@inproceedings{65772,
  author       = {{Axel, Axel and Aida, Aida and Manuel, Manuel and Meinard, Meinard and Stefan, Stefan}},
  booktitle    = {{Proc. of the International Computer Music Conference (ICMC)}},
  pages        = {{43–50}},
  title        = {{{ChoraleWind: An Expressive Wind-Quartet Dataset for End-to-End Rendering from the Neues Thüringer Choralbuch}}},
  year         = {{2026}},
}

@inproceedings{65771,
  author       = {{Berndt, Axel and Münzmay, Andreas and Amiryan-Stein, Aida}},
  booktitle    = {{Telemann als interdisziplinärer Forschungsgegenstand: Internationale Wissenschaftliche Konferenz}},
  title        = {{{Methoden und Perspektiven digitaler Edition von Choralbüchern}}},
  year         = {{2026}},
}

@inproceedings{65770,
  author       = {{Mauro, Davide Andrea and Berndt, Axel}},
  booktitle    = {{DAGA 2026 – 52nd Annual Meeting on Acoustics}},
  title        = {{{Musical Instrument Directivity Modelling and Applications to Virtual Acoustics}}},
  year         = {{2026}},
}

@inbook{59903,
  abstract     = {{This article explores the challenges and opportunities of documenting and cataloguing 19th-century music sources in Germany, using the 1832 Stuttgart production of Goethe’s Faust with music by Peter Joseph von Lindpaintner as a case study. The main focus lies on the potential interplay between (digital) critical music editions and RISM as complementary approaches to source documentation. While RISM has traditionally concentrated on pre-1800 sources, the vast and complex landscape of 19th-century music-theatrical materials—especially handwritten performance materials, but also printed sources—calls for new collaborative strategies. Drawing on the Faust edition within the OPEN Edirom project, which publishes data in open, structured formats (TEI and MEI) and makes them accessible via the RADAR4Culture repository and the Culture Knowledge Graph, the article argues for closer integration between editorial projects and RISM through stable identifiers and Linked Open Data principles. Editorial descriptions do not compete with RISM records but meaningfully extend them, and vice versa. The case study illustrates how editorial source descriptions and full-text editions could enhance the informational scope and augment the reach of RISM, and how RISM could serve as a basis for more granular, interconnected, and FAIR-compliant musicological research infrastructures. The article proposes RISM as a central access point for distributed research data and outlines the simple yet effective steps researchers can take to enhance discoverability and interoperability: namely, by using (or if necessary, creating) RISM IDs and by publishing data with persistent Digital Object Identifiers (DOIs).}},
  author       = {{Frömmel, Lena and Münzmay, Andreas}},
  booktitle    = {{Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen}},
  editor       = {{Schwindt, Nicole}},
  pages        = {{153--178}},
  publisher    = {{musiconn.publish}},
  title        = {{{Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832}}},
  doi          = {{10.25366/2025.45}},
  year         = {{2025}},
}

@article{59749,
  author       = {{Balke, Stefan and Berndt, Axel and Müller, Meinard}},
  issn         = {{2514-3298}},
  journal      = {{Transactions of the International Society for Music Information Retrieval}},
  number       = {{1}},
  pages        = {{39--54}},
  publisher    = {{Ubiquity Press, Ltd.}},
  title        = {{{ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research}}},
  doi          = {{10.5334/tismir.252}},
  volume       = {{8}},
  year         = {{2025}},
}

@inproceedings{59783,
  author       = {{Mauro, Davide Andrea and Ludovico, L. A. and Aydin, H. H. and Berndt, Axel and Grothe, T.}},
  booktitle    = {{AM.ICAD: Audio Mostly & ICAD Joint Conf.}},
  publisher    = {{ACM}},
  title        = {{{Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation pattern using IEEE 1599}}},
  year         = {{2025}},
}

@inproceedings{59748,
  author       = {{Grothe, T. and Aydin, H. B. and Mauro, Davide Andrea and Ludovico, L. A. and Berndt, Axel}},
  booktitle    = {{DAS/DAGA 2025 – 51st Annual Meeting on Acoustics}},
  title        = {{{Detmold interactive Musical Instrument Timbre Explorer (DmITE) - a web application for experimental learning in musical acoustics}}},
  year         = {{2025}},
}

@inproceedings{59782,
  author       = {{Kallionpää, M. and Berndt, Axel and Mauro, Davide Andrea and Dziwis, D.}},
  booktitle    = {{AM.ICAD: Audio Mostly & ICAD Joint Conf.}},
  publisher    = {{ACM}},
  title        = {{{Non/Repeat: Three Case Studies of Non-linear Live-Music Practices}}},
  year         = {{2025}},
}

