[{"publication":"Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen","abstract":[{"text":"This article explores the challenges and opportunities of documenting and cataloguing 19th-century music sources in Germany, using the 1832 Stuttgart production of Goethe’s Faust with music by Peter Joseph von Lindpaintner as a case study. The main focus lies on the potential interplay between (digital) critical music editions and RISM as complementary approaches to source documentation. While RISM has traditionally concentrated on pre-1800 sources, the vast and complex landscape of 19th-century music-theatrical materials—especially handwritten performance materials, but also printed sources—calls for new collaborative strategies. Drawing on the Faust edition within the OPEN Edirom project, which publishes data in open, structured formats (TEI and MEI) and makes them accessible via the RADAR4Culture repository and the Culture Knowledge Graph, the article argues for closer integration between editorial projects and RISM through stable identifiers and Linked Open Data principles. Editorial descriptions do not compete with RISM records but meaningfully extend them, and vice versa. The case study illustrates how editorial source descriptions and full-text editions could enhance the informational scope and augment the reach of RISM, and how RISM could serve as a basis for more granular, interconnected, and FAIR-compliant musicological research infrastructures. The article proposes RISM as a central access point for distributed research data and outlines the simple yet effective steps researchers can take to enhance discoverability and interoperability: namely, by using (or if necessary, creating) RISM IDs and by publishing data with persistent Digital Object Identifiers (DOIs).","lang":"eng"},{"text":"Dieser Beitrag thematisiert aktuelle Herausforderungen und Chancen bei der digitalen Dokumentation und Katalogisierung musikalischer Quellen des 19. Jahrhunderts in Deutschland. Im Zentrum stehen die Potenziale eines verstärkten Zusammenspiels von (digitalen) historisch-kritischen Editionen und RISM als komplementäre Ansätze der Quellenerschließung. Während RISM sich traditionell auf Quellen vor 1800 konzentriert hat, erfordert die weitverzweigte und komplexe Quellenlage im Bereich der Musiktheatermaterialien des 19. Jahrhunderts – insbesondere handschriftlicher Aufführungsmaterialien, aber auch Drucke – neue Kooperationsstrategien. Als Fallbeispiel dient die digitale historisch-kritische Edition der Faust-Produktion von 1832 am Stuttgarter Hoftheater mit Musik von Peter Joseph von Lindpaintner. Im Rahmen des OPEN-Edirom-Projekts wurden sämtliche Editionsdaten als Forschungsdaten in offenen, strukturierten Formaten (TEI und MEI) über das Repositorium RADAR4Culture sowie den Culture Knowledge Graph zugänglich gemacht. Davon ausgehend plädiert der Beitrag für eine künftig systematische, enge Verzahnung von Editionsprojekten und RISM durch Linked-Open-Data-Strategien. Denn editorische Quellenbeschreibungen stehen nicht in Konkurrenz zu RISM-Daten, sondern ergänzen diese sinnvoll – und umgekehrt. Die Fallstudie zeigt, wie editorische Quellenbeschreibungen und editorische Volltexte den Informationsgehalt und die Reichweite von RISM durch Verlinkungen erweitern könnten und wie umgekehrt RISM-Quellendatensätze zum Dreh- und Angelpunkt vernetzter und mit den FAIR-Prinzipien konformer musikwissenschaftlicher Forschungsdaten werden könnten. RISM wird als zentraler Zugangspunkt für verteilte Forschungsdaten vorgeschlagen, wobei einfache, aber effektive Maßnahmen zur Verbesserung von Auffindbarkeit und Interoperabilität skizziert werden, insbesondere die konsequente Nutzung (oder bei Bedarf Erstellung) von RISM-IDs sowie die Veröffentlichung von Forschungsdaten mit persistenten Identifikatoren (DOIs).","lang":"ger"}],"language":[{"iso":"ger"}],"quality_controlled":"1","year":"2025","date_created":"2025-05-14T16:39:32Z","publisher":"musiconn.publish","title":"Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832","type":"book_chapter","status":"public","editor":[{"last_name":"Schwindt","full_name":"Schwindt, Nicole","first_name":"Nicole"}],"department":[{"_id":"233"},{"_id":"856"},{"_id":"615"}],"user_id":"61139","_id":"59903","project":[{"name":"OPEN Edirom","_id":"1064"},{"name":"KIO: KreativInstitut.OWL","_id":"1048"}],"publication_status":"published","page":"153-178","citation":{"apa":"Frömmel, L., &#38; Münzmay, A. (2025). Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832. In N. Schwindt (Ed.), <i>Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen</i> (pp. 153–178). musiconn.publish. <a href=\"https://doi.org/10.25366/2025.45\">https://doi.org/10.25366/2025.45</a>","bibtex":"@inbook{Frömmel_Münzmay_2025, place={Dresden}, title={Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832}, DOI={<a href=\"https://doi.org/10.25366/2025.45\">10.25366/2025.45</a>}, booktitle={Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen}, publisher={musiconn.publish}, author={Frömmel, Lena and Münzmay, Andreas}, editor={Schwindt, Nicole}, year={2025}, pages={153–178} }","short":"L. Frömmel, A. Münzmay, in: N. Schwindt (Ed.), Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen, musiconn.publish, Dresden, 2025, pp. 153–178.","mla":"Frömmel, Lena, and Andreas Münzmay. “Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832.” <i>Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen</i>, edited by Nicole Schwindt, musiconn.publish, 2025, pp. 153–78, doi:<a href=\"https://doi.org/10.25366/2025.45\">10.25366/2025.45</a>.","ama":"Frömmel L, Münzmay A. Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832. In: Schwindt N, ed. <i>Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen</i>. musiconn.publish; 2025:153-178. doi:<a href=\"https://doi.org/10.25366/2025.45\">10.25366/2025.45</a>","chicago":"Frömmel, Lena, and Andreas Münzmay. “Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832.” In <i>Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen</i>, edited by Nicole Schwindt, 153–78. Dresden: musiconn.publish, 2025. <a href=\"https://doi.org/10.25366/2025.45\">https://doi.org/10.25366/2025.45</a>.","ieee":"L. Frömmel and A. Münzmay, “Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832,” in <i>Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen</i>, N. Schwindt, Ed. Dresden: musiconn.publish, 2025, pp. 153–178."},"place":"Dresden","author":[{"first_name":"Lena","id":"86796","full_name":"Frömmel, Lena","orcid":"0009-0009-6539-7081","last_name":"Frömmel"},{"last_name":"Münzmay","orcid":"0000-0002-8373-4055","full_name":"Münzmay, Andreas","id":"61139","first_name":"Andreas"}],"oa":"1","date_updated":"2025-09-02T09:07:55Z","doi":"10.25366/2025.45","main_file_link":[{"open_access":"1","url":"https://doi.org/10.25366/2025.45"}]},{"year":"2025","place":"Online","citation":{"mla":"Münzmay, Andreas, et al., editors. <i>Peter Joseph von Lindpaintner, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)</i>. ZenMEM, 2025.","short":"A. Münzmay, L. Frömmel, T. Bachmann, A. Tumat, eds., Peter Joseph von Lindpaintner, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832), ZenMEM, Online, 2025.","bibtex":"@book{Münzmay_Frömmel_Bachmann_Tumat_2025, place={Online}, title={Peter Joseph von Lindpaintner, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)}, publisher={ZenMEM}, year={2025} }","apa":"Münzmay, A., Frömmel, L., Bachmann, T., &#38; Tumat, A. (Eds.). (2025). <i>Peter Joseph von Lindpaintner, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)</i>. ZenMEM.","ieee":"A. Münzmay, L. Frömmel, T. Bachmann, and A. Tumat, Eds., <i>Peter Joseph von Lindpaintner, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)</i>. Online: ZenMEM, 2025.","chicago":"Münzmay, Andreas, Lena Frömmel, Tobias Bachmann, and Antje Tumat, eds. <i>Peter Joseph von Lindpaintner, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)</i>. Online: ZenMEM, 2025.","ama":"Münzmay A, Frömmel L, Bachmann T, Tumat A, eds. <i>Peter Joseph von Lindpaintner, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)</i>. ZenMEM; 2025."