[{"type":"preprint","status":"public","department":[{"_id":"233"},{"_id":"856"},{"_id":"615"}],"user_id":"61139","_id":"61999","project":[{"name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition","_id":"743"}],"language":[{"iso":"ger"}],"publication_status":"inpress","page":"24","citation":{"chicago":"Münzmay, Andreas. “Beethovens Eigenbearbeitungen und digitale Heuristik. Erkundungen mit den synoptischen Doppeleditionen und Analysewerkzeugen des Projekts Beethovens Werkstatt,” n.d.","ieee":"A. Münzmay, “Beethovens Eigenbearbeitungen und digitale Heuristik. Erkundungen mit den synoptischen Doppeleditionen und Analysewerkzeugen des Projekts Beethovens Werkstatt.” .","ama":"Münzmay A. Beethovens Eigenbearbeitungen und digitale Heuristik. Erkundungen mit den synoptischen Doppeleditionen und Analysewerkzeugen des Projekts Beethovens Werkstatt.","apa":"Münzmay, A. (n.d.). <i>Beethovens Eigenbearbeitungen und digitale Heuristik. Erkundungen mit den synoptischen Doppeleditionen und Analysewerkzeugen des Projekts Beethovens Werkstatt</i>.","mla":"Münzmay, Andreas. <i>Beethovens Eigenbearbeitungen und digitale Heuristik. Erkundungen mit den synoptischen Doppeleditionen und Analysewerkzeugen des Projekts Beethovens Werkstatt</i>.","bibtex":"@article{Münzmay, title={Beethovens Eigenbearbeitungen und digitale Heuristik. Erkundungen mit den synoptischen Doppeleditionen und Analysewerkzeugen des Projekts Beethovens Werkstatt}, author={Münzmay, Andreas} }","short":"A. Münzmay, (n.d.)."},"year":"2025","date_created":"2025-10-25T08:45:53Z","author":[{"first_name":"Andreas","full_name":"Münzmay, Andreas","id":"61139","orcid":"0000-0002-8373-4055","last_name":"Münzmay"}],"date_updated":"2025-10-30T17:52:27Z","oa":"1","main_file_link":[{"url":"https://doi.org/10.5281/zenodo.17440482","open_access":"1"}],"title":"Beethovens Eigenbearbeitungen und digitale Heuristik. Erkundungen mit den synoptischen Doppeleditionen und Analysewerkzeugen des Projekts Beethovens Werkstatt"},{"year":"2024","citation":{"ieee":"J. Kepper, R. Y. Sänger, and J.-P. Voigt, “Exploring the Genesis of Complex Music Manuscripts,” <i>Journal of the Text Encoding Initiative</i>.","chicago":"Kepper, Johannes, Richard York Sänger, and Jan-Peter Voigt. “Exploring the Genesis of Complex Music Manuscripts.” <i>Journal of the Text Encoding Initiative</i>, n.d.","ama":"Kepper J, Sänger RY, Voigt J-P. Exploring the Genesis of Complex Music Manuscripts. <i>Journal of the Text Encoding Initiative</i>.","mla":"Kepper, Johannes, et al. “Exploring the Genesis of Complex Music Manuscripts.” <i>Journal of the Text Encoding Initiative</i>.","bibtex":"@article{Kepper_Sänger_Voigt, title={Exploring the Genesis of Complex Music Manuscripts}, journal={Journal of the Text Encoding Initiative}, author={Kepper, Johannes and Sänger, Richard York and Voigt, Jan-Peter} }","short":"J. Kepper, R.Y. Sänger, J.-P. Voigt, Journal of the Text Encoding Initiative (n.d.).","apa":"Kepper, J., Sänger, R. Y., &#38; Voigt, J.-P. (n.d.). Exploring the Genesis of Complex Music Manuscripts. <i>Journal of the Text Encoding Initiative</i>."},"publication_status":"accepted","publication_identifier":{"issn":["2162-5603"]},"title":"Exploring the Genesis of Complex Music Manuscripts","date_updated":"2024-08-28T13:53:52Z","author":[{"full_name":"Kepper, Johannes","id":"1684","last_name":"Kepper","orcid":"0000-0003-4891-260X","first_name":"Johannes"},{"first_name":"Richard York","last_name":"Sänger","full_name":"Sänger, Richard York"},{"full_name":"Voigt, Jan-Peter","last_name":"Voigt","first_name":"Jan-Peter"}],"date_created":"2024-08-28T11:47:32Z","status":"public","type":"journal_article","publication":"Journal of the Text Encoding