[{"status":"public","type":"journal_article","publication":"Journal of the Text Encoding Initiative","keyword":["DigitaleEdition"],"language":[{"iso":"eng"}],"_id":"55846","user_id":"1684","department":[{"_id":"874"}],"year":"2024","citation":{"apa":"Saccomano, M., Rosendahl, L., Lewis, D., Hankinson, A., Kepper, J., Page, K., &#38; Shibata, E. (n.d.). Selective Encoding: Reducing the Burden of Transcription for Digital Musicologists. <i>Journal of the Text Encoding Initiative</i>.","short":"M. Saccomano, L. Rosendahl, D. Lewis, A. Hankinson, J. Kepper, K. Page, E. Shibata, Journal of the Text Encoding Initiative (n.d.).","bibtex":"@article{Saccomano_Rosendahl_Lewis_Hankinson_Kepper_Page_Shibata, title={Selective Encoding: Reducing the Burden of Transcription for Digital Musicologists}, journal={Journal of the Text Encoding Initiative}, author={Saccomano, Mark and Rosendahl, Lisa and Lewis, David and Hankinson, Andrew and Kepper, Johannes and Page, Kevin and Shibata, Elisabete} }","mla":"Saccomano, Mark, et al. “Selective Encoding: Reducing the Burden of Transcription for Digital Musicologists.” <i>Journal of the Text Encoding Initiative</i>.","ieee":"M. Saccomano <i>et al.</i>, “Selective Encoding: Reducing the Burden of Transcription for Digital Musicologists,” <i>Journal of the Text Encoding Initiative</i>.","chicago":"Saccomano, Mark, Lisa Rosendahl, David Lewis, Andrew Hankinson, Johannes Kepper, Kevin Page, and Elisabete Shibata. “Selective Encoding: Reducing the Burden of Transcription for Digital Musicologists.” <i>Journal of the Text Encoding Initiative</i>, n.d.","ama":"Saccomano M, Rosendahl L, Lewis D, et al. Selective Encoding: Reducing the Burden of Transcription for Digital Musicologists. <i>Journal of the Text Encoding Initiative</i>."},"publication_status":"accepted","publication_identifier":{"issn":["2162-5603"]},"title":"Selective Encoding: Reducing the Burden of Transcription for Digital Musicologists","date_updated":"2024-08-28T13:52:23Z","author":[{"full_name":"Saccomano, Mark","last_name":"Saccomano","first_name":"Mark"},{"first_name":"Lisa","last_name":"Rosendahl","full_name":"Rosendahl, Lisa"},{"full_name":"Lewis, David","last_name":"Lewis","first_name":"David"},{"first_name":"Andrew","full_name":"Hankinson, Andrew","last_name":"Hankinson"},{"first_name":"Johannes","full_name":"Kepper, Johannes","id":"1684","orcid":"0000-0003-4891-260X","last_name":"Kepper"},{"last_name":"Page","full_name":"Page, Kevin","first_name":"Kevin"},{"first_name":"Elisabete","last_name":"Shibata","full_name":"Shibata, Elisabete"}],"date_created":"2024-08-28T11:47:13Z"},{"publication":"Journal of the Text Encoding Initiative","type":"journal_article","status":"public","_id":"55847","project":[{"name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition","_id":"743"}],"department":[{"_id":"874"}],"user_id":"1684","language":[{"iso":"eng"}],"publication_identifier":{"issn":["2162-5603"]},"publication_status":"accepted","year":"2024","citation":{"ama":"Kepper J, Sänger RY, Voigt J-P. Exploring the Genesis of Complex Music Manuscripts. <i>Journal of the Text Encoding Initiative</i>.","chicago":"Kepper, Johannes, Richard York Sänger, and Jan-Peter Voigt. “Exploring the Genesis of Complex Music Manuscripts.” <i>Journal of the Text Encoding Initiative</i>, n.d.","ieee":"J. Kepper, R. Y. Sänger, and J.-P. Voigt, “Exploring the Genesis of Complex Music Manuscripts,” <i>Journal of the Text Encoding Initiative</i>.","short":"J. Kepper, R.Y. Sänger, J.-P. Voigt, Journal of the Text Encoding Initiative (n.d.).","bibtex":"@article{Kepper_Sänger_Voigt, title={Exploring the Genesis of Complex Music Manuscripts}, journal={Journal of the Text Encoding Initiative}, author={Kepper, Johannes and Sänger, Richard York and Voigt, Jan-Peter} }","mla":"Kepper, Johannes, et al. “Exploring the Genesis of Complex Music Manuscripts.” <i>Journal of the Text Encoding Initiative</i>.","apa":"Kepper, J., Sänger, R. Y., &#38; Voigt, J.-P. (n.d.). Exploring the Genesis of Complex Music Manuscripts. <i>Journal of the Text Encoding Initiative</i>."},"date_updated":"2024-08-28T13:53:52Z","author":[{"full_name":"Kepper, Johannes","id":"1684","orcid":"0000-0003-4891-260X","last_name":"Kepper","first_name":"Johannes"},{"full_name":"Sänger, Richard York","last_name":"Sänger","first_name":"Richard York"},{"full_name":"Voigt, Jan-Peter","last_name":"Voigt","first_name":"Jan-Peter"}],"date_created":"2024-08-28T11:47:32Z","title":"Exploring the Genesis of Complex Music Manuscripts"},{"place":"Paderborn","year":"2023","citation":{"chicago":"Kepper, Johannes. “Zu Den Anforderungen Einer Musikalischen Stilometrie.” Paderborn, 2023. <a href=\"https://doi.org/10.5281/ZENODO.13293191\">https://doi.org/10.5281/ZENODO.13293191</a>.","ieee":"J. Kepper, “Zu den Anforderungen einer musikalischen Stilometrie,” presented at the DHd 2020: Spielräume. Digital Humanities zwischen Modellierung und Interpretation, Paderborn, 2023, doi: <a href=\"https://doi.org/10.5281/ZENODO.13293191\">10.5281/ZENODO.13293191</a>.","ama":"Kepper J. Zu den Anforderungen einer musikalischen Stilometrie. In: ; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.13293191\">10.5281/ZENODO.13293191</a>","mla":"Kepper, Johannes. <i>Zu Den Anforderungen Einer Musikalischen Stilometrie</i>. 