...
---
_id: '51683'
author:
- first_name: Dennis
full_name: Ried, Dennis
id: '90722'
last_name: Ried
orcid: https://orcid.org/0000-0001-5545-2088
- first_name: Irmlind
full_name: Capelle, Irmlind
last_name: Capelle
- first_name: Elena
full_name: Minetti, Elena
id: '90723'
last_name: Minetti
citation:
ama: Ried D, Capelle I, Minetti E. HenDi-ODD v1.0.0. Henze-Digital; 2023.
doi:10.5281/ZENODO.8304804
apa: Ried, D., Capelle, I., & Minetti, E. (2023). HenDi-ODD v1.0.0. Henze-Digital.
https://doi.org/10.5281/ZENODO.8304804
bibtex: '@book{Ried_Capelle_Minetti_2023, title={HenDi-ODD v1.0.0}, DOI={10.5281/ZENODO.8304804},
publisher={Henze-Digital}, author={Ried, Dennis and Capelle, Irmlind and Minetti,
Elena}, year={2023} }'
chicago: Ried, Dennis, Irmlind Capelle, and Elena Minetti. HenDi-ODD v1.0.0.
Henze-Digital, 2023. https://doi.org/10.5281/ZENODO.8304804.
ieee: D. Ried, I. Capelle, and E. Minetti, HenDi-ODD v1.0.0. Henze-Digital,
2023.
mla: Ried, Dennis, et al. HenDi-ODD v1.0.0. Henze-Digital, 2023, doi:10.5281/ZENODO.8304804.
short: D. Ried, I. Capelle, E. Minetti, HenDi-ODD v1.0.0, Henze-Digital, 2023.
date_created: 2024-02-21T10:24:39Z
date_updated: 2024-02-28T09:40:28Z
department:
- _id: '233'
- _id: '856'
doi: 10.5281/ZENODO.8304804
project:
- _id: '738'
grant_number: '459602398'
name: 'Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk'
publisher: Henze-Digital
status: public
title: HenDi-ODD v1.0.0
type: research_data
user_id: '90722'
year: '2023'
...
---
_id: '51681'
author:
- first_name: Dennis
full_name: Ried, Dennis
id: '90722'
last_name: Ried
orcid: https://orcid.org/0000-0001-5545-2088
citation:
ama: Ried D. HenDi-WebApp v2.0.0. Henze-Digital; 2023. doi:10.5281/ZENODO.10390049
apa: Ried, D. (2023). HenDi-WebApp v2.0.0. Henze-Digital. https://doi.org/10.5281/ZENODO.10390049
bibtex: '@book{Ried_2023, title={HenDi-WebApp v2.0.0}, DOI={10.5281/ZENODO.10390049},
publisher={Henze-Digital}, author={Ried, Dennis}, year={2023} }'
chicago: Ried, Dennis. HenDi-WebApp v2.0.0. Henze-Digital, 2023. https://doi.org/10.5281/ZENODO.10390049.
ieee: D. Ried, HenDi-WebApp v2.0.0. Henze-Digital, 2023.
mla: Ried, Dennis. HenDi-WebApp v2.0.0. Henze-Digital, 2023, doi:10.5281/ZENODO.10390049.
short: D. Ried, HenDi-WebApp v2.0.0, Henze-Digital, 2023.
date_created: 2024-02-21T10:21:26Z
date_updated: 2024-02-28T09:40:21Z
department:
- _id: '233'
- _id: '856'
doi: 10.5281/ZENODO.10390049
project:
- _id: '738'
grant_number: '459602398'
name: 'Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk'
publisher: Henze-Digital
status: public
title: HenDi-WebApp v2.0.0
type: research_data
user_id: '90722'
year: '2023'
...
---
_id: '51678'
abstract:
- lang: eng
text: This is the data set of the project Henze-Digital. It contains project specific
authority files (e.g., persons, organizations, places) and editions (e.g., letters,
documents).
author:
- first_name: Irmlind
full_name: Capelle, Irmlind
id: '21488'
last_name: Capelle
- first_name: Elena
full_name: Minetti, Elena
id: '90723'
last_name: Minetti
- first_name: Dennis
full_name: Ried, Dennis
id: '90722'
last_name: Ried
orcid: https://orcid.org/0000-0001-5545-2088
- first_name: Antje
full_name: Tumat, Antje
id: '72268'
last_name: Tumat
citation:
ama: Capelle I, Minetti E, Ried D, Tumat A. HenDi-Data (Data Package) v2.0.0.