@inproceedings{58555,
  author       = {{Berndt, Axel}},
  booktitle    = {{{Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections between data, research and infrastructure”}}},
  title        = {{{Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht}}},
  year         = {{2025}},
}

@inproceedings{60759,
  author       = {{Berndt, Axel and Falkemeier, G. and Kutter, A. and Plaksin, Anna Viktoria Katrin and Etezazi, S. and Dziwis, D.}},
  booktitle    = {{{Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces}}},
  publisher    = {{Gesellschaft für Informatik}},
  title        = {{{KreativInstitut.OWL: An Interdisciplinary Institute for Transfer Between Science, Cultural and Creative Industries}}},
  year         = {{2025}},
}

@inproceedings{59750,
  author       = {{Mauro, Davide Andrea and Berndt, Axel}},
  booktitle    = {{22nd Sound and Music Computing Conf. (SMC 2025), Auditory Landscapes}},
  title        = {{{Automatic Rendering of Ramati’s Ludus Musicalis Scores}}},
  year         = {{2025}},
}

@inproceedings{54925,
  abstract     = {{The OPEN Edirom project is developing a digital edition of incidental music for Goethe’s play Faust, representing an innovative initiative within the realm of music philology and MEI/TEI edition. Embracing the "data first" principle, OPEN Edirom prioritizes making its content openly accessible, thereby enabling diverse potential uses for researchers and performers. Our aim involves presenting the scholarly text and music edition in its entirety, incorporating its various forms of data, i.e. music, texts, source images, metadata, and annotations, all displayed with Edirom software.
The piece we edit in this project is Goethe’s renowned play Faust I, as adapted by Carl Seydelmann, along with the corresponding music composed by Peter Joseph von Lindpaintner for the Court Theatre in Stuttgart. The work premiered in 1832.
This paper delves into the concept of music edition as open data publication and delineates its advantages over analog and hybrid editions in terms of reusability and alignment with the FAIR principles. It also addresses the challenges encountered in data preparation, both specific to incidental music and in general data processing. Furthermore, we propose solutions and recommendations for similar projects based on our insights.}},
  author       = {{Frömmel, Lena and Bachmann, Tobias and Plaksin, Anna Viktoria Katrin and Münzmay, Andreas}},
  booktitle    = {{Proceedings of the 11th International Conference on Digital Libraries for Musicology}},
  publisher    = {{ACM}},
  title        = {{{Open Edirom: From hybrid music edition to open data publication}}},
  doi          = {{10.1145/3660570.3660582}},
  year         = {{2024}},
}

@misc{56269,
  abstract     = {{Peter Joseph von Lindpaintner: Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann. Historical-Critical Digital Edition by Tobias Bachmann, Lena Frömmel and Andreas Münzmay. The dataset, consisting of TEI and MEI files, is the historical-critical digital edition. The data structure allows for visualization via EDIROM ONLINE. }},
  author       = {{Bachmann, Tobias and Frömmel, Lena and Münzmay, Andreas}},
  publisher    = {{RADAR4Culture}},
  title        = {{{ OPEN FAUST Preview (dataset)}}},
  doi          = {{10.22000/uupxmgkq94r0jpsk}},
  year         = {{2024}},
}

@inproceedings{54247,
  author       = {{Berndt, Axel and Mauro, Davide Andrea}},
  booktitle    = {{Proceedings of the Sound and Music Computing Conference (SMC) 2024}},
  publisher    = {{Sound and Music Computing Network / Universidade do Porto}},
  title        = {{{Arpeggiatorum: An audio controllable MIDI arpeggiator}}},
  year         = {{2024}},
}

@inproceedings{58553,
  author       = {{Berndt, Axel and Waloschek, S.}},
  booktitle    = {{{Edirom Summer School 2024}}},
  title        = {{{FlowScore: MEI Streaming to Digital Music Stands}}},
  year         = {{2024}},
}

@misc{47318,
  author       = {{Münzmay, Andreas and Berndt, Axel}},
  publisher    = {{Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen”}},
  title        = {{{Was ist eine Interpretationsedition?}}},
  year         = {{2023}},
}

@inproceedings{47316,
  author       = {{Nowakowski, Michał and Berndt, Axel and Plaksin, Anna Viktoria Katrin and Şahin, N. and Hadjakos, A.}},
  booktitle    = {{{Encoding Cultures—Joint MEC and TEI Conference 2023}}},
  title        = {{{Mixing Modalities: Graphical and Text-Based Interaction in Music Notation Editing}}},
  year         = {{2023}},
}