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.13293191\">10.5281/ZENODO.13293191</a>.","bibtex":"@inproceedings{Kepper_2023, place={Paderborn}, title={Zu den Anforderungen einer musikalischen Stilometrie}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.13293191\">10.5281/ZENODO.13293191</a>}, author={Kepper, Johannes}, year={2023} }","short":"J. Kepper, in: Paderborn, 2023.","apa":"Kepper, J. (2023). <i>Zu den Anforderungen einer musikalischen Stilometrie</i>. DHd 2020: Spielräume. Digital Humanities zwischen Modellierung und Interpretation, Paderborn. <a href=\"https://doi.org/10.5281/ZENODO.13293191\">https://doi.org/10.5281/ZENODO.13293191</a>"},"title":"Zu den Anforderungen einer musikalischen Stilometrie","main_file_link":[{"url":"https://zenodo.org/doi/10.5281/zenodo.13293191","open_access":"1"}],"doi":"10.5281/ZENODO.13293191","conference":{"location":"Paderborn","end_date":"2020-03-06","start_date":"2020-03-02","name":"DHd 2020: Spielräume. Digital Humanities zwischen Modellierung und Interpretation"},"oa":"1","date_updated":"2024-08-28T14:02:14Z","date_created":"2024-08-28T11:45:44Z","author":[{"last_name":"Kepper","orcid":"0000-0003-4891-260X","id":"1684","full_name":"Kepper, Johannes","first_name":"Johannes"}],"abstract":[{"text":"This is the extended abstract for my conference paper from the 2020 DHd Conference in Paderborn, along with the slides and moderator notes from the corresponding presentation.","lang":"eng"}],"status":"public","type":"conference","language":[{"iso":"eng"}],"_id":"55842","user_id":"1684","department":[{"_id":"874"}]},{"user_id":"1684","department":[{"_id":"874"}],"_id":"55836","language":[{"iso":"eng"}],"type":"book_editor","status":"public","editor":[{"first_name":"Perry D.","last_name":"Roland","full_name":"Roland, Perry D."},{"full_name":"Kepper, Johannes","id":"1684","last_name":"Kepper","orcid":"0000-0003-4891-260X","first_name":"Johannes"}],"abstract":[{"lang":"eng","text":"PDF versions of the Music Encoding Initiative Guidelines 5.0 [2023]: This version represents the 5.0 release of the Music Encoding Initiative Guidelines."}],"date_created":"2024-08-28T11:43:51Z","oa":"1","date_updated":"2024-08-28T14:08:24Z","publisher":"Zenodo","main_file_link":[{"open_access":"1","url":"https://music-encoding.org/guidelines/v5/MEI_Guidelines_v5.0.pdf"}],"doi":"10.5281/ZENODO.10040258","title":"MEI: The Music Encoding Initiative Guidelines (PDF)","publication_status":"published","citation":{"chicago":"Roland, Perry D., and Johannes Kepper, eds. <i>MEI: The Music Encoding Initiative Guidelines (PDF)</i>. Zenodo, 2023. <a href=\"https://doi.org/10.5281/ZENODO.10040258\">https://doi.org/10.5281/ZENODO.10040258</a>.","ieee":"P. D. Roland and J. Kepper, Eds., <i>MEI: The Music Encoding Initiative Guidelines (PDF)</i>. Zenodo, 2023.","ama":"Roland PD, Kepper J, eds. <i>MEI: The Music Encoding Initiative Guidelines (PDF)</i>. Zenodo; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.10040258\">10.5281/ZENODO.10040258</a>","apa":"Roland, P. D., &#38; Kepper, J. (Eds.). (2023). <i>MEI: The Music Encoding Initiative Guidelines (PDF)</i>. Zenodo. <a href=\"https://doi.org/10.5281/ZENODO.10040258\">https://doi.org/10.5281/ZENODO.10040258</a>","bibtex":"@book{Roland_Kepper_2023, title={MEI: The Music Encoding Initiative Guidelines (PDF)}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.10040258\">10.5281/ZENODO.10040258</a>}, publisher={Zenodo}, year={2023} }","mla":"Roland, Perry D., and Johannes Kepper, editors. <i>MEI: The Music Encoding Initiative Guidelines (PDF)</i>. Zenodo, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.10040258\">10.5281/ZENODO.10040258</a>.","short":"P.D. Roland, J. Kepper, eds., MEI: The Music Encoding Initiative Guidelines (PDF), Zenodo, 2023."},"year":"2023"},{"year":"2023","date_created":"2024-08-28T11:41:59Z","title":"A New Conceptual Model for Musical Sources and Musicological Studies","publication":"Proceedings of the Music Encoding Conference 2022","abstract":[{"text":"We present a new multi-layered, conceptual model for associating musical source materials to musicological arguments. We describe our proposal for operationalizing these concepts through a framework for musical annotation which we have implemented using RDF. Briefly stated, this model shows how portions of digitized data in various files and formats can be identified, selected, labelled, and compared.","lang":"eng"}],"keyword":["BitH","Linked Data"],"language":[{"iso":"eng"}],"publication_status":"published","place":"Halifax, Nova Scotia, Canada","page":"145–150","citation":{"chicago":"Shibata, Elisabete, David Lewis, Mark Saccomano, Johannes Kepper, and Kevin Page. “A New Conceptual Model for Musical Sources and Musicological Studies.” In <i>Proceedings of the Music Encoding Conference 2022</i>, edited by David Weigl, Jennifer Bain, and Ailynn Ang, 145–150. Halifax, Nova Scotia, Canada, 2023. <a href=\"https://doi.org/10.17613/8p2c-1q77\">https://doi.org/10.17613/8p2c-1q77</a>.","ieee":"E. Shibata, D. Lewis, M. Saccomano, J. Kepper, and K. Page, “A New Conceptual Model for Musical Sources and Musicological Studies,” in <i>Proceedings of the Music Encoding Conference 2022</i>, 2023, pp. 145–150, doi: <a href=\"https://doi.org/10.17613/8p2c-1q77\">https://doi.org/10.17613/8p2c-1q77</a>.","ama":"Shibata E, Lewis D, Saccomano M, Kepper J, Page K. A New Conceptual Model for Musical Sources and Musicological Studies. In: Weigl D, Bain J, Ang A, eds. <i>Proceedings of the Music Encoding Conference 2022</i>. ; 2023:145–150. doi:<a href=\"https://doi.org/10.17613/8p2c-1q77\">https://doi.org/10.17613/8p2c-1q77</a>","mla":"Shibata, Elisabete, et al. “A New Conceptual Model for Musical Sources and Musicological Studies.” <i>Proceedings of the Music Encoding Conference 2022</i>, edited by David Weigl et al., 2023, pp. 145–150, doi:<a