@article{45675,
  author       = {{Tophinke, Doris}},
  journal      = {{Kunst und Politik}},
  pages        = {{23 -- 45}},
  title        = {{{"DAS iSt STRASSEN-PoLiTiK!" Politisches "meaning making" im Szene-Graffiti}}},
  volume       = {{24}},
  year         = {{2023}},
}

@inbook{44170,
  author       = {{Niemann, Sven}},
  booktitle    = {{Kunst und Politik. Jahrbuch der Guernica-Gesellschaft. Schwerpunkt: Politisches Graffiti.}},
  editor       = {{Papenbrock, Martin and Tophinke, Doris}},
  pages        = {{89--102}},
  publisher    = {{V&R unipress}},
  title        = {{{Bomb the System! Politische Pieces als Partizipationspraktik im öffentlichen Raum}}},
  volume       = {{24/2022}},
  year         = {{2023}},
}

@article{45484,
  abstract     = {{<jats:title>Abstract</jats:title><jats:p>Graffiti is an urban phenomenon that is increasingly attracting the interest of the sciences. To the best of our knowledge, no suitable data corpora are available for systematic research until now. The Information System Graffiti in Germany project (<jats:sc>Ingrid</jats:sc>) closes this gap by dealing with graffiti image collections that have been made available to the project for public use. Within <jats:sc>Ingrid</jats:sc>, the graffiti images are collected, digitized and annotated. With this work, we aim to support the rapid access to a comprehensive data source on <jats:sc>Ingrid</jats:sc> targeted especially by researchers. In particular, we present <jats:sc>Ingrid</jats:sc>KG, an RDF knowledge graph of annotated graffiti, abides by the Linked Data and FAIR principles. We weekly update <jats:sc>Ingrid</jats:sc>KG by augmenting the new annotated graffiti to our knowledge graph. Our generation pipeline applies RDF data conversion, link discovery and data fusion approaches to the original data. The current version of <jats:sc>Ingrid</jats:sc>KG contains 460,640,154 triples and is linked to 3 other knowledge graphs by over 200,000 links. In our use case studies, we demonstrate the usefulness of our knowledge graph for different applications.</jats:p>}},
  author       = {{Sherif, Mohamed Ahmed and da Silva, Ana Alexandra Morim and Pestryakova, Svetlana and Ahmed, Abdullah Fathi and Niemann, Sven and Ngomo, Axel-Cyrille Ngonga}},
  issn         = {{2052-4463}},
  journal      = {{Scientific Data}},
  keywords     = {{Library and Information Sciences, Statistics, Probability and Uncertainty, Computer Science Applications, Education, Information Systems, Statistics and Probability}},
  number       = {{1}},
  publisher    = {{Springer Science and Business Media LLC}},
  title        = {{{IngridKG: A FAIR Knowledge Graph of Graffiti}}},
  doi          = {{10.1038/s41597-023-02199-8}},
  volume       = {{10}},
  year         = {{2023}},
}

@inbook{45483,
  author       = {{Niemann, Sven}},
  booktitle    = {{Document | Archive | Disseminate Graffiti-Scapes}},
  pages        = {{231 -- 238}},
  title        = {{{INGRID—Archiving Graffiti in Germany }}},
  doi          = {{10.48619/indigo.v0i0.712 }},
  year         = {{2023}},
}

@misc{45674,
  booktitle    = {{Kunst und Politik}},
  editor       = {{Papenbrock, Martin and Tophinke, Doris}},
  publisher    = {{V&R unipress}},
  title        = {{{Politisches Graffiti}}},
  volume       = {{24}},
  year         = {{2023}},
}

@misc{45558,
  abstract     = {{Graffiti is an urban phenomenon that is increasingly attracting the interest of the sciences. To the best of our knowledge, no suitable data corpora are available for systematic research until now. The Information System Graffiti in Germany project (Ingrid) closes this gap by dealing with graffiti image collections that have been made available to the project for public use. Within Ingrid, the graffiti images are collected, digitized and annotated. With this work, we aim to support the rapid access to a comprehensive data source on Ingrid targeted especially by researchers. In particular, we present IngridKG, an RDF knowledge graph of annotated graffiti, abides by the Linked Data and FAIR principles. We weekly update IngridKG by augmenting the new annotated graffiti to our knowledge graph. Our generation pipeline applies RDF data conversion, link discovery and data fusion approaches to the original data. The current version of IngridKG contains 460,640,154 triples and is linked to 3 other knowledge graphs by over 200,000 links. In our use case studies, we demonstrate the usefulness of our knowledge graph for different applications.}},
  author       = {{Sherif, Mohamed and Morim da Silva, Ana Alexandra and Pestryakova, Svetlana and Ahmed, Abdullah Fathi Ahmed and Niemann, Sven and Ngonga Ngomo, Axel-Cyrille}},
  publisher    = {{LibreCat University}},
  title        = {{{IngridKG: A FAIR Knowledge Graph of Graffiti}}},
  doi          = {{10.5281/ZENODO.7560242}},
  year         = {{2023}},
}

