@inbook{64837,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Bored Teenabgers . Ein Punk-Mixtape.}},
  editor       = {{Engelmann, Jonas}},
  isbn         = {{978-3-95575-258-3}},
  pages        = {{99--101}},
  publisher    = {{Ventil Verlag}},
  title        = {{{Swell Maps: Full Moon in My Pocket/BLAM!!/Full Moon Reprise. Vollmond auf dem kleingroßstädtischen Musikkneipenboden}}},
  year         = {{2026}},
}

@inbook{57545,
  author       = {{Flath, Beate and Jacke, Christoph and Schroeter-Wittke, Harald}},
  booktitle    = {{Transdisziplinäre Räume in den Kulturwissenschaften}},
  editor       = {{Kornbach, Alina  and Lammer, Christina  and Magdeburg, Lena}},
  isbn         = {{978-3-534-64164-2}},
  pages        = {{211--254}},
  title        = {{{Den Schein werfen/wahren. Transdiziplinaritäten und Popkulturforschungen. Ein Übersetzungsraum als Partitur }}},
  volume       = {{3}},
  year         = {{2025}},
}

@inbook{60991,
  author       = {{Jacke, Christoph and Schroeter-Wittke, Harald}},
  booktitle    = {{Popmix, POPkultur und Religion: The Next Generation}},
  editor       = {{Lerke, Stephanie and Luthe, Simon and Pinsch, Jan Christian and Sengelmann, Julian}},
  isbn         = {{9783658479893}},
  issn         = {{2569-880X}},
  pages        = {{195--201}},
  publisher    = {{Springer Fachmedien Wiesbaden}},
  title        = {{{Pop-Ikonen. Kulturwissenschaftliche Zugänge.}}},
  doi          = {{10.1007/978-3-658-47990-9}},
  year         = {{2025}},
}

@article{61823,
  author       = {{Jacke, Christoph}},
  journal      = {{POP. Kultur & Kritik}},
  keywords     = {{Stars, Sarah Connor, Rollen, Qualitätsjournalismus, Boulevard, Fans}},
  number       = {{27}},
  pages        = {{96--101}},
  publisher    = {{Transcript}},
  title        = {{{Die drei Rollen der Star-Figur. Sarah Connors Abrechnung.}}},
  year         = {{2025}},
}

@inbook{60971,
  author       = {{Schroeter-Wittke, Harald and Jacke, Christoph}},
  booktitle    = {{Popmix, POPkultur und Religion: The Next Generation. Neue Streifzüge durch erweiterte Galaxien. }},
  editor       = {{Lerke, Stephanie and Luthe, Simon and Pinsch, Jan Christian and Sengelmann, Julian}},
  isbn         = {{978-3-658-47989-3}},
  pages        = {{195--201}},
  publisher    = {{Springer VS}},
  title        = {{{Pop-Ikonen. Kulturwissenschaftliche Zugänge }}},
  year         = {{2025}},
}

@article{53856,
  abstract     = {{This  research  article examines  the  transformation  of  pop-punk  from  bands  to  solo  artists and  how  the  genre  regained  popularity  due  to  new  popular  personalities  and  the  transmedia engagement  in  social  media  and  with  established  media.  Through  a  three-pronged  approach,  this studyadopts phenomenological, theoretical, and empirical perspectives to understand the transition and regained popularity fully. The phenomenological angle delves into the case studies of musicians, revealing  key  factors  behind  the  shift   to  solo  artists  in  pop-punk.  Theoretical  explanations contextualize  the  phenomenon  within  broader  cultural  frameworks,  considering  industry  and transmedia dynamics, audience preferences, and technological advancements. Empirical evidence, including  statistical  data  from  socialmedia  profiles,  quantifies  the  impact  of  the  shift.This  study contributes   to   a   comprehensive   understanding   of   pop-punk's   transformation,   offering   an exploration of its past, present, and future within the ever-evolving music industries and transmedia landscapes}},
  author       = {{Ruth, Nicolas and Jacke, Christoph}},
  issn         = {{ISSN 2205-5258}},
  journal      = {{Persona Studies}},
  keywords     = {{Pop-punk, Popular Musical Personas, Solo Artists, SocialMedia, Transmedia, TikTok}},
  number       = {{1}},
  pages        = {{99--110}},
  publisher    = {{OJS/PKP}},
  title        = {{{“I Guess this is Growing Up” Analysis of Pop-Punk’s Regained Popularity and Its Shift From Bands to Personas.}}},
  volume       = {{10}},
  year         = {{2024}},
}