href=\"https://doi.org/10.17613/8p2c-1q77\">https://doi.org/10.17613/8p2c-1q77</a>.","bibtex":"@inproceedings{Shibata_Lewis_Saccomano_Kepper_Page_2023, place={Halifax, Nova Scotia, Canada}, title={A New Conceptual Model for Musical Sources and Musicological Studies}, DOI={<a href=\"https://doi.org/10.17613/8p2c-1q77\">https://doi.org/10.17613/8p2c-1q77</a>}, booktitle={Proceedings of the Music Encoding Conference 2022}, author={Shibata, Elisabete and Lewis, David and Saccomano, Mark and Kepper, Johannes and Page, Kevin}, editor={Weigl, David and Bain, Jennifer and Ang, Ailynn}, year={2023}, pages={145–150} }","short":"E. Shibata, D. Lewis, M. Saccomano, J. Kepper, K. Page, in: D. Weigl, J. Bain, A. Ang (Eds.), Proceedings of the Music Encoding Conference 2022, Halifax, Nova Scotia, Canada, 2023, pp. 145–150.","apa":"Shibata, E., Lewis, D., Saccomano, M., Kepper, J., &#38; Page, K. (2023). A New Conceptual Model for Musical Sources and Musicological Studies. In D. Weigl, J. Bain, &#38; A. Ang (Eds.), <i>Proceedings of the Music Encoding Conference 2022</i> (pp. 145–150). <a href=\"https://doi.org/10.17613/8p2c-1q77\">https://doi.org/10.17613/8p2c-1q77</a>"},"date_updated":"2024-08-28T14:12:33Z","oa":"1","author":[{"last_name":"Shibata","full_name":"Shibata, Elisabete","first_name":"Elisabete"},{"full_name":"Lewis, David","last_name":"Lewis","first_name":"David"},{"first_name":"Mark","last_name":"Saccomano","full_name":"Saccomano, Mark"},{"first_name":"Johannes","orcid":"0000-0003-4891-260X","last_name":"Kepper","id":"1684","full_name":"Kepper, Johannes"},{"first_name":"Kevin","last_name":"Page","full_name":"Page, Kevin"}],"doi":"https://doi.org/10.17613/8p2c-1q77","main_file_link":[{"open_access":"1","url":"https://hcommons.org/deposits/item/hc:59295/"}],"type":"conference","editor":[{"full_name":"Weigl, David","last_name":"Weigl","first_name":"David"},{"first_name":"Jennifer","last_name":"Bain","full_name":"Bain, Jennifer"},{"last_name":"Ang","full_name":"Ang, Ailynn","first_name":"Ailynn"}],"status":"public","_id":"55833","department":[{"_id":"874"}],"user_id":"1684"},{"type":"conference","abstract":[{"text":"Digital musicology research often proceeds by extending and enriching its evidence base as it progresses, rather than starting with a complete corpus of data and metadata, as a consequence of an emergent research need. In this paper, we consider a research workflow which assumes an incremental approach to data gathering and annotation. We describe tooling which implements parts of this workflow, developed to support the study of nineteenth-century music arrangements, and evaluate the applicability of our approach through interviews with musicologists and music editors who have used the tools. We conclude by considering extensions of this approach and the wider implications for digital musicology and music information retrieval.","lang":"eng"}],"status":"public","_id":"55832","user_id":"1684","department":[{"_id":"874"}],"keyword":["BitH","Linked Data"],"language":[{"iso":"eng"}],"publication_status":"published","year":"2023","citation":{"bibtex":"@inproceedings{Lewis_Shibata_Hankinson_Kepper_Page_Rosendahl_Saccomano_Siegert_2023, title={Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.10265407\">10.5281/ZENODO.10265407</a>}, author={Lewis, David and Shibata, Elisabete and Hankinson, Andrew and Kepper, Johannes and Page, Kevin R. and Rosendahl, Lisa and Saccomano, Mark and Siegert, Christine}, year={2023} }","mla":"Lewis, David, et al. <i>Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection</i>. 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.10265407\">10.5281/ZENODO.10265407</a>.","short":"D. Lewis, E. Shibata, A. Hankinson, J. Kepper, K.R. Page, L. Rosendahl, M. Saccomano, C. Siegert, in: 2023.","apa":"Lewis, D., Shibata, E., Hankinson, A., Kepper, J., Page, K. R., Rosendahl, L., Saccomano, M., &#38; Siegert, C. (2023). <i>Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection</i>. <a href=\"https://doi.org/10.5281/ZENODO.10265407\">https://doi.org/10.5281/ZENODO.10265407</a>","ama":"Lewis D, Shibata E, Hankinson A, et al. Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection. In: ; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.10265407\">10.5281/ZENODO.10265407</a>","ieee":"D. Lewis <i>et al.</i>, “Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection,” 2023, doi: <a href=\"https://doi.org/10.5281/ZENODO.10265407\">10.5281/ZENODO.10265407</a>.","chicago":"Lewis, David, Elisabete Shibata, Andrew Hankinson, Johannes Kepper, Kevin R. Page, Lisa Rosendahl, Mark Saccomano, and Christine Siegert. “Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection,” 2023. <a href=\"https://doi.org/10.5281/ZENODO.10265407\">https://doi.org/10.5281/ZENODO.10265407</a>."},"date_updated":"2024-08-28T14:14:55Z","oa":"1","author":[{"first_name":"David","last_name":"Lewis","full_name":"Lewis, David"},{"full_name":"Shibata, Elisabete","last_name":"Shibata","first_name":"Elisabete"},{"first_name":"Andrew","full_name":"Hankinson, Andrew","last_name":"Hankinson"},{"first_name":"Johannes","id":"1684","full_name":"Kepper, Johannes","orcid":"0000-0003-4891-260X","last_name":"Kepper"},{"last_name":"Page","full_name":"Page, Kevin R.","first_name":"Kevin R."