---
_id: '47381'
author:
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
citation:
  ama: 'Berndt A. Variance in Repetitive Games Music. In: M. Marolt M, Kaltenbrunner
    M, Ciglar M, eds. <i>{Proc. of the Int. Computer Music Conf.\ (ICMC)}</i>. International
    Computer Music Association, University of Ljubljana; 2012:412–415.'
  apa: Berndt, A. (2012). Variance in Repetitive Games Music. In M. M. Marolt, M.
    Kaltenbrunner, &#38; M. Ciglar (Eds.), <i>{Proc. of the Int. Computer Music Conf.\
    (ICMC)}</i> (pp. 412–415). International Computer Music Association, University
    of Ljubljana.
  bibtex: '@inproceedings{Berndt_2012, place={Ljubljana, Slovenia}, title={Variance
    in Repetitive Games Music}, booktitle={{Proc. of the Int. Computer Music Conf.\
    (ICMC)}}, publisher={International Computer Music Association, University of Ljubljana},
    author={Berndt, Axel}, editor={M. Marolt, M. and Kaltenbrunner, M. and Ciglar,
    M.}, year={2012}, pages={412–415} }'
  chicago: 'Berndt, Axel. “Variance in Repetitive Games Music.” In <i>{Proc. of the
    Int. Computer Music Conf.\ (ICMC)}</i>, edited by M. M. Marolt, M. Kaltenbrunner,
    and M. Ciglar, 412–415. Ljubljana, Slovenia: International Computer Music Association,
    University of Ljubljana, 2012.'
  ieee: A. Berndt, “Variance in Repetitive Games Music,” in <i>{Proc. of the Int.
    Computer Music Conf.\ (ICMC)}</i>, 2012, pp. 412–415.
  mla: Berndt, Axel. “Variance in Repetitive Games Music.” <i>{Proc. of the Int. Computer
    Music Conf.\ (ICMC)}</i>, edited by M. M. Marolt et al., International Computer
    Music Association, University of Ljubljana, 2012, pp. 412–415.
  short: 'A. Berndt, in: M. M. Marolt, M. Kaltenbrunner, M. Ciglar (Eds.), {Proc.
    of the Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association,
    University of Ljubljana, Ljubljana, Slovenia, 2012, pp. 412–415.'
date_created: 2023-09-25T10:44:16Z
date_updated: 2025-05-23T12:59:47Z
editor:
- first_name: M.
  full_name: M. Marolt, M.
  last_name: M. Marolt
- first_name: M.
  full_name: Kaltenbrunner, M.
  last_name: Kaltenbrunner
- first_name: M.
  full_name: Ciglar, M.
  last_name: Ciglar
language:
- iso: eng
page: 412–415
place: Ljubljana, Slovenia
publication: '{Proc. of the Int. Computer Music Conf.\ (ICMC)}'
publisher: International Computer Music Association, University of Ljubljana
status: public
title: Variance in Repetitive Games Music
type: conference
user_id: '55565'
year: '2012'
...
---
_id: '47380'
author:
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
- first_name: R.
  full_name: Dachselt, R.
  last_name: Dachselt
- first_name: R.
  full_name: Groh, R.
  last_name: Groh
citation:
  ama: 'Berndt A, Dachselt R, Groh R. A Survey of Variation Techniques for Repetitive
    Games Music. In: <i>{Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound
    and Future Vision}</i>. ACM SIGCHI; 2012:61–67.'
  apa: 'Berndt, A., Dachselt, R., &#38; Groh, R. (2012). A Survey of Variation Techniques
    for Repetitive Games Music. <i>{Audio Mostly 2012: 6th Conf. on Interaction with
    Sound—Sound and Future Vision}</i>, 61–67.'
  bibtex: '@inproceedings{Berndt_Dachselt_Groh_2012, place={Corfu, Greece}, title={A
    Survey of Variation Techniques for Repetitive Games Music}, booktitle={{Audio
    Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future Vision}}, publisher={ACM
    SIGCHI}, author={Berndt, Axel and Dachselt, R. and Groh, R.}, year={2012}, pages={61–67}
    }'
  chicago: 'Berndt, Axel, R. Dachselt, and R. Groh. “A Survey of Variation Techniques
    for Repetitive Games Music.” In <i>{Audio Mostly 2012: 6th Conf. on Interaction
    with Sound—Sound and Future Vision}</i>, 61–67. Corfu, Greece: ACM SIGCHI, 2012.'
  ieee: 'A. Berndt, R. Dachselt, and R. Groh, “A Survey of Variation Techniques for
    Repetitive Games Music,” in <i>{Audio Mostly 2012: 6th Conf. on Interaction with
    Sound—Sound and Future Vision}</i>, 2012, pp. 61–67.'
  mla: 'Berndt, Axel, et al. “A Survey of Variation Techniques for Repetitive Games
    Music.” <i>{Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future
    Vision}</i>, ACM SIGCHI, 2012, pp. 61–67.'
  short: 'A. Berndt, R. Dachselt, R. Groh, in: {Audio Mostly 2012: 6th Conf. on Interaction
    with Sound—Sound and Future Vision}, ACM SIGCHI, Corfu, Greece, 2012, pp. 61–67.'
date_created: 2023-09-25T10:44:16Z
date_updated: 2025-05-23T12:59:41Z
language:
- iso: eng
page: 61–67
place: Corfu, Greece
publication: '{Audio Mostly 2012: 6th Conf. on Interaction with Sound—Sound and Future
  Vision}'
publisher: ACM SIGCHI
status: public
title: A Survey of Variation Techniques for Repetitive Games Music
type: conference
user_id: '55565'
year: '2012'
...
---
_id: '47379'
author:
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
citation:
  ama: 'Berndt A. Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen. In:
    <i>7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik</i>. Kieler Gesellschaft
    für Filmmusikforschung; 2012.'
  apa: 'Berndt, A. (2012). Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen.