@article{53854,
  abstract     = {{The phenomenon of stars and celebrities in media cultures – and especially in popular music
cultures – seems to be omnipresent. At the same time, there is an astounding lack of analysis and
research on these media personalities and personas, and international celebrity studies only recently
a developing new field. Similarly, these kinds of observations are still very rare especially in German
sociology as well as communication, media, culture and popular music studies. In this article, I
therefore want to concentrate on the foundations of studying stars and celebrities within the
attention economies by undertaking a theoretical transmedia-cultural framing of media personas
and suggesting a typology. This ensuing typology of stars, anti-stars, and anti-star stars – especially
within popular music cultures – demonstrates how stars and celebrities and their quantities and
qualities of success and peer-group specific values coming form programs of (media and music)
culture can serve as persona-seismographs of socio-cultural change between tradition and
innovation}},
  author       = {{Jacke, Christoph}},
  issn         = {{ISSN 2205-5258}},
  journal      = {{Persona Studies}},
  keywords     = {{Stars, Celebrities, Popular Music, Transmedia Culture, Personas}},
  number       = {{1}},
  pages        = {{56--73}},
  publisher    = {{OJS/PKP}},
  title        = {{{Stars, Anti-Stars, Anti-Star-Stars. Transmedia Texts and Contexts of Popular Music and Media. Some Theoretical Assumptions.}}},
  volume       = {{10}},
  year         = {{2024}},
}

@misc{55147,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Medien & Zeit. Kommunikation in Vergangenheit und Gegenwart.}},
  keywords     = {{Retromania Futuromania Popmusik Erinnerung Geschichte Transnationalität Elektronische Musik}},
  number       = {{1}},
  pages        = {{48--53}},
  publisher    = {{Arbeistkreis für historische Kommunikationsforschung}},
  title        = {{{Bodo Mrozek (2019/2021/2023): Jugend Pop Kultur. Eine transnationale Geschichte. Suhrkamp; Simon Reynolds (2023): Futuromania. Elektronische Träume von der Zukunft. Ventil.}}},
  volume       = {{39}},
  year         = {{2024}},
}

@article{56838,
  author       = {{Flath, Beate and Jacke, Christoph}},
  issn         = {{07224591}},
  journal      = {{Kulturpolitische Mitteilungen}},
  keywords     = {{Festivals, Popmusik, Kultur, Forschung, Livemusik}},
  number       = {{3}},
  pages        = {{60--61}},
  publisher    = {{Kulturpolitische Gesellschaft Berlin}},
  title        = {{{Feste feiern - aber nachhaltig! Transdisziplinäre Festival Studies in aktuellen kultur- und gesellschaftspolitischen Kontexten.}}},
  volume       = {{186}},
  year         = {{2024}},
}

@misc{55196,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Musiktheorie. Zeitschrift für Musikwissenschaft.}},
  issn         = {{0177-4182}},
  keywords     = {{Popmusik, Gender, Schlager, Frauen, Image, Deutschland}},
  number       = {{2}},
  pages        = {{181--185}},
  publisher    = {{Laaber}},
  title        = {{{Marina Forell (2023): Atemlos zum Erfolg. Gender, Frauenbild und Entwicklungstendenzen im deutschen Schlager.}}},
  volume       = {{39}},
  year         = {{2024}},
}

@inproceedings{55660,
  author       = {{Jacke, Christoph}},
  keywords     = {{Popmusic, culture, politics, Förderung, Forschung}},
  location     = {{Cologne}},
  title        = {{{"Heute Disco, morgen Umsturz, übermorgen Landpartie" - Kurze Anmerkungen zu Pop-Gipfeln.}}},
  year         = {{2024}},
}

