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Münzmay, “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” presented at the Edition von Filmmusik: Herausforderungen der Multimedialität, Frankfurt am Main, 2024.","chicago":"Berndt, Axel, and Andreas Münzmay. “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” 2024.","bibtex":"@inproceedings{Berndt_Münzmay_2024, title={Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze}, author={Berndt, Axel and Münzmay, Andreas}, year={2024} }","mla":"Berndt, Axel, and Andreas Münzmay. <i>Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze</i>. 2024.","short":"A. Berndt, A. Münzmay, in: 2024.","apa":"Berndt, A., &#38; Münzmay, A. (2024). <i>Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze</i>. Edition von Filmmusik: Herausforderungen der Multimedialität, Frankfurt am Main."},"year":"2024","author":[{"id":"55565","full_name":"Berndt, Axel","last_name":"Berndt","first_name":"Axel"},{"first_name":"Andreas","orcid":"0000-0002-8373-4055","last_name":"Münzmay","full_name":"Münzmay, Andreas","id":"61139"}],"date_created":"2025-02-10T14:12:16Z","date_updated":"2026-03-18T17:28:32Z","conference":{"end_date":"2024-1123","location":"Frankfurt am Main","name":"Edition von Filmmusik: Herausforderungen der Multimedialität","start_date":"2024-11-22"},"title":"Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze"},{"citation":{"bibtex":"@inproceedings{Berndt_Münzmay_Bömcke-Vollmer_2024, place={Hannover, Germany}, title={Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition}, booktitle={{DAGA 2024 – 50. Jahrestagung für Akustik}}, author={Berndt, Axel and Münzmay, Andreas and Bömcke-Vollmer, Frithjof}, year={2024} }","short":"A. Berndt, A. Münzmay, F. Bömcke-Vollmer, in: {DAGA 2024 – 50. Jahrestagung Für Akustik}, Hannover, Germany, 2024.","mla":"Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” <i>{DAGA 2024 – 50. Jahrestagung Für Akustik}</i>, 2024.","ama":"Berndt A, Münzmay A, Bömcke-Vollmer F. Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition. In: <i>{DAGA 2024 – 50. Jahrestagung Für Akustik}</i>. ; 2024.","apa":"Berndt, A., Münzmay, A., &#38; Bömcke-Vollmer, F. (2024). Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition. <i>{DAGA 2024 – 50. Jahrestagung Für Akustik}</i>.","ieee":"A. Berndt, A. Münzmay, and F. Bömcke-Vollmer, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition,” 2024.","chicago":"Berndt, Axel, Andreas Münzmay, and Frithjof Bömcke-Vollmer. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” In <i>{DAGA 2024 – 50. Jahrestagung Für Akustik}</i>. Hannover, Germany, 2024."},"place":"Hannover, Germany","year":"2024","date_created":"2025-02-10T14:11:50Z","author":[{"last_name":"Berndt","full_name":"Berndt, Axel","id":"55565","first_name":"Axel"},{"first_name":"Andreas","id":"61139","full_name":"Münzmay, Andreas","orcid":"0000-0002-8373-4055","last_name":"Münzmay"},{"first_name":"Frithjof","last_name":"Bömcke-Vollmer","id":"124535","full_name":"Bömcke-Vollmer, Frithjof"}],"date_updated":"2026-03-18T17:23:44Z","title":"Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition","publication":"{DAGA 2024 – 50. Jahrestagung für Akustik}","type":"conference","status":"public","department":[{"_id":"36"},{"_id":"233"},{"_id":"870"},{"_id":"615"},{"_id":"856"}],"user_id":"61139","_id":"58551","project":[{"name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition","_id":"1614"}],"language":[{"iso":"eng"}]},{"status":"public","type":"misc","language":[{"iso":"eng"}],"_id":"47318","project":[{"name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition","_id":"1614"},{"_id":"1048","name":"KreativInstitut.OWL"}],"department":[{"_id":"856"}],"user_id":"61139","place":"Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023","year":"2023","citation":{"apa":"Münzmay, A., &#38; Berndt, A. (2023). <i>Was ist eine Interpretationsedition?</i> Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen.”","bibtex":"@book{Münzmay_Berndt_2023, place={Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023}, title={Was ist eine Interpretationsedition?}, publisher={Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen”}, author={Münzmay, Andreas and Berndt, Axel}, year={2023} }","short":"A. Münzmay, A. Berndt, Was Ist Eine Interpretationsedition?, Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023, 2023.","mla":"Münzmay, Andreas, and Axel Berndt. <i>Was Ist Eine Interpretationsedition?</i> Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.","ama":"Münzmay A, Berndt A. <i>Was Ist Eine Interpretationsedition?</i> Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen”; 2023.","chicago":"Münzmay, Andreas, and Axel Berndt. <i>Was Ist Eine Interpretationsedition?