Henze-Digital; 2023. doi:10.5281/ZENODO.10391419
apa: Capelle, I., Minetti, E., Ried, D., & Tumat, A. (2023). HenDi-Data (data
package) v2.0.0. Henze-Digital. https://doi.org/10.5281/ZENODO.10391419
bibtex: '@book{Capelle_Minetti_Ried_Tumat_2023, title={HenDi-Data (data package)
v2.0.0}, DOI={10.5281/ZENODO.10391419},
publisher={Henze-Digital}, author={Capelle, Irmlind and Minetti, Elena and Ried,
Dennis and Tumat, Antje}, year={2023} }'
chicago: Capelle, Irmlind, Elena Minetti, Dennis Ried, and Antje Tumat. HenDi-Data
(Data Package) v2.0.0. Henze-Digital, 2023. https://doi.org/10.5281/ZENODO.10391419.
ieee: I. Capelle, E. Minetti, D. Ried, and A. Tumat, HenDi-Data (data package)
v2.0.0. Henze-Digital, 2023.
mla: Capelle, Irmlind, et al. HenDi-Data (Data Package) v2.0.0. Henze-Digital,
2023, doi:10.5281/ZENODO.10391419.
short: I. Capelle, E. Minetti, D. Ried, A. Tumat, HenDi-Data (Data Package) v2.0.0,
Henze-Digital, 2023.
date_created: 2024-02-21T10:11:47Z
date_updated: 2024-03-20T11:32:31Z
department:
- _id: '233'
- _id: '856'
doi: 10.5281/ZENODO.10391419
project:
- _id: '738'
grant_number: '459602398'
name: 'Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk'
publisher: Henze-Digital
status: public
title: HenDi-Data (data package) v2.0.0
type: research_data
user_id: '90722'
year: '2023'
...
---
_id: '51679'
abstract:
- lang: eng
text: This is the data set of the project Henze-Digital. It contains project specific
authority files (e.g., persons, organizations, places) and editions (e.g., letters,
documents).
author:
- first_name: Irmlind
full_name: Capelle, Irmlind
id: '21488'
last_name: Capelle
- first_name: Elena
full_name: Minetti, Elena
id: '90723'
last_name: Minetti
- first_name: Dennis
full_name: Ried, Dennis
id: '90722'
last_name: Ried
orcid: https://orcid.org/0000-0001-5545-2088
- first_name: Antje
full_name: Tumat, Antje
id: '72268'
last_name: Tumat
citation:
ama: Capelle I, Minetti E, Ried D, Tumat A. HenDi-Data (Data Package) v1.0.0.
Henze-Digital; 2023. doi:10.5281/ZENODO.8304688
apa: Capelle, I., Minetti, E., Ried, D., & Tumat, A. (2023). HenDi-Data (data
package) v1.0.0. Henze-Digital. https://doi.org/10.5281/ZENODO.8304688
bibtex: '@book{Capelle_Minetti_Ried_Tumat_2023, title={HenDi-Data (data package)
v1.0.0}, DOI={10.5281/ZENODO.8304688},
publisher={Henze-Digital}, author={Capelle, Irmlind and Minetti, Elena and Ried,
Dennis and Tumat, Antje}, year={2023} }'
chicago: Capelle, Irmlind, Elena Minetti, Dennis Ried, and Antje Tumat. HenDi-Data
(Data Package) v1.0.0. Henze-Digital, 2023. https://doi.org/10.5281/ZENODO.8304688.
ieee: I. Capelle, E. Minetti, D. Ried, and A. Tumat, HenDi-Data (data package)
v1.0.0. Henze-Digital, 2023.
mla: Capelle, Irmlind, et al. HenDi-Data (Data Package) v1.0.0. Henze-Digital,
2023, doi:10.5281/ZENODO.8304688.
short: I. Capelle, E. Minetti, D. Ried, A. Tumat, HenDi-Data (Data Package) v1.0.0,
Henze-Digital, 2023.
date_created: 2024-02-21T10:18:09Z
date_updated: 2024-03-20T11:32:25Z
department:
- _id: '233'
- _id: '856'
doi: 10.5281/ZENODO.8304688
project:
- _id: '738'
grant_number: '459602398'
name: 'Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk'
publisher: Henze-Digital
status: public
title: HenDi-Data (data package) v1.0.0
type: research_data
user_id: '90722'
year: '2023'
...
---
_id: '47487'
author:
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
citation:
ama: 'Kepper J, Münzmay A. Open Data in musikphilologischen Projekten: Herausforderungen,
Strategien, Potenziale. In: DHd2023: Open Humanities, Open Culture. ; 2023.
doi:10.5281/ZENODO.7715387'
apa: 'Kepper, J., & Münzmay, A. (2023). Open Data in musikphilologischen Projekten:
Herausforderungen, Strategien, Potenziale. DHd2023: Open Humanities, Open Culture.