Initiative","language":[{"iso":"eng"}],"project":[{"_id":"743","name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition"}],"_id":"55847","user_id":"1684","department":[{"_id":"874"}]},{"department":[{"_id":"233"},{"_id":"856"},{"_id":"36"}],"user_id":"61139","_id":"56716","project":[{"_id":"743","name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition"}],"language":[{"iso":"ita"},{"iso":"ger"}],"alternative_title":["Relazione finale: Per un approccio comparativo negli studi sul processo creativo in musica: terminologia comune e modelli filologico-digitali "],"type":"working_paper","status":"public","abstract":[{"lang":"ger","text":"Abschlussbericht \r\n\r\nVom 13. bis 17. Mai 2024 fand in der Villa Vigoni ein internationales Kolloquium mit dem Titel Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle statt: 21 Expert*innen aus verschiedenen musikhistorischen Fachgebieten (Komponisten; Regionen) wurden im Rahmen eines neuen Dialogformats zusammengebracht, um die Möglichkeiten einer gemeinsamen Terminologie für musikalische Schaffensprozesse zu erörtern.  \r\n\r\nDie Diskussionen, die in italienischer und deutscher und englischer Sprache geführt wurden, bekräftigten die Notwendigkeit, den eingeschlagenen Weg fortzusetzen und legten den Grundstein sowohl für den Aufbau eines internationalen Netzwerks von Wissenschaftlern als auch für eine synergetische Zusammenarbeit zwischen verschiedenen Forschungsinstituten"},{"text":"Dal 13 al 17 maggio 2024 Villa Vigoni ha ospitato un Colloquio internazionale dal titolo Per un approccio comparativo negli studi sul processo creativo in musica: terminologia comune e modelli filologico-digitali: 21 esperti, specializzati in diversi campi della ricerca musicologica (attinenti a compositori e/o regioni geografiche differenti), si sono confrontati in un dialogo dal formato innovativo, finalizzato alla creazione di una terminologia comune adatta agli studi sul processo creativo in musica. \r\nLe discussioni, che si sono tenute in italiano, tedesco e inglese, hanno dimostrato la necessità di continuare sulla strada intrapresa, ponendo le basi tanto per la fondazione di una rete internazionale di studiosi, quanto per una cooperazione sinergica tra diversi istituti di ricerca.","lang":"ita"}],"date_created":"2024-10-22T09:22:39Z","author":[{"first_name":"Andreas","orcid":"0000-0002-8373-4055","last_name":"Münzmay","id":"61139","full_name":"Münzmay, Andreas"},{"first_name":"Elisa","full_name":"Novara, Elisa","last_name":"Novara"},{"first_name":"Federica ","full_name":"Rovelli, Federica ","last_name":"Rovelli"}],"oa":"1","date_updated":"2025-04-07T09:38:41Z","doi":"10.5281/ZENODO.13946152","main_file_link":[{"open_access":"1","url":"https://zenodo.org/records/13946152"}],"title":"Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle","citation":{"chicago":"Münzmay, Andreas, Elisa Novara, and Federica  Rovelli. <i>Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle</i>, 2024. <a href=\"https://doi.org/10.5281/ZENODO.13946152\">https://doi.org/10.5281/ZENODO.13946152</a>.","ieee":"A. Münzmay, E. Novara, and F. Rovelli, <i>Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle</i>. 2024.","ama":"Münzmay A, Novara E, Rovelli F. <i>Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle</i>.; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.13946152\">10.5281/ZENODO.13946152</a>","apa":"Münzmay, A., Novara, E., &#38; Rovelli, F. (2024). <i>Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle</i>. <a href=\"https://doi.org/10.5281/ZENODO.13946152\">https://doi.org/10.5281/ZENODO.13946152</a>","bibtex":"@book{Münzmay_Novara_Rovelli_2024, title={Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.13946152\">10.5281/ZENODO.13946152</a>}, author={Münzmay, Andreas and Novara, Elisa and Rovelli, Federica }, year={2024} }","mla":"Münzmay, Andreas, et al. <i>Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle</i>. 