@misc{63716,
author = {{Schultz, Andreas Maximilian and Mozgova, Iryna and Altun, Osman and Karras, Oliver and Koepler, Oliver and Müller, Laura and Nuenberger, Florian and Röwenstrunk, Daniel and Wawer, Max Leo}},
publisher = {{LibreCat University}},
title = {{{Strukturierte FDM-Plattformen: Aktuelle Lösungen und Herausforderungen in Informationsinfrastrukturprojekten}}},
doi = {{10.5281/ZENODO.17670597}},
year = {{2025}},
}
@article{21257,
abstract = {{Digital data on tangible and intangible cultural assets is an essential part of daily life, communication and experience. It has a lasting influence on the perception of cultural identity as well as on the interactions between research, the cultural economy and society. Throughout the last three decades, many cultural heritage institutions have contributed a wealth of digital representations of cultural assets (2D digital reproductions of paintings, sheet music, 3D digital models of sculptures, monuments, rooms, buildings), audio-visual data (music, film, stage performances), and procedural research data such as encoding and annotation formats. The long-term preservation and FAIR availability of research data from the cultural heritage domain is fundamentally important, not only for future academic success in the humanities but also for the cultural identity of individuals and society as a whole. Up to now, no coordinated effort for professional research data management on a national level exists in Germany. NFDI4Culture aims to fill this gap and create a user-centered, research-driven infrastructure that will cover a broad range of research domains from musicology, art history and architecture to performance, theatre, film, and media studies.
The research landscape addressed by the consortium is characterized by strong institutional differentiation. Research units in the consortium's community of interest comprise university institutes, art colleges, academies, galleries, libraries, archives and museums. This diverse landscape is also characterized by an abundance of research objects, methodologies and a great potential for data-driven research. In a unique effort carried out by the applicant and co-applicants of this proposal and ten academic societies, this community is interconnected for the first time through a federated approach that is ideally suited to the needs of the participating researchers. To promote collaboration within the NFDI, to share knowledge and technology and to provide extensive support for its users have been the guiding principles of the consortium from the beginning and will be at the heart of all workflows and decision-making processes. Thanks to these principles, NFDI4Culture has gathered strong support ranging from individual researchers to high-level cultural heritage organizations such as the UNESCO, the International Council of Museums, the Open Knowledge Foundation and Wikimedia. On this basis, NFDI4Culture will take innovative measures that promote a cultural change towards a more reflective and sustainable handling of research data and at the same time boost qualification and professionalization in data-driven research in the domain of cultural heritage. This will create a long-lasting impact on science, cultural economy and society as a whole.}},
author = {{Altenhöner, Reinhard and Blümel, Ina and Boehm, Franziska and Bove, Jens and Bicher, Katrin and Bracht, Christian and Brand, Ortrun and Dieckmann, Lisa and Effinger, Maria and Hagener, Malte and Hammes, Andrea and Heller, Lambert and Kailus, Angela and Kohle, Hubertus and Ludwig, Jens and Münzmay, Andreas and Pittroff, Sarah and Razum, Matthias and Röwenstrunk, Daniel and Sack, Harald and Simon, Holger and Schmidt, Dörte and Schrade, Torsten and Walzel, Annika-Valeska and Wiermann, Barbara}},
issn = {{2367-7163}},
journal = {{Research Ideas and Outcomes}},
title = {{{NFDI4Culture - Consortium for research data on material and immaterial cultural heritage}}},
doi = {{10.3897/rio.6.e57036}},
year = {{2020}},
}
@article{21244,