DHd2023: Open Humanities, Open Culture. https://doi.org/10.5281/ZENODO.7715387'
bibtex: '@inproceedings{Kepper_Münzmay_2023, title={Open Data in musikphilologischen
Projekten: Herausforderungen, Strategien, Potenziale}, DOI={10.5281/ZENODO.7715387},
booktitle={DHd2023: Open Humanities, Open Culture}, author={Kepper, Johannes and
Münzmay, Andreas}, year={2023} }'
chicago: 'Kepper, Johannes, and Andreas Münzmay. “Open Data in musikphilologischen
Projekten: Herausforderungen, Strategien, Potenziale.” In DHd2023: Open Humanities,
Open Culture, 2023. https://doi.org/10.5281/ZENODO.7715387.'
ieee: 'J. Kepper and A. Münzmay, “Open Data in musikphilologischen Projekten: Herausforderungen,
Strategien, Potenziale,” presented at the DHd2023: Open Humanities, Open Culture,
2023, doi: 10.5281/ZENODO.7715387.'
mla: 'Kepper, Johannes, and Andreas Münzmay. “Open Data in musikphilologischen Projekten:
Herausforderungen, Strategien, Potenziale.” DHd2023: Open Humanities, Open
Culture, 2023, doi:10.5281/ZENODO.7715387.'
short: 'J. Kepper, A. Münzmay, in: DHd2023: Open Humanities, Open Culture, 2023.'
conference:
end_date: 2023-03-17
name: 'DHd2023: Open Humanities, Open Culture'
start_date: 2023-03-13
date_created: 2023-09-27T07:08:23Z
date_updated: 2025-03-21T11:58:02Z
department:
- _id: '572'
- _id: '856'
- _id: '615'
doi: 10.5281/ZENODO.7715387
language:
- iso: ger
main_file_link:
- open_access: '1'
url: https://doi.org/10.5281/zenodo.7715387
oa: '1'
project:
- _id: '743'
name: Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition
- _id: '745'
grant_number: (DFG) – 441958017
name: 'NFDI4Culture: NFDI4Culture – Konsortium für Forschungsdaten materieller und
immaterieller Kulturgüter'
- _id: '1064'
name: OPEN Edirom
publication: 'DHd2023: Open Humanities, Open Culture'
publication_status: published
status: public
title: 'Open Data in musikphilologischen Projekten: Herausforderungen, Strategien,
Potenziale'
type: conference_abstract
user_id: '61139'
year: '2023'
...
---
_id: '47318'
author:
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
citation:
ama: Münzmay A, Berndt A. Was Ist Eine Interpretationsedition? Videomitschnitt,
veröffentlicht im Youtube-Kanal “musikschafftwissen”; 2023.
apa: Münzmay, A., & Berndt, A. (2023). Was ist eine Interpretationsedition?
Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen.”
bibtex: '@book{Münzmay_Berndt_2023, place={Methoden Softwaregestützter Interpretationsforschung,
Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9.
Juni 2023}, title={Was ist eine Interpretationsedition?}, publisher={Videomitschnitt,
veröffentlicht im Youtube-Kanal “musikschafftwissen”}, author={Münzmay, Andreas
and Berndt, Axel}, year={2023} }'
chicago: 'Münzmay, Andreas, and Axel Berndt. Was Ist Eine Interpretationsedition?
Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks
Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023: Videomitschnitt,
veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.'
ieee: 'A. Münzmay and A. Berndt, Was ist eine Interpretationsedition? Methoden
Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte
Interpretationsforschung, 8.–9. Juni 2023: Videomitschnitt, veröffentlicht im
Youtube-Kanal “musikschafftwissen,” 2023.'
mla: Münzmay, Andreas, and Axel Berndt. Was Ist Eine Interpretationsedition?
Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.
short: A. Münzmay, A. Berndt, Was Ist Eine Interpretationsedition?, Videomitschnitt,
veröffentlicht im Youtube-Kanal “musikschafftwissen,” Methoden Softwaregestützter
Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung,
8.–9. Juni 2023, 2023.
date_created: 2023-09-25T10:44:06Z
date_updated: 2025-09-03T18:25:44Z
department:
- _id: '856'
language:
- iso: eng
main_file_link:
- open_access: '1'
url: 'https://youtu.be/NUTflfuIWlw '
oa: '1'
place: Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des
Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023
project:
- _id: '1614'
name: 'Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition'
- _id: '1048'
name: KreativInstitut.OWL
publisher: Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen”
status: public
title: Was ist eine Interpretationsedition?
type: misc
user_id: '61139'
year: '2023'
...