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.13946152\">10.5281/ZENODO.13946152</a>.","short":"A. Münzmay, E. Novara, F. Rovelli, Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle, 2024."},"year":"2024"},{"title":"Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale","conference":{"end_date":"2023-03-17","start_date":"2023-03-13","name":"DHd2023: Open Humanities, Open Culture"},"doi":"10.5281/ZENODO.7715387","main_file_link":[{"url":"https://doi.org/10.5281/zenodo.7715387","open_access":"1"}],"date_updated":"2025-03-21T11:58:02Z","oa":"1","author":[{"first_name":"Johannes","orcid":"0000-0003-4891-260X","last_name":"Kepper","id":"1684","full_name":"Kepper, Johannes"},{"last_name":"Münzmay","orcid":"0000-0002-8373-4055","full_name":"Münzmay, Andreas","id":"61139","first_name":"Andreas"}],"date_created":"2023-09-27T07:08:23Z","year":"2023","citation":{"bibtex":"@inproceedings{Kepper_Münzmay_2023, title={Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>}, booktitle={DHd2023: Open Humanities, Open Culture}, author={Kepper, Johannes and Münzmay, Andreas}, year={2023} }","mla":"Kepper, Johannes, and Andreas Münzmay. “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale.” <i>DHd2023: Open Humanities, Open Culture</i>, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>.","short":"J. Kepper, A. Münzmay, in: DHd2023: Open Humanities, Open Culture, 2023.","apa":"Kepper, J., &#38; Münzmay, A. (2023). Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale. <i>DHd2023: Open Humanities, Open Culture</i>. DHd2023: Open Humanities, Open Culture. <a href=\"https://doi.org/10.5281/ZENODO.7715387\">https://doi.org/10.5281/ZENODO.7715387</a>","ieee":"J. Kepper and A. Münzmay, “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale,” presented at the DHd2023: Open Humanities, Open Culture, 2023, doi: <a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>.","chicago":"Kepper, Johannes, and Andreas Münzmay. “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale.” In <i>DHd2023: Open Humanities, Open Culture</i>, 2023. <a href=\"https://doi.org/10.5281/ZENODO.7715387\">https://doi.org/10.5281/ZENODO.7715387</a>.","ama":"Kepper J, Münzmay A. Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale. In: <i>DHd2023: Open Humanities, Open Culture</i>. ; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>"},"publication_status":"published","language":[{"iso":"ger"}],"_id":"47487","project":[{"name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition","_id":"743"},{"_id":"745","name":"NFDI4Culture: NFDI4Culture – Konsortium für Forschungsdaten materieller und immaterieller Kulturgüter","grant_number":"(DFG) – 441958017"},{"_id":"1064","name":"OPEN Edirom"}],"department":[{"_id":"572"},{"_id":"856"},{"_id":"615"}],"user_id":"61139","status":"public","publication":"DHd2023: Open Humanities, Open Culture","type":"conference_abstract"},{"publication_status":"published","year":"2022","place":"Alicante","citation":{"apa":"Cox, S., &#38; Kepper, J. (2022). Encoding Genetic Processes II. In S. Münnich &#38; D. Rizo (Eds.), <i>Music Encoding Conference Proceedings 2021</i> (pp. 85–95). Humanities Commons. <a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>","short":"S. Cox, J. Kepper, in: S. Münnich, D. Rizo (Eds.), Music Encoding Conference Proceedings 2021, Humanities Commons, Alicante, 2022, pp. 85–95.","mla":"Cox, Susanne, and Johannes Kepper. “Encoding Genetic Processes II.” <i>Music Encoding Conference Proceedings 2021</i>, edited by Stefan Münnich and David Rizo, Humanities Commons, 2022, pp. 85–95, doi:<a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>.","bibtex":"@inproceedings{Cox_Kepper_2022, place={Alicante}, title={Encoding