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Röwenstrunk, Die Tonkunst (2011) 270–276.","chicago":"Bohl, Benjamin W., Johannes Kepper, and Daniel Röwenstrunk. “Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts.” <i>Die Tonkunst</i>, no. III (2011): 270–276.","apa":"Bohl, B. W., Kepper, J., &#38; Röwenstrunk, D. (2011). Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts. <i>Die Tonkunst</i>, <i>III</i>, 270–276.","ieee":"B. W. Bohl, J. Kepper, and D. Röwenstrunk, “Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts,” <i>Die Tonkunst</i>, no. III, pp. 270–276, 2011.","ama":"Bohl BW, Kepper J, Röwenstrunk D. Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts. <i>Die Tonkunst</i>. 2011;(III):270–276.","bibtex":"@article{Bohl_Kepper_Röwenstrunk_2011, title={Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts}, number={III}, journal={Die Tonkunst}, author={Bohl, Benjamin W. and Kepper, Johannes and Röwenstrunk, Daniel}, year={2011}, pages={270–276} }","mla":"Bohl, Benjamin W., et al. “Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts.” <i>Die Tonkunst</i>, no. III, 2011, pp. 270–276."},"type":"journal_article","department":[{"_id":"538"},{"_id":"874"}],"date_created":"2024-08-28T11:37:31Z"},{"abstract":[{"lang":"eng","text":"Die Keimzelle der Musikwissenschaft als geisteswissenschaftlicher Disziplin liegt in den Bemühungen des 19. Jahrhunderts, die Werke herausragender Komponisten zu konservieren und einer breiteren Öffentlichkeit zu erschließen. In diesem Umfeld erschien im Jahr 1851 der erste Band der Bach-Gesamtausgabe, herausgegeben von der Leipziger Bachgesellschaft. Alle nachfolgenden Musiker-Ausgaben entwickelten sich auf dieser Basis und reizten die Möglichkeiten des Buchmediums in zunehmenden Maße aus. Seit etwa zehn Jahren wird versucht, das Potential digitaler Medien für die Musikphilologie zu erschließen. Ausgehend von der Geschichte musikwissenschaftlicher Ausgaben und einer kritischen Reflektion des bisher Geleisteten, weist dieser Band mögliche neue Perspektiven für zukünftige, dem neuen Medium angemessene Editionsformen auf."}],"date_created":"2024-08-28T11:40:24Z","keyword":["admin:website","Codierungsformate","DigitaleMusikedition","Glossar","Bibliografie online"],"type":"book","department":[{"_id":"538"},{"_id":"874"}],"year":"2011","title":"Musikedition im Zeichen neuer Medien – Historische Entwicklung und gegenwärtige Perspektiven musikalischer Gesamtausgaben","publication_identifier":{"isbn":["978-3-8448-0076-0"]},"author":[{"orcid":"0000-0003-4891-260X","first_name":"Johannes","last_name":"Kepper","full_name":"Kepper, Johannes","id":"1684"}],"publication_status":"published","date_updated":"2024-08-28T14:18:49Z","intvolume":"         5","main_file_link":[{"open_access":"1","url":"http://kups.ub.uni-koeln.de/id/eprint/6639"}],"series_title":"Schriften des Instituts für Dokumentologie und Editorik","language":[{"iso":"ger"}],"citation":{"short":"J. Kepper, Musikedition im Zeichen neuer Medien – Historische Entwicklung und gegenwärtige Perspektiven musikalischer Gesamtausgaben, Books on Demand, Norderstedt, 2011.","chicago":"Kepper, Johannes. <i>Musikedition im Zeichen neuer Medien – Historische Entwicklung und gegenwärtige Perspektiven musikalischer Gesamtausgaben</i>. Vol. 5. Schriften des Instituts für Dokumentologie und Editorik. Norderstedt: Books on Demand, 2011.","ieee":"J. Kepper, <i>Musikedition im Zeichen neuer Medien – Historische Entwicklung und gegenwärtige Perspektiven musikalischer Gesamtausgaben</i>, vol. 5. Norderstedt: Books on Demand, 2011.","apa":"Kepper, J. (2011). <i>Musikedition im Zeichen neuer Medien – Historische Entwicklung und gegenwärtige Perspektiven musikalischer Gesamtausgaben</i> (Vol. 5). Books on Demand.","bibtex":"@book{Kepper_2011, place={Norderstedt}, series={Schriften des Instituts für Dokumentologie und