---
_id: '46582'
abstract:
- lang: eng
text: Metadata are a very broad and extremely differentiated subject and ranges
from rudimentary catalog data to deeply indexed scientific catalogs (e.g., catalogs
of works). In this paper, the concept of metadata in the context of MEI is first
examined, before two examples are used to show that metadata are more than just
rudimentary descriptions. These examples are also intended to illustrate the extent
to which metadata are encoded in the field of music philology and thus represent
an attempt to create a little more awareness for the work of the Metadata and
Cataloging Interest Group of MEI. The examples deal on the one hand with the encoding
of performance resources and on the other hand with watermarks. In both cases,
the possibilities of metadata encoding with MEI version 4 are exhausted and it
is discussed which steps are useful and necessary to create an even deeper, machine-readable
structure so that these sub-fields of the MEI metadata can also be used for larger
scientific purposes such as analyses.
author:
- first_name: Dennis
full_name: Ried, Dennis
id: '90722'
last_name: Ried
orcid: https://orcid.org/0000-0001-5545-2088
- first_name: Clemens
full_name: Gubsch, Clemens
last_name: Gubsch
citation:
ama: 'Ried D, Gubsch C. METAdata and metaDATA. In: Münnich S, Rizo D, eds. ; 2022.
doi:10.17613/50T9-Z881'
apa: Ried, D., & Gubsch, C. (2022). METAdata and metaDATA (S. Münnich
& D. Rizo, Eds.). https://doi.org/10.17613/50T9-Z881
bibtex: '@inproceedings{Ried_Gubsch_2022, title={METAdata and metaDATA}, DOI={10.17613/50T9-Z881}, author={Ried,
Dennis and Gubsch, Clemens}, editor={Münnich, Stefan and Rizo, David}, year={2022}
}'
chicago: Ried, Dennis, and Clemens Gubsch. “METAdata and MetaDATA.” edited by Stefan
Münnich and David Rizo, 2022. https://doi.org/10.17613/50T9-Z881.
ieee: 'D. Ried and C. Gubsch, “METAdata and metaDATA,” University of Alicante, 2022,
doi: 10.17613/50T9-Z881.'
mla: Ried, Dennis, and Clemens Gubsch. METAdata and MetaDATA. Edited by Stefan
Münnich and David Rizo, 2022, doi:10.17613/50T9-Z881.
short: 'D. Ried, C. Gubsch, in: S. Münnich, D. Rizo (Eds.), 2022.'
conference:
end_date: 2021-07-22
location: University of Alicante
name: Music Encoding Conference 2021
start_date: 2021-07-19
date_created: 2023-08-21T06:27:14Z
date_updated: 2024-02-28T09:20:25Z
department:
- _id: '233'
- _id: '856'
doi: 10.17613/50T9-Z881
editor:
- first_name: Stefan
full_name: Münnich, Stefan
last_name: Münnich
- first_name: David
full_name: Rizo, David
last_name: Rizo
language:
- iso: eng
project:
- _id: '738'
grant_number: '459602398'
name: 'Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk'
quality_controlled: '1'
status: public
title: METAdata and metaDATA
type: conference
user_id: '90722'
year: '2022'
...
---
_id: '48045'
alternative_title:
- Beiträge der Symposien zur Digitalen Musikwissenschaft Osnabrück 2018 und Paderborn
2019 im Rahmen der Jahrestagungen der Gesellschaft für Musikforschung, in Verbindung
mit der Fachgruppe Digitale Musikwissenschaft
citation:
ama: Münzmay A, Aquavella-RauchJ S, Veit J, eds. Brückenschläge zwischen Musikwissenschaft
und Informatik. Theoretische und praktische Aspekte der Kooperation. Vol 3.
Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für
Musik Detmold; 2020. doi:10.25366/2020.87
apa: Münzmay, A., Aquavella-RauchJ, S., & Veit, J. (Eds.). (2020). Brückenschläge
zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte
der Kooperation (Vol. 3). Musikwissenschaftliches Seminar der Universität
Paderborn und der Hochschule für Musik Detmold. https://doi.org/10.25366/2020.87
bibtex: '@book{Münzmay_Aquavella-RauchJ_Veit_2020, place={Detmold}, series={Musikwissenschaft:
Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung
2019 in Paderborn und Detmold}, title={Brückenschläge zwischen Musikwissenschaft
und Informatik. Theoretische und praktische Aspekte der Kooperation}, volume={3},
DOI={10.25366/2020.87}, publisher={Musikwissenschaftliches
Seminar der Universität Paderborn und der Hochschule für Musik Detmold}, year={2020},
collection={Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung
der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold} }'
chicago: 'Münzmay, Andreas, Stefanie Aquavella-RauchJ, and Joachim Veit, eds. Brückenschläge
zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte
der Kooperation. Vol. 3. Musikwissenschaft: Aktuelle Perspektiven. Bericht
über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn
und Detmold. Detmold: Musikwissenschaftliches Seminar der Universität Paderborn
und der Hochschule für Musik Detmold, 2020. https://doi.org/10.25366/2020.87.'
