---
_id: '65772'
author:
- first_name: Axel
full_name: Axel, Axel
id: '55565'
last_name: Axel
orcid: '55565'
- first_name: Aida
full_name: Aida, Aida
last_name: Aida
- first_name: Manuel
full_name: Manuel, Manuel
last_name: Manuel
- first_name: Meinard
full_name: Meinard, Meinard
last_name: Meinard
- first_name: Stefan
full_name: Stefan, Stefan
last_name: Stefan
citation:
ama: 'Axel A, Aida A, Manuel M, Meinard M, Stefan S. ChoraleWind: An Expressive
Wind-Quartet Dataset for End-to-End Rendering from the Neues Thüringer Choralbuch.
In: Proc. of the International Computer Music Conference (ICMC). ; 2026:43–50.'
apa: 'Axel, A., Aida, A., Manuel, M., Meinard, M., & Stefan, S. (2026). ChoraleWind:
An Expressive Wind-Quartet Dataset for End-to-End Rendering from the Neues Thüringer
Choralbuch. Proc. of the International Computer Music Conference (ICMC),
43–50.'
bibtex: '@inproceedings{Axel_Aida_Manuel_Meinard_Stefan_2026, place={Hamburg, Germany},
title={ChoraleWind: An Expressive Wind-Quartet Dataset for End-to-End Rendering
from the Neues Thüringer Choralbuch}, booktitle={Proc. of the International Computer
Music Conference (ICMC)}, author={Axel, Axel and Aida, Aida and Manuel, Manuel
and Meinard, Meinard and Stefan, Stefan}, year={2026}, pages={43–50} }'
chicago: 'Axel, Axel, Aida Aida, Manuel Manuel, Meinard Meinard, and Stefan Stefan.
“ChoraleWind: An Expressive Wind-Quartet Dataset for End-to-End Rendering from
the Neues Thüringer Choralbuch.” In Proc. of the International Computer Music
Conference (ICMC), 43–50. Hamburg, Germany, 2026.'
ieee: 'A. Axel, A. Aida, M. Manuel, M. Meinard, and S. Stefan, “ChoraleWind: An
Expressive Wind-Quartet Dataset for End-to-End Rendering from the Neues Thüringer
Choralbuch,” in Proc. of the International Computer Music Conference (ICMC),
2026, pp. 43–50.'
mla: 'Axel, Axel, et al. “ChoraleWind: An Expressive Wind-Quartet Dataset for End-to-End
Rendering from the Neues Thüringer Choralbuch.” Proc. of the International
Computer Music Conference (ICMC), 2026, pp. 43–50.'
short: 'A. Axel, A. Aida, M. Manuel, M. Meinard, S. Stefan, in: Proc. of the International
Computer Music Conference (ICMC), Hamburg, Germany, 2026, pp. 43–50.'
date_created: 2026-06-03T12:47:13Z
date_updated: 2026-06-03T12:50:35Z
department:
- _id: '36'
- _id: '233'
- _id: '870'
language:
- iso: eng
page: 43–50
place: Hamburg, Germany
project:
- _id: '1048'
name: KreativInstitut.OWL
publication: Proc. of the International Computer Music Conference (ICMC)
status: public
title: 'ChoraleWind: An Expressive Wind-Quartet Dataset for End-to-End Rendering from
the Neues Thüringer Choralbuch'
type: conference
user_id: '55565'
year: '2026'
...
---
_id: '65771'
author:
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
- first_name: Aida
full_name: Amiryan-Stein, Aida
last_name: Amiryan-Stein
citation:
ama: 'Berndt A, Münzmay A, Amiryan-Stein A. Methoden und Perspektiven digitaler
Edition von Choralbüchern. In: Telemann Als Interdisziplinärer Forschungsgegenstand:
Internationale Wissenschaftliche Konferenz. ; 2026.'
apa: 'Berndt, A., Münzmay, A., & Amiryan-Stein, A. (2026). Methoden und Perspektiven
digitaler Edition von Choralbüchern. Telemann Als Interdisziplinärer Forschungsgegenstand:
Internationale Wissenschaftliche Konferenz.'
bibtex: '@inproceedings{Berndt_Münzmay_Amiryan-Stein_2026, place={Magdeburg, Germany},
title={Methoden und Perspektiven digitaler Edition von Choralbüchern}, booktitle={Telemann
als interdisziplinärer Forschungsgegenstand: Internationale Wissenschaftliche
Konferenz}, author={Berndt, Axel and Münzmay, Andreas and Amiryan-Stein, Aida},
year={2026} }'
chicago: 'Berndt, Axel, Andreas Münzmay, and Aida Amiryan-Stein. “Methoden Und Perspektiven
Digitaler Edition von Choralbüchern.” In Telemann Als Interdisziplinärer Forschungsgegenstand:
Internationale Wissenschaftliche Konferenz. Magdeburg, Germany, 2026.'
ieee: A. Berndt, A. Münzmay, and A. Amiryan-Stein, “Methoden und Perspektiven digitaler
Edition von Choralbüchern,” 2026.
mla: 'Berndt, Axel, et al. “Methoden Und Perspektiven Digitaler Edition von Choralbüchern.”
Telemann Als Interdisziplinärer Forschungsgegenstand: Internationale Wissenschaftliche
Konferenz, 2026.'
short: 'A. Berndt, A. Münzmay, A. Amiryan-Stein, in: Telemann Als Interdisziplinärer
Forschungsgegenstand: Internationale Wissenschaftliche Konferenz, Magdeburg, Germany,
2026.'
date_created: 2026-06-03T12:42:17Z
date_updated: 2026-06-03T12:45:34Z
department:
- _id: '36'
- _id: '233'
- _id: '870'
language:
- iso: eng
place: Magdeburg, Germany
project:
- _id: '1048'
name: KreativInstitut.OWL
publication: 'Telemann als interdisziplinärer Forschungsgegenstand: Internationale
Wissenschaftliche Konferenz'
status: public
title: Methoden und Perspektiven digitaler Edition von Choralbüchern
type: conference
user_id: '55565'
year: '2026'
...
---
_id: '65770'
author:
- first_name: Davide Andrea
full_name: Mauro, Davide Andrea
id: '104047'
last_name: Mauro
orcid: 0000-0001-8437-4517
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
citation:
ama: 'Mauro DA, Berndt A. Musical Instrument Directivity Modelling and Applications
to Virtual Acoustics. In: DAGA 2026 – 52nd Annual Meeting on Acoustics.