},{"last_name":"Rosendahl","full_name":"Rosendahl, Lisa","first_name":"Lisa"},{"full_name":"Saccomano, Mark","last_name":"Saccomano","first_name":"Mark"},{"first_name":"Christine","last_name":"Siegert","full_name":"Siegert, Christine"}],"date_created":"2024-08-28T11:41:41Z","title":"Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection","main_file_link":[{"url":"https://zenodo.org/records/10265407/files/000094.pdf?download=1","open_access":"1"}],"doi":"10.5281/ZENODO.10265407"},{"citation":{"short":"J. Kepper, A. Münzmay, in: DHd2023: Open Humanities, Open Culture, 2023.","mla":"Kepper, Johannes, and Andreas Münzmay. “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale.” <i>DHd2023: Open Humanities, Open Culture</i>, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>.","bibtex":"@inproceedings{Kepper_Münzmay_2023, title={Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>}, booktitle={DHd2023: Open Humanities, Open Culture}, author={Kepper, Johannes and Münzmay, Andreas}, year={2023} }","apa":"Kepper, J., &#38; Münzmay, A. (2023). Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale. <i>DHd2023: Open Humanities, Open Culture</i>. DHd2023: Open Humanities, Open Culture. <a href=\"https://doi.org/10.5281/ZENODO.7715387\">https://doi.org/10.5281/ZENODO.7715387</a>","chicago":"Kepper, Johannes, and Andreas Münzmay. “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale.” In <i>DHd2023: Open Humanities, Open Culture</i>, 2023. <a href=\"https://doi.org/10.5281/ZENODO.7715387\">https://doi.org/10.5281/ZENODO.7715387</a>.","ieee":"J. Kepper and A. Münzmay, “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale,” presented at the DHd2023: Open Humanities, Open Culture, 2023, doi: <a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>.","ama":"Kepper J, Münzmay A. Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale. In: <i>DHd2023: Open Humanities, Open Culture</i>. ; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>"},"year":"2023","publication_status":"published","doi":"10.5281/ZENODO.7715387","conference":{"end_date":"2023-03-17","name":"DHd2023: Open Humanities, Open Culture","start_date":"2023-03-13"},"main_file_link":[{"url":"https://doi.org/10.5281/zenodo.7715387","open_access":"1"}],"title":"Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale","date_created":"2023-09-27T07:08:23Z","author":[{"first_name":"Johannes","full_name":"Kepper, Johannes","id":"1684","last_name":"Kepper","orcid":"0000-0003-4891-260X"},{"full_name":"Münzmay, Andreas","id":"61139","last_name":"Münzmay","orcid":"0000-0002-8373-4055","first_name":"Andreas"}],"oa":"1","date_updated":"2025-03-21T11:58:02Z","status":"public","publication":"DHd2023: Open Humanities, Open Culture","type":"conference_abstract","language":[{"iso":"ger"}],"department":[{"_id":"572"},{"_id":"856"},{"_id":"615"}],"user_id":"61139","_id":"47487","project":[{"_id":"743","name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition"},{"grant_number":"(DFG) – 441958017","_id":"745","name":"NFDI4Culture: NFDI4Culture – Konsortium für Forschungsdaten materieller und immaterieller Kulturgüter"},{"_id":"1064","name":"OPEN Edirom"}]},{"publication_identifier":{"isbn":["978-84-13-02173-7"]},"publication_status":"published","year":"2022","page":"117–123","citation":{"short":"K.R. Page, J. Kepper, C. Siegert, A. Hankinson, D. Lewis, in: S. Münnich, D. Rizo (Eds.), Music Encoding Conference Proceedings 2021, Humanities Commons, 2022, pp. 117–123.","bibtex":"@inproceedings{Page_Kepper_Siegert_Hankinson_Lewis_2022, title={Beethoven in the House: Digital Studies of Domestic Music Arrangements}, DOI={<a href=\"https://doi.org/10.17613/389b-xx73\">10.17613/389b-xx73</a>}, booktitle={Music Encoding Conference Proceedings 2021}, publisher={Humanities Commons}, author={Page, Kevin R. and Kepper, Johannes and Siegert, Christine and Hankinson, Andrew and Lewis, David}, editor={Münnich, Stefan and Rizo, David}, year={2022}, pages={117–123} }","mla":"Page, Kevin R., et al. “Beethoven in the House: Digital Studies of Domestic Music Arrangements.” <i>Music Encoding Conference Proceedings 2021</i>, edited by Stefan Münnich and David Rizo, Humanities Commons, 2022, pp. 117–123, doi:<a href=\"https://doi.org/10.17613/389b-xx73\">10.17613/389b-xx73</a>.","apa":"Page, K. R., Kepper, J., Siegert, C., Hankinson, A., &#38; Lewis, D. (2022). Beethoven in the House: Digital Studies of Domestic Music Arrangements. In S. Münnich &#38; D. Rizo (Eds.), <i>Music Encoding Conference Proceedings 2021</i> (pp. 117–123). Humanities Commons. <a href=\"https://doi.org/10.17613/389b-xx73\">https://doi.org/10.17613/389b-xx73</a>","ama":"Page KR, Kepper J, Siegert C, Hankinson A, Lewis D. Beethoven in the House: Digital Studies of Domestic Music Arrangements. In: Münnich S, Rizo D, eds. <i>Music Encoding Conference Proceedings 2021</i>. Humanities Commons; 2022:117–123. doi:<a href=\"https://doi.org/10.17613/389b-xx73\">10.17613/389b-xx73</a>","chicago":"Page, Kevin R., Johannes Kepper, Christine Siegert, Andrew Hankinson, and David Lewis. “Beethoven in the House: Digital Studies of Domestic Music Arrangements.” In <i>Music Encoding Conference Proceedings 2021</i>, edited by Stefan Münnich and David Rizo, 117–123. Humanities Commons, 2022. <a href=\"https://doi.org/10.17613/389b-xx73\">https://doi.org/10.17613/389b-xx73</a>.","ieee":"K. R. Page, J. Kepper, C. Siegert, A. Hankinson, and D. Lewis, “Beethoven in the House: Digital Studies of Domestic Music Arrangements,” in <i>Music Encoding Conference Proceedings 2021</i>, 2022, pp. 117–123, doi: <a href=\"https://doi.org/10.17613/389b-xx73\">10.17613/389b-xx73</a>."