    <i>7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik</i>.'
  bibtex: '@inproceedings{Berndt_2012, place={Salzburg, Austria}, title={Im Dialog
    mit Musik: Zur Rolle der Musik in Computerspielen}, booktitle={7. Symposium zur
    Filmmusikforschung: Film, Tanz, Musik}, publisher={Kieler Gesellschaft für Filmmusikforschung},
    author={Berndt, Axel}, year={2012} }'
  chicago: 'Berndt, Axel. “Im Dialog Mit Musik: Zur Rolle Der Musik in Computerspielen.”
    In <i>7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik</i>. Salzburg, Austria:
    Kieler Gesellschaft für Filmmusikforschung, 2012.'
  ieee: 'A. Berndt, “Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen,”
    2012.'
  mla: 'Berndt, Axel. “Im Dialog Mit Musik: Zur Rolle Der Musik in Computerspielen.”
    <i>7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik</i>, Kieler Gesellschaft
    für Filmmusikforschung, 2012.'
  short: 'A. Berndt, in: 7. Symposium Zur Filmmusikforschung: Film, Tanz, Musik, Kieler
    Gesellschaft für Filmmusikforschung, Salzburg, Austria, 2012.'
date_created: 2023-09-25T10:44:16Z
date_updated: 2025-05-23T12:59:36Z
language:
- iso: eng
place: Salzburg, Austria
publication: '7. Symposium zur Filmmusikforschung: Film, Tanz, Musik'
publisher: Kieler Gesellschaft für Filmmusikforschung
status: public
title: 'Im Dialog mit Musik: Zur Rolle der Musik in Computerspielen'
type: conference
user_id: '55565'
year: '2012'
...
---
_id: '47384'
author:
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
citation:
  ama: 'Berndt A. Nun sich der Tag geendet hat. In: Plewka F, Schmeiß M, Sterzig T,
    Häußler J, eds. <i>{Musik Aus Mitteldeutschland}</i>. Strube Verlag; 2012.'
  apa: Berndt, A. (2012). Nun sich der Tag geendet hat. In F. Plewka, M. Schmeiß,
    T. Sterzig, &#38; J. Häußler (Eds.), <i>{Musik aus Mitteldeutschland}</i>. Strube
    Verlag.
  bibtex: '@inbook{Berndt_2012, place={Munich, Germany}, title={Nun sich der Tag geendet
    hat}, booktitle={{Musik aus Mitteldeutschland}}, publisher={Strube Verlag}, author={Berndt,
    Axel}, editor={Plewka, F. and Schmeiß, M. and Sterzig, T. and Häußler, J.}, year={2012}
    }'
  chicago: 'Berndt, Axel. “Nun Sich Der Tag Geendet Hat.” In <i>{Musik Aus Mitteldeutschland}</i>,
    edited by F. Plewka, M. Schmeiß, T. Sterzig, and J. Häußler. Munich, Germany:
    Strube Verlag, 2012.'
  ieee: 'A. Berndt, “Nun sich der Tag geendet hat,” in <i>{Musik aus Mitteldeutschland}</i>,
    F. Plewka, M. Schmeiß, T. Sterzig, and J. Häußler, Eds. Munich, Germany: Strube
    Verlag, 2012.'
  mla: Berndt, Axel. “Nun Sich Der Tag Geendet Hat.” <i>{Musik Aus Mitteldeutschland}</i>,
    edited by F. Plewka et al., Strube Verlag, 2012.
  short: 'A. Berndt, in: F. Plewka, M. Schmeiß, T. Sterzig, J. Häußler (Eds.), {Musik
    Aus Mitteldeutschland}, Strube Verlag, Munich, Germany, 2012.'
date_created: 2023-09-25T10:44:17Z
date_updated: 2025-05-23T14:52:59Z
editor:
- first_name: F.
  full_name: Plewka, F.
  last_name: Plewka
- first_name: M.
  full_name: Schmeiß, M.
  last_name: Schmeiß
- first_name: T.
  full_name: Sterzig, T.
  last_name: Sterzig
- first_name: J.
  full_name: Häußler, J.
  last_name: Häußler
language:
- iso: eng
place: Munich, Germany
publication: '{Musik aus Mitteldeutschland}'
publisher: Strube Verlag
status: public
title: Nun sich der Tag geendet hat
type: book_chapter
user_id: '55565'
year: '2012'
...
---
_id: '47382'
author:
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
citation:
  ama: 'Berndt A. <i>Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken</i>.
    Verlag Dr. Hut; 2011.'
  apa: 'Berndt, A. (2011). <i>Musik für interaktive Medien: Arrangement- und Interpretationstechniken</i>.
    Verlag Dr. Hut.'
  bibtex: '@book{Berndt_2011, place={Munich, Germany}, title={Musik für interaktive
    Medien: Arrangement- und Interpretationstechniken}, publisher={Verlag Dr. Hut},
    author={Berndt, Axel}, year={2011} }'
  chicago: 'Berndt, Axel. <i>Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken</i>.
    Munich, Germany: Verlag Dr. Hut, 2011.'
  ieee: 'A. Berndt, <i>Musik für interaktive Medien: Arrangement- und Interpretationstechniken</i>.
    Munich, Germany: Verlag Dr. Hut, 2011.'
  mla: 'Berndt, Axel. <i>Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken</i>.
    Verlag Dr. Hut, 2011.'
  short: 'A. Berndt, Musik Für Interaktive Medien: Arrangement- Und Interpretationstechniken,
    Verlag Dr. Hut, Munich, Germany, 2011.'
date_created: 2023-09-25T10:44:16Z
date_updated: 2025-05-23T12:59:31Z
language:
- iso: eng
place: Munich, Germany
publisher: Verlag Dr. Hut
status: public
title: 'Musik für interaktive Medien: Arrangement- und Interpretationstechniken'
type: book
user_id: '55565'
year: '2011'
...
---
_id: '47385'
author:
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
citation:
  ama: 'Berndt A. Musical Tempo Curves. In: Clarke M, Adkins M, Isaacs B, eds. <i>{Proc.
    of the Int. Computer Music Conf.\ (ICMC)}</i>. International Computer Music Association,
    University of Huddersfield; 2011:118–121.'
  apa: Berndt, A. (2011). Musical Tempo Curves. In M. Clarke, M. Adkins, &#38; B.