</i> Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023: Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.","ieee":"A. Münzmay and A. Berndt, <i>Was ist eine Interpretationsedition?</i> Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023: Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023."},"title":"Was ist eine Interpretationsedition?","main_file_link":[{"url":"https://youtu.be/NUTflfuIWlw ","open_access":"1"}],"date_updated":"2025-09-03T18:25:44Z","publisher":"Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen”","oa":"1","date_created":"2023-09-25T10:44:06Z","author":[{"full_name":"Münzmay, Andreas","id":"61139","orcid":"0000-0002-8373-4055","last_name":"Münzmay","first_name":"Andreas"},{"id":"55565","full_name":"Berndt, Axel","last_name":"Berndt","first_name":"Axel"}]},{"quality_controlled":"1","issue":"1","year":"2019","publisher":"Walter de Gruyter GmbH","date_created":"2023-09-27T07:03:16Z","title":"Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten","publication":"Editio: Internationales Jahrbuch für Editionswissenschaft","abstract":[{"text":"The article discusses possibilities and specific problems of including audio material in the realm of scholarly music editions. From this perspective, the authors propose to include the sounding manifestation of music both into the notion of the musical ‚work‘ and of the musical ‚text‘. The outcome of this thought experiment which considers music as performative art, Beethoven’s and other classical composers’ own wider notions of musical works as musical practice, phonographic recordings as text, different types of music as different types of data, programmed concordances as specific feature of digital editions, and musical interpreters as authors of musical interpretations is a theoretical model that for the first time makes record productions the object of scholarly critical edition.","lang":"eng"}],"keyword":["Musikedition","Interpretatsionsforschung","Clifford Curzon"],"language":[{"iso":"ger"}],"publication_identifier":{"issn":["0931-3079","1865-9446"]},"publication_status":"published","page":"10-30","intvolume":"        33","citation":{"ieee":"A. Münzmay and C. Siegert, “Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten,” <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i>, vol. 33, no. 1, pp. 10–30, 2019, doi: <a href=\"https://doi.org/10.1515/editio-2019-0002\">10.1515/editio-2019-0002</a>.","chicago":"Münzmay, Andreas, and Christine Siegert. “Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten.” <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i> 33, no. 1 (2019): 10–30. <a href=\"https://doi.org/10.1515/editio-2019-0002\">https://doi.org/10.1515/editio-2019-0002</a>.","ama":"Münzmay A, Siegert C. Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten. <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i>. 2019;33(1):10-30. doi:<a href=\"https://doi.org/10.1515/editio-2019-0002\">10.1515/editio-2019-0002</a>","short":"A. Münzmay, C. Siegert, Editio: Internationales Jahrbuch für Editionswissenschaft 33 (2019) 10–30.","bibtex":"@article{Münzmay_Siegert_2019, title={Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten}, volume={33}, DOI={<a href=\"https://doi.org/10.1515/editio-2019-0002\">10.1515/editio-2019-0002</a>}, number={1}, journal={Editio: Internationales Jahrbuch für Editionswissenschaft}, publisher={Walter de Gruyter GmbH}, author={Münzmay, Andreas and Siegert, Christine}, year={2019}, pages={10–30} }","mla":"Münzmay, Andreas, and Christine Siegert. “Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten.” <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i>, vol. 33, no. 1, Walter de Gruyter GmbH, 2019, pp. 10–30, doi:<a href=\"https://doi.org/10.1515/editio-2019-0002\">10.1515/editio-2019-0002</a>.","apa":"Münzmay, A., &#38; Siegert, C. (2019). Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten. <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i>, <i>33</i>(1), 10–30. <a href=\"https://doi.org/10.1515/editio-2019-0002\">https://doi.org/10.1515/editio-2019-0002</a>"},"date_updated":"2025-11-15T13:56:03Z","volume":33,"author":[{"orcid":"0000-0002-8373-4055","last_name":"Münzmay","full_name":"Münzmay, Andreas","id":"61139","first_name":"Andreas"},{"first_name":"Christine","full_name":"Siegert, Christine","last_name":"Siegert"}],"doi":"10.1515/editio-2019-0002","main_file_link":[{"url":"https://doi.org/10.1515/editio-2019-0002"}],"type":"journal_article","status":"public","_id":"47478","project":[{"name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition","_id":"1614"}],"department":[{"_id":"572"},{"_id":"856"},{"_id":"615"}],"user_id":"61139"}]