@techreport{65021,
  abstract     = {{Several early music projects, such as the Stanford Josquin Project, have demonstrated the potential for attaining valuable new musicological insights using a corpus-based approach. However, the available musical corpora tend to be relatively small and exhibit considerable variation in encoding practices. Aspiring corpus researchers are confronted with a lack of suitable data, which needs to be addressed before they can embark on their proper research. The EarlyMuse Short Term Scientific Mission CORSICA has surveyed the current state of corpus creation and digital editing in early music. Based on this information, it has developed a vision for the future of corpus building in this field, which aims to speed up the production of digital encodings while respecting the autonomy of the encoders and acknowledging their efforts. This is important because much high-quality encoding is carried out outside the field of professional musicology, and engaging citizen scientists could help address the current shortage of research data. The CORSICA team‘s vision is informed not only by a study of the available data, standards and technologies, but also by Human-Computer Interaction, placing human goals and values before the creation of technology and work processes. The core of the vision is that successful corpus creation must be an inclusive endeavour in terms of both technology and human participation. The report concludes with an implementation plan outlining the initial steps required to realise the vision.}},
  author       = {{Wiering, Frans and Bergwall, Erik and van Berchum, Marnix and Goebl, Werner and Van Kranenburg, Peter and Lewis, David and Plaksin, Anna Viktoria Katrin and Rodríguez-García, Esperanza and Smith, David J. and Visscher, Mirjam and Weigl, David M.}},
  keywords     = {{citizen science, crowdsourcing, digital editions of music, early music, human computer interaction, music corpora, music encoding, musicology}},
  title        = {{{Making Corpus Creation in Early Music Rewarding and Effective: Finding the Optimum Between Standardisation and Autonomy}}},
  doi          = {{10.5281/zenodo.18413961}},
  year         = {{2026}},
}

@misc{59884,
  abstract     = {{This release contains two new major features and several smaller improvements:



Extension of mei-friend's facilities for editorial mark-up through a re-worked annotation panel (now renamed to enrichment panel). Thanks to @annplaksin! See documentation at https://mei-friend.github.io/docs/advanced/markup/.

Redevelopment of git integration for more stable and sustainable collaborative editing.


For more information, please see CHANGELOG.md}},
  author       = {{Goebl, Werner and Weigl, David M. and Plaksin, Anna Viktoria Katrin}},
  publisher    = {{Zenodo}},
  title        = {{{mei-friend: An Interactive Web-based Editor for Digital Music Encodings  (1.2.0)}}},
  doi          = {{10.5281/ZENODO.14679883}},
  year         = {{2025}},
}

@proceedings{60574,
  abstract     = {{The Music Encoding Conference is the annual meeting of the Music Encoding Initiative (MEI) community and all who are interested in the digital representation of music. Music encoding is a critical component for fields and areas of study including computational or digital musicology, digital editions, symbolic music information retrieval, and digital libraries. This event brings together enthusiasts from various music research communities, including technologists, librarians, music scholars, and students and provides an opportunity for learning and engaging with and from each other.}},
  editor       = {{Lewis, David and Plaksin, Anna Viktoria Katrin and Stremel, Sophie}},
  location     = {{London}},
  publisher    = {{Knowledge Commons}},
  title        = {{{Music Encoding Conference 2025 - Book of Abstracts}}},
  doi          = {{10.17613/20S0D-GQ678}},
  year         = {{2025}},
}

@inproceedings{60759,
  author       = {{Berndt, Axel and Falkemeier, G. and Kutter, A. and Plaksin, Anna Viktoria Katrin and Etezazi, S. and Dziwis, D.}},
  booktitle    = {{{Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces}}},
  publisher    = {{Gesellschaft für Informatik}},
  title        = {{{KreativInstitut.OWL: An Interdisciplinary Institute for Transfer Between Science, Cultural and Creative Industries}}},
  year         = {{2025}},
}

@article{62001,
  author       = {{Plaksin, Anna Viktoria Katrin and Stremel, Sophie}},
  issn         = {{1863-3536}},
  journal      = {{Die Tonkunst}},
  number       = {{4}},
  pages        = {{343--356}},
  title        = {{{Quelleninventare als Forschungsmittel. Zum Potenzial der Netzwerkanalyse in der Repertoireforschung}}},
  volume       = {{19}},
  year         = {{2025}},
}

@inproceedings{54925,
  abstract     = {{The OPEN Edirom project is developing a digital edition of incidental music for Goethe’s play Faust, representing an innovative initiative within the realm of music philology and MEI/TEI edition. Embracing the "data first" principle, OPEN Edirom prioritizes making its content openly accessible, thereby enabling diverse potential uses for researchers and performers. Our aim involves presenting the scholarly text and music edition in its entirety, incorporating its various forms of data, i.e. music, texts, source images, metadata, and annotations, all displayed with Edirom software.
The piece we edit in this project is Goethe’s renowned play Faust I, as adapted by Carl Seydelmann, along with the corresponding music composed by Peter Joseph von Lindpaintner for the Court Theatre in Stuttgart. The work premiered in 1832.
This paper delves into the concept of music edition as open data publication and delineates its advantages over analog and hybrid editions in terms of reusability and alignment with the FAIR principles. It also addresses the challenges encountered in data preparation, both specific to incidental music and in general data processing. Furthermore, we propose solutions and recommendations for similar projects based on our insights.}},
  author       = {{Frömmel, Lena and Bachmann, Tobias and Plaksin, Anna Viktoria Katrin and Münzmay, Andreas}},
  booktitle    = {{Proceedings of the 11th International Conference on Digital Libraries for Musicology}},
  publisher    = {{ACM}},
  title        = {{{Open Edirom: From hybrid music edition to open data publication}}},
  doi          = {{10.1145/3660570.3660582}},
  year         = {{2024}},
}