    Isaacs (Eds.), <i>{Proc. of the Int. Computer Music Conf.\ (ICMC)}</i> (pp. 118–121).
    International Computer Music Association, University of Huddersfield.
  bibtex: '@inproceedings{Berndt_2011, place={Huddersfield, UK}, title={Musical Tempo
    Curves}, booktitle={{Proc. of the Int. Computer Music Conf.\ (ICMC)}}, publisher={International
    Computer Music Association, University of Huddersfield}, author={Berndt, Axel},
    editor={Clarke, M. and Adkins, M. and Isaacs, B.}, year={2011}, pages={118–121}
    }'
  chicago: 'Berndt, Axel. “Musical Tempo Curves.” In <i>{Proc. of the Int. Computer
    Music Conf.\ (ICMC)}</i>, edited by M. Clarke, M. Adkins, and B. Isaacs, 118–121.
    Huddersfield, UK: International Computer Music Association, University of Huddersfield,
    2011.'
  ieee: A. Berndt, “Musical Tempo Curves,” in <i>{Proc. of the Int. Computer Music
    Conf.\ (ICMC)}</i>, 2011, pp. 118–121.
  mla: Berndt, Axel. “Musical Tempo Curves.” <i>{Proc. of the Int. Computer Music
    Conf.\ (ICMC)}</i>, edited by M. Clarke et al., International Computer Music Association,
    University of Huddersfield, 2011, pp. 118–121.
  short: 'A. Berndt, in: M. Clarke, M. Adkins, B. Isaacs (Eds.), {Proc. of the Int.
    Computer Music Conf.\ (ICMC)}, International Computer Music Association, University
    of Huddersfield, Huddersfield, UK, 2011, pp. 118–121.'
date_created: 2023-09-25T10:44:17Z
date_updated: 2025-05-23T14:52:23Z
editor:
- first_name: M.
  full_name: Clarke, M.
  last_name: Clarke
- first_name: M.
  full_name: Adkins, M.
  last_name: Adkins
- first_name: B.
  full_name: Isaacs, B.
  last_name: Isaacs
language:
- iso: eng
page: 118–121
place: Huddersfield, UK
publication: '{Proc. of the Int. Computer Music Conf.\ (ICMC)}'
publisher: International Computer Music Association, University of Huddersfield
status: public
title: Musical Tempo Curves
type: conference
user_id: '55565'
year: '2011'
...
---
_id: '47388'
author:
- first_name: T.
  full_name: Hähnel, T.
  last_name: Hähnel
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
citation:
  ama: 'Hähnel T, Berndt A. Studying Interdependencies in Music Performance: An Interactive
    Tool. In: <i>{Proc. of New Interfaces for Musical Expression (NIME) 2011}</i>.
    University of Oslo, Norwegian Academy of Music; 2011:48–51.'
  apa: 'Hähnel, T., &#38; Berndt, A. (2011). Studying Interdependencies in Music Performance:
    An Interactive Tool. <i>{Proc. of New Interfaces for Musical Expression (NIME)
    2011}</i>, 48–51.'
  bibtex: '@inproceedings{Hähnel_Berndt_2011, place={Oslo, Norway}, title={Studying
    Interdependencies in Music Performance: An Interactive Tool}, booktitle={{Proc.
    of New Interfaces for Musical Expression (NIME) 2011}}, publisher={University
    of Oslo, Norwegian Academy of Music}, author={Hähnel, T. and Berndt, Axel}, year={2011},
    pages={48–51} }'
  chicago: 'Hähnel, T., and Axel Berndt. “Studying Interdependencies in Music Performance:
    An Interactive Tool.” In <i>{Proc. of New Interfaces for Musical Expression (NIME)
    2011}</i>, 48–51. Oslo, Norway: University of Oslo, Norwegian Academy of Music,
    2011.'
  ieee: 'T. Hähnel and A. Berndt, “Studying Interdependencies in Music Performance:
    An Interactive Tool,” in <i>{Proc. of New Interfaces for Musical Expression (NIME)
    2011}</i>, 2011, pp. 48–51.'
  mla: 'Hähnel, T., and Axel Berndt. “Studying Interdependencies in Music Performance:
    An Interactive Tool.” <i>{Proc. of New Interfaces for Musical Expression (NIME)
    2011}</i>, University of Oslo, Norwegian Academy of Music, 2011, pp. 48–51.'
  short: 'T. Hähnel, A. Berndt, in: {Proc. of New Interfaces for Musical Expression
    (NIME) 2011}, University of Oslo, Norwegian Academy of Music, Oslo, Norway, 2011,
    pp. 48–51.'
date_created: 2023-09-25T10:44:17Z
date_updated: 2025-05-23T14:52:18Z
language:
- iso: eng
page: 48–51
place: Oslo, Norway
publication: '{Proc. of New Interfaces for Musical Expression (NIME) 2011}'
publisher: University of Oslo, Norwegian Academy of Music
status: public
title: 'Studying Interdependencies in Music Performance: An Interactive Tool'
type: conference
user_id: '55565'
year: '2011'
...
---
_id: '47387'
author:
- first_name: T.
  full_name: Hähnel, T.
  last_name: Hähnel
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
citation:
  ama: 'Hähnel T, Berndt A. Eighth-Notes Performances: Kinds of Inégalité. In: <i>{Audio
    Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}</i>. ACM SIGCHI;
    2011:75–81.'
  apa: 'Hähnel, T., &#38; Berndt, A. (2011). Eighth-Notes Performances: Kinds of Inégalité.
    <i>{Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}</i>,
    75–81.'
  bibtex: '@inproceedings{Hähnel_Berndt_2011, place={Coimbra, Portugal}, title={Eighth-Notes
    Performances: Kinds of Inégalité}, booktitle={{Audio Mostly 2011: 6th Conf. on
    Interaction with Sound—Sound and Context}}, publisher={ACM SIGCHI}, author={Hähnel,
    T. and Berndt, Axel}, year={2011}, pages={75–81} }'
  chicago: 'Hähnel, T., and Axel Berndt. “Eighth-Notes Performances: Kinds of Inégalité.”