; 2026.'
apa: Mauro, D. A., & Berndt, A. (2026). Musical Instrument Directivity Modelling
and Applications to Virtual Acoustics. DAGA 2026 – 52nd Annual Meeting on Acoustics.
bibtex: '@inproceedings{Mauro_Berndt_2026, place={Dresden, Germany}, title={Musical
Instrument Directivity Modelling and Applications to Virtual Acoustics}, booktitle={DAGA
2026 – 52nd Annual Meeting on Acoustics}, author={Mauro, Davide Andrea and Berndt,
Axel}, year={2026} }'
chicago: Mauro, Davide Andrea, and Axel Berndt. “Musical Instrument Directivity
Modelling and Applications to Virtual Acoustics.” In DAGA 2026 – 52nd Annual
Meeting on Acoustics. Dresden, Germany, 2026.
ieee: D. A. Mauro and A. Berndt, “Musical Instrument Directivity Modelling and Applications
to Virtual Acoustics,” 2026.
mla: Mauro, Davide Andrea, and Axel Berndt. “Musical Instrument Directivity Modelling
and Applications to Virtual Acoustics.” DAGA 2026 – 52nd Annual Meeting on
Acoustics, 2026.
short: 'D.A. Mauro, A. Berndt, in: DAGA 2026 – 52nd Annual Meeting on Acoustics,
Dresden, Germany, 2026.'
date_created: 2026-06-03T12:40:24Z
date_updated: 2026-06-03T12:51:47Z
department:
- _id: '36'
- _id: '233'
- _id: '870'
language:
- iso: eng
place: Dresden, Germany
project:
- _id: '1048'
name: KreativInstitut.OWL
publication: DAGA 2026 – 52nd Annual Meeting on Acoustics
status: public
title: Musical Instrument Directivity Modelling and Applications to Virtual Acoustics
type: conference
user_id: '55565'
year: '2026'
...
---
_id: '59903'
abstract:
- lang: eng
text: 'This article explores the challenges and opportunities of documenting and
cataloguing 19th-century music sources in Germany, using the 1832 Stuttgart production
of Goethe’s Faust with music by Peter Joseph von Lindpaintner as a case study.
The main focus lies on the potential interplay between (digital) critical music
editions and RISM as complementary approaches to source documentation. While RISM
has traditionally concentrated on pre-1800 sources, the vast and complex landscape
of 19th-century music-theatrical materials—especially handwritten performance
materials, but also printed sources—calls for new collaborative strategies. Drawing
on the Faust edition within the OPEN Edirom project, which publishes data in open,
structured formats (TEI and MEI) and makes them accessible via the RADAR4Culture
repository and the Culture Knowledge Graph, the article argues for closer integration
between editorial projects and RISM through stable identifiers and Linked Open
Data principles. Editorial descriptions do not compete with RISM records but meaningfully
extend them, and vice versa. The case study illustrates how editorial source descriptions
and full-text editions could enhance the informational scope and augment the reach
of RISM, and how RISM could serve as a basis for more granular, interconnected,
and FAIR-compliant musicological research infrastructures. The article proposes
RISM as a central access point for distributed research data and outlines the
simple yet effective steps researchers can take to enhance discoverability and
interoperability: namely, by using (or if necessary, creating) RISM IDs and by
publishing data with persistent Digital Object Identifiers (DOIs).'
- lang: ger
text: Dieser Beitrag thematisiert aktuelle Herausforderungen und Chancen bei der
digitalen Dokumentation und Katalogisierung musikalischer Quellen des 19. Jahrhunderts
in Deutschland. Im Zentrum stehen die Potenziale eines verstärkten Zusammenspiels
von (digitalen) historisch-kritischen Editionen und RISM als komplementäre Ansätze
der Quellenerschließung. Während RISM sich traditionell auf Quellen vor 1800 konzentriert
hat, erfordert die weitverzweigte und komplexe Quellenlage im Bereich der Musiktheatermaterialien
des 19. Jahrhunderts – insbesondere handschriftlicher Aufführungsmaterialien,
aber auch Drucke – neue Kooperationsstrategien. Als Fallbeispiel dient die digitale
historisch-kritische Edition der Faust-Produktion von 1832 am Stuttgarter Hoftheater
mit Musik von Peter Joseph von Lindpaintner. Im Rahmen des OPEN-Edirom-Projekts
wurden sämtliche Editionsdaten als Forschungsdaten in offenen, strukturierten
Formaten (TEI und MEI) über das Repositorium RADAR4Culture sowie den Culture Knowledge
Graph zugänglich gemacht. Davon ausgehend plädiert der Beitrag für eine künftig
systematische, enge Verzahnung von Editionsprojekten und RISM durch Linked-Open-Data-Strategien.
Denn editorische Quellenbeschreibungen stehen nicht in Konkurrenz zu RISM-Daten,
sondern ergänzen diese sinnvoll – und umgekehrt. Die Fallstudie zeigt, wie editorische
Quellenbeschreibungen und editorische Volltexte den Informationsgehalt und die
Reichweite von RISM durch Verlinkungen erweitern könnten und wie umgekehrt RISM-Quellendatensätze
zum Dreh- und Angelpunkt vernetzter und mit den FAIR-Prinzipien konformer musikwissenschaftlicher
Forschungsdaten werden könnten. RISM wird als zentraler Zugangspunkt für verteilte
Forschungsdaten vorgeschlagen, wobei einfache, aber effektive Maßnahmen zur Verbesserung
von Auffindbarkeit und Interoperabilität skizziert werden, insbesondere die konsequente
Nutzung (oder bei Bedarf Erstellung) von RISM-IDs sowie die Veröffentlichung von
Forschungsdaten mit persistenten Identifikatoren (DOIs).
author:
- first_name: Lena
full_name: Frömmel, Lena
id: '86796'
last_name: Frömmel
orcid: 0009-0009-6539-7081
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
citation:
ama: 'Frömmel L, Münzmay A. Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen
zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter
Faust 1832. In: Schwindt N, ed. Musikquellen des 19. Jahrhunderts in Deutschland.
Herausforderungen und Chancen. musiconn.publish; 2025:153-178. doi:10.25366/2025.45'
apa: Frömmel, L., & Münzmay, A. (2025). Vernetzte Musikquellen des 19. Jahrhunderts.
Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel
des Stuttgarter Faust 1832. In N. Schwindt (Ed.), Musikquellen des 19. Jahrhunderts
in Deutschland. Herausforderungen und Chancen (pp. 153–178). musiconn.publish.
https://doi.org/10.25366/2025.45
bibtex: '@inbook{Frömmel_Münzmay_2025, place={Dresden}, title={Vernetzte Musikquellen
des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen
mit RISM am Beispiel des Stuttgarter Faust 1832}, DOI={10.25366/2025.45},
booktitle={Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen
und Chancen}, publisher={musiconn.publish}, author={Frömmel, Lena and Münzmay,
Andreas}, editor={Schwindt, Nicole}, year={2025}, pages={153–178} }'
chicago: 'Frömmel, Lena, and Andreas Münzmay. “Vernetzte Musikquellen des 19. Jahrhunderts.
Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel
des Stuttgarter Faust 1832.” In Musikquellen des 19. Jahrhunderts in Deutschland.
Herausforderungen und Chancen, edited by Nicole Schwindt, 153–78. Dresden:
musiconn.publish, 2025. https://doi.org/10.25366/2025.45.'
ieee: 'L. Frömmel and A. Münzmay, “Vernetzte Musikquellen des 19. Jahrhunderts.
Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel
des Stuttgarter Faust 1832,” in Musikquellen des 19. Jahrhunderts in Deutschland.
Herausforderungen und Chancen, N. Schwindt, Ed. Dresden: musiconn.publish,
2025, pp. 153–178.'
mla: Frömmel, Lena, and Andreas Münzmay. “Vernetzte Musikquellen des 19. Jahrhunderts.
Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel
des Stuttgarter Faust 1832.” Musikquellen des 19. Jahrhunderts in Deutschland.
Herausforderungen und Chancen, edited by Nicole Schwindt, musiconn.publish,
2025, pp. 153–78, doi:10.25366/2025.45.
short: 'L. Frömmel, A. Münzmay, in: N. Schwindt (Ed.), Musikquellen des 19. Jahrhunderts
in Deutschland. Herausforderungen und Chancen, musiconn.publish, Dresden, 2025,
pp. 153–178.'
date_created: 2025-05-14T16:39:32Z
date_updated: 2025-09-02T09:07:55Z
department:
- _id: '233'
- _id: '856'
- _id: '615'
doi: 10.25366/2025.45
editor:
- first_name: Nicole
full_name: Schwindt, Nicole
last_name: Schwindt
language:
- iso: ger
main_file_link:
- open_access: '1'
url: https://doi.org/10.25366/2025.45
oa: '1'
page: 153-178
place: Dresden
project:
- _id: '1064'
name: OPEN Edirom
- _id: '1048'
name: 'KIO: KreativInstitut.OWL'
publication: Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und
Chancen
publication_status: published
publisher: musiconn.publish
quality_controlled: '1'
status: public
title: Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel
wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832
type: book_chapter
user_id: '61139'
year: '2025'
...
---
_id: '59749'
author:
- first_name: Stefan
full_name: Balke, Stefan
last_name: Balke
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
- first_name: Meinard
full_name: Müller, Meinard
last_name: Müller
citation:
ama: 'Balke S, Berndt A, Müller M. ChoraleBricks: A Modular Multitrack Dataset for
Wind Music Research. Transactions of the International Society for Music Information
Retrieval. 2025;8(1):39-54. doi:10.5334/tismir.252'
apa: 'Balke, S., Berndt, A., & Müller, M. (2025). ChoraleBricks: A Modular Multitrack
Dataset for Wind Music Research. Transactions of the International Society
for Music Information Retrieval, 8(1), 39–54. https://doi.org/10.5334/tismir.252'
bibtex: '@article{Balke_Berndt_Müller_2025, title={ChoraleBricks: A Modular Multitrack
Dataset for Wind Music Research}, volume={8}, DOI={10.5334/tismir.252},
number={1}, journal={Transactions of the International Society for Music Information
Retrieval}, publisher={Ubiquity Press, Ltd.}, author={Balke, Stefan and Berndt,
Axel and Müller, Meinard}, year={2025}, pages={39–54} }'
chicago: 'Balke, Stefan, Axel Berndt, and Meinard Müller. “ChoraleBricks: A Modular
Multitrack Dataset for Wind Music Research.” Transactions of the International
Society for Music Information Retrieval 8, no. 1 (2025): 39–54. https://doi.org/10.5334/tismir.252.'
ieee: 'S. Balke, A. Berndt, and M. Müller, “ChoraleBricks: A Modular Multitrack
Dataset for Wind Music Research,” Transactions of the International Society
for Music Information Retrieval, vol. 8, no. 1, pp. 39–54, 2025, doi: 10.5334/tismir.252.'
mla: 'Balke, Stefan, et al. “ChoraleBricks: A Modular Multitrack Dataset for Wind
Music Research.” Transactions of the International Society for Music Information
Retrieval, vol. 8, no. 1, Ubiquity Press, Ltd., 2025, pp. 39–54, doi:10.5334/tismir.252.'
short: S. Balke, A. Berndt, M. Müller, Transactions of the International Society
for Music Information Retrieval 8 (2025) 39–54.
date_created: 2025-05-01T13:16:07Z
date_updated: 2026-06-03T12:52:30Z
department:
- _id: '36'
- _id: '233'
- _id: '870'
doi: 10.5334/tismir.252
intvolume: ' 8'
issue: '1'
language:
- iso: eng
page: 39-54
project:
- _id: '1048'
name: KreativInstitut.OWL
publication: Transactions of the International Society for Music Information Retrieval
publication_identifier:
issn:
- 2514-3298
publication_status: published
publisher: Ubiquity Press, Ltd.
status: public
title: 'ChoraleBricks: A Modular Multitrack Dataset for Wind Music Research'
type: journal_article
user_id: '55565'
volume: 8
year: '2025'
...
---
_id: '59783'
author:
- first_name: Davide Andrea
full_name: Mauro, Davide Andrea
id: '104047'
last_name: Mauro
orcid: 0000-0001-8437-4517
- first_name: L. A.
full_name: Ludovico, L. A.
last_name: Ludovico
- first_name: H. H.
full_name: Aydin, H. H.
last_name: Aydin
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
- first_name: T.
full_name: Grothe, T.
last_name: Grothe
citation:
ama: 'Mauro DA, Ludovico LA, Aydin HH, Berndt A, Grothe T. Detmold musical Instrument
Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation
pattern using IEEE 1599. In: AM.ICAD: Audio Mostly & ICAD Joint Conf.
ACM; 2025.'
apa: 'Mauro, D. A., Ludovico, L. A., Aydin, H. H., Berndt, A., & Grothe, T.
(2025). Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization
of musical instruments radiation pattern using IEEE 1599. AM.ICAD: Audio Mostly
& ICAD Joint Conf.'
bibtex: '@inproceedings{Mauro_Ludovico_Aydin_Berndt_Grothe_2025, place={Coimbra,
Portugal}, title={Detmold musical Instrument Timbre Explorer (DmITE): Interactive
visualization of musical instruments radiation pattern using IEEE 1599}, booktitle={AM.ICAD:
Audio Mostly & ICAD Joint Conf.}, publisher={ACM}, author={Mauro, Davide Andrea
and Ludovico, L. A. and Aydin, H. H. and Berndt, Axel and Grothe, T.}, year={2025}
}'
chicago: 'Mauro, Davide Andrea, L. A. Ludovico, H. H. Aydin, Axel Berndt, and T.