Genetic Processes II}, DOI={<a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>}, booktitle={Music Encoding Conference Proceedings 2021}, publisher={Humanities Commons}, author={Cox, Susanne and Kepper, Johannes}, editor={Münnich, Stefan and Rizo, David}, year={2022}, pages={85–95} }","ama":"Cox S, Kepper J. Encoding Genetic Processes II. In: Münnich S, Rizo D, eds. <i>Music Encoding Conference Proceedings 2021</i>. Humanities Commons; 2022:85–95. doi:<a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>","ieee":"S. Cox and J. Kepper, “Encoding Genetic Processes II,” in <i>Music Encoding Conference Proceedings 2021</i>, 2022, pp. 85–95, doi: <a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>.","chicago":"Cox, Susanne, and Johannes Kepper. “Encoding Genetic Processes II.” In <i>Music Encoding Conference Proceedings 2021</i>, edited by Stefan Münnich and David Rizo, 85–95. Alicante: Humanities Commons, 2022. <a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>."},"page":"85–95","oa":"1","date_updated":"2024-08-28T14:05:21Z","publisher":"Humanities Commons","date_created":"2024-08-28T11:45:05Z","author":[{"full_name":"Cox, Susanne","last_name":"Cox","first_name":"Susanne"},{"first_name":"Johannes","last_name":"Kepper","orcid":"0000-0003-4891-260X","full_name":"Kepper, Johannes","id":"1684"}],"title":"Encoding Genetic Processes II","main_file_link":[{"open_access":"1","url":"https://doi.org/10.17613/q6y4-9139"}],"doi":"https://doi.org/10.17613/q6y4-9139","type":"conference","publication":"Music Encoding Conference Proceedings 2021","editor":[{"first_name":"Stefan","last_name":"Münnich","full_name":"Münnich, Stefan"},{"last_name":"Rizo","full_name":"Rizo, David","first_name":"David"}],"status":"public","project":[{"_id":"743","name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition"}],"_id":"55839","user_id":"1684","department":[{"_id":"538"},{"_id":"874"}],"language":[{"iso":"eng"}]},{"keyword":["mec-proceedings","mec-proceedings-2020"],"language":[{"iso":"eng"}],"project":[{"_id":"743","name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition"}],"_id":"55841","user_id":"1684","department":[{"_id":"874"},{"_id":"538"}],"abstract":[{"text":"For musicologists, the collation of multiple sources of the same work is a frequent task. By comparing different witnesses, they seek to identify variation, describe dependencies, and ultimately understand the genesis and transmission of (musical) works. Obviously, the need for such comparison is independent from the medium in which a musical work is manifested. In computing, comparing files for difference is a common task, and the well-known Unix utility diff is almost 46 years old. However, diff, like many other such tools, operates on plain text. While many music encoding formats based on plain text exist, formats used in the field of Digital Humanities are typically based on XML. There are dedicated algorithms for comparing XML as well, but they only focus on the syntax of XML, but not the semantic structures modelled into such standards as MEI. MEI seeks to describe musical structures, and the XML syntax is just a means to express those structures. A diff tool for music should focus on comparing musical structures, but not the specifics of their serialization into a file format. In {Beethovens Werkstatt}, a 16-year project focussed on exploring the concepts and requirements of digital genetic editions of music, based on and arguing with examples from Ludwig van Beethoven, a case-bound diff tool for music was developed. The following paper discusses how that specific tool can be generalized, and which use cases such a tool may support.","lang":"eng"}],"editor":[{"first_name":"Elsa","last_name":"De