    In <i>{Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}</i>,
    75–81. Coimbra, Portugal: ACM SIGCHI, 2011.'
  ieee: 'T. Hähnel and A. Berndt, “Eighth-Notes Performances: Kinds of Inégalité,”
    in <i>{Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}</i>,
    2011, pp. 75–81.'
  mla: 'Hähnel, T., and Axel Berndt. “Eighth-Notes Performances: Kinds of Inégalité.”
    <i>{Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}</i>,
    ACM SIGCHI, 2011, pp. 75–81.'
  short: 'T. Hähnel, A. Berndt, in: {Audio Mostly 2011: 6th Conf. on Interaction with
    Sound—Sound and Context}, ACM SIGCHI, Coimbra, Portugal, 2011, pp. 75–81.'
date_created: 2023-09-25T10:44:17Z
date_updated: 2025-05-23T14:52:13Z
language:
- iso: eng
page: 75–81
place: Coimbra, Portugal
publication: '{Audio Mostly 2011: 6th Conf. on Interaction with Sound—Sound and Context}'
publisher: ACM SIGCHI
status: public
title: 'Eighth-Notes Performances: Kinds of Inégalité'
type: conference
user_id: '55565'
year: '2011'
...
---
_id: '47386'
author:
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
citation:
  ama: 'Berndt A. Der Computer als Komponist und Interpret der Zukunft? In: <i>{Meeting
    of the Gesellschaft Für Informatik (GI)}</i>. ; 2011.'
  apa: Berndt, A. (2011). Der Computer als Komponist und Interpret der Zukunft? <i>{Meeting
    of the Gesellschaft Für Informatik (GI)}</i>.
  bibtex: '@inproceedings{Berndt_2011, place={Magdeburg, Germany}, title={Der Computer
    als Komponist und Interpret der Zukunft?}, booktitle={{Meeting of the Gesellschaft
    für Informatik (GI)}}, author={Berndt, Axel}, year={2011} }'
  chicago: Berndt, Axel. “Der Computer Als Komponist Und Interpret Der Zukunft?” In
    <i>{Meeting of the Gesellschaft Für Informatik (GI)}</i>. Magdeburg, Germany,
    2011.
  ieee: A. Berndt, “Der Computer als Komponist und Interpret der Zukunft?,” 2011.
  mla: Berndt, Axel. “Der Computer Als Komponist Und Interpret Der Zukunft?” <i>{Meeting
    of the Gesellschaft Für Informatik (GI)}</i>, 2011.
  short: 'A. Berndt, in: {Meeting of the Gesellschaft Für Informatik (GI)}, Magdeburg,
    Germany, 2011.'
date_created: 2023-09-25T10:44:17Z
date_updated: 2025-05-23T14:52:06Z
language:
- iso: eng
place: Magdeburg, Germany
publication: '{Meeting of the Gesellschaft für Informatik (GI)}'
status: public
title: Der Computer als Komponist und Interpret der Zukunft?
type: conference
user_id: '55565'
year: '2011'
...
---
_id: '47393'
author:
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
citation:
  ama: 'Berndt A. Diegetic Music: New Interactive Experiences. In: Grimshaw M, ed.
    <i>{Game Sound Technology and Player Interaction: Concepts and Developments}</i>.
    IGI Global; 2011:60–76.'
  apa: 'Berndt, A. (2011). Diegetic Music: New Interactive Experiences. In M. Grimshaw
    (Ed.), <i>{Game Sound Technology and Player Interaction: Concepts and Developments}</i>
    (pp. 60–76). IGI Global.'
  bibtex: '@inbook{Berndt_2011, place={Hershey, PA}, title={Diegetic Music: New Interactive
    Experiences}, booktitle={{Game Sound Technology and Player Interaction: Concepts
    and Developments}}, publisher={IGI Global}, author={Berndt, Axel}, editor={Grimshaw,
    M.}, year={2011}, pages={60–76} }'
  chicago: 'Berndt, Axel. “Diegetic Music: New Interactive Experiences.” In <i>{Game
    Sound Technology and Player Interaction: Concepts and Developments}</i>, edited
    by M. Grimshaw, 60–76. Hershey, PA: IGI Global, 2011.'
  ieee: 'A. Berndt, “Diegetic Music: New Interactive Experiences,” in <i>{Game Sound
    Technology and Player Interaction: Concepts and Developments}</i>, M. Grimshaw,
    Ed. Hershey, PA: IGI Global, 2011, pp. 60–76.'
  mla: 'Berndt, Axel. “Diegetic Music: New Interactive Experiences.” <i>{Game Sound
    Technology and Player Interaction: Concepts and Developments}</i>, edited by M.
    Grimshaw, IGI Global, 2011, pp. 60–76.'
  short: 'A. Berndt, in: M. Grimshaw (Ed.), {Game Sound Technology and Player Interaction:
    Concepts and Developments}, IGI Global, Hershey, PA, 2011, pp. 60–76.'
date_created: 2023-09-25T10:44:18Z
date_updated: 2025-05-23T14:59:24Z
editor:
- first_name: M.
  full_name: Grimshaw, M.
  last_name: Grimshaw
language:
- iso: eng
page: 60–76
place: Hershey, PA
publication: '{Game Sound Technology and Player Interaction: Concepts and Developments}'
publisher: IGI Global
status: public
title: 'Diegetic Music: New Interactive Experiences'
type: book_chapter
user_id: '55565'
year: '2011'
...