Grothe. “Detmold Musical Instrument Timbre Explorer (DmITE): Interactive Visualization
of Musical Instruments Radiation Pattern Using IEEE 1599.” In AM.ICAD: Audio
Mostly & ICAD Joint Conf. Coimbra, Portugal: ACM, 2025.'
ieee: 'D. A. Mauro, L. A. Ludovico, H. H. Aydin, A. Berndt, and T. Grothe, “Detmold
musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical
instruments radiation pattern using IEEE 1599,” 2025.'
mla: 'Mauro, Davide Andrea, et al. “Detmold Musical Instrument Timbre Explorer (DmITE):
Interactive Visualization of Musical Instruments Radiation Pattern Using IEEE
1599.” AM.ICAD: Audio Mostly & ICAD Joint Conf., ACM, 2025.'
short: 'D.A. Mauro, L.A. Ludovico, H.H. Aydin, A. Berndt, T. Grothe, in: AM.ICAD:
Audio Mostly & ICAD Joint Conf., ACM, Coimbra, Portugal, 2025.'
date_created: 2025-05-03T08:40:25Z
date_updated: 2026-06-03T12:54:04Z
department:
- _id: '36'
- _id: '233'
- _id: '870'
language:
- iso: eng
place: Coimbra, Portugal
project:
- _id: '1048'
name: KreativInstitut.OWL
publication: 'AM.ICAD: Audio Mostly & ICAD Joint Conf.'
publisher: ACM
status: public
title: 'Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization
of musical instruments radiation pattern using IEEE 1599'
type: conference
user_id: '55565'
year: '2025'
...
---
_id: '59748'
author:
- first_name: T.
full_name: Grothe, T.
last_name: Grothe
- first_name: H. B.
full_name: Aydin, H. B.
last_name: Aydin
- first_name: Davide Andrea
full_name: Mauro, Davide Andrea
id: '104047'
last_name: Mauro
orcid: 0000-0001-8437-4517
- first_name: L. A.
full_name: Ludovico, L. A.
last_name: Ludovico
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
citation:
ama: 'Grothe T, Aydin HB, Mauro DA, Ludovico LA, Berndt A. Detmold interactive Musical
Instrument Timbre Explorer (DmITE) - a web application for experimental learning
in musical acoustics. In: DAS/DAGA 2025 – 51st Annual Meeting on Acoustics.
; 2025.'
apa: Grothe, T., Aydin, H. B., Mauro, D. A., Ludovico, L. A., & Berndt, A. (2025).
Detmold interactive Musical Instrument Timbre Explorer (DmITE) - a web application
for experimental learning in musical acoustics. DAS/DAGA 2025 – 51st Annual
Meeting on Acoustics.
bibtex: '@inproceedings{Grothe_Aydin_Mauro_Ludovico_Berndt_2025, place={Copenhagen,
Denmark}, title={Detmold interactive Musical Instrument Timbre Explorer (DmITE)
- a web application for experimental learning in musical acoustics}, booktitle={DAS/DAGA
2025 – 51st Annual Meeting on Acoustics}, author={Grothe, T. and Aydin, H. B.
and Mauro, Davide Andrea and Ludovico, L. A. and Berndt, Axel}, year={2025} }'
chicago: Grothe, T., H. B. Aydin, Davide Andrea Mauro, L. A. Ludovico, and Axel
Berndt. “Detmold Interactive Musical Instrument Timbre Explorer (DmITE) - a Web
Application for Experimental Learning in Musical Acoustics.” In DAS/DAGA 2025
– 51st Annual Meeting on Acoustics. Copenhagen, Denmark, 2025.
ieee: T. Grothe, H. B. Aydin, D. A. Mauro, L. A. Ludovico, and A. Berndt, “Detmold
interactive Musical Instrument Timbre Explorer (DmITE) - a web application for
experimental learning in musical acoustics,” 2025.
mla: Grothe, T., et al. “Detmold Interactive Musical Instrument Timbre Explorer
(DmITE) - a Web Application for Experimental Learning in Musical Acoustics.” DAS/DAGA
2025 – 51st Annual Meeting on Acoustics, 2025.
short: 'T. Grothe, H.B. Aydin, D.A. Mauro, L.A. Ludovico, A. Berndt, in: DAS/DAGA
2025 – 51st Annual Meeting on Acoustics, Copenhagen, Denmark, 2025.'
date_created: 2025-05-01T13:15:36Z
date_updated: 2026-06-03T12:54:32Z
department:
- _id: '36'
- _id: '233'
- _id: '870'
language:
- iso: eng
place: Copenhagen, Denmark
project:
- _id: '1048'
name: KreativInstitut.OWL
publication: DAS/DAGA 2025 – 51st Annual Meeting on Acoustics
status: public
title: Detmold interactive Musical Instrument Timbre Explorer (DmITE) - a web application
for experimental learning in musical acoustics
type: conference
user_id: '55565'
year: '2025'
...
---
_id: '59782'
author:
- first_name: M.
full_name: Kallionpää, M.
last_name: Kallionpää
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
- first_name: Davide Andrea
full_name: Mauro, Davide Andrea
id: '104047'
last_name: Mauro
orcid: 0000-0001-8437-4517
- first_name: D.
full_name: Dziwis, D.
last_name: Dziwis
citation:
ama: 'Kallionpää M, Berndt A, Mauro DA, Dziwis D. Non/Repeat: Three Case Studies
of Non-linear Live-Music Practices. In: AM.ICAD: Audio Mostly & ICAD Joint
Conf. ACM; 2025.'
apa: 'Kallionpää, M., Berndt, A., Mauro, D. A., & Dziwis, D. (2025). Non/Repeat:
Three Case Studies of Non-linear Live-Music Practices. AM.ICAD: Audio Mostly
& ICAD Joint Conf.'
bibtex: '@inproceedings{Kallionpää_Berndt_Mauro_Dziwis_2025, place={Coimbra, Portugal},
title={Non/Repeat: Three Case Studies of Non-linear Live-Music Practices}, booktitle={AM.ICAD:
Audio Mostly & ICAD Joint Conf.}, publisher={ACM}, author={Kallionpää, M.
and Berndt, Axel and Mauro, Davide Andrea and Dziwis, D.}, year={2025} }'
chicago: 'Kallionpää, M., Axel Berndt, Davide Andrea Mauro, and D. Dziwis. “Non/Repeat:
Three Case Studies of Non-Linear Live-Music Practices.” In AM.ICAD: Audio Mostly
& ICAD Joint Conf. Coimbra, Portugal: ACM, 2025.'