ieee: 'A. Münzmay, S. Aquavella-RauchJ, and J. Veit, Eds., Brückenschläge zwischen
Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation,
vol. 3. Detmold: Musikwissenschaftliches Seminar der Universität Paderborn und
der Hochschule für Musik Detmold, 2020.'
mla: Münzmay, Andreas, et al., editors. Brückenschläge zwischen Musikwissenschaft
und Informatik. Theoretische und praktische Aspekte der Kooperation. Musikwissenschaftliches
Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020,
doi:10.25366/2020.87.
short: A. Münzmay, S. Aquavella-RauchJ, J. Veit, eds., Brückenschläge zwischen Musikwissenschaft
und Informatik. Theoretische und praktische Aspekte der Kooperation, Musikwissenschaftliches
Seminar der Universität Paderborn und der Hochschule für Musik Detmold, Detmold,
2020.
date_created: 2023-10-13T07:33:41Z
date_updated: 2024-02-19T10:47:26Z
department:
- _id: '233'
- _id: '572'
- _id: '856'
- _id: '615'
doi: 10.25366/2020.87
editor:
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
- first_name: Stefanie
full_name: Aquavella-RauchJ, Stefanie
last_name: Aquavella-RauchJ
- first_name: Joachim
full_name: Veit, Joachim
last_name: Veit
intvolume: ' 3'
language:
- iso: ger
main_file_link:
- open_access: '1'
url: https://doi.org/10.25366/2020.87
oa: '1'
place: Detmold
publication_status: published
publisher: Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule
für Musik Detmold
quality_controlled: '1'
related_material:
record:
- id: '46583'
relation: published_in
status: public
- id: '47474'
relation: published_in
status: public
series_title: 'Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung
der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold'
status: public
title: Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und
praktische Aspekte der Kooperation
type: book_editor
user_id: '61139'
volume: 3
year: '2020'
...
---
_id: '47474'
author:
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
- first_name: Stefanie
full_name: Aquavella-Rauch, Stefanie
last_name: Aquavella-Rauch
- first_name: Joachim
full_name: Veit, Joachim
last_name: Veit
citation:
ama: 'Münzmay A, Aquavella-Rauch S, Veit J. Brückenschläge zwischen Musikwissenschaft
und Informatik – Vorbemerkung. In: Münzmay A, Acquavella-Rauch S, Veit J, eds.
Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und
praktische Aspekte der Kooperation. Vol 3. Musikwissenschaft: Aktuelle Perspektiven.
Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn
und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der
Hochschule für Musik Detmold; 2020:XI-XV. doi:10.25366/2020.88'
apa: Münzmay, A., Aquavella-Rauch, S., & Veit, J. (2020). Brückenschläge zwischen
Musikwissenschaft und Informatik – Vorbemerkung. In A. Münzmay, S. Acquavella-Rauch,
& J. Veit (Eds.), Brückenschläge zwischen Musikwissenschaft und Informatik.
Theoretische und praktische Aspekte der Kooperation (Vol. 3, p. XI–XV). Musikwissenschaftliches
Seminar der Universität Paderborn und der Hochschule für Musik Detmold. https://doi.org/10.25366/2020.88
bibtex: '@inbook{Münzmay_Aquavella-Rauch_Veit_2020, place={Detmold}, series={Musikwissenschaft:
Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung
2019 in Paderborn und Detmold}, title={Brückenschläge zwischen Musikwissenschaft
und Informatik – Vorbemerkung}, volume={3}, DOI={10.25366/2020.88},
booktitle={Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische
und praktische Aspekte der Kooperation}, publisher={Musikwissenschaftliches Seminar
der Universität Paderborn und der Hochschule für Musik Detmold}, author={Münzmay,
Andreas and Aquavella-Rauch, Stefanie and Veit, Joachim}, editor={Münzmay, Andreas
and Acquavella-Rauch, Stefanie and Veit, Joachim}, year={2020}, pages={XI–XV},
collection={Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung
der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold} }'
chicago: 'Münzmay, Andreas, Stefanie Aquavella-Rauch, and Joachim Veit. “Brückenschläge
zwischen Musikwissenschaft und Informatik – Vorbemerkung.” In Brückenschläge
zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte
der Kooperation, edited by Andreas Münzmay, Stefanie Acquavella-Rauch, and
Joachim Veit, 3:XI–XV. Musikwissenschaft: Aktuelle Perspektiven. Bericht über
die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold.
Detmold: Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule
für Musik Detmold, 2020. https://doi.org/10.25366/2020.88.'
ieee: 'A. Münzmay, S. Aquavella-Rauch, and J. Veit, “Brückenschläge zwischen Musikwissenschaft
und Informatik – Vorbemerkung,” in Brückenschläge zwischen Musikwissenschaft
und Informatik. Theoretische und praktische Aspekte der Kooperation, vol.