Luca","full_name":"De Luca, Elsa"},{"first_name":"Julia","last_name":"Flanders","full_name":"Flanders, Julia"}],"status":"public","type":"conference","publication":"Music Encoding Conference Proceedings 2020","title":"MusicDiff – A Diff Tool for MEI","main_file_link":[{"open_access":"1","url":"https://hcommons.org/deposits/item/hc:31963/"}],"doi":"10.17613/ydbv-e158","oa":"1","date_updated":"2024-08-28T14:04:19Z","publisher":"Humanities Commons","date_created":"2024-08-28T11:45:23Z","author":[{"full_name":"Herold, Kristin","last_name":"Herold","first_name":"Kristin"},{"first_name":"Johannes","last_name":"Kepper","orcid":"0000-0003-4891-260X","full_name":"Kepper, Johannes","id":"1684"},{"first_name":"Ran","full_name":"Mo, Ran","last_name":"Mo"},{"id":"24239","full_name":"Seipelt, Agnes Regina","last_name":"Seipelt","first_name":"Agnes Regina"}],"year":"2020","citation":{"apa":"Herold, K., Kepper, J., Mo, R., &#38; Seipelt, A. R. (2020). MusicDiff – A Diff Tool for MEI. In E. De Luca &#38; J. Flanders (Eds.), <i>Music Encoding Conference Proceedings 2020</i> (pp. 59–66). Humanities Commons. <a href=\"https://doi.org/10.17613/ydbv-e158\">https://doi.org/10.17613/ydbv-e158</a>","short":"K. Herold, J. Kepper, R. Mo, A.R. Seipelt, in: E. De Luca, J. Flanders (Eds.), Music Encoding Conference Proceedings 2020, Humanities Commons, 2020, pp. 59–66.","bibtex":"@inproceedings{Herold_Kepper_Mo_Seipelt_2020, title={MusicDiff – A Diff Tool for MEI}, DOI={<a href=\"https://doi.org/10.17613/ydbv-e158\">10.17613/ydbv-e158</a>}, booktitle={Music Encoding Conference Proceedings 2020}, publisher={Humanities Commons}, author={Herold, Kristin and Kepper, Johannes and Mo, Ran and Seipelt, Agnes Regina}, editor={De Luca, Elsa and Flanders, Julia}, year={2020}, pages={59–66} }","mla":"Herold, Kristin, et al. “MusicDiff – A Diff Tool for MEI.” <i>Music Encoding Conference Proceedings 2020</i>, edited by Elsa De Luca and Julia Flanders, Humanities Commons, 2020, pp. 59–66, doi:<a href=\"https://doi.org/10.17613/ydbv-e158\">10.17613/ydbv-e158</a>.","ama":"Herold K, Kepper J, Mo R, Seipelt AR. MusicDiff – A Diff Tool for MEI. In: De Luca E, Flanders J, eds. <i>Music Encoding Conference Proceedings 2020</i>. Humanities Commons; 2020:59–66. doi:<a href=\"https://doi.org/10.17613/ydbv-e158\">10.17613/ydbv-e158</a>","chicago":"Herold, Kristin, Johannes Kepper, Ran Mo, and Agnes Regina Seipelt. “MusicDiff – A Diff Tool for MEI.” In <i>Music Encoding Conference Proceedings 2020</i>, edited by Elsa De Luca and Julia Flanders, 59–66. Humanities Commons, 2020. <a href=\"https://doi.org/10.17613/ydbv-e158\">https://doi.org/10.17613/ydbv-e158</a>.","ieee":"K. Herold, J. Kepper, R. Mo, and A. R. Seipelt, “MusicDiff – A Diff Tool for MEI,” in <i>Music Encoding Conference Proceedings 2020</i>, 2020, pp. 59–66, doi: <a href=\"https://doi.org/10.17613/ydbv-e158\">10.17613/ydbv-e158</a>."},"page":"59–66","publication_status":"published"},{"title":"Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)","doi":"10.5281/ZENODO.13289742","date_updated":"2024-08-28T13:36:41Z","author":[{"orcid":"0000-0003-4891-260X","last_name":"Kepper","id":"1684","full_name":"Kepper, Johannes","first_name":"Johannes"}],"date_created":"2024-08-28T11:46:04Z","year":"2017","citation":{"chicago":"Kepper, Johannes. <i>Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)</i>, 2017. <a href=\"https://doi.org/10.5281/ZENODO.13289742\">https://doi.org/10.5281/ZENODO.13289742</a>.","ieee":"J. Kepper, <i>Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)</i>. 