ieee: 'M. Kallionpää, A. Berndt, D. A. Mauro, and D. Dziwis, “Non/Repeat: Three
Case Studies of Non-linear Live-Music Practices,” 2025.'
mla: 'Kallionpää, M., et al. “Non/Repeat: Three Case Studies of Non-Linear Live-Music
Practices.” AM.ICAD: Audio Mostly & ICAD Joint Conf., ACM, 2025.'
short: 'M. Kallionpää, A. Berndt, D.A. Mauro, D. Dziwis, in: AM.ICAD: Audio Mostly
& ICAD Joint Conf., ACM, Coimbra, Portugal, 2025.'
date_created: 2025-05-03T08:40:17Z
date_updated: 2026-06-03T12:54:57Z
department:
- _id: '36'
- _id: '233'
- _id: '870'
language:
- iso: eng
place: Coimbra, Portugal
project:
- _id: '1048'
name: KreativInstitut.OWL
publication: 'AM.ICAD: Audio Mostly & ICAD Joint Conf.'
publisher: ACM
status: public
title: 'Non/Repeat: Three Case Studies of Non-linear Live-Music Practices'
type: conference
user_id: '55565'
year: '2025'
...
---
_id: '58555'
author:
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
citation:
ama: 'Berndt A. Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht.
In: {Forum of the Cultural Research Data Academy: “Music – Media – Cultural
Heritage: Intersections between Data, Research and Infrastructure”}. ; 2025.'
apa: 'Berndt, A. (2025). Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht.
{Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage:
Intersections between Data, Research and Infrastructure”}.'
bibtex: '@inproceedings{Berndt_2025, place={KreativInstitut.OWL, Detmold, Germany},
title={Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht}, booktitle={{Forum
of the Cultural Research Data Academy: “Music – Media – Cultural Heritage: Intersections
between data, research and infrastructure”}}, author={Berndt, Axel}, year={2025}
}'
chicago: 'Berndt, Axel. “Deconstruction – Recombination – Order: Ein Kurzer Werkstattbericht.”
In {Forum of the Cultural Research Data Academy: “Music – Media – Cultural
Heritage: Intersections between Data, Research and Infrastructure”}. KreativInstitut.OWL,
Detmold, Germany, 2025.'
ieee: 'A. Berndt, “Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht,”
2025.'
mla: 'Berndt, Axel. “Deconstruction – Recombination – Order: Ein Kurzer Werkstattbericht.”
{Forum of the Cultural Research Data Academy: “Music – Media – Cultural Heritage:
Intersections between Data, Research and Infrastructure”}, 2025.'
short: 'A. Berndt, in: {Forum of the Cultural Research Data Academy: “Music – Media
– Cultural Heritage: Intersections between Data, Research and Infrastructure”},
KreativInstitut.OWL, Detmold, Germany, 2025.'
date_created: 2025-02-10T14:12:24Z
date_updated: 2026-06-03T12:52:54Z
department:
- _id: '36'
- _id: '233'
- _id: '870'
language:
- iso: eng
place: KreativInstitut.OWL, Detmold, Germany
project:
- _id: '1048'
name: KreativInstitut.OWL
publication: '{Forum of the Cultural Research Data Academy: “Music – Media – Cultural
Heritage: Intersections between data, research and infrastructure”}'
status: public
title: 'Deconstruction – Recombination – Order: Ein kurzer Werkstattbericht'
type: conference
user_id: '55565'
year: '2025'
...
---
_id: '60759'
author:
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
- first_name: G.
full_name: Falkemeier, G.
last_name: Falkemeier
- first_name: A.
full_name: Kutter, A.
last_name: Kutter
- first_name: Anna Viktoria Katrin
full_name: Plaksin, Anna Viktoria Katrin
id: '102981'
last_name: Plaksin
orcid: 0000-0002-9969-0608
- first_name: S.
full_name: Etezazi, S.
last_name: Etezazi
- first_name: D.
full_name: Dziwis, D.
last_name: Dziwis
citation:
ama: 'Berndt A, Falkemeier G, Kutter A, Plaksin AVK, Etezazi S, Dziwis D. KreativInstitut.OWL:
An Interdisciplinary Institute for Transfer Between Science, Cultural and Creative
Industries. In: {Mensch Und Computer: Workshop Für Innovative Computerbasierte
Musikinterfaces}. Gesellschaft für Informatik; 2025.'
apa: 'Berndt, A., Falkemeier, G., Kutter, A., Plaksin, A. V. K., Etezazi, S., &
Dziwis, D. (2025). KreativInstitut.OWL: An Interdisciplinary Institute for Transfer
Between Science, Cultural and Creative Industries. {Mensch Und Computer: Workshop
Für Innovative Computerbasierte Musikinterfaces}.'
bibtex: '@inproceedings{Berndt_Falkemeier_Kutter_Plaksin_Etezazi_Dziwis_2025, place={Chemnitz,
Germany}, title={KreativInstitut.OWL: An Interdisciplinary Institute for Transfer
Between Science, Cultural and Creative Industries}, booktitle={{Mensch und Computer:
Workshop für Innovative Computerbasierte Musikinterfaces}}, publisher={Gesellschaft
für Informatik}, author={Berndt, Axel and Falkemeier, G. and Kutter, A. and Plaksin,
Anna Viktoria Katrin and Etezazi, S. and Dziwis, D.}, year={2025} }'
chicago: 'Berndt, Axel, G. Falkemeier, A. Kutter, Anna Viktoria Katrin Plaksin,
S. Etezazi, and D. Dziwis. “KreativInstitut.OWL: An Interdisciplinary Institute
for Transfer Between Science, Cultural and Creative Industries.” In {Mensch
Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}. Chemnitz,
Germany: Gesellschaft für Informatik, 2025.'
ieee: 'A. Berndt, G. Falkemeier, A. Kutter, A. V. K. Plaksin, S. Etezazi, and D.