},"publication_status":"published","related_material":{"record":[{"status":"returned","relation":"research_paper","id":"54922"}],"link":[{"relation":"research_data","url":"10.22000/uupxmgkq94r0jpsk "},{"relation":"research_data","url":"https://git.uni-paderborn.de/kio/open-faust/"}]},"title":"Peter Joseph von Lindpaintner, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)","main_file_link":[{"url":"https://open-faust.zenmem.de/index.html","open_access":"1"}],"oa":"1","publisher":"ZenMEM","date_updated":"2025-09-02T09:10:20Z","date_created":"2025-03-21T12:16:10Z","editor":[{"first_name":"Andreas","id":"61139","full_name":"Münzmay, Andreas","last_name":"Münzmay","orcid":"0000-0002-8373-4055"},{"first_name":"Lena","full_name":"Frömmel, Lena","id":"86796","orcid":"0009-0009-6539-7081","last_name":"Frömmel"},{"first_name":"Tobias","last_name":"Bachmann","full_name":"Bachmann, Tobias"},{"id":"72268","full_name":"Tumat, Antje","last_name":"Tumat","orcid":"0009-0002-9132-0925","first_name":"Antje"}],"abstract":[{"lang":"eng","text":"The present OPEN Edirom digital edition of Goethe’s Faust presents the literary and musical text of the work as it was possibly performed at its premiere (Friday, March 2, 1832) and consecutive performances under the direction and participation of Carl Seydelmann (directing the production and playing the role of Mephistopheles) and Peter Joseph von Lindpainter in the Stuttgart Hoftheater in 1832 (March 11, May 28, October 12) and 1833 (May 14, December 27), in accordance with the surviving sources, i.e., the original theatre material preserved in the Württemberg State Library in Stuttgart (D-Sl). This material constitutes a nearly complete autograph source package consisting of text adaptation (an autograph by Seydelmann incorporated into a copy of the print edition published by Cotta in Tübingen in 1830) and corresponding music (two volumes with autograph scores by Lindpaintner)."}],"status":"public","type":"book_editor","alternative_title":["OPEN Edirom Modellprojekt am KreativInstitut.OWL in Kooperation mit der Akademie der Wissenschaften und der Literatur Mainz und der Goethe-Universität Frankfurt am Main (OPERA-Projekt), mit dem Zentrum Musik – Edition – Medien (ZenMEM) und NFDI4Culture"],"language":[{"iso":"ger"}],"project":[{"_id":"1064","name":"OPEN Edirom"}],"_id":"59079","user_id":"61139","department":[{"_id":"233"},{"_id":"856"},{"_id":"36"},{"_id":"615"}]},{"citation":{"chicago":"Frömmel, Lena, Tobias Bachmann, Anna Viktoria Katrin Plaksin, and Andreas Münzmay. “Open Edirom: From Hybrid Music Edition to Open Data Publication.” In <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>. ACM, 2024. <a href=\"https://doi.org/10.1145/3660570.3660582\">https://doi.org/10.1145/3660570.3660582</a>.","ieee":"L. Frömmel, T. Bachmann, A. V. K. Plaksin, and A. Münzmay, “Open Edirom: From hybrid music edition to open data publication,” 2024, doi: <a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>.","ama":"Frömmel L, Bachmann T, Plaksin AVK, Münzmay A. Open Edirom: From hybrid music edition to open data publication. In: <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>. ACM; 2024. doi:<a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>","apa":"Frömmel, L., Bachmann, T., Plaksin, A. V. K., &#38; Münzmay, A. (2024). Open Edirom: From hybrid music edition to open data publication. <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>. <a href=\"https://doi.org/10.1145/3660570.3660582\">https://doi.org/10.1145/3660570.3660582</a>","bibtex":"@inproceedings{Frömmel_Bachmann_Plaksin_Münzmay_2024, title={Open Edirom: From hybrid music edition to open data publication}, DOI={<a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>}, booktitle={Proceedings of the 11th International Conference on Digital Libraries for Musicology}, publisher={ACM}, author={Frömmel, Lena and Bachmann, Tobias and Plaksin, Anna Viktoria Katrin and Münzmay, Andreas}, year={2024} }","short":"L. Frömmel, T. Bachmann, A.V.K. Plaksin, A. Münzmay, in: Proceedings of the 11th International Conference on Digital Libraries for Musicology, ACM, 2024.","mla":"Frömmel, Lena, et al. “Open Edirom: From Hybrid Music Edition to Open Data Publication.” <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>, ACM, 2024, doi:<a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>."