},"oa":"1","date_updated":"2024-08-28T14:10:51Z","publisher":"Humanities Commons","date_created":"2024-08-28T11:42:27Z","author":[{"first_name":"Kevin R.","full_name":"Page, Kevin R.","last_name":"Page"},{"id":"1684","full_name":"Kepper, Johannes","orcid":"0000-0003-4891-260X","last_name":"Kepper","first_name":"Johannes"},{"last_name":"Siegert","full_name":"Siegert, Christine","first_name":"Christine"},{"full_name":"Hankinson, Andrew","last_name":"Hankinson","first_name":"Andrew"},{"full_name":"Lewis, David","last_name":"Lewis","first_name":"David"}],"title":"Beethoven in the House: Digital Studies of Domestic Music Arrangements","doi":"10.17613/389b-xx73","main_file_link":[{"url":"https://hcommons.org/deposits/item/hc:45995/","open_access":"1"}],"publication":"Music Encoding Conference Proceedings 2021","type":"conference","editor":[{"full_name":"Münnich, Stefan","last_name":"Münnich","first_name":"Stefan"},{"first_name":"David","full_name":"Rizo, David","last_name":"Rizo"}],"abstract":[{"lang":"eng","text":"Performance of music in the home was the means by which most works were received before the advent of audio recordings and broadcasts, yet the notation sources that form our primary record of this culture have not been the subject of comprehensive or methodical study. Choices made by arrangers adapting music for domestic consumption – of instrumentation, abbreviation, or simplification – reflect the musical life of the 19th century, and can inform our understanding alongside contemporary accounts such as newspapers, adverts, and diaries. This position paper gives the background, motivation, and proposed approach of research currently being undertaken within the Beethoven in the House project. This will include a study of Steiner editions of Beethoven’s 7th and 8th Symphonies and Wellingtons Sieg, making a detailed comparison between arrangements, systematically identifying a core common to multiple versions, and asking if this reflects the stated values of the publisher. A second survey will look for patterns across a larger sample of lesser-known and poorly catalogued scores, collating emergent indicators of arrangers’ motivations within a narrative of the domestic market – the music industry of its day. Both studies will innovate digital methods which characterise arrangements as music encodings, including ‘sparse’ approaches to notation and annotation."}],"status":"public","_id":"55834","department":[{"_id":"874"}],"user_id":"1684","keyword":["BitH","mec-proceedings","mec-proceedings-2021"],"language":[{"iso":"eng"}]},{"language":[{"iso":"eng"}],"_id":"55839","project":[{"_id":"743","name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition"}],"department":[{"_id":"538"},{"_id":"874"}],"user_id":"1684","editor":[{"first_name":"Stefan","full_name":"Münnich, Stefan","last_name":"Münnich"},{"first_name":"David","full_name":"Rizo, David","last_name":"Rizo"}],"status":"public","publication":"Music Encoding Conference Proceedings 2021","type":"conference","title":"Encoding Genetic Processes II","doi":"https://doi.org/10.17613/q6y4-9139","main_file_link":[{"url":"https://doi.org/10.17613/q6y4-9139","open_access":"1"}],"oa":"1","date_updated":"2024-08-28T14:05:21Z","publisher":"Humanities Commons","author":[{"full_name":"Cox, Susanne","last_name":"Cox","first_name":"Susanne"},{"first_name":"Johannes","id":"1684","full_name":"Kepper, Johannes","orcid":"0000-0003-4891-260X","last_name":"Kepper"}],"date_created":"2024-08-28T11:45:05Z","place":"Alicante","year":"2022","page":"85–95","citation":{"short":"S. Cox, J. Kepper, in: S. Münnich, D. Rizo (Eds.), Music Encoding Conference Proceedings 2021, Humanities Commons, Alicante, 2022, pp. 85–95.","mla":"Cox, Susanne, and Johannes Kepper. “Encoding Genetic Processes II.” <i>Music Encoding Conference Proceedings 2021</i>, edited by Stefan Münnich and David Rizo, Humanities Commons, 2022, pp. 85–95, doi:<a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>.","bibtex":"@inproceedings{Cox_Kepper_2022, place={Alicante}, title={Encoding Genetic Processes II}, DOI={<a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>}, booktitle={Music Encoding Conference Proceedings 2021}, publisher={Humanities Commons}, author={Cox, Susanne and Kepper, Johannes}, editor={Münnich, Stefan and Rizo, David}, year={2022}, pages={85–95} }","apa":"Cox, S., &#38; Kepper, J. (2022). Encoding Genetic Processes II. In S. Münnich &#38; D. Rizo (Eds.), <i>Music Encoding Conference Proceedings 2021</i> (pp. 85–95). Humanities Commons. <a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>","ama":"Cox S, Kepper J. Encoding Genetic Processes II. In: Münnich S, Rizo D, eds. <i>Music Encoding Conference Proceedings 2021</i>. Humanities Commons; 2022:85–95. doi:<a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>","ieee":"S. Cox and J. Kepper, “Encoding Genetic Processes II,” in <i>Music Encoding Conference Proceedings 2021</i>, 2022, pp. 85–95, doi: <a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>.","chicago":"Cox, Susanne, and Johannes Kepper. “Encoding Genetic Processes II.” In <i>Music Encoding Conference Proceedings 2021</i>, edited by Stefan Münnich and David Rizo, 85–95. Alicante: Humanities Commons, 2022. <a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>."