Dziwis, “KreativInstitut.OWL: An Interdisciplinary Institute for Transfer Between
Science, Cultural and Creative Industries,” 2025.'
mla: 'Berndt, Axel, et al. “KreativInstitut.OWL: An Interdisciplinary Institute
for Transfer Between Science, Cultural and Creative Industries.” {Mensch Und
Computer: Workshop Für Innovative Computerbasierte Musikinterfaces}, Gesellschaft
für Informatik, 2025.'
short: 'A. Berndt, G. Falkemeier, A. Kutter, A.V.K. Plaksin, S. Etezazi, D. Dziwis,
in: {Mensch Und Computer: Workshop Für Innovative Computerbasierte Musikinterfaces},
Gesellschaft für Informatik, Chemnitz, Germany, 2025.'
date_created: 2025-07-26T14:02:21Z
date_updated: 2026-06-03T12:57:58Z
department:
- _id: '36'
- _id: '233'
- _id: '870'
language:
- iso: eng
place: Chemnitz, Germany
project:
- _id: '1048'
name: KreativInstitut.OWL
publication: '{Mensch und Computer: Workshop für Innovative Computerbasierte Musikinterfaces}'
publisher: Gesellschaft für Informatik
status: public
title: 'KreativInstitut.OWL: An Interdisciplinary Institute for Transfer Between Science,
Cultural and Creative Industries'
type: conference
user_id: '55565'
year: '2025'
...
---
_id: '59750'
author:
- first_name: Davide Andrea
full_name: Mauro, Davide Andrea
id: '104047'
last_name: Mauro
orcid: 0000-0001-8437-4517
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
citation:
ama: 'Mauro DA, Berndt A. Automatic Rendering of Ramati’s Ludus Musicalis Scores.
In: 22nd Sound and Music Computing Conf. (SMC 2025), Auditory Landscapes.
; 2025.'
apa: Mauro, D. A., & Berndt, A. (2025). Automatic Rendering of Ramati’s Ludus
Musicalis Scores. 22nd Sound and Music Computing Conf. (SMC 2025), Auditory
Landscapes.
bibtex: '@inproceedings{Mauro_Berndt_2025, place={Graz, Austria}, title={Automatic
Rendering of Ramati’s Ludus Musicalis Scores}, booktitle={22nd Sound and Music
Computing Conf. (SMC 2025), Auditory Landscapes}, author={Mauro, Davide Andrea
and Berndt, Axel}, year={2025} }'
chicago: Mauro, Davide Andrea, and Axel Berndt. “Automatic Rendering of Ramati’s
Ludus Musicalis Scores.” In 22nd Sound and Music Computing Conf. (SMC 2025),
Auditory Landscapes. Graz, Austria, 2025.
ieee: D. A. Mauro and A. Berndt, “Automatic Rendering of Ramati’s Ludus Musicalis
Scores,” 2025.
mla: Mauro, Davide Andrea, and Axel Berndt. “Automatic Rendering of Ramati’s Ludus
Musicalis Scores.” 22nd Sound and Music Computing Conf. (SMC 2025), Auditory
Landscapes, 2025.
short: 'D.A. Mauro, A. Berndt, in: 22nd Sound and Music Computing Conf. (SMC 2025),
Auditory Landscapes, Graz, Austria, 2025.'
date_created: 2025-05-01T13:16:17Z
date_updated: 2026-06-03T12:57:30Z
department:
- _id: '36'
- _id: '233'
- _id: '870'
language:
- iso: eng
place: Graz, Austria
project:
- _id: '1048'
name: KreativInstitut.OWL
publication: 22nd Sound and Music Computing Conf. (SMC 2025), Auditory Landscapes
status: public
title: Automatic Rendering of Ramati’s Ludus Musicalis Scores
type: conference
user_id: '55565'
year: '2025'
...
---
_id: '54925'
abstract:
- lang: eng
text: "The OPEN Edirom project is developing a digital edition of incidental music
for Goethe’s play Faust, representing an innovative initiative within the realm
of music philology and MEI/TEI edition. Embracing the \"data first\" principle,
OPEN Edirom prioritizes making its content openly accessible, thereby enabling
diverse potential uses for researchers and performers. Our aim involves presenting
the scholarly text and music edition in its entirety, incorporating its various
forms of data, i.e. music, texts, source images, metadata, and annotations, all
displayed with Edirom software.\r\nThe piece we edit in this project is Goethe’s
renowned play Faust I, as adapted by Carl Seydelmann, along with the corresponding
music composed by Peter Joseph von Lindpaintner for the Court Theatre in Stuttgart.
The work premiered in 1832.\r\nThis paper delves into the concept of music edition
as open data publication and delineates its advantages over analog and hybrid
editions in terms of reusability and alignment with the FAIR principles. It also
addresses the challenges encountered in data preparation, both specific to incidental
music and in general data processing. Furthermore, we propose solutions and recommendations
for similar projects based on our insights."
author:
- first_name: Lena
full_name: Frömmel, Lena
id: '86796'
last_name: Frömmel
orcid: 0009-0009-6539-7081
- first_name: Tobias
full_name: Bachmann, Tobias
last_name: Bachmann
- first_name: Anna Viktoria Katrin
full_name: Plaksin, Anna Viktoria Katrin
id: '102981'
last_name: Plaksin
orcid: 0000-0002-9969-0608
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
citation:
ama: 'Frömmel L, Bachmann T, Plaksin AVK, Münzmay A. Open Edirom: From hybrid music
edition to open data publication. In: Proceedings of the 11th International
Conference on Digital Libraries for Musicology. ACM; 2024. doi:10.1145/3660570.3660582'
apa: 'Frömmel, L., Bachmann, T., Plaksin, A. V. K., & Münzmay, A. (2024). Open
Edirom: From hybrid music edition to open data publication. Proceedings of
the 11th International Conference on Digital Libraries for Musicology. https://doi.org/10.1145/3660570.3660582'
bibtex: '@inproceedings{Frömmel_Bachmann_Plaksin_Münzmay_2024, title={Open Edirom:
From hybrid music edition to open data publication}, DOI={10.1145/3660570.3660582},
booktitle={Proceedings of the 11th International Conference on Digital Libraries
for Musicology}, publisher={ACM}, author={Frömmel, Lena and Bachmann, Tobias and
Plaksin, Anna Viktoria Katrin and Münzmay, Andreas}, year={2024} }'
chicago: 'Frömmel, Lena, Tobias Bachmann, Anna Viktoria Katrin Plaksin, and Andreas
Münzmay. “Open Edirom: From Hybrid Music Edition to Open Data Publication.” In
Proceedings of the 11th International Conference on Digital Libraries for Musicology.