---
_id: '47389'
author:
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
- first_name: T.
  full_name: Hähnel, T.
  last_name: Hähnel
citation:
  ama: 'Berndt A, Hähnel T. Modelling Musical Dynamics. In: <i>{Audio Mostly 2010:
    5th Conf. on Interaction with Sound—Sound and Design}</i>. ACM; 2010:134–141.'
  apa: 'Berndt, A., &#38; Hähnel, T. (2010). Modelling Musical Dynamics. <i>{Audio
    Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}</i>, 134–141.'
  bibtex: '@inproceedings{Berndt_Hähnel_2010, place={Piteå, Sweden}, title={Modelling
    Musical Dynamics}, booktitle={{Audio Mostly 2010: 5th Conf. on Interaction with
    Sound—Sound and Design}}, publisher={ACM}, author={Berndt, Axel and Hähnel, T.},
    year={2010}, pages={134–141} }'
  chicago: 'Berndt, Axel, and T. Hähnel. “Modelling Musical Dynamics.” In <i>{Audio
    Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}</i>, 134–141.
    Piteå, Sweden: ACM, 2010.'
  ieee: 'A. Berndt and T. Hähnel, “Modelling Musical Dynamics,” in <i>{Audio Mostly
    2010: 5th Conf. on Interaction with Sound—Sound and Design}</i>, 2010, pp. 134–141.'
  mla: 'Berndt, Axel, and T. Hähnel. “Modelling Musical Dynamics.” <i>{Audio Mostly
    2010: 5th Conf. on Interaction with Sound—Sound and Design}</i>, ACM, 2010, pp.
    134–141.'
  short: 'A. Berndt, T. Hähnel, in: {Audio Mostly 2010: 5th Conf. on Interaction with
    Sound—Sound and Design}, ACM, Piteå, Sweden, 2010, pp. 134–141.'
date_created: 2023-09-25T10:44:17Z
date_updated: 2025-05-23T13:00:03Z
language:
- iso: eng
page: 134–141
place: Piteå, Sweden
publication: '{Audio Mostly 2010: 5th Conf. on Interaction with Sound—Sound and Design}'
publisher: ACM
status: public
title: Modelling Musical Dynamics
type: conference
user_id: '55565'
year: '2010'
...
---
_id: '47390'
author:
- first_name: T.
  full_name: Hähnel, T.
  last_name: Hähnel
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
citation:
  ama: 'Hähnel T, Berndt A. Synthetic and Pseudo-Synthetic Music Performances: An
    Evaluation. In: <i>{Proc. of the 3rd Int. Conf. of Students of Systematic Musicology
    (SysMus10)}</i>. ; 2010.'
  apa: 'Hähnel, T., &#38; Berndt, A. (2010). Synthetic and Pseudo-Synthetic Music
    Performances: An Evaluation. <i>{Proc. of the 3rd Int. Conf. of Students of Systematic
    Musicology (SysMus10)}</i>.'
  bibtex: '@inproceedings{Hähnel_Berndt_2010, place={Cambridge, UK}, title={Synthetic
    and Pseudo-Synthetic Music Performances: An Evaluation}, booktitle={{Proc. of
    the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}}, author={Hähnel,
    T. and Berndt, Axel}, year={2010} }'
  chicago: 'Hähnel, T., and Axel Berndt. “Synthetic and Pseudo-Synthetic Music Performances:
    An Evaluation.” In <i>{Proc. of the 3rd Int. Conf. of Students of Systematic Musicology
    (SysMus10)}</i>. Cambridge, UK, 2010.'
  ieee: 'T. Hähnel and A. Berndt, “Synthetic and Pseudo-Synthetic Music Performances:
    An Evaluation,” 2010.'
  mla: 'Hähnel, T., and Axel Berndt. “Synthetic and Pseudo-Synthetic Music Performances:
    An Evaluation.” <i>{Proc. of the 3rd Int. Conf. of Students of Systematic Musicology
    (SysMus10)}</i>, 2010.'
  short: 'T. Hähnel, A. Berndt, in: {Proc. of the 3rd Int. Conf. of Students of Systematic
    Musicology (SysMus10)}, Cambridge, UK, 2010.'
date_created: 2023-09-25T10:44:17Z
date_updated: 2025-05-23T12:59:58Z
language:
- iso: eng
place: Cambridge, UK
publication: '{Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10)}'
status: public
title: 'Synthetic and Pseudo-Synthetic Music Performances: An Evaluation'
type: conference
user_id: '55565'
year: '2010'
...
---
_id: '47392'
author:
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
citation:
  ama: 'Berndt A. Decentralizing Music, Its Performance, and Processing. In: Schedel
    M, Weymouth D, eds. <i>{Proc. of the Int. Computer Music Conf.\ (ICMC)}</i>. International
    Computer Music Association, Stony Brook University; 2010:381–388.'
  apa: Berndt, A. (2010). Decentralizing Music, Its Performance, and Processing. In
    M. Schedel &#38; D. Weymouth (Eds.), <i>{Proc. of the Int. Computer Music Conf.\
    (ICMC)}</i> (pp. 381–388). International Computer Music Association, Stony Brook
    University.
  bibtex: '@inproceedings{Berndt_2010, place={New York, USA}, title={Decentralizing
    Music, Its Performance, and Processing}, booktitle={{Proc. of the Int. Computer
    Music Conf.\ (ICMC)}}, publisher={International Computer Music Association, Stony
    Brook University}, author={Berndt, Axel}, editor={Schedel, M. and Weymouth, D.},
    year={2010}, pages={381–388} }'
  chicago: 'Berndt, Axel. “Decentralizing Music, Its Performance, and Processing.”
    In <i>{Proc. of the Int. Computer Music Conf.\ (ICMC)}</i>, edited by M. Schedel
    and D. Weymouth, 381–388. New York, USA: International Computer Music Association,
    Stony Brook University, 2010.'
  ieee: A. Berndt, “Decentralizing Music, Its Performance, and Processing,” in <i>{Proc.
    of the Int. Computer Music Conf.\ (ICMC)}</i>, 2010, pp. 381–388.
  mla: Berndt, Axel. “Decentralizing Music, Its Performance, and Processing.” <i>{Proc.
    of the Int. Computer Music Conf.\ (ICMC)}</i>, edited by M. Schedel and D. Weymouth,
    International Computer Music Association, Stony Brook University, 2010, pp. 381–388.
  short: 'A. Berndt, in: M. Schedel, D. Weymouth (Eds.), {Proc. of the Int. Computer
    Music Conf.\ (ICMC)}, International Computer Music Association, Stony Brook University,
    New York, USA, 2010, pp. 381–388.'
date_created: 2023-09-25T10:44:18Z
date_updated: 2025-05-23T14:59:16Z
editor:
- first_name: M.
  full_name: Schedel, M.
  last_name: Schedel
- first_name: D.
  full_name: Weymouth, D.
  last_name: Weymouth
language:
- iso: eng
page: 381–388
place: New York, USA
publication: '{Proc. of the Int. Computer Music Conf.\ (ICMC)}'
publisher: International Computer Music Association, Stony Brook University
status: public
title: Decentralizing Music, Its Performance, and Processing
type: conference
user_id: '55565'
year: '2010'
...