},"publication_status":"published"},{"user_id":"1684","department":[{"_id":"874"}],"_id":"55830","language":[{"iso":"eng"}],"keyword":["BitH"],"type":"conference","publication":"9th International Conference on Digital Libraries for Musicology","status":"public","date_created":"2024-08-28T11:40:54Z","author":[{"first_name":"David","last_name":"Lewis","full_name":"Lewis, David"},{"first_name":"Elisabete","last_name":"Shibata","full_name":"Shibata, Elisabete"},{"last_name":"Saccomano","full_name":"Saccomano, Mark","first_name":"Mark"},{"first_name":"Lisa","last_name":"Rosendahl","full_name":"Rosendahl, Lisa"},{"orcid":"0000-0003-4891-260X","last_name":"Kepper","id":"1684","full_name":"Kepper, Johannes","first_name":"Johannes"},{"first_name":"Andrew","full_name":"Hankinson, Andrew","last_name":"Hankinson"},{"first_name":"Christine","last_name":"Siegert","full_name":"Siegert, Christine"},{"last_name":"Page","full_name":"Page, Kevin","first_name":"Kevin"}],"publisher":"ACM","date_updated":"2024-08-28T14:17:00Z","doi":"10.1145/3543882.3543891","title":"A model for annotating musical versions and arrangements across multiple documents and media","publication_status":"published","publication_identifier":{"isbn":["978-1-4503-9668-4"]},"citation":{"ama":"Lewis D, Shibata E, Saccomano M, et al. A model for annotating musical versions and arrangements across multiple documents and media. In: <i>9th International Conference on Digital Libraries for Musicology</i>. ACM; 2022:10–18. doi:<a href=\"https://doi.org/10.1145/3543882.3543891\">10.1145/3543882.3543891</a>","chicago":"Lewis, David, Elisabete Shibata, Mark Saccomano, Lisa Rosendahl, Johannes Kepper, Andrew Hankinson, Christine Siegert, and Kevin Page. “A Model for Annotating Musical Versions and Arrangements across Multiple Documents and Media.” In <i>9th International Conference on Digital Libraries for Musicology</i>, 10–18. Prague Czech Republic: ACM, 2022. <a href=\"https://doi.org/10.1145/3543882.3543891\">https://doi.org/10.1145/3543882.3543891</a>.","ieee":"D. Lewis <i>et al.</i>, “A model for annotating musical versions and arrangements across multiple documents and media,” in <i>9th International Conference on Digital Libraries for Musicology</i>, 2022, pp. 10–18, doi: <a href=\"https://doi.org/10.1145/3543882.3543891\">10.1145/3543882.3543891</a>.","short":"D. Lewis, E. Shibata, M. Saccomano, L. Rosendahl, J. Kepper, A. Hankinson, C. Siegert, K. Page, in: 9th International Conference on Digital Libraries for Musicology, ACM, Prague Czech Republic, 2022, pp. 10–18.","mla":"Lewis, David, et al. “A Model for Annotating Musical Versions and Arrangements across Multiple Documents and Media.” <i>9th International Conference on Digital Libraries for Musicology</i>, ACM, 2022, pp. 10–18, doi:<a href=\"https://doi.org/10.1145/3543882.3543891\">10.1145/3543882.3543891</a>.","bibtex":"@inproceedings{Lewis_Shibata_Saccomano_Rosendahl_Kepper_Hankinson_Siegert_Page_2022, place={Prague Czech Republic}, title={A model for annotating musical versions and arrangements across multiple documents and media}, DOI={<a href=\"https://doi.org/10.1145/3543882.3543891\">10.1145/3543882.3543891</a>}, booktitle={9th International Conference on Digital Libraries for Musicology}, publisher={ACM}, author={Lewis, David and Shibata, Elisabete and Saccomano, Mark and Rosendahl, Lisa and Kepper, Johannes and Hankinson, Andrew and Siegert, Christine and Page, Kevin}, year={2022}, pages={10–18} }","apa":"Lewis, D., Shibata, E., Saccomano, M., Rosendahl, L., Kepper, J., Hankinson, A., Siegert, C., &#38; Page, K. (2022). A model for annotating musical versions and arrangements across multiple documents and media. <i>9th International Conference on Digital Libraries for Musicology</i>, 10–18. <a href=\"https://doi.org/10.1145/3543882.3543891\">https://doi.org/10.1145/3543882.3543891</a>"},"page":"10–18","year":"2022","place":"Prague Czech Republic"},{"keyword":["mec-proceedings","mec-proceedings-2020"],"language":[{"iso":"eng"}],"project":[{"_id":"743","name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition"}],"_id":"55841","user_id":"1684","department":[{"_id":"874"},{"_id":"538"}],"editor":[{"first_name":"Elsa","full_name":"De Luca, Elsa","last_name":"De Luca"},{"first_name":"Julia","last_name":"Flanders","full_name":"Flanders, Julia"}],"abstract":[{"text":"For musicologists, the collation of multiple sources of the same work is a frequent task. By comparing different witnesses, they seek to identify variation, describe dependencies, and ultimately understand the genesis and transmission of (musical) works. Obviously, the need for such comparison is independent from the medium in which a musical work is manifested. In computing, comparing files for difference is a common task, and the well-known Unix utility diff is almost 46 years old. However, diff, like many other such tools, operates on plain text. While many music encoding formats based on plain text exist, formats used in the field of Digital Humanities are typically based on XML. There are dedicated algorithms for comparing XML as well, but they only focus on the syntax of XML, but not the semantic structures modelled into such standards as MEI. MEI seeks to describe musical structures, and the XML syntax is just a means to express those structures. A diff tool for music should focus on comparing musical structures, but not the specifics of their serialization into a file format. In {Beethovens Werkstatt}, a 16-year project focussed on exploring the concepts and requirements of digital genetic editions of music, based on and arguing with examples from Ludwig van Beethoven, a case-bound diff tool for music was developed. The following paper discusses how that specific tool can be generalized, and which use cases such a tool may support.","lang":"eng"}],"status":"public","type":"conference","publication":"Music Encoding Conference Proceedings 2020","title":"MusicDiff – A Diff Tool for MEI","main_file_link":[{"open_access":"1","url":"https://hcommons.org/deposits/item/hc:31963/"}],"doi":"10.17613/ydbv-e158","oa":"1","publisher":"Humanities