@inbook{44166,
  author       = {{Niemann, Sven}},
  booktitle    = {{HipHop im 21. Jahrhundert}},
  editor       = {{Wilke, Thomas and Rappe, Michael}},
  pages        = {{267--288}},
  title        = {{{ INGRID – Das Informationssystem Graffiti in Deutschland}}},
  doi          = {{https://doi.org/10.1007/978-3-658-36516-5}},
  year         = {{2022}},
}

@article{18153,
  author       = {{Tophinke, Doris}},
  journal      = {{Zeitschrift für Germanistische Linguistik}},
  pages        = {{355 -- 384}},
  title        = {{{„All City“ – Graffiti-Writings als Kommunikate des Urbanen}}},
  volume       = {{47 (2)}},
  year         = {{2019}},
}

@article{18160,
  author       = {{Tophinke, Doris}},
  journal      = {{Leseforum.ch – Online-Plattform für Literalität}},
  number       = {{1}},
  pages        = {{1 -- 17}},
  title        = {{{ «HoPE iS BACK» – Poetisches auf urbanen Wandflächen}}},
  volume       = {{Heft "Räume der Poesie"}},
  year         = {{2019}},
}

@article{18151,
  author       = {{Tophinke, Doris and Ziegler, Evelyn}},
  journal      = {{Zeitschrift für Germanistische Linguistik}},
  pages        = {{293 -- 312}},
  title        = {{{Einleitung (des Themenheftes): Die Stadt als öffentlicher Kommunikationsraum}}},
  volume       = {{47 (2)}},
  year         = {{2019}},
}

@article{18161,
  author       = {{Papenbrock, Martin and Tophinke, Doris}},
  journal      = {{Zeithistorische Forschungen }},
  pages        = {{159 -- 172}},
  title        = {{{Graffiti digital. Das Informationssystem Graffiti in Deutschland (INGRID)}}},
  volume       = {{15}},
  year         = {{2018}},
}

@book{18460,
  editor       = {{Lieb, Ludger and Müller, Stephan and Tophinke, Doris}},
  publisher    = {{Praesens}},
  title        = {{{Graffiti. Deutschsprachige Auf- und Inschriften in sprach- und literaturwissenschaftlicher Perspektive}}},
  year         = {{2017}},
}

@inbook{4085,
  author       = {{Tophinke, Doris}},
  booktitle    = {{Gestaltungsraum Deutschunterricht. Literatur - Kultur - Sprache}},
  editor       = {{Wrobel, Dieter and von Brand, Tilman and Engels, Markus}},
  pages        = {{161--173}},
  publisher    = {{Schneider}},
  title        = {{{Minimalismus als Konzept: Schrift-Bild-Konstruktionen im Graffiti}}},
  year         = {{2017}},
}

@inbook{18185,
  author       = {{Papenbrock, Martin and Tophinke, Doris}},
  booktitle    = {{Sprache in der Kunstkommunikation}},
  editor       = {{Müller, Marcus and Hausendorf, Heiko}},
  pages        = {{88--109}},
  publisher    = {{de Gruyter}},
  title        = {{{Graffiti. Formen, Traditionen, Perspektiven}}},
  year         = {{2016}},
}

@article{18183,
  author       = {{Papenbrock, Martin and Tophinke, Doris}},
  journal      = {{Der Deutschunterricht}},
  pages        = {{57 -- 67}},
  title        = {{{"Es war einer dieser Nächte ..." Writer Storys zwischen Fiktionalität und Faktualität}}},
  volume       = {{4}},
  year         = {{2016}},
}

@inbook{4084,
  author       = {{Tophinke, Doris}},
  booktitle    = {{Kommunikative und sprachliche Praktiken}},
  editor       = {{Deppermann, Arnulf and Feilke, Helmuth and Linke, Angelika}},
  pages        = {{405--430}},
  publisher    = {{de Gruyter}},
  title        = {{{„In den tiefsten Winkeln unserer Betonwälder tanzen die Namen ein farbenfrohes Fest und wir tanzten bis in die Morgenstunden“ – Zur praktischen Kultur des Graffiti}}},
  year         = {{2016}},
}

@article{18192,
  author       = {{Papenbrock, Martin and Tophinke, Doris}},
  journal      = {{Praxis Deutsch }},
  pages        = {{26--30}},
  title        = {{{"Meine Styles sollen wie Schlachtschiffe wirken" – Schrift aggressiv gestalten}}},
  volume       = {{246}},
  year         = {{2014}},
}

@article{4088,
  author       = {{Tophinke, Doris and Papenbrock, Martin}},
  journal      = {{Praxis Deutsch}},
  number       = {{246}},
  pages        = {{26--30}},
  title        = {{{"Meine Styles sollen wie Schlachtschiffe wirken" – Schrift aggressiv gestalten}}},
  year         = {{2014}},
}

@inbook{18218,
  author       = {{Papenbrock, Martin and Tophinke, Doris}},
  booktitle    = {{Andersschreiben. Formen, Funktionen, Traditionen}},
  pages        = {{179--197}},
  publisher    = {{Erich Schmidt Verlag}},
  title        = {{{Wild Style. Graffiti-Writing zwischen Schrift und Bild}}},
  year         = {{2012}},
}