ACM, 2024. https://doi.org/10.1145/3660570.3660582.'
ieee: 'L. Frömmel, T. Bachmann, A. V. K. Plaksin, and A. Münzmay, “Open Edirom:
From hybrid music edition to open data publication,” 2024, doi: 10.1145/3660570.3660582.'
mla: 'Frömmel, Lena, et al. “Open Edirom: From Hybrid Music Edition to Open Data
Publication.” Proceedings of the 11th International Conference on Digital Libraries
for Musicology, ACM, 2024, doi:10.1145/3660570.3660582.'
short: 'L. Frömmel, T. Bachmann, A.V.K. Plaksin, A. Münzmay, in: Proceedings of
the 11th International Conference on Digital Libraries for Musicology, ACM, 2024.'
date_created: 2024-06-28T18:17:53Z
date_updated: 2025-09-02T09:11:50Z
department:
- _id: '233'
- _id: '856'
- _id: '615'
doi: 10.1145/3660570.3660582
language:
- iso: eng
main_file_link:
- open_access: '1'
url: https://dl.acm.org/doi/pdf/10.1145/3660570.3660582
oa: '1'
project:
- _id: '1048'
name: 'KIO: KreativInstitut.OWL'
- _id: '1064'
name: OPEN Edirom
publication: Proceedings of the 11th International Conference on Digital Libraries
for Musicology
publication_status: published
publisher: ACM
quality_controlled: '1'
status: public
title: 'Open Edirom: From hybrid music edition to open data publication'
type: conference
user_id: '61139'
year: '2024'
...
---
_id: '56269'
abstract:
- lang: eng
text: 'Peter Joseph von Lindpaintner: Ouverture, Entreacte, Chöre und Lieder zu
Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann. Historical-Critical
Digital Edition by Tobias Bachmann, Lena Frömmel and Andreas Münzmay. The dataset,
consisting of TEI and MEI files, is the historical-critical digital edition. The
data structure allows for visualization via EDIROM ONLINE. '
author:
- first_name: Tobias
full_name: Bachmann, Tobias
id: '100930'
last_name: Bachmann
- first_name: Lena
full_name: Frömmel, Lena
id: '86796'
last_name: Frömmel
orcid: 0009-0009-6539-7081
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
citation:
ama: Bachmann T, Frömmel L, Münzmay A. OPEN FAUST Preview (Dataset). RADAR4Culture;
2024. doi:10.22000/uupxmgkq94r0jpsk
apa: Bachmann, T., Frömmel, L., & Münzmay, A. (2024). OPEN FAUST Preview
(dataset). RADAR4Culture. https://doi.org/10.22000/uupxmgkq94r0jpsk
bibtex: '@book{Bachmann_Frömmel_Münzmay_2024, title={ OPEN FAUST Preview (dataset)},
DOI={10.22000/uupxmgkq94r0jpsk},
publisher={RADAR4Culture}, author={Bachmann, Tobias and Frömmel, Lena and Münzmay,
Andreas}, year={2024} }'
chicago: Bachmann, Tobias, Lena Frömmel, and Andreas Münzmay. OPEN FAUST Preview
(Dataset). RADAR4Culture, 2024. https://doi.org/10.22000/uupxmgkq94r0jpsk.
ieee: T. Bachmann, L. Frömmel, and A. Münzmay, OPEN FAUST Preview (dataset).
RADAR4Culture, 2024.
mla: Bachmann, Tobias, et al. OPEN FAUST Preview (Dataset). RADAR4Culture,
2024, doi:10.22000/uupxmgkq94r0jpsk.
short: T. Bachmann, L. Frömmel, A. Münzmay, OPEN FAUST Preview (Dataset), RADAR4Culture,
2024.
date_created: 2024-09-27T15:01:39Z
date_updated: 2026-03-18T17:26:54Z
department:
- _id: '233'
- _id: '856'
- _id: '36'
- _id: '572'
doi: 10.22000/uupxmgkq94r0jpsk
project:
- _id: '1048'
name: 'KIO: KreativInstitut.OWL'
- _id: '1064'
name: OPEN Edirom
publisher: RADAR4Culture
related_material:
link:
- relation: contains
url: https://open-faust.zenmem.de/index.html
status: public
title: ' OPEN FAUST Preview (dataset)'
type: research_data
user_id: '61139'
year: '2024'
...
---
_id: '54247'
author:
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
- first_name: Davide Andrea
full_name: Mauro, Davide Andrea
id: '104047'
last_name: Mauro
orcid: 0000-0001-8437-4517
citation:
ama: 'Berndt A, Mauro DA. Arpeggiatorum: An audio controllable MIDI arpeggiator.
In: Proceedings of the Sound and Music Computing Conference (SMC) 2024.
Sound and Music Computing Network / Universidade do Porto; 2024.'
apa: 'Berndt, A., & Mauro, D. A. (2024). Arpeggiatorum: An audio controllable
MIDI arpeggiator. Proceedings of the Sound and Music Computing Conference (SMC)
2024.'
bibtex: '@inproceedings{Berndt_Mauro_2024, place={Porto, Porugal}, title={Arpeggiatorum:
An audio controllable MIDI arpeggiator}, booktitle={Proceedings of the Sound and
Music Computing Conference (SMC) 2024}, publisher={Sound and Music Computing Network
/ Universidade do Porto}, author={Berndt, Axel and Mauro, Davide Andrea}, year={2024}
}'
chicago: 'Berndt, Axel, and Davide Andrea Mauro. “Arpeggiatorum: An Audio Controllable
MIDI Arpeggiator.” In Proceedings of the Sound and Music Computing Conference
(SMC) 2024. Porto, Porugal: Sound and Music Computing Network / Universidade
do Porto, 2024.'
ieee: 'A. Berndt and D. A. Mauro, “Arpeggiatorum: An audio controllable MIDI arpeggiator,”
2024.'
mla: 'Berndt, Axel, and Davide Andrea Mauro. “Arpeggiatorum: An Audio Controllable
MIDI Arpeggiator.” Proceedings of the Sound and Music Computing Conference
(SMC) 2024, Sound and Music Computing Network / Universidade do Porto, 2024.'
short: 'A. Berndt, D.A. Mauro, in: Proceedings of the Sound and Music Computing
Conference (SMC) 2024, Sound and Music Computing Network / Universidade do Porto,
Porto, Porugal, 2024.'
date_created: 2024-05-13T14:56:18Z
date_updated: 2026-06-03T13:00:21Z
department:
- _id: '233'
language:
- iso: eng
place: Porto, Porugal
project:
- _id: '1048'
name: KreativInstitut.OWL
publication: Proceedings of the Sound and Music Computing Conference (SMC) 2024
publisher: Sound and Music Computing Network / Universidade do Porto
status: public
title: 'Arpeggiatorum: An audio controllable MIDI arpeggiator'
type: conference
user_id: '55565'
year: '2024'
...