---
_id: '47391'
author:
- first_name: T.
  full_name: Hähnel, T.
  last_name: Hähnel
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
citation:
  ama: 'Hähnel T, Berndt A. Expressive Articulation for Synthetic Music Performances.
    In: <i>{Proc. of New Interfaces for Musical Expression (NIME) 2010}</i>. University
    of Technology Sydney; 2010:277–282.'
  apa: Hähnel, T., &#38; Berndt, A. (2010). Expressive Articulation for Synthetic
    Music Performances. <i>{Proc. of New Interfaces for Musical Expression (NIME)
    2010}</i>, 277–282.
  bibtex: '@inproceedings{Hähnel_Berndt_2010, place={Sydney, Australia}, title={Expressive
    Articulation for Synthetic Music Performances}, booktitle={{Proc. of New Interfaces
    for Musical Expression (NIME) 2010}}, publisher={University of Technology Sydney},
    author={Hähnel, T. and Berndt, Axel}, year={2010}, pages={277–282} }'
  chicago: 'Hähnel, T., and Axel Berndt. “Expressive Articulation for Synthetic Music
    Performances.” In <i>{Proc. of New Interfaces for Musical Expression (NIME) 2010}</i>,
    277–282. Sydney, Australia: University of Technology Sydney, 2010.'
  ieee: T. Hähnel and A. Berndt, “Expressive Articulation for Synthetic Music Performances,”
    in <i>{Proc. of New Interfaces for Musical Expression (NIME) 2010}</i>, 2010,
    pp. 277–282.
  mla: Hähnel, T., and Axel Berndt. “Expressive Articulation for Synthetic Music Performances.”
    <i>{Proc. of New Interfaces for Musical Expression (NIME) 2010}</i>, University
    of Technology Sydney, 2010, pp. 277–282.
  short: 'T. Hähnel, A. Berndt, in: {Proc. of New Interfaces for Musical Expression
    (NIME) 2010}, University of Technology Sydney, Sydney, Australia, 2010, pp. 277–282.'
date_created: 2023-09-25T10:44:18Z
date_updated: 2025-05-23T14:58:05Z
language:
- iso: eng
page: 277–282
place: Sydney, Australia
publication: '{Proc. of New Interfaces for Musical Expression (NIME) 2010}'
publisher: University of Technology Sydney
status: public
title: Expressive Articulation for Synthetic Music Performances
type: conference
user_id: '55565'
year: '2010'
...
---
_id: '47397'
author:
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
citation:
  ama: 'Berndt A. Adaptive Musical Expression from Automatic Realtime Orchestration
    and Performance. In: <i>Interactive Digital Storytelling (ICIDS) 2008</i>. ; 2009.'
  apa: Berndt, A. (2009). Adaptive Musical Expression from Automatic Realtime Orchestration
    and Performance. <i>Interactive Digital Storytelling (ICIDS) 2008</i>.
  bibtex: '@inproceedings{Berndt_2009, title={Adaptive Musical Expression from Automatic
    Realtime Orchestration and Performance}, booktitle={Interactive Digital Storytelling
    (ICIDS) 2008}, author={Berndt, Axel}, year={2009} }'
  chicago: Berndt, Axel. “Adaptive Musical Expression from Automatic Realtime Orchestration
    and Performance.” In <i>Interactive Digital Storytelling (ICIDS) 2008</i>, 2009.
  ieee: A. Berndt, “Adaptive Musical Expression from Automatic Realtime Orchestration
    and Performance,” 2009.
  mla: Berndt, Axel. “Adaptive Musical Expression from Automatic Realtime Orchestration
    and Performance.” <i>Interactive Digital Storytelling (ICIDS) 2008</i>, 2009.
  short: 'A. Berndt, in: Interactive Digital Storytelling (ICIDS) 2008, 2009.'
date_created: 2023-09-25T10:44:18Z
date_updated: 2025-05-23T14:54:47Z
language:
- iso: eng
publication: Interactive Digital Storytelling (ICIDS) 2008
status: public
title: Adaptive Musical Expression from Automatic Realtime Orchestration and Performance
type: conference
user_id: '55565'
year: '2009'
...
---
_id: '47396'
author:
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
citation:
  ama: 'Berndt A. Musical Nonlinearity in Interactive Narrative Environments. In:
    Scavone G, Verfaille V, da Silva A, eds. <i>{Proc. of the Int. Computer Music
    Conf.\ (ICMC)}</i>. International Computer Music Association, Schulich School
    of Music/McGill University; 2009:355–358.'
  apa: Berndt, A. (2009). Musical Nonlinearity in Interactive Narrative Environments.
    In G. Scavone, V. Verfaille, &#38; A. da Silva (Eds.), <i>{Proc. of the Int. Computer
    Music Conf.\ (ICMC)}</i> (pp. 355–358). International Computer Music Association,
    Schulich School of Music/McGill University.
  bibtex: '@inproceedings{Berndt_2009, place={Montréal, Canada}, title={Musical Nonlinearity
    in Interactive Narrative Environments}, booktitle={{Proc. of the Int. Computer
    Music Conf.\ (ICMC)}}, publisher={International Computer Music Association, Schulich
    School of Music/McGill University}, author={Berndt, Axel}, editor={Scavone, G.
    and Verfaille, V. and da Silva, A.}, year={2009}, pages={355–358} }'
  chicago: 'Berndt, Axel. “Musical Nonlinearity in Interactive Narrative Environments.”