author = {{Pasdzierny, Matthias and Röwenstrunk, Daniel and Schmidt, Dörte}},
journal = {{Die Musikforschung}},
title = {{{Nationale Forschungsdateninfrastruktur, die Initiative NFDI4Culture und die Musikwissenschaft}}},
volume = {{Heft 3/2019}},
year = {{2019}},
}
@misc{21246,
author = {{Altenhöner, Reinhard and Bicher, Katrin and Bracht, Christian and Brand, Ortrun and Blümel, Ina and Bulle, Klaus and Effinger, Maria and Hammes, Andrea and Hartmann, Thomas and Kailus, Angela and Kett, Jürgen and Pittroff, Sarah and Röwenstrunk, Daniel and Schelbert, Georg and Schmidt, Dörte and Schrade, Torsten and Simon, Holger and Taentzer, Gabriele and Veit, Joachim and Voß, Franziska and Walzel, Annika-Valeska and Wiermann, Barbara}},
publisher = {{LibreCat University}},
title = {{{Fokusthemen und Aufgabenbereiche für eine Forschungsdateninfrastruktur zu materiellen und immateriellen Kulturgütern. Living Document der NFDI-Initiative NFDI4Culture.}}},
doi = {{10.5281/ZENODO.2763576}},
year = {{2019}},
}
@article{12937,
abstract = {{Die Langzeitverfügbarkeit von Forschungsergebnissen und der dafür häufig notwendige langfristige Erhalt der Lauffähigkeit von Software ist eine gemeinschaftliche Herausforderung für Forschung, Softwareentwicklung und Gedächtnisinstitutionen. Es stehen verschiedene Maßnahmen wie Standardisierung, Emulation oder auch die Weiterentwicklung durch Open-Source-Communities zur Verfügung, die in unterschiedlichen Kontexten für unterschiedliche Arten von Software zum Einsatz kommen können.}},
author = {{Röwenstrunk, Daniel}},
journal = {{Bibliothek Forschung und Praxis}},
number = {{2}},
pages = {{302–308}},
publisher = {{Walter de Gruyter GmbH, Berlin/Boston}},
title = {{{Langzeitverfügbarkeit von wissenschaftlicher Software im Bereich historisch-kritischer Musikedition}}},
doi = {{10.18452/18949}},
volume = {{42}},
year = {{2018}},
}
@inbook{12935,
author = {{Komprecht, Anna Maria and Röwenstrunk, Daniel}},
booktitle = {{„Ei, dem alten Herrn zoll’ ich Achtung gern“}},
publisher = {{Allitera Verlag, München}},
title = {{{Projektmanagement in digitalen Forschungsprojekten}}},
doi = {{10.25366/2018.33}},
year = {{2016}},
}
@article{12934,
author = {{Röwenstrunk, Daniel and Prätzlich, Thomas and Betzwieser, Thomas and Müller, Meinard and Szwillus, Gerd and Veit, Joachim}},
issn = {{1618-2162}},
journal = {{Datenbank-Spektrum}},
pages = {{65--72}},
title = {{{Das Gesamtkunstwerk Oper aus Datensicht}}},
doi = {{10.1007/s13222-015-0179-0}},
year = {{2015}},
}
@inproceedings{55824,
author = {{Kepper, Johannes and Roland, Perry D. and Röwenstrunk, Daniel}},
booktitle = {{Proceedings of Balisage: The Markup Conference 2013}},
title = {{{Musical Variants in Encoding, Analysis and Visualization}}},
doi = {{10.4242/BalisageVol10.Kepper01}},
year = {{2013}},
}
@article{55821,
author = {{Bohl, Benjamin W. and Kepper, Johannes and Röwenstrunk, Daniel}},
journal = {{Die Tonkunst}},
number = {{III}},
pages = {{270–276}},
title = {{{Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts}}},
year = {{2011}},
}
@inbook{12943,
author = {{Röwenstrunk, Daniel}},
booktitle = {{Digitale Edition zwischen Experiment und Standardisierung}},
editor = {{Stadler, Peter and Veit, Joachim}},
isbn = {{9783110231144}},
title = {{{Die digitale Edition von Webers Klarinettenquintett – Ein Vergleich der Edirom-Versionen 2004 und 2008}}},
doi = {{10.1515/9783110231144.61}},
year = {{2010}},
}
@article{12941,
author = {{Kepper, Johannes and Röwenstrunk, Daniel}},
journal = {{Forum Musikbibliothek}},
keywords = {{Edirom, ViFE}},
number = {{1}},
pages = {{36--49}},
title = {{{Das Edirom-Projekt. Werkzeuge für digitale Formen wissenschaftlich-kritischer Musikeditionen}}},
volume = {{28}},
year = {{2007}},
}
@article{55819,
author = {{Kepper, Johannes and Röwenstrunk, Daniel}},
journal = {{Forum Musikbibliothek}},
number = {{1}},
pages = {{36–49}},
title = {{{Das Edirom-Projekt. Werkzeuge für digitale Formen wissenschaftlich-kritischer Musikeditionen}}},
volume = {{28}},
year = {{2007}},
}