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Female Reproductive Bodies and the Shift from Risk to Threat Society: The (Mis)Use of the Powers of Pregnancy in Margaret Atwood’s <i>The Handmaid’s Tale</i> and Amy Ewing’s <i>The Lone City</i>-Series. In: <i>Women and Their Body</i>. De Gruyter; 2025. doi:<a href=\"https://doi.org/10.1515/9783111396934-012\">10.1515/9783111396934-012</a>","chicago":"Schneider, Julia Christina. “Female Reproductive Bodies and the Shift from Risk to Threat Society: The (Mis)Use of the Powers of Pregnancy in Margaret Atwood’s <i>The Handmaid’s Tale</i> and Amy Ewing’s <i>The Lone City</i>-Series.” In <i>Women and Their Body</i>. De Gruyter, 2025. <a href=\"https://doi.org/10.1515/9783111396934-012\">https://doi.org/10.1515/9783111396934-012</a>.","ieee":"J. C. Schneider, “Female Reproductive Bodies and the Shift from Risk to Threat Society: The (Mis)Use of the Powers of Pregnancy in Margaret Atwood’s <i>The Handmaid’s Tale</i> and Amy Ewing’s <i>The Lone City</i>-Series,” in <i>Women and Their Body</i>, De Gruyter, 2025."},"year":"2025","date_created":"2025-09-18T11:36:09Z","author":[{"last_name":"Schneider","full_name":"Schneider, Julia Christina","id":"38524","first_name":"Julia Christina"}],"publisher":"De Gruyter","date_updated":"2025-09-19T11:13:42Z","doi":"10.1515/9783111396934-012","title":"Female Reproductive Bodies and the Shift from Risk to Threat Society: The (Mis)Use of the Powers of Pregnancy in Margaret Atwood’s <i>The Handmaid’s Tale</i> and Amy Ewing’s <i>The Lone City</i>-Series"},{"year":"2022","intvolume":"        32","corporate_editor":["The German Society for Contemporary Theatre and Drama in English"],"page":"73-86","citation":{"chicago":"Schneider, Julia Christina. “Performing Utopia? The Contestation of Dystopian Space in Cecelia Ahern’s Flawed-Series.” In <i>Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre</i>, edited by Merle Tönnies,  Eckart Voigts, and The German Society for Contemporary Theatre and Drama in English, 32:73–86. CDE Studies, 2022.","ieee":"J. C. Schneider, “Performing Utopia? The Contestation of Dystopian Space in Cecelia Ahern’s Flawed-Series,” in <i>Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre</i>, vol. 32, M. Tönnies,  Eckart Voigts, and The German Society for Contemporary Theatre and Drama in English, Eds. 2022, pp. 73–86.","ama":"Schneider JC. Performing Utopia? The Contestation of Dystopian Space in Cecelia Ahern’s Flawed-Series. In: Tönnies M, Voigts  Eckart, The German Society for Contemporary Theatre and Drama in English, eds. <i>Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre</i>. Vol 32. CDE Studies. ; 2022:73-86.","apa":"Schneider, J. C. (2022). Performing Utopia? The Contestation of Dystopian Space in Cecelia Ahern’s Flawed-Series. In M. Tönnies,  Eckart Voigts, &#38; The German Society for Contemporary Theatre and Drama in English (Eds.), <i>Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre</i> (Vol. 32, pp. 73–86).","mla":"Schneider, Julia Christina. “Performing Utopia? The Contestation of Dystopian Space in Cecelia Ahern’s Flawed-Series.” <i>Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre</i>, edited by Merle Tönnies et al., vol. 32, 2022, pp. 73–86.","bibtex":"@inbook{Schneider_2022, series={CDE Studies}, title={Performing Utopia? 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