Editorik}, title={Musikedition im Zeichen neuer Medien – Historische Entwicklung und gegenwärtige Perspektiven musikalischer Gesamtausgaben}, volume={5}, publisher={Books on Demand}, author={Kepper, Johannes}, year={2011}, collection={Schriften des Instituts für Dokumentologie und Editorik} }","ama":"Kepper J. <i>Musikedition im Zeichen neuer Medien – Historische Entwicklung und gegenwärtige Perspektiven musikalischer Gesamtausgaben</i>. Vol 5. Books on Demand; 2011.","mla":"Kepper, Johannes. <i>Musikedition im Zeichen neuer Medien – Historische Entwicklung und gegenwärtige Perspektiven musikalischer Gesamtausgaben</i>. Books on Demand, 2011."},"place":"Norderstedt","oa":"1","status":"public","_id":"55829","publisher":"Books on Demand","user_id":"1684","volume":5},{"main_file_link":[{"open_access":"1","url":"https://music-encoding.org/downloads/MEI_TagLibrary_2010-05.pdf"}],"language":[{"iso":"eng"}],"_id":"55813","user_id":"1684","year":"2010","title":"Music Encoding Initiative Tag Library, 2010-05 Release","status":"public","author":[{"id":"1684","first_name":"Johannes","last_name":"Kepper","orcid":"0000-0003-4891-260X","full_name":"Kepper, Johannes"},{"first_name":"Perry D.","last_name":"Roland","full_name":"Roland, Perry D."}],"date_updated":"2024-08-28T12:58:18Z","publication_status":"published","place":"Charlottesville und Detmold","date_created":"2024-08-28T11:33:32Z","type":"book","oa":"1","department":[{"_id":"874"},{"_id":"538"}],"citation":{"mla":"Kepper, Johannes, and Perry D. Roland. <i>Music Encoding Initiative Tag Library, 2010-05 Release</i>. 2010.","ama":"Kepper J, Roland PD. <i>Music Encoding Initiative Tag Library, 2010-05 Release</i>.; 2010.","bibtex":"@book{Kepper_Roland_2010, place={Charlottesville und Detmold}, title={Music Encoding Initiative Tag Library, 2010-05 Release}, author={Kepper, Johannes and Roland, Perry D.}, year={2010} }","apa":"Kepper, J., &#38; Roland, P. D. (2010). <i>Music Encoding Initiative Tag Library, 2010-05 Release</i>.","ieee":"J. Kepper and P. D. Roland, <i>Music Encoding Initiative Tag Library, 2010-05 Release</i>. Charlottesville und Detmold, 2010.","short":"J. Kepper, P.D. Roland, Music Encoding Initiative Tag Library, 2010-05 Release, Charlottesville und Detmold, 2010.","chicago":"Kepper, Johannes, and Perry D. Roland. <i>Music Encoding Initiative Tag Library, 2010-05 Release</i>. Charlottesville und Detmold, 2010."}},{"volume":51,"user_id":"1684","language":[{"iso":"ger"}],"_id":"55820","page":"216–221","intvolume":"        51","publication_status":"published","date_updated":"2024-08-28T13:06:31Z","author":[{"id":"1684","full_name":"Kepper, Johannes","first_name":"Johannes","last_name":"Kepper","orcid":"0000-0003-4891-260X"}],"status":"public","year":"2009","title":"XML-basierte Codierung musikwissenschaftlicher Daten – Zu den Voraussetzungen einer digitalen Musikedition","department":[{"_id":"538"},{"_id":"874"}],"type":"journal_article","date_created":"2024-08-28T11:37:07Z","citation":{"bibtex":"@article{Kepper_2009, title={XML-basierte Codierung musikwissenschaftlicher Daten – Zu den Voraussetzungen einer digitalen Musikedition}, volume={51}, number={4}, journal={it – Information Technology}, author={Kepper, Johannes}, year={2009}, pages={216–221} }","ama":"Kepper J. XML-basierte Codierung musikwissenschaftlicher Daten – Zu den Voraussetzungen einer digitalen Musikedition. <i>it – Information Technology</i>. 