3, A. Münzmay, S. Acquavella-Rauch, and J. Veit, Eds. Detmold: Musikwissenschaftliches
Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020,
p. XI–XV.'
mla: Münzmay, Andreas, et al. “Brückenschläge zwischen Musikwissenschaft und Informatik
– Vorbemerkung.” Brückenschläge zwischen Musikwissenschaft und Informatik.
Theoretische und praktische Aspekte der Kooperation, edited by Andreas Münzmay
et al., vol. 3, Musikwissenschaftliches Seminar der Universität Paderborn und
der Hochschule für Musik Detmold, 2020, p. XI–XV, doi:10.25366/2020.88.
short: 'A. Münzmay, S. Aquavella-Rauch, J. Veit, in: A. Münzmay, S. Acquavella-Rauch,
J. Veit (Eds.), Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische
und praktische Aspekte der Kooperation, Musikwissenschaftliches Seminar der Universität
Paderborn und der Hochschule für Musik Detmold, Detmold, 2020, p. XI–XV.'
date_created: 2023-09-27T07:00:22Z
date_updated: 2024-02-19T10:47:26Z
department:
- _id: '233'
- _id: '572'
- _id: '856'
- _id: '615'
doi: 10.25366/2020.88
editor:
- first_name: Andreas
full_name: Münzmay, Andreas
last_name: Münzmay
- first_name: 'Stefanie '
full_name: 'Acquavella-Rauch, Stefanie '
last_name: Acquavella-Rauch
- first_name: Joachim
full_name: Veit, Joachim
last_name: Veit
intvolume: ' 3'
language:
- iso: ger
main_file_link:
- open_access: '1'
url: https://doi.org/10.25366/2020.88
oa: '1'
page: XI-XV
place: Detmold
publication: Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische
und praktische Aspekte der Kooperation
publication_status: published
publisher: Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule
für Musik Detmold
quality_controlled: '1'
related_material:
record:
- id: '48045'
relation: contains
status: public
series_title: 'Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung
der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold'
status: public
title: Brückenschläge zwischen Musikwissenschaft und Informatik – Vorbemerkung
type: book_chapter
user_id: '61139'
volume: 3
year: '2020'
...
---
_id: '47476'
abstract:
- lang: eng
text: "Digital data on tangible and intangible cultural assets is an essential part
of daily life, communication and experience. It has a lasting influence on the
perception of cultural identity as well as on the interactions between research,
the cultural economy and society. Throughout the last three decades, many cultural
heritage institutions have contributed a wealth of digital representations of
cultural assets (2D digital reproductions of paintings, sheet music, 3D digital
models of sculptures, monuments, rooms, buildings), audio-visual data (music,
film, stage performances), and procedural research data such as encoding and annotation
formats. The long-term preservation and FAIR availability of research data from
the cultural heritage domain is fundamentally important, not only for future academic
success in the humanities but also for the cultural identity of individuals and
society as a whole. Up to now, no coordinated effort for professional research
data management on a national level exists in Germany. NFDI4Culture aims to fill
this gap and create a user-centered, research-driven infrastructure that will
cover a broad range of research domains from musicology, art history and architecture
to performance, theatre, film, and media studies.\r\n The
research landscape addressed by the consortium is characterized by strong institutional
differentiation. Research units in the consortium's community of interest comprise
university institutes, art colleges, academies, galleries, libraries, archives
and museums. This diverse landscape is also characterized by an abundance of research
objects, methodologies and a great potential for data-driven research. In a unique
effort carried out by the applicant and co-applicants of this proposal and ten
academic societies, this community is interconnected for the first time through
a federated approach that is ideally suited to the needs of the participating
researchers. To promote collaboration within the NFDI, to share knowledge and
technology and to provide extensive support for its users have been the guiding
principles of the consortium from the beginning and will be at the heart of all
workflows and decision-making processes. Thanks to these principles, NFDI4Culture
has gathered strong support ranging from individual researchers to high-level
cultural heritage organizations such as the UNESCO, the International Council
of Museums, the Open Knowledge Foundation and Wikimedia. On this basis, NFDI4Culture
will take innovative measures that promote a cultural change towards a more reflective
and sustainable handling of research data and at the same time boost qualification
and professionalization in data-driven research in the domain of cultural heritage.