@inproceedings{57201,
  abstract     = {{The mei-friend editor aims to address the challenges faced in the "last mile" of preparing MEI encodings, specifically the conversion and correction of the encodings through a user-friendly interface that allows users to manipulate the MEI encoding through an interactive rendering display. To complement these functions, various tools for enriching encodings with annotations and markup are currently under further development, allowing for the creation of high-quality digital resources and digital music editions. The goal is to increase the users’ abilities to manipulate the encoding based on selections within the visual rendering of the score. However, the complexity of adding support for editorial markup in MEI requires careful consideration of technical possibilities and project needs. This paper explores the needs of music editors based on user-centred approaches to understand the challenges of UI design and bridge the gap between user goals and technological systems. By considering the people, activities, contexts, and technologies involved in digital music editing, the aim is to develop a tool that enhances the creation of digital music editions while accommodating the complexities and requirements of the musicological research community. Interviews conducted with music editors as prospective users provided valuable insights into their work, informing the development process.}},
  author       = {{Plaksin, Anna Viktoria Katrin}},
  booktitle    = {{Proceedings of the 10th International Conference on Digital Libraries for Musicology}},
  location     = {{Milan}},
  publisher    = {{ACM}},
  title        = {{{Understanding the needs of music editors in a digital world. Adding support for editorial markup to the mei-friend editor}}},
  doi          = {{10.1145/3625135.3625149}},
  year         = {{2023}},
}

@article{59883,
  author       = {{Kijas, Anna and Calico, Joy H. and Schaub, Jake and Grimmer, Jessica and Plaksin, Anna Viktoria Katrin and Merchán Sánchez-Jara, Javier F. and González Gutiérrez, Sara}},
  issn         = {{0141-1896}},
  journal      = {{Journal of Musicological Research}},
  number       = {{2}},
  pages        = {{111--142}},
  publisher    = {{Informa UK Limited}},
  title        = {{{Roundtable: Pedagogical Approaches to Music Encoding}}},
  doi          = {{10.1080/01411896.2023.2231837}},
  volume       = {{42}},
  year         = {{2023}},
}

@inproceedings{47316,
  author       = {{Nowakowski, Michał and Berndt, Axel and Plaksin, Anna Viktoria Katrin and Şahin, N. and Hadjakos, A.}},
  booktitle    = {{{Encoding Cultures—Joint MEC and TEI Conference 2023}}},
  title        = {{{Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing}}},
  year         = {{2023}},
}

@inproceedings{50434,
  author       = {{Nowakowski, Michał and Berndt, Axel and Plaksin, Anna Viktoria Katrin and Şahin, N. and Hadjakos, A.}},
  booktitle    = {{{Encoding Cultures—Joint MEC and TEI Conference 2023}}},
  title        = {{{Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing}}},
  year         = {{2023}},
}

@inproceedings{59882,
  author       = {{Plaksin, Anna Viktoria Katrin and Lewis, David}},
  booktitle    = {{9th International Conference on Digital Libraries for Musicology}},
  publisher    = {{ACM}},
  title        = {{{MeRIT: An interactive annotation tool for mensural rhythms}}},
  doi          = {{10.1145/3543882.3543888}},
  year         = {{2022}},
}

@inproceedings{47327,
  author       = {{Plaksin, Anna Viktoria Katrin and Lewis, D. and Şahin, N. and Berndt, Axel}},
  booktitle    = {{{Music Encoding Conference}}},
  pages        = {{157–161}},
  title        = {{{Sharing MEI: Common Semantics in Diverse Musics?}}},
  year         = {{2022}},
}

@phdthesis{57315,
  author       = {{Plaksin, Anna Viktoria Katrin}},
  title        = {{{Modelle zur computergestützten Analyse von Überlieferungen der Mensuralmusik: Empirische Textforschung im Kontext phylogenetischer Verfahren}}},
  doi          = {{10.26083/tuprints-00017211}},
  volume       = {{27}},
  year         = {{2021}},
}

@inproceedings{59885,
  author       = {{Plaksin, Anna Viktoria Katrin}},
  booktitle    = {{Music Encoding Conference 2020}},
  editor       = {{de Luca, Elsa and Flanders, Julia}},
  location     = {{online}},
  publisher    = {{Humanities Commons}},
  title        = {{{Do visual features matter? Studies in phylogenetic analysis of mensural music}}},
  doi          = {{10.17613/PZY7-EK18}},
  year         = {{2020}},
}

@inbook{59887,
  author       = {{Plaksin, Anna Viktoria Katrin and Olley, Jacob}},
  booktitle    = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
  editor       = {{Di Bacco, Giuliano and Kepper, Johannes and Roland, Perry D.}},
  location     = {{Tours}},
  pages        = {{119--130}},
  title        = {{{Creating an Encoding Workflow for a Critical Edition of Ottoman Music Manuscripts: Challenges and Solutions}}},
  doi          = {{10.15463/MUSIC-1}},
  year         = {{2019}},
}

@inbook{59886,
  author       = {{Plaksin, Anna Viktoria Katrin}},
  booktitle    = {{Imitatio – Aemulatio – Superatio? Vokalpolyphonie des 15./16. Jahrhunderts in Polen, Schlesien und Böhmen}},
  editor       = {{Heidrich, Jürgen}},
  pages        = {{145--152}},
  title        = {{{Repertoireüberschneidungen römischer und osteuropäischer Quellen}}},
  doi          = {{10.17879/35229780962 }},
  volume       = {{12 (2013)}},
  year         = {{2016}},
}