Commons","date_updated":"2024-08-28T14:04:19Z","date_created":"2024-08-28T11:45:23Z","author":[{"first_name":"Kristin","full_name":"Herold, Kristin","last_name":"Herold"},{"first_name":"Johannes","full_name":"Kepper, Johannes","id":"1684","last_name":"Kepper","orcid":"0000-0003-4891-260X"},{"first_name":"Ran","full_name":"Mo, Ran","last_name":"Mo"},{"first_name":"Agnes Regina","full_name":"Seipelt, Agnes Regina","id":"24239","last_name":"Seipelt"}],"year":"2020","citation":{"apa":"Herold, K., Kepper, J., Mo, R., &#38; Seipelt, A. R. (2020). MusicDiff – A Diff Tool for MEI. In E. De Luca &#38; J. Flanders (Eds.), <i>Music Encoding Conference Proceedings 2020</i> (pp. 59–66). Humanities Commons. <a href=\"https://doi.org/10.17613/ydbv-e158\">https://doi.org/10.17613/ydbv-e158</a>","mla":"Herold, Kristin, et al. “MusicDiff – A Diff Tool for MEI.” <i>Music Encoding Conference Proceedings 2020</i>, edited by Elsa De Luca and Julia Flanders, Humanities Commons, 2020, pp. 59–66, doi:<a href=\"https://doi.org/10.17613/ydbv-e158\">10.17613/ydbv-e158</a>.","short":"K. Herold, J. Kepper, R. Mo, A.R. Seipelt, in: E. De Luca, J. Flanders (Eds.), Music Encoding Conference Proceedings 2020, Humanities Commons, 2020, pp. 59–66.","bibtex":"@inproceedings{Herold_Kepper_Mo_Seipelt_2020, title={MusicDiff – A Diff Tool for MEI}, DOI={<a href=\"https://doi.org/10.17613/ydbv-e158\">10.17613/ydbv-e158</a>}, booktitle={Music Encoding Conference Proceedings 2020}, publisher={Humanities Commons}, author={Herold, Kristin and Kepper, Johannes and Mo, Ran and Seipelt, Agnes Regina}, editor={De Luca, Elsa and Flanders, Julia}, year={2020}, pages={59–66} }","ama":"Herold K, Kepper J, Mo R, Seipelt AR. MusicDiff – A Diff Tool for MEI. In: De Luca E, Flanders J, eds. <i>Music Encoding Conference Proceedings 2020</i>. Humanities Commons; 2020:59–66. doi:<a href=\"https://doi.org/10.17613/ydbv-e158\">10.17613/ydbv-e158</a>","ieee":"K. Herold, J. Kepper, R. Mo, and A. R. Seipelt, “MusicDiff – A Diff Tool for MEI,” in <i>Music Encoding Conference Proceedings 2020</i>, 2020, pp. 59–66, doi: <a href=\"https://doi.org/10.17613/ydbv-e158\">10.17613/ydbv-e158</a>.","chicago":"Herold, Kristin, Johannes Kepper, Ran Mo, and Agnes Regina Seipelt. “MusicDiff – A Diff Tool for MEI.” In <i>Music Encoding Conference Proceedings 2020</i>, edited by Elsa De Luca and Julia Flanders, 59–66. Humanities Commons, 2020. <a href=\"https://doi.org/10.17613/ydbv-e158\">https://doi.org/10.17613/ydbv-e158</a>."},"page":"59–66","publication_status":"published"},{"type":"book_editor","status":"public","editor":[{"first_name":"Giuliano","last_name":"Di Bacco","full_name":"Di Bacco, Giuliano"},{"full_name":"Kepper, Johannes","id":"1684","last_name":"Kepper","orcid":"0000-0003-4891-260X","first_name":"Johannes"},{"full_name":"Roland, Perry D.","last_name":"Roland","first_name":"Perry D."}],"abstract":[{"lang":"eng","text":"Conference proceedings of the Music Encoding Conferences 2015, 2016 and 2017 with Introduction by Giuliano Di Bacco"}],"department":[{"_id":"538"},{"_id":"874"}],"user_id":"1684","_id":"55849","language":[{"iso":"eng"}],"keyword":["mec-proceedings","mec-proceedings-2016","mec-proceedings-2015","mec-proceedings-2017"],"publication_status":"published","citation":{"bibtex":"@book{Di Bacco_Kepper_Roland_2019, title={Music Encoding Conference Proceedings 2015, 2016 and 2017}, DOI={<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>}, publisher={Bavarian State Library (BSB)}, year={2019} }","mla":"Di Bacco, Giuliano, et al., editors. <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB), 2019, doi:<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>.","short":"G. Di Bacco, J. Kepper, P.D. Roland, eds., Music Encoding Conference Proceedings 2015, 2016 and 2017, Bavarian State Library (BSB), 2019.","apa":"Di Bacco, G., Kepper, J., &#38; Roland, P. D. (Eds.). (2019). <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB). <a href=\"https://doi.org/10.15463/music-1\">https://doi.org/10.15463/music-1</a>","ama":"Di Bacco G, Kepper J, Roland PD, eds. <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB); 2019. doi:<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>","chicago":"Di Bacco, Giuliano, Johannes Kepper, and Perry D. Roland, eds. <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB), 2019. <a href=\"https://doi.org/10.15463/music-1\">https://doi.org/10.15463/music-1</a>.","ieee":"G. Di Bacco, J. Kepper, and P. D. Roland, Eds., <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB), 2019."},"year":"2019","date_created":"2024-08-28T11:48:09Z","oa":"1","publisher":"Bavarian State Library (BSB)","date_updated":"2024-08-28T13:58:21Z","doi":"10.15463/music-1","main_file_link":[{"url":"https://doi.org/10.15463/music-1","open_access":"1"}],"title":"Music Encoding Conference Proceedings 2015, 2016 and 2017"},{"year":"2019","citation":{"apa":"Kepper, J. (2019). Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project. In G. Di Bacco, J. Kepper, &#38; P. Roland (Eds.), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i> (pp. 95–105). Bavarian State Library (BSB). <a href=\"https://doi.org/10.15463/music-1\">https://doi.org/10.15463/music-1</a>","short":"J. Kepper, in: G. Di Bacco, J. Kepper, P. Roland (Eds.), Music Encoding Conference Proceedings 2015, 2016 and 2017, Bavarian State Library (BSB), 2019, pp. 95–105.","mla":"Kepper, Johannes. “Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project.” <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, edited by Giuliano Di Bacco et al., Bavarian State Library (BSB), 2019, pp. 95–105, doi:<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>.","bibtex":"@inproceedings{Kepper_2019, title={Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project}, DOI={<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>}, booktitle={Music Encoding Conference Proceedings 2015, 2016 and 2017}, publisher={Bavarian State Library (BSB)}, author={Kepper, Johannes}, editor={Di Bacco, Giuliano and Kepper, Johannes and Roland, Perry}, year={2019}, pages={95–105} }","ama":"Kepper J. Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project. In: Di Bacco G, Kepper J, Roland P, eds. <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB); 2019:95–105. doi:<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>","chicago":"Kepper, Johannes. “Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project.” In <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, edited by Giuliano Di Bacco, Johannes Kepper, and Perry Roland, 95–105. Bavarian State Library (BSB), 2019. <a href=\"https://doi.org/10.15463/music-1\">https://doi.org/10.15463/music-1</a>.","ieee":"J. Kepper, “Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project,” in <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, 2019, pp. 95–105, doi: <a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>."},"page":"95–105","publication_status":"published","title":"Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project","doi":"10.15463/music-1","publisher":"Bavarian State Library (BSB)","date_updated":"2024-08-28T14:06:38Z","date_created":"2024-08-28T11:44:28Z","author":[{"full_name":"Kepper, Johannes","id":"1684","last_name":"Kepper","orcid":"0000-0003-4891-260X","first_name":"Johannes"}],"abstract":[{"text":"The Freischütz Digital project (FreiDi) was one of the pioneer projects employing MEI in large scale. It did not only try to encode a huge quantity of music material, it also sought to capture as many aspects of the available sources as possible, effectively creating data of almost unrivaled richness. This paper discusses the outcomes of and experiences made in the FreiDi project.","lang":"eng"}],"editor":[{"first_name":"Giuliano","last_name":"Di Bacco","full_name":"Di Bacco, Giuliano"},{"last_name":"Kepper","full_name":"Kepper, Johannes","first_name":"Johannes"},{"first_name":"Perry","full_name":"Roland, Perry","last_name":"Roland"}],"status":"public","type":"conference","publication":"Music Encoding Conference Proceedings 2015, 2016 and 2017","keyword":["mec-proceedings","mec-proceedings-2016"],"language":[{"iso":"eng"}],"_id":"55837","user_id":"1684","department":[{"_id":"538"},{"_id":"874"}]},{"citation":{"apa":"Kepper, J. (2017). <i>Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)</i>. <a href=\"https://doi.org/10.5281/ZENODO.13289742\">https://doi.org/10.5281/ZENODO.13289742</a>","bibtex":"@book{Kepper_2017, title={Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.13289742\">10.5281/ZENODO.13289742</a>}, author={Kepper, Johannes}, year={2017} }","mla":"Kepper, Johannes. <i>Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)</i>. 2017, doi:<a href=\"https://doi.org/10.5281/ZENODO.13289742\">10.5281/ZENODO.13289742</a>.","short":"J. Kepper, Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017), 2017.","chicago":"Kepper, Johannes. <i>Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)</i>, 2017. <a href=\"https://doi.org/10.5281/ZENODO.13289742\">https://doi.org/10.5281/ZENODO.13289742</a>.","ieee":"J. Kepper, <i>Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)</i>. 2017.","ama":"Kepper J. <i>Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)</i>.; 2017. doi:<a href=\"https://doi.org/10.5281/ZENODO.13289742\">10.5281/ZENODO.13289742</a>"},"year":"2017","publication_status":"published","doi":"10.5281/ZENODO.13289742","title":"Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)","date_created":"2024-08-28T11:46:04Z","author":[{"first_name":"Johannes","id":"1684","full_name":"Kepper, Johannes","last_name":"Kepper","orcid":"0000-0003-4891-260X"}],"date_updated":"2024-08-28T13:36:41Z","status":"public","abstract":[{"text":"This report summarizes technical concepts of the Beethovens Werkstatt project, discussing various prototypes and the technical architectures used. The original version at https://beethovens-werkstatt.de/softwareentwicklung-2017/ includes videos not available in the PDF version published on Zenodo.","lang":"eng"}],"type":"report","language":[{"iso":"ger"}],"keyword":["Musicology","Digital humanities"],"user_id":"1684","department":[{"_id":"874"},{"_id":"538"}],"project":[{"name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition","_id":"743"}],"_id":"55843"},{"language":[{"iso":"ger"}],"department":[{"_id":"874"},{"_id":"538"}],"user_id":"1684","_id":"55828","status":"public","publication":"Musiktheorie (Zeitschrift für Musikwissenschaft)","type":"journal_article","title":"Was ist eine Digitale Edition? Versuch einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017","volume":"Jahrgang 32","date_created":"2024-08-28T11:40:03Z","author":[{"full_name":"Kepper, Johannes","id":"1684","last_name":"Kepper","orcid":"0000-0003-4891-260X","first_name":"Johannes"},{"first_name":"Laurent","full_name":"Pugin, Laurent","last_name":"Pugin"}],"date_updated":"2024-08-28T13:34:30Z","page":"347–363","citation":{"apa":"Kepper, J., &#38; Pugin, L. (2017). Was ist eine Digitale Edition? Versuch einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017. <i>Musiktheorie (Zeitschrift für Musikwissenschaft)</i>, <i>Jahrgang 32</i>(4), 347–363.","bibtex":"@article{Kepper_Pugin_2017, title={Was ist eine Digitale Edition? 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