This will create a long-lasting impact on science, cultural economy and society
as a whole."
article_type: original
author:
- first_name: Reinhard
full_name: Altenhöner, Reinhard
last_name: Altenhöner
- first_name: Ina
full_name: Blümel, Ina
last_name: Blümel
- first_name: Franziska
full_name: Boehm, Franziska
last_name: Boehm
- first_name: Jens
full_name: Bove, Jens
last_name: Bove
- first_name: Katrin
full_name: Bicher, Katrin
last_name: Bicher
- first_name: Christian
full_name: Bracht, Christian
last_name: Bracht
- first_name: Ortrun
full_name: Brand, Ortrun
last_name: Brand
- first_name: Lisa
full_name: Dieckmann, Lisa
last_name: Dieckmann
- first_name: Maria
full_name: Effinger, Maria
last_name: Effinger
- first_name: Malte
full_name: Hagener, Malte
last_name: Hagener
- first_name: Andrea
full_name: Hammes, Andrea
last_name: Hammes
- first_name: Lambert
full_name: Heller, Lambert
last_name: Heller
- first_name: Angela
full_name: Kailus, Angela
last_name: Kailus
- first_name: Hubertus
full_name: Kohle, Hubertus
last_name: Kohle
- first_name: Jens
full_name: Ludwig, Jens
last_name: Ludwig
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
- first_name: Sarah
full_name: Pittroff, Sarah
last_name: Pittroff
- first_name: Matthias
full_name: Razum, Matthias
last_name: Razum
- first_name: Daniel
full_name: Röwenstrunk, Daniel
last_name: Röwenstrunk
- first_name: Harald
full_name: Sack, Harald
last_name: Sack
- first_name: Holger
full_name: Simon, Holger
last_name: Simon
- first_name: Dörte
full_name: Schmidt, Dörte
last_name: Schmidt
- first_name: Torsten
full_name: Schrade, Torsten
last_name: Schrade
- first_name: Annika-Valeska
full_name: Walzel, Annika-Valeska
last_name: Walzel
- first_name: Barbara
full_name: Wiermann, Barbara
last_name: Wiermann
citation:
ama: Altenhöner R, Blümel I, Boehm F, et al. NFDI4Culture - Consortium for research
data on material and immaterial cultural heritage. Research Ideas and Outcomes.
2020;6. doi:10.3897/rio.6.e57036
apa: Altenhöner, R., Blümel, I., Boehm, F., Bove, J., Bicher, K., Bracht, C., Brand,
O., Dieckmann, L., Effinger, M., Hagener, M., Hammes, A., Heller, L., Kailus,
A., Kohle, H., Ludwig, J., Münzmay, A., Pittroff, S., Razum, M., Röwenstrunk,
D., … Wiermann, B. (2020). NFDI4Culture - Consortium for research data on material
and immaterial cultural heritage. Research Ideas and Outcomes, 6.
https://doi.org/10.3897/rio.6.e57036
bibtex: '@article{Altenhöner_Blümel_Boehm_Bove_Bicher_Bracht_Brand_Dieckmann_Effinger_Hagener_et
al._2020, title={NFDI4Culture - Consortium for research data on material and immaterial
cultural heritage}, volume={6}, DOI={10.3897/rio.6.e57036},
journal={Research Ideas and Outcomes}, publisher={Pensoft Publishers}, author={Altenhöner,
Reinhard and Blümel, Ina and Boehm, Franziska and Bove, Jens and Bicher, Katrin
and Bracht, Christian and Brand, Ortrun and Dieckmann, Lisa and Effinger, Maria
and Hagener, Malte and et al.}, year={2020} }'
chicago: Altenhöner, Reinhard, Ina Blümel, Franziska Boehm, Jens Bove, Katrin Bicher,
Christian Bracht, Ortrun Brand, et al. “NFDI4Culture - Consortium for Research
Data on Material and Immaterial Cultural Heritage.” Research Ideas and Outcomes
6 (2020). https://doi.org/10.3897/rio.6.e57036.
ieee: 'R. Altenhöner et al., “NFDI4Culture - Consortium for research data
on material and immaterial cultural heritage,” Research Ideas and Outcomes,
vol. 6, 2020, doi: 10.3897/rio.6.e57036.'
mla: Altenhöner, Reinhard, et al. “NFDI4Culture - Consortium for Research Data on
Material and Immaterial Cultural Heritage.” Research Ideas and Outcomes,
vol. 6, Pensoft Publishers, 2020, doi:10.3897/rio.6.e57036.
short: R. Altenhöner, I. Blümel, F. Boehm, J. Bove, K. Bicher, C. Bracht, O. Brand,
L. Dieckmann, M. Effinger, M. Hagener, A. Hammes, L. Heller, A. Kailus, H. Kohle,
J. Ludwig, A. Münzmay, S. Pittroff, M. Razum, D. Röwenstrunk, H. Sack, H. Simon,
D. Schmidt, T. Schrade, A.-V. Walzel, B. Wiermann, Research Ideas and Outcomes
6 (2020).