    In <i>{Proc. of the Int. Computer Music Conf.\ (ICMC)}</i>, edited by G. Scavone,
    V. Verfaille, and A. da Silva, 355–358. Montréal, Canada: International Computer
    Music Association, Schulich School of Music/McGill University, 2009.'
  ieee: A. Berndt, “Musical Nonlinearity in Interactive Narrative Environments,” in
    <i>{Proc. of the Int. Computer Music Conf.\ (ICMC)}</i>, 2009, pp. 355–358.
  mla: Berndt, Axel. “Musical Nonlinearity in Interactive Narrative Environments.”
    <i>{Proc. of the Int. Computer Music Conf.\ (ICMC)}</i>, edited by G. Scavone
    et al., International Computer Music Association, Schulich School of Music/McGill
    University, 2009, pp. 355–358.
  short: 'A. Berndt, in: G. Scavone, V. Verfaille, A. da Silva (Eds.), {Proc. of the
    Int. Computer Music Conf.\ (ICMC)}, International Computer Music Association,
    Schulich School of Music/McGill University, Montréal, Canada, 2009, pp. 355–358.'
date_created: 2023-09-25T10:44:18Z
date_updated: 2025-05-23T14:57:58Z
editor:
- first_name: G.
  full_name: Scavone, G.
  last_name: Scavone
- first_name: V.
  full_name: Verfaille, V.
  last_name: Verfaille
- first_name: A.
  full_name: da Silva, A.
  last_name: da Silva
language:
- iso: eng
page: 355–358
place: Montréal, Canada
publication: '{Proc. of the Int. Computer Music Conf.\ (ICMC)}'
publisher: International Computer Music Association, Schulich School of Music/McGill
  University
status: public
title: Musical Nonlinearity in Interactive Narrative Environments
type: conference
user_id: '55565'
year: '2009'
...
---
_id: '47395'
author:
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
- first_name: T.
  full_name: Hähnel, T.
  last_name: Hähnel
citation:
  ama: 'Berndt A, Hähnel T. Expressive Musical Timing. In: <i>{Audio Mostly 2009:
    4th Conf. on Interaction with Sound—Sound and Emotion}</i>. Glasgow Caledonian
    University, Interactive Institute/Sonic Studio Piteå; 2009:9–16.'
  apa: 'Berndt, A., &#38; Hähnel, T. (2009). Expressive Musical Timing. <i>{Audio
    Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}</i>, 9–16.'
  bibtex: '@inproceedings{Berndt_Hähnel_2009, place={Glasgow, Scotland}, title={Expressive
    Musical Timing}, booktitle={{Audio Mostly 2009: 4th Conf. on Interaction with
    Sound—Sound and Emotion}}, publisher={Glasgow Caledonian University, Interactive
    Institute/Sonic Studio Piteå}, author={Berndt, Axel and Hähnel, T.}, year={2009},
    pages={9–16} }'
  chicago: 'Berndt, Axel, and T. Hähnel. “Expressive Musical Timing.” In <i>{Audio
    Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}</i>, 9–16.
    Glasgow, Scotland: Glasgow Caledonian University, Interactive Institute/Sonic
    Studio Piteå, 2009.'
  ieee: 'A. Berndt and T. Hähnel, “Expressive Musical Timing,” in <i>{Audio Mostly
    2009: 4th Conf. on Interaction with Sound—Sound and Emotion}</i>, 2009, pp. 9–16.'
  mla: 'Berndt, Axel, and T. Hähnel. “Expressive Musical Timing.” <i>{Audio Mostly
    2009: 4th Conf. on Interaction with Sound—Sound and Emotion}</i>, Glasgow Caledonian
    University, Interactive Institute/Sonic Studio Piteå, 2009, pp. 9–16.'
  short: 'A. Berndt, T. Hähnel, in: {Audio Mostly 2009: 4th Conf. on Interaction with
    Sound—Sound and Emotion}, Glasgow Caledonian University, Interactive Institute/Sonic
    Studio Piteå, Glasgow, Scotland, 2009, pp. 9–16.'
date_created: 2023-09-25T10:44:18Z
date_updated: 2025-05-23T14:57:53Z
language:
- iso: eng
page: 9–16
place: Glasgow, Scotland
publication: '{Audio Mostly 2009: 4th Conf. on Interaction with Sound—Sound and Emotion}'
publisher: Glasgow Caledonian University, Interactive Institute/Sonic Studio Piteå
status: public
title: Expressive Musical Timing
type: conference
user_id: '55565'
year: '2009'
...
---
_id: '47394'
author:
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
- first_name: T.
  full_name: Hähnel, T.
  last_name: Hähnel
citation:
  ama: 'Berndt A, Hähnel T. Der Computer als Interpret. In: <i>{Gespräche Um Telemann}</i>.
    ; 2009.'
  apa: Berndt, A., &#38; Hähnel, T. (2009). Der Computer als Interpret. <i>{Gespräche
    Um Telemann}</i>.
  bibtex: '@inproceedings{Berndt_Hähnel_2009, place={Magdeburg, Germany}, title={Der
    Computer als Interpret}, booktitle={{Gespräche um Telemann}}, author={Berndt,
    Axel and Hähnel, T.}, year={2009} }'
  chicago: Berndt, Axel, and T. Hähnel. “Der Computer Als Interpret.” In <i>{Gespräche
    Um Telemann}</i>. Magdeburg, Germany, 2009.
  ieee: A. Berndt and T. Hähnel, “Der Computer als Interpret,” 2009.
  mla: Berndt, Axel, and T. Hähnel. “Der Computer Als Interpret.” <i>{Gespräche Um
    Telemann}</i>, 2009.
  short: 'A. Berndt, T. Hähnel, in: {Gespräche Um Telemann}, Magdeburg, Germany, 2009.'
date_created: 2023-09-25T10:44:18Z
date_updated: 2025-05-23T14:57:47Z
language:
- iso: eng
place: Magdeburg, Germany
publication: '{Gespräche um Telemann}'
status: public
title: Der Computer als Interpret
type: conference
user_id: '55565'
year: '2009'
...
