@unpublished{61999,
  author       = {{Münzmay, Andreas}},
  pages        = {{24}},
  title        = {{{Beethovens Eigenbearbeitungen und digitale Heuristik. Erkundungen mit den synoptischen Doppeleditionen und Analysewerkzeugen des Projekts Beethovens Werkstatt}}},
  year         = {{2025}},
}

@article{55847,
  author       = {{Kepper, Johannes and Sänger, Richard York and Voigt, Jan-Peter}},
  issn         = {{2162-5603}},
  journal      = {{Journal of the Text Encoding Initiative}},
  title        = {{{Exploring the Genesis of Complex Music Manuscripts}}},
  year         = {{2024}},
}

@techreport{56716,
  abstract     = {{Abschlussbericht 

Vom 13. bis 17. Mai 2024 fand in der Villa Vigoni ein internationales Kolloquium mit dem Titel Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle statt: 21 Expert*innen aus verschiedenen musikhistorischen Fachgebieten (Komponisten; Regionen) wurden im Rahmen eines neuen Dialogformats zusammengebracht, um die Möglichkeiten einer gemeinsamen Terminologie für musikalische Schaffensprozesse zu erörtern.  

Die Diskussionen, die in italienischer und deutscher und englischer Sprache geführt wurden, bekräftigten die Notwendigkeit, den eingeschlagenen Weg fortzusetzen und legten den Grundstein sowohl für den Aufbau eines internationalen Netzwerks von Wissenschaftlern als auch für eine synergetische Zusammenarbeit zwischen verschiedenen Forschungsinstituten}},
  author       = {{Münzmay, Andreas and Novara, Elisa and Rovelli, Federica }},
  title        = {{{Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle}}},
  doi          = {{10.5281/ZENODO.13946152}},
  year         = {{2024}},
}

@inproceedings{47487,
  author       = {{Kepper, Johannes and Münzmay, Andreas}},
  booktitle    = {{DHd2023: Open Humanities, Open Culture}},
  title        = {{{Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale}}},
  doi          = {{10.5281/ZENODO.7715387}},
  year         = {{2023}},
}

@inproceedings{55839,
  author       = {{Cox, Susanne and Kepper, Johannes}},
  booktitle    = {{Music Encoding Conference Proceedings 2021}},
  editor       = {{Münnich, Stefan and Rizo, David}},
  pages        = {{85–95}},
  publisher    = {{Humanities Commons}},
  title        = {{{Encoding Genetic Processes II}}},
  doi          = {{https://doi.org/10.17613/q6y4-9139}},
  year         = {{2022}},
}

@inproceedings{55841,
  abstract     = {{For musicologists, the collation of multiple sources of the same work is a frequent task. By comparing different witnesses, they seek to identify variation, describe dependencies, and ultimately understand the genesis and transmission of (musical) works. Obviously, the need for such comparison is independent from the medium in which a musical work is manifested. In computing, comparing files for difference is a common task, and the well-known Unix utility diff is almost 46 years old. However, diff, like many other such tools, operates on plain text. While many music encoding formats based on plain text exist, formats used in the field of Digital Humanities are typically based on XML. There are dedicated algorithms for comparing XML as well, but they only focus on the syntax of XML, but not the semantic structures modelled into such standards as MEI. MEI seeks to describe musical structures, and the XML syntax is just a means to express those structures. A diff tool for music should focus on comparing musical structures, but not the specifics of their serialization into a file format. In {Beethovens Werkstatt}, a 16-year project focussed on exploring the concepts and requirements of digital genetic editions of music, based on and arguing with examples from Ludwig van Beethoven, a case-bound diff tool for music was developed. The following paper discusses how that specific tool can be generalized, and which use cases such a tool may support.}},
  author       = {{Herold, Kristin and Kepper, Johannes and Mo, Ran and Seipelt, Agnes Regina}},
  booktitle    = {{Music Encoding Conference Proceedings 2020}},
  editor       = {{De Luca, Elsa and Flanders, Julia}},
  keywords     = {{mec-proceedings, mec-proceedings-2020}},
  pages        = {{59–66}},
  publisher    = {{Humanities Commons}},
  title        = {{{MusicDiff – A Diff Tool for MEI}}},
  doi          = {{10.17613/ydbv-e158}},
  year         = {{2020}},
}

@techreport{55843,
  abstract     = {{This report summarizes technical concepts of the Beethovens Werkstatt project, discussing various prototypes and the technical architectures used. The original version at https://beethovens-werkstatt.de/softwareentwicklung-2017/ includes videos not available in the PDF version published on Zenodo.}},
  author       = {{Kepper, Johannes}},
  keywords     = {{Musicology, Digital humanities}},
  title        = {{{Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)}}},
  doi          = {{10.5281/ZENODO.13289742}},
  year         = {{2017}},
}

@misc{49976,
  author       = {{Münzmay, Andreas}},
  booktitle    = {{Editio: Internationales Jahrbuch für Editionswissenschaft }},
  pages        = {{248--252}},
  title        = {{{Genèses musicales. Hrsg. von Nicolas Donin, Almuth Grésillon und Jean-Louis Lebrave. Paris: Presses de l’université Paris-Sorbonne, 2015. 272 S.}}},
  volume       = {{30}},
  year         = {{2016}},
}