2009;51(4):216–221.","mla":"Kepper, Johannes. “XML-basierte Codierung musikwissenschaftlicher Daten – Zu den Voraussetzungen einer digitalen Musikedition.” <i>it – Information Technology</i>, vol. 51, no. 4, 2009, pp. 216–221.","chicago":"Kepper, Johannes. “XML-basierte Codierung musikwissenschaftlicher Daten – Zu den Voraussetzungen einer digitalen Musikedition.” <i>it – Information Technology</i> 51, no. 4 (2009): 216–221.","short":"J. Kepper, it – Information Technology 51 (2009) 216–221.","ieee":"J. Kepper, “XML-basierte Codierung musikwissenschaftlicher Daten – Zu den Voraussetzungen einer digitalen Musikedition,” <i>it – Information Technology</i>, vol. 51, no. 4, pp. 216–221, 2009.","apa":"Kepper, J. (2009). XML-basierte Codierung musikwissenschaftlicher Daten – Zu den Voraussetzungen einer digitalen Musikedition. <i>it – Information Technology</i>, <i>51</i>(4), 216–221."},"publication":"it – Information Technology","issue":"4"},{"date_updated":"2024-08-28T14:05:58Z","publication_status":"published","publication_identifier":{"isbn":["978-3-11-023113-7"]},"author":[{"id":"1684","full_name":"Kepper, Johannes","orcid":"0000-0003-4891-260X","first_name":"Johannes","last_name":"Kepper"},{"last_name":"Morent","first_name":"Stefan","full_name":"Morent, Stefan"}],"status":"public","year":"2009","title":"Anforderungen an ein musikeditorisches Codierungsformat","editor":[{"full_name":"Stadler, Peter","first_name":"Peter","last_name":"Stadler"},{"last_name":"Veit","first_name":"Joachim","full_name":"Veit, Joachim"}],"doi":"10.1515/9783110231144.265","user_id":"1684","publisher":"Walter de Gruyter","_id":"55838","language":[{"iso":"ger"}],"page":"265–280","citation":{"mla":"Kepper, Johannes, and Stefan Morent. “Anforderungen an ein musikeditorisches Codierungsformat.” <i>Digitale Edition zwischen Experiment und Standardisierung</i>, edited by Peter Stadler and Joachim Veit, Walter de Gruyter, 2009, pp. 265–280, doi:<a href=\"https://doi.org/10.1515/9783110231144.265\">10.1515/9783110231144.265</a>.","apa":"Kepper, J., &#38; Morent, S. (2009). Anforderungen an ein musikeditorisches Codierungsformat. In P. Stadler &#38; J. Veit (Eds.), <i>Digitale Edition zwischen Experiment und Standardisierung</i> (pp. 265–280). Walter de Gruyter. <a href=\"https://doi.org/10.1515/9783110231144.265\">https://doi.org/10.1515/9783110231144.265</a>","ieee":"J. Kepper and S. Morent, “Anforderungen an ein musikeditorisches Codierungsformat,” in <i>Digitale Edition zwischen Experiment und Standardisierung</i>, P. Stadler and J. Veit, Eds. Walter de Gruyter, 2009, pp. 265–280.","short":"J. Kepper, S. Morent, in: P. Stadler, J. Veit (Eds.), Digitale Edition zwischen Experiment und Standardisierung, Walter de Gruyter, 2009, pp. 265–280.","ama":"Kepper J, Morent S. Anforderungen an ein musikeditorisches Codierungsformat. In: Stadler P, Veit J, eds. <i>Digitale Edition zwischen Experiment und Standardisierung</i>. Walter de Gruyter; 2009:265–280. doi:<a href=\"https://doi.org/10.1515/9783110231144.265\">10.1515/9783110231144.265</a>","chicago":"Kepper, Johannes, and Stefan Morent. “Anforderungen an ein musikeditorisches Codierungsformat.” In <i>Digitale Edition zwischen Experiment und Standardisierung</i>, edited by Peter Stadler and Joachim Veit, 265–280. Walter de Gruyter, 2009. <a href=\"https://doi.org/10.1515/9783110231144.265\">https://doi.org/10.1515/9783110231144.265</a>.","bibtex":"@inbook{Kepper_Morent_2009, title={Anforderungen an ein musikeditorisches Codierungsformat}, DOI={<a href=\"https://doi.org/10.1515/9783110231144.265\">10.1515/9783110231144.265</a>}, booktitle={Digitale Edition zwischen Experiment und Standardisierung}, publisher={Walter de Gruyter}, author={Kepper, Johannes and Morent, Stefan}, editor={Stadler, Peter and Veit, Joachim}, year={2009}, pages={265–280} }"},"publication":"Digitale Edition zwischen Experiment und Standardisierung","department":[{"_id":"538"},{"_id":"874"}],"type":"book_chapter","date_created":"2024-08-28T11:44:46Z"},{"type":"journal_article","department":[{"_id":"538"},{"_id":"874"}],"date_created":"2024-08-28T11:36:45Z","publication":"Forum Musikbibliothek","issue":"1","citation":{"ieee":"J. Kepper and D. Röwenstrunk, “Das Edirom-Projekt. Werkzeuge für digitale Formen wissenschaftlich-kritischer