2017.","ama":"Kepper J. <i>Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)</i>.; 2017. doi:<a href=\"https://doi.org/10.5281/ZENODO.13289742\">10.5281/ZENODO.13289742</a>","apa":"Kepper, J. (2017). <i>Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)</i>. <a href=\"https://doi.org/10.5281/ZENODO.13289742\">https://doi.org/10.5281/ZENODO.13289742</a>","bibtex":"@book{Kepper_2017, title={Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.13289742\">10.5281/ZENODO.13289742</a>}, author={Kepper, Johannes}, year={2017} }","mla":"Kepper, Johannes. <i>Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)</i>. 2017, doi:<a href=\"https://doi.org/10.5281/ZENODO.13289742\">10.5281/ZENODO.13289742</a>.","short":"J. Kepper, Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017), 2017."},"publication_status":"published","keyword":["Musicology","Digital humanities"],"language":[{"iso":"ger"}],"_id":"55843","project":[{"_id":"743","name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition"}],"department":[{"_id":"874"},{"_id":"538"}],"user_id":"1684","abstract":[{"lang":"eng","text":"This report summarizes technical concepts of the Beethovens Werkstatt project, discussing various prototypes and the technical architectures used. The original version at https://beethovens-werkstatt.de/softwareentwicklung-2017/ includes videos not available in the PDF version published on Zenodo."}],"status":"public","type":"report"},{"status":"public","publication":"Editio: Internationales Jahrbuch für Editionswissenschaft ","type":"review","language":[{"iso":"ger"}],"department":[{"_id":"572"},{"_id":"856"}],"user_id":"61139","_id":"49976","project":[{"name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition","_id":"743"}],"page":"248-252","intvolume":"        30","citation":{"apa":"Münzmay, A. (2016). Genèses musicales. Hrsg. von Nicolas Donin, Almuth Grésillon und Jean-Louis Lebrave. Paris: Presses de l’université Paris-Sorbonne, 2015. 272 S. In <i>Editio: Internationales Jahrbuch für Editionswissenschaft </i> (Vol. 30, pp. 248–252).","short":"A. Münzmay, Editio: Internationales Jahrbuch für Editionswissenschaft  30 (2016) 248–252.","mla":"Münzmay, Andreas. “Genèses musicales. Hrsg. von Nicolas Donin, Almuth Grésillon und Jean-Louis Lebrave. Paris: Presses de l’université Paris-Sorbonne, 2015. 272 S.” <i>Editio: Internationales Jahrbuch für Editionswissenschaft </i>, vol. 30, 2016, pp. 248–52.","bibtex":"@article{Münzmay_2016, title={Genèses musicales. Hrsg. von Nicolas Donin, Almuth Grésillon und Jean-Louis Lebrave. Paris: Presses de l’université Paris-Sorbonne, 2015. 272 S.}, volume={30}, journal={Editio: Internationales Jahrbuch für Editionswissenschaft }, author={Münzmay, Andreas}, year={2016}, pages={248–252} }","ama":"Münzmay A. Genèses musicales. Hrsg. von Nicolas Donin, Almuth Grésillon und Jean-Louis Lebrave. Paris: Presses de l’université Paris-Sorbonne, 2015. 272 S. <i>Editio: Internationales Jahrbuch für Editionswissenschaft </i>. 2016;30:248-252.","ieee":"A. Münzmay, “Genèses musicales. Hrsg. von Nicolas Donin, Almuth Grésillon und Jean-Louis Lebrave. Paris: Presses de l’université Paris-Sorbonne, 2015. 272 S.,” <i>Editio: Internationales Jahrbuch für Editionswissenschaft </i>, vol. 30. pp. 248–252, 2016.","chicago":"Münzmay, Andreas. “Genèses musicales. Hrsg. von Nicolas Donin, Almuth Grésillon und Jean-Louis Lebrave. Paris: Presses de l’université Paris-Sorbonne, 2015. 272 S.” <i>Editio: Internationales Jahrbuch für Editionswissenschaft </i>, 2016."},"year":"2016","quality_controlled":"1","publication_status":"published","title":"Genèses musicales. Hrsg. von Nicolas Donin, Almuth Grésillon und Jean-Louis Lebrave. Paris: Presses de l’université Paris-Sorbonne, 2015. 272 S.","volume":30,"author":[{"first_name":"Andreas","id":"61139","full_name":"Münzmay, Andreas","orcid":"0000-0002-8373-4055","last_name":"Münzmay"}],"date_created":"2023-12-20T15:26:00Z","date_updated":"2024-02-19T11:07:59Z"}]