---
_id: '58553'
author:
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
- first_name: S.
full_name: Waloschek, S.
last_name: Waloschek
citation:
ama: 'Berndt A, Waloschek S. FlowScore: MEI Streaming to Digital Music Stands. In:
{Edirom Summer School 2024}. ; 2024.'
apa: 'Berndt, A., & Waloschek, S. (2024). FlowScore: MEI Streaming to Digital
Music Stands. {Edirom Summer School 2024}.'
bibtex: '@inproceedings{Berndt_Waloschek_2024, place={Paderborn, Germany}, title={FlowScore:
MEI Streaming to Digital Music Stands}, booktitle={{Edirom Summer School 2024}},
author={Berndt, Axel and Waloschek, S.}, year={2024} }'
chicago: 'Berndt, Axel, and S. Waloschek. “FlowScore: MEI Streaming to Digital Music
Stands.” In {Edirom Summer School 2024}. Paderborn, Germany, 2024.'
ieee: 'A. Berndt and S. Waloschek, “FlowScore: MEI Streaming to Digital Music Stands,”
2024.'
mla: 'Berndt, Axel, and S. Waloschek. “FlowScore: MEI Streaming to Digital Music
Stands.” {Edirom Summer School 2024}, 2024.'
short: 'A. Berndt, S. Waloschek, in: {Edirom Summer School 2024}, Paderborn, Germany,
2024.'
date_created: 2025-02-10T14:12:09Z
date_updated: 2026-06-03T12:58:25Z
department:
- _id: '36'
- _id: '233'
- _id: '870'
language:
- iso: eng
place: Paderborn, Germany
project:
- _id: '1048'
name: KreativInstitut.OWL
publication: '{Edirom Summer School 2024}'
status: public
title: 'FlowScore: MEI Streaming to Digital Music Stands'
type: conference
user_id: '55565'
year: '2024'
...
---
_id: '47318'
author:
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
citation:
ama: Münzmay A, Berndt A. Was Ist Eine Interpretationsedition? Videomitschnitt,
veröffentlicht im Youtube-Kanal “musikschafftwissen”; 2023.
apa: Münzmay, A., & Berndt, A. (2023). Was ist eine Interpretationsedition?
Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen.”
bibtex: '@book{Münzmay_Berndt_2023, place={Methoden Softwaregestützter Interpretationsforschung,
Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9.
Juni 2023}, title={Was ist eine Interpretationsedition?}, publisher={Videomitschnitt,
veröffentlicht im Youtube-Kanal “musikschafftwissen”}, author={Münzmay, Andreas
and Berndt, Axel}, year={2023} }'
chicago: 'Münzmay, Andreas, and Axel Berndt. Was Ist Eine Interpretationsedition?
Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks
Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023: Videomitschnitt,
veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.'
ieee: 'A. Münzmay and A. Berndt, Was ist eine Interpretationsedition? Methoden
Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte
Interpretationsforschung, 8.–9. Juni 2023: Videomitschnitt, veröffentlicht im
Youtube-Kanal “musikschafftwissen,” 2023.'
mla: Münzmay, Andreas, and Axel Berndt. Was Ist Eine Interpretationsedition?
Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.
short: A. Münzmay, A. Berndt, Was Ist Eine Interpretationsedition?, Videomitschnitt,
veröffentlicht im Youtube-Kanal “musikschafftwissen,” Methoden Softwaregestützter
Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung,
8.–9. Juni 2023, 2023.
date_created: 2023-09-25T10:44:06Z
date_updated: 2025-09-03T18:25:44Z
department:
- _id: '856'
language:
- iso: eng
main_file_link:
- open_access: '1'
url: 'https://youtu.be/NUTflfuIWlw '
oa: '1'
place: Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des
Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023
project:
- _id: '1614'
name: 'Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition'
- _id: '1048'
name: KreativInstitut.OWL
publisher: Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen”
status: public
title: Was ist eine Interpretationsedition?
type: misc
user_id: '61139'
year: '2023'
...
---
_id: '47316'
author:
- first_name: Michał
full_name: Nowakowski, Michał
id: '78878'
last_name: Nowakowski
orcid: 0000-0002-3734-7011
- first_name: Axel
full_name: Berndt, Axel
id: '55565'
last_name: Berndt
- first_name: Anna Viktoria Katrin
full_name: Plaksin, Anna Viktoria Katrin
id: '102981'
last_name: Plaksin
orcid: 0000-0002-9969-0608
- first_name: N.
full_name: Şahin, N.
last_name: Şahin
- first_name: A.
full_name: Hadjakos, A.
last_name: Hadjakos
citation:
ama: 'Nowakowski M, Berndt A, Plaksin AVK, Şahin N, Hadjakos A. Mixing Modalities:
Graphical and Text-Based Interaction in Music Notation Editing. In: {Encoding
Cultures—Joint MEC and TEI Conference 2023}. ; 2023.'
apa: 'Nowakowski, M., Berndt, A., Plaksin, A. V. K., Şahin, N., & Hadjakos,
A. (2023). Mixing Modalities: Graphical and Text-Based Interaction in Music Notation
Editing. {Encoding Cultures—Joint MEC and TEI Conference 2023}.'
bibtex: '@inproceedings{Nowakowski_Berndt_Plaksin_Şahin_Hadjakos_2023, place={Paderborn,
Germany}, title={Mixing Modalities: Graphical and Text-Based Interaction in Music
Notation Editing}, booktitle={{Encoding Cultures—Joint MEC and TEI Conference
2023}}, author={Nowakowski, Michał and Berndt, Axel and Plaksin, Anna Viktoria
Katrin and Şahin, N. and Hadjakos, A.}, year={2023} }'
chicago: 'Nowakowski, Michał, Axel Berndt, Anna Viktoria Katrin Plaksin, N. Şahin,
and A. Hadjakos. “Mixing Modalities: Graphical and Text-Based Interaction in Music
Notation Editing.” In {Encoding Cultures—Joint MEC and TEI Conference 2023}.
Paderborn, Germany, 2023.'
ieee: 'M. Nowakowski, A. Berndt, A. V. K. Plaksin, N. Şahin, and A. Hadjakos, “Mixing
Modalities: Graphical and Text-Based Interaction in Music Notation Editing,” 2023.'
mla: 'Nowakowski, Michał, et al. “Mixing Modalities: Graphical and Text-Based Interaction
in Music Notation Editing.” {Encoding Cultures—Joint MEC and TEI Conference
2023}, 2023.'
short: 'M. Nowakowski, A. Berndt, A.V.K. Plaksin, N. Şahin, A. Hadjakos, in: {Encoding
Cultures—Joint MEC and TEI Conference 2023}, Paderborn, Germany, 2023.'
date_created: 2023-09-25T10:43:15Z
date_updated: 2026-06-03T13:01:25Z
language:
- iso: eng
place: Paderborn, Germany
project:
- _id: '1048'
name: KreativInstitut.OWL
publication: '{Encoding Cultures—Joint MEC and TEI Conference 2023}'
status: public
title: 'Mixing Modalities: Graphical and Text-Based Interaction in Music Notation
Editing'
type: conference
user_id: '55565'
year: '2023'
...