@inbook{55717,
  author       = {{Jacke, Christoph and Kirschlager, Nils}},
  booktitle    = {{Literaturpop. Zur pop- und rockmusikalischen Rezeption literarischer Texte.}},
  editor       = {{Eggers, Michael}},
  isbn         = {{9783968219493}},
  pages        = {{197--226}},
  publisher    = {{Rombach Wissenschaft/Nomos}},
  title        = {{{Anti-Künste, Künste und das ganze Dazwischen: Nick Cave als prominente Figur der Popmusikkulturen}}},
  year         = {{2024}},
}

@inbook{55197,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Hits & Storys. 20 Jahre rock'n'popmuseum.}},
  isbn         = {{978-3-96664-811-0}},
  keywords     = {{Zukunft, Popmusik, Medien, Technik, Genre, Wandel, Kulturen, Museum, Geschichte, Popular Music Studies}},
  pages        = {{294--295}},
  publisher    = {{Heel}},
  title        = {{{Zukunftspop - Popzukunft. Kurze Anmerkungen zu Konstanten der Popmusikkulturen.}}},
  year         = {{2024}},
}

@article{48418,
  author       = {{Jacke, Christoph}},
  journal      = {{Impulse. Texte und Bilder zur Kunstvermittlung.}},
  number       = {{6}},
  pages        = {{12}},
  title        = {{{ABHÄNGEN - Ein- und Ausgrenzen, Kanonisieren, Kollaborieren in Pop, Kunst und Medien.}}},
  year         = {{2023}},
}

@article{48419,
  author       = {{Jacke, Christoph and Autsch, Sabine and Pickartz, Tim}},
  journal      = {{Impulse. Texte und Bilder zur Kunstvermittlung.}},
  number       = {{6}},
  pages        = {{3--6}},
  title        = {{{Editorial.}}},
  year         = {{2023}},
}

@inbook{49316,
  author       = {{Jacke, Christoph and Kirschlager, Nils}},
  booktitle    = {{Beyond Style and Genre. Aesthetic Concepts in Popular Culture.}},
  editor       = {{Jost, Christofer}},
  pages        = {{217--228}},
  publisher    = {{Waxmann}},
  title        = {{{Uncool cowboys in low-low-land? Public perception and aesthetics of the German country music scene.}}},
  year         = {{2023}},
}

@article{49317,
  author       = {{Jacke, Christoph}},
  journal      = {{Testcard. Beiträge zur Popgeschichte. Rechtspop.}},
  number       = {{27}},
  pages        = {{250--253}},
  title        = {{{Lawrence Grossberg (2019): Pessimismus des Willens, Optimismus des Verstands. Schlussstriche und Neuanfänge. Hrsg. von Roman Horak. Wien und Berlin: Turia + Kant; Roman Horak (2019): Jenseits der Kulturwissenschaften. Beiträge zu Cultural Studies, Popular- und Massenkultur. Wien: Löcker; Jürgen Mittelstraß (2020): Leonardo-Welten. Zwischen Kunst und Wissenschaft. Weilerswist: Velbrück Wissenschaft; Jürgen Mittelstraß (2021): Fröhliche Wissenschaft? Philosophische Grenzgänge zwischen Wissenschaft und Gesellschaft. Weilerswist: Velbrück Wissenschaft.}}},
  year         = {{2023}},
}

@article{47136,
  author       = {{Jacke, Christoph}},
  journal      = {{Impulse. Texte und Bilder zur Kunstvermittlung}},
  pages        = {{12}},
  title        = {{{ABHÄNGEN - Ein- und Ausgrenzen, Kanonisieren, Kollaborieren in Pop, Kunst und Medien}}},
  volume       = {{6}},
  year         = {{2023}},
}

@article{47135,
  author       = {{Jacke, Christoph}},
  journal      = {{Impulse. Texte und Bilder zur Kunstvermittlung}},
  pages        = {{26--28}},
  title        = {{{Abhängenwerden. Fühlen und Denken}}},
  volume       = {{6}},
  year         = {{2023}},
}

@article{47137,
  author       = {{Jacke, Christoph and Pickartz, Tim and Autsch, Sabiene}},
  journal      = {{Impulse. Texte und Bilder zur Kunstvermittlung}},
  title        = {{{Editorial}}},
  volume       = {{6}},
  year         = {{2023}},
}