---
_id: '47398'
author:
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
- first_name: H.
  full_name: Theisel, H.
  last_name: Theisel
citation:
  ama: 'Berndt A, Theisel H. Adaptive Musical Expression from Automatic Realtime Orchestration
    and Performance. In: Spierling U, Szilas N, eds. <i>{Interactive Digital Storytelling
    (ICIDS) 2008}</i>. Springer; 2008:132–143.'
  apa: Berndt, A., &#38; Theisel, H. (2008). Adaptive Musical Expression from Automatic
    Realtime Orchestration and Performance. In U. Spierling &#38; N. Szilas (Eds.),
    <i>{Interactive Digital Storytelling (ICIDS) 2008}</i> (pp. 132–143). Springer.
  bibtex: '@inproceedings{Berndt_Theisel_2008, place={Erfurt, Germany}, title={Adaptive
    Musical Expression from Automatic Realtime Orchestration and Performance}, booktitle={{Interactive
    Digital Storytelling (ICIDS) 2008}}, publisher={Springer}, author={Berndt, Axel
    and Theisel, H.}, editor={Spierling, U. and Szilas, N.}, year={2008}, pages={132–143}
    }'
  chicago: 'Berndt, Axel, and H. Theisel. “Adaptive Musical Expression from Automatic
    Realtime Orchestration and Performance.” In <i>{Interactive Digital Storytelling
    (ICIDS) 2008}</i>, edited by U. Spierling and N. Szilas, 132–143. Erfurt, Germany:
    Springer, 2008.'
  ieee: A. Berndt and H. Theisel, “Adaptive Musical Expression from Automatic Realtime
    Orchestration and Performance,” in <i>{Interactive Digital Storytelling (ICIDS)
    2008}</i>, 2008, pp. 132–143.
  mla: Berndt, Axel, and H. Theisel. “Adaptive Musical Expression from Automatic Realtime
    Orchestration and Performance.” <i>{Interactive Digital Storytelling (ICIDS) 2008}</i>,
    edited by U. Spierling and N. Szilas, Springer, 2008, pp. 132–143.
  short: 'A. Berndt, H. Theisel, in: U. Spierling, N. Szilas (Eds.), {Interactive
    Digital Storytelling (ICIDS) 2008}, Springer, Erfurt, Germany, 2008, pp. 132–143.'
date_created: 2023-09-25T10:44:19Z
date_updated: 2025-05-23T14:57:02Z
editor:
- first_name: U.
  full_name: Spierling, U.
  last_name: Spierling
- first_name: N.
  full_name: Szilas, N.
  last_name: Szilas
language:
- iso: eng
page: 132–143
place: Erfurt, Germany
publication: '{Interactive Digital Storytelling (ICIDS) 2008}'
publisher: Springer
status: public
title: Adaptive Musical Expression from Automatic Realtime Orchestration and Performance
type: conference
user_id: '55565'
year: '2008'
...
---
_id: '47400'
author:
- first_name: L.
  full_name: Stockmann, L.
  last_name: Stockmann
- first_name: Axel
  full_name: Berndt, Axel
  id: '55565'
  last_name: Berndt
- first_name: N.
  full_name: Röber, N.
  last_name: Röber
citation:
  ama: 'Stockmann L, Berndt A, Röber N. A Musical Instrument based on Interactive
    Sonification Techniques. In: <i>{Audio Mostly 2008: 3rd Conf. on Interaction with
    Sound}</i>. Interactive Institute/Sonic Studio Piteå; 2008:72–79.'
  apa: 'Stockmann, L., Berndt, A., &#38; Röber, N. (2008). A Musical Instrument based
    on Interactive Sonification Techniques. <i>{Audio Mostly 2008: 3rd Conf. on Interaction
    with Sound}</i>, 72–79.'
  bibtex: '@inproceedings{Stockmann_Berndt_Röber_2008, place={Piteå, Sweden}, title={A
    Musical Instrument based on Interactive Sonification Techniques}, booktitle={{Audio
    Mostly 2008: 3rd Conf. on Interaction with Sound}}, publisher={Interactive Institute/Sonic
    Studio Piteå}, author={Stockmann, L. and Berndt, Axel and Röber, N.}, year={2008},
    pages={72–79} }'
  chicago: 'Stockmann, L., Axel Berndt, and N. Röber. “A Musical Instrument Based
    on Interactive Sonification Techniques.” In <i>{Audio Mostly 2008: 3rd Conf. on
    Interaction with Sound}</i>, 72–79. Piteå, Sweden: Interactive Institute/Sonic
    Studio Piteå, 2008.'
  ieee: 'L. Stockmann, A. Berndt, and N. Röber, “A Musical Instrument based on Interactive
    Sonification Techniques,” in <i>{Audio Mostly 2008: 3rd Conf. on Interaction with
    Sound}</i>, 2008, pp. 72–79.'
  mla: 'Stockmann, L., et al. “A Musical Instrument Based on Interactive Sonification
    Techniques.” <i>{Audio Mostly 2008: 3rd Conf. on Interaction with Sound}</i>,
    Interactive Institute/Sonic Studio Piteå, 2008, pp. 72–79.'
  short: 'L. Stockmann, A. Berndt, N. Röber, in: {Audio Mostly 2008: 3rd Conf. on
    Interaction with Sound}, Interactive Institute/Sonic Studio Piteå, Piteå, Sweden,
    2008, pp. 72–79.'
date_created: 2023-09-25T10:44:19Z
date_updated: 2025-05-23T14:59:54Z
language:
- iso: eng
page: 72–79
place: Piteå, Sweden
publication: '{Audio Mostly 2008: 3rd Conf. on Interaction with Sound}'
publisher: Interactive Institute/Sonic Studio Piteå
status: public
title: A Musical Instrument based on Interactive Sonification Techniques
type: conference
user_id: '55565'
year: '2008'
...