Musikeditionen,” <i>Forum Musikbibliothek</i>, vol. 28, no. 1, pp. 36–49, 2007.","apa":"Kepper, J., &#38; Röwenstrunk, D. (2007). Das Edirom-Projekt. Werkzeuge für digitale Formen wissenschaftlich-kritischer Musikeditionen. <i>Forum Musikbibliothek</i>, <i>28</i>(1), 36–49.","chicago":"Kepper, Johannes, and Daniel Röwenstrunk. “Das Edirom-Projekt. Werkzeuge für digitale Formen wissenschaftlich-kritischer Musikeditionen.” <i>Forum Musikbibliothek</i> 28, no. 1 (2007): 36–49.","short":"J. Kepper, D. Röwenstrunk, Forum Musikbibliothek 28 (2007) 36–49.","mla":"Kepper, Johannes, and Daniel Röwenstrunk. “Das Edirom-Projekt. Werkzeuge für digitale Formen wissenschaftlich-kritischer Musikeditionen.” <i>Forum Musikbibliothek</i>, vol. 28, no. 1, 2007, pp. 36–49.","bibtex":"@article{Kepper_Röwenstrunk_2007, title={Das Edirom-Projekt. Werkzeuge für digitale Formen wissenschaftlich-kritischer Musikeditionen}, volume={28}, number={1}, journal={Forum Musikbibliothek}, author={Kepper, Johannes and Röwenstrunk, Daniel}, year={2007}, pages={36–49} }","ama":"Kepper J, Röwenstrunk D. Das Edirom-Projekt. Werkzeuge für digitale Formen wissenschaftlich-kritischer Musikeditionen. <i>Forum Musikbibliothek</i>. 2007;28(1):36–49."},"user_id":"1684","volume":28,"page":"36–49","language":[{"iso":"ger"}],"_id":"55819","publication_status":"published","date_updated":"2024-08-28T13:06:42Z","intvolume":"        28","year":"2007","status":"public","title":"Das Edirom-Projekt. Werkzeuge für digitale Formen wissenschaftlich-kritischer Musikeditionen","author":[{"id":"1684","last_name":"Kepper","first_name":"Johannes","orcid":"0000-0003-4891-260X","full_name":"Kepper, Johannes"},{"id":"439","full_name":"Röwenstrunk, Daniel","last_name":"Röwenstrunk","orcid":"https://orcid.org/0000-0001-6271-2095","first_name":"Daniel"}]},{"article_type":"original","intvolume":"         7","publication_status":"published","date_updated":"2024-08-28T13:06:59Z","author":[{"full_name":"Kepper, Johannes","first_name":"Johannes","orcid":"0000-0003-4891-260X","last_name":"Kepper","id":"1684"}],"year":"2005","status":"public","title":"Zum möglichen Einsatz digitaler Editionsformen bei Musiker-Gesamtausgaben am Beispiel des Edirom-Projekts","volume":7,"user_id":"1684","language":[{"iso":"ger"}],"_id":"55818","page":"7–26","main_file_link":[{"open_access":"1","url":"http://computerphilologie.digital-humanities.de/jg05/kepper.html"}],"citation":{"mla":"Kepper, Johannes. “Zum möglichen Einsatz digitaler Editionsformen bei Musiker-Gesamtausgaben am Beispiel des Edirom-Projekts.” <i>Jahrbuch für Computerphilologie</i>, vol. 7, 2005, pp. 7–26.","ama":"Kepper J. Zum möglichen Einsatz digitaler Editionsformen bei Musiker-Gesamtausgaben am Beispiel des Edirom-Projekts. <i>Jahrbuch für Computerphilologie</i>. 2005;7:7–26.","bibtex":"@article{Kepper_2005, title={Zum möglichen Einsatz digitaler Editionsformen bei Musiker-Gesamtausgaben am Beispiel des Edirom-Projekts}, volume={7}, journal={Jahrbuch für Computerphilologie}, author={Kepper, Johannes}, year={2005}, pages={7–26} }","apa":"Kepper, J. (2005). Zum möglichen Einsatz digitaler Editionsformen bei Musiker-Gesamtausgaben am Beispiel des Edirom-Projekts. <i>Jahrbuch für Computerphilologie</i>, <i>7</i>, 7–26.","ieee":"J. Kepper, “Zum möglichen Einsatz digitaler Editionsformen bei Musiker-Gesamtausgaben am Beispiel des Edirom-Projekts,” <i>Jahrbuch für Computerphilologie</i>, vol. 7, pp. 7–26, 2005.","chicago":"Kepper, Johannes. “Zum möglichen Einsatz digitaler Editionsformen bei Musiker-Gesamtausgaben am Beispiel des Edirom-Projekts.” <i>Jahrbuch für Computerphilologie</i> 7 (2005): 7–26.","short":"J. Kepper, Jahrbuch für Computerphilologie 7 (2005) 7–26."},"publication":"Jahrbuch für Computerphilologie","department":[{"_id":"874"},{"_id":"538"}],"oa":"1","type":"journal_article","date_created":"2024-08-28T11:36:16Z"}]