date_created: 2023-09-27T07:02:04Z
date_updated: 2024-02-19T11:01:52Z
department:
- _id: '572'
- _id: '856'
- _id: '615'
doi: 10.3897/rio.6.e57036
intvolume: ' 6'
keyword:
- Research Data Management
language:
- iso: eng
main_file_link:
- open_access: '1'
url: https://doi.org/10.3897/rio.6.e57036
oa: '1'
project:
- _id: '745'
name: 'NFDI4Culture: NFDI4Culture – Konsortium für Forschungsdaten materieller und
immaterieller Kulturgüter'
publication: Research Ideas and Outcomes
publication_identifier:
issn:
- 2367-7163
publication_status: published
publisher: Pensoft Publishers
quality_controlled: '1'
status: public
title: NFDI4Culture - Consortium for research data on material and immaterial cultural
heritage
type: journal_article
user_id: '61139'
volume: 6
year: '2020'
...
---
_id: '47478'
abstract:
- lang: eng
text: The article discusses possibilities and specific problems of including audio
material in the realm of scholarly music editions. From this perspective, the
authors propose to include the sounding manifestation of music both into the notion
of the musical ‚work‘ and of the musical ‚text‘. The outcome of this thought experiment
which considers music as performative art, Beethoven’s and other classical composers’
own wider notions of musical works as musical practice, phonographic recordings
as text, different types of music as different types of data, programmed concordances
as specific feature of digital editions, and musical interpreters as authors of
musical interpretations is a theoretical model that for the first time makes record
productions the object of scholarly critical edition.
author:
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
- first_name: Christine
full_name: Siegert, Christine
last_name: Siegert
citation:
ama: 'Münzmay A, Siegert C. Phonographischer Text, Interpretation und Aufführungsmaterial
als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition
von Klangdokumenten. Editio: Internationales Jahrbuch für Editionswissenschaft.
2019;33(1):10-30. doi:10.1515/editio-2019-0002'
apa: 'Münzmay, A., & Siegert, C. (2019). Phonographischer Text, Interpretation
und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag
zur Theorie der Edition von Klangdokumenten. Editio: Internationales Jahrbuch
für Editionswissenschaft, 33(1), 10–30. https://doi.org/10.1515/editio-2019-0002'
bibtex: '@article{Münzmay_Siegert_2019, title={Phonographischer Text, Interpretation
und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag
zur Theorie der Edition von Klangdokumenten}, volume={33}, DOI={10.1515/editio-2019-0002},
number={1}, journal={Editio: Internationales Jahrbuch für Editionswissenschaft},
publisher={Walter de Gruyter GmbH}, author={Münzmay, Andreas and Siegert, Christine},
year={2019}, pages={10–30} }'
chicago: 'Münzmay, Andreas, and Christine Siegert. “Phonographischer Text, Interpretation
und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag
zur Theorie der Edition von Klangdokumenten.” Editio: Internationales Jahrbuch
für Editionswissenschaft 33, no. 1 (2019): 10–30. https://doi.org/10.1515/editio-2019-0002.'
ieee: 'A. Münzmay and C. Siegert, “Phonographischer Text, Interpretation und Aufführungsmaterial
als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition
von Klangdokumenten,” Editio: Internationales Jahrbuch für Editionswissenschaft,
vol. 33, no. 1, pp. 10–30, 2019, doi: 10.1515/editio-2019-0002.'
mla: 'Münzmay, Andreas, and Christine Siegert. “Phonographischer Text, Interpretation
und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag
zur Theorie der Edition von Klangdokumenten.” Editio: Internationales Jahrbuch
für Editionswissenschaft, vol. 33, no. 1, Walter de Gruyter GmbH, 2019, pp.
10–30, doi:10.1515/editio-2019-0002.'
short: 'A. Münzmay, C. Siegert, Editio: Internationales Jahrbuch für Editionswissenschaft
33 (2019) 10–30.'
date_created: 2023-09-27T07:03:16Z
date_updated: 2025-11-15T13:56:03Z
department:
- _id: '572'
- _id: '856'
- _id: '615'
doi: 10.1515/editio-2019-0002
intvolume: ' 33'
issue: '1'
keyword:
- Musikedition
- Interpretatsionsforschung
- Clifford Curzon
language:
- iso: ger
main_file_link:
- url: https://doi.org/10.1515/editio-2019-0002
page: 10-30
project:
- _id: '1614'
name: 'Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition'
publication: 'Editio: Internationales Jahrbuch für Editionswissenschaft'
publication_identifier:
issn:
- 0931-3079
- 1865-9446
publication_status: published
publisher: Walter de Gruyter GmbH
quality_controlled: '1'
status: public
title: Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch
edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten
type: journal_article
user_id: '61139'
volume: 33
year: '2019'
...