},"year":"2024","publication_status":"published","quality_controlled":"1","main_file_link":[{"open_access":"1","url":"https://dl.acm.org/doi/pdf/10.1145/3660570.3660582"}],"doi":"10.1145/3660570.3660582","title":"Open Edirom: From hybrid music edition to open data publication","author":[{"id":"86796","full_name":"Frömmel, Lena","orcid":"0009-0009-6539-7081","last_name":"Frömmel","first_name":"Lena"},{"last_name":"Bachmann","full_name":"Bachmann, Tobias","first_name":"Tobias"},{"first_name":"Anna Viktoria Katrin","orcid":"0000-0002-9969-0608","last_name":"Plaksin","id":"102981","full_name":"Plaksin, Anna Viktoria Katrin"},{"full_name":"Münzmay, Andreas","id":"61139","last_name":"Münzmay","orcid":"0000-0002-8373-4055","first_name":"Andreas"}],"date_created":"2024-06-28T18:17:53Z","publisher":"ACM","date_updated":"2025-09-02T09:11:50Z","oa":"1","status":"public","abstract":[{"text":"The OPEN Edirom project is developing a digital edition of incidental music for Goethe’s play Faust, representing an innovative initiative within the realm of music philology and MEI/TEI edition. Embracing the \"data first\" principle, OPEN Edirom prioritizes making its content openly accessible, thereby enabling diverse potential uses for researchers and performers. Our aim involves presenting the scholarly text and music edition in its entirety, incorporating its various forms of data, i.e. music, texts, source images, metadata, and annotations, all displayed with Edirom software.\r\nThe piece we edit in this project is Goethe’s renowned play Faust I, as adapted by Carl Seydelmann, along with the corresponding music composed by Peter Joseph von Lindpaintner for the Court Theatre in Stuttgart. The work premiered in 1832.\r\nThis paper delves into the concept of music edition as open data publication and delineates its advantages over analog and hybrid editions in terms of reusability and alignment with the FAIR principles. It also addresses the challenges encountered in data preparation, both specific to incidental music and in general data processing. Furthermore, we propose solutions and recommendations for similar projects based on our insights.","lang":"eng"}],"type":"conference","publication":"Proceedings of the 11th International Conference on Digital Libraries for Musicology","language":[{"iso":"eng"}],"user_id":"61139","department":[{"_id":"233"},{"_id":"856"},{"_id":"615"}],"project":[{"_id":"1048","name":"KIO: KreativInstitut.OWL"},{"name":"OPEN Edirom","_id":"1064"}],"_id":"54925"},{"author":[{"first_name":"Tobias","last_name":"Bachmann","id":"100930","full_name":"Bachmann, Tobias"},{"first_name":"Lena","last_name":"Frömmel","orcid":"0009-0009-6539-7081","full_name":"Frömmel, Lena","id":"86796"},{"full_name":"Münzmay, Andreas","id":"61139","last_name":"Münzmay","orcid":"0000-0002-8373-4055","first_name":"Andreas"}],"date_created":"2024-09-27T15:01:39Z","date_updated":"2026-03-18T17:26:54Z","publisher":"RADAR4Culture","doi":"10.22000/uupxmgkq94r0jpsk","title":" OPEN FAUST Preview (dataset)","related_material":{"link":[{"url":"https://open-faust.zenmem.de/index.html","relation":"contains"}]},"citation":{"apa":"Bachmann, T., Frömmel, L., &#38; Münzmay, A. (2024). <i> OPEN FAUST Preview (dataset)</i>. RADAR4Culture. <a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">https://doi.org/10.22000/uupxmgkq94r0jpsk</a>","bibtex":"@book{Bachmann_Frömmel_Münzmay_2024, title={ OPEN FAUST Preview (dataset)}, DOI={<a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">10.22000/uupxmgkq94r0jpsk</a>}, publisher={RADAR4Culture}, author={Bachmann, Tobias and Frömmel, Lena and Münzmay, Andreas}, year={2024} }","mla":"Bachmann, Tobias, et al. <i> OPEN FAUST Preview (Dataset)</i>. RADAR4Culture, 2024, doi:<a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">10.22000/uupxmgkq94r0jpsk</a>.","short":"T. Bachmann, L. Frömmel, A. Münzmay,  OPEN FAUST Preview (Dataset), RADAR4Culture, 2024.","ieee":"T. Bachmann, L. Frömmel, and A. Münzmay, <i> OPEN FAUST Preview (dataset)</i>. RADAR4Culture, 2024.","chicago":"Bachmann, Tobias, Lena Frömmel, and Andreas Münzmay. <i> OPEN FAUST Preview (Dataset)</i>. RADAR4Culture, 2024. <a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">https://doi.org/10.22000/uupxmgkq94r0jpsk</a>.","ama":"Bachmann T, Frömmel L, Münzmay A. <i> OPEN FAUST Preview (Dataset)</i>. RADAR4Culture; 2024. doi:<a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">10.22000/uupxmgkq94r0jpsk</a>"},"year":"2024","department":[{"_id":"233"},{"_id":"856"},{"_id":"36"},{"_id":"572"}],"user_id":"61139","_id":"56269","project":[{"name":"KIO: KreativInstitut.OWL","_id":"1048"},{"name":"OPEN Edirom","_id":"1064"}],"type":"research_data","status":"public","abstract":[{"lang":"eng","text":"Peter Joseph von Lindpaintner: Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann. Historical-Critical Digital Edition by Tobias Bachmann, Lena Frömmel and Andreas Münzmay. The dataset, consisting of TEI and MEI files, is the historical-critical digital edition. The data structure allows for visualization via EDIROM ONLINE. "}]},{"_id":"47487","project":[{"_id":"743","name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition"},{"grant_number":"(DFG) – 441958017","name":"NFDI4Culture: NFDI4Culture – Konsortium für Forschungsdaten materieller und immaterieller Kulturgüter","_id":"745"},{"_id":"1064","name":"OPEN Edirom"}],"department":[{"_id":"572"},{"_id":"856"},{"_id":"615"}],"user_id":"61139","language":[{"iso":"ger"}],"publication":"DHd2023: Open Humanities, Open Culture","type":"conference_abstract","status":"public","oa":"1","date_updated":"2025-03-21T11:58:02Z","date_created":"2023-09-27T07:08:23Z","author":[{"first_name":"Johannes","last_name":"Kepper","orcid":"0000-0003-4891-260X","id":"1684","full_name":"Kepper, Johannes"},{"orcid":"0000-0002-8373-4055","last_name":"Münzmay","id":"61139","full_name":"Münzmay, Andreas","first_name":"Andreas"}],"title":"Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale","doi":"10.5281/ZENODO.7715387","conference":{"name":"DHd2023: Open Humanities, Open Culture","start_date":"2023-03-13","end_date":"2023-03-17"},"main_file_link":[{"url":"https://doi.org/10.5281/zenodo.7715387","open_access":"1"}],"publication_status":"published","year":"2023","citation":{"ieee":"J. Kepper and A. Münzmay, “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale,” presented at the DHd2023: Open Humanities, Open Culture, 2023, doi: <a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>.","chicago":"Kepper, Johannes, and Andreas Münzmay. “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale.” In <i>DHd2023: Open Humanities, Open Culture</i>, 2023. <a href=\"https://doi.org/10.5281/ZENODO.7715387\">https://doi.org/10.5281/ZENODO.7715387</a>.","ama":"Kepper J, Münzmay A. Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale. In: <i>DHd2023: Open Humanities, Open Culture</i>. ; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>","apa":"Kepper, J., &#38; Münzmay, A. (2023). Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale. <i>DHd2023: Open Humanities, Open Culture</i>. DHd2023: Open Humanities, Open Culture. <a href=\"https://doi.org/10.5281/ZENODO.7715387\">https://doi.org/10.5281/ZENODO.7715387</a>","bibtex":"@inproceedings{Kepper_Münzmay_2023, title={Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>}, booktitle={DHd2023: Open Humanities, Open Culture}, author={Kepper, Johannes and Münzmay, Andreas}, year={2023} }","mla":"Kepper, Johannes, and Andreas Münzmay. “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale.” <i>DHd2023: Open Humanities, Open Culture</i>, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>.","short":"J. Kepper, A. Münzmay, in: DHd2023: Open Humanities, Open Culture, 2023."}}]