@inbook{49561, author = {{Jacke, Christoph and Schroeter-Wittke, Harald}}, booktitle = {{(Un)verfügbar. Kulturen des Heiligen.}}, editor = {{Edigi, Margreth and Peters, Ludmila and Schmidt, Jochen}}, pages = {{273--300}}, publisher = {{Transcript}}, title = {{{Pop-Ikonen. Transformationen des Heiligen in der deutschen Pop(musik)kultur.}}}, year = {{2024}}, } @misc{52529, author = {{Kraft, Kerstin}}, publisher = {{Kraft, Kerstin, et al. “A Short Introduction to the Film Glove and Touch Studies.” Fashion Studies, vol. 5, no. 1, 2024, pp. 1-11, https://www.fashionstudies.ca/introduction-to-glove-and-touch-studies/, https://doi.org/10.38055/FS050108.}}, title = {{{“A Short Introduction to the Film Glove and Touch Studies.”}}}, year = {{2024}}, } @inbook{46475, abstract = {{Dieser Beitrag bietet verschiedene professionelle Perspektiven auf den popmusikalischen Kommunikationsprozesses innerhalb postdigitaler Popmusikjournalismuskulturen. Neben einer wissenschaftlichen Rahmung, Übersicht und Strukturierung des Untersuchungsfelds und des Forschungsstands versammelt der Beitrag multiperspektivische Thesen, die journalistische Praktiken und ihre Reflexionen von Produktion über Distribution und Rezeption/Nutzung bis zur Weiterverarbeitung inklusive Archivierung/Institutionalisierung/Musealisierung aufgreifen und herausstellen. Die aufgestellten Thesen gelten als Aufschlag für die zukünftige Analyse des so fundamentalen und doch auch immer wieder übersehenen Berufsfeldes und seiner Rezeption zwischen Faszination und Exploitation.}}, author = {{Godlewsky, Tanja and Jacke, Christoph and Roenneke, Stefanie and Venker, Thomas}}, booktitle = {{Musik und Internet. Aktuelle Phänomene populärer Kulturen}}, editor = {{Moormann, Peter and Ruth, Nicolas}}, isbn = {{9783658391447}}, issn = {{2626-6199}}, publisher = {{Springer Fachmedien Wiesbaden}}, title = {{{Pop(musik)journalismen zwischen Printmagazin-Krise und postdigitaler Realität – Forschungsüberblick und multiperspektivische Thesen}}}, doi = {{10.1007/978-3-658-39145-4_11}}, year = {{2023}}, } @article{48266, author = {{Jacke, Christoph}}, journal = {{Impulse. Texte und Bilder zur Kunstvermittlung.}}, number = {{6}}, pages = {{26--28}}, title = {{{Abhängenwerden. Fühlen und Denken.}}}, year = {{2023}}, } @article{48418, author = {{Jacke, Christoph}}, journal = {{Impulse. Texte und Bilder zur Kunstvermittlung.}}, number = {{6}}, pages = {{12}}, title = {{{ABHÄNGEN - Ein- und Ausgrenzen, Kanonisieren, Kollaborieren in Pop, Kunst und Medien.}}}, year = {{2023}}, } @article{48419, author = {{Jacke, Christoph and Autsch, Sabine and Pickartz, Tim}}, journal = {{Impulse. Texte und Bilder zur Kunstvermittlung.}}, number = {{6}}, pages = {{3--6}}, title = {{{Editorial.}}}, year = {{2023}}, } @misc{48728, author = {{Brachtendorf, Charlotte}}, title = {{{Auf Tuchfühlung mit dem Tod.}}}, year = {{2023}}, } @inbook{49316, author = {{Jacke, Christoph and Kirschlager, Nils}}, booktitle = {{Beyond Style and Genre. Aesthetic Concepts in Popular Culture.}}, editor = {{Jost, Christofer}}, pages = {{217--228}}, publisher = {{Waxmann}}, title = {{{Uncool cowboys in low-low-land? Public perception and aesthetics of the German country music scene.}}}, year = {{2023}}, } @article{49317, author = {{Jacke, Christoph}}, journal = {{Testcard. Beiträge zur Popgeschichte. Rechtspop.}}, number = {{27}}, pages = {{250--253}}, title = {{{Lawrence Grossberg (2019): Pessimismus des Willens, Optimismus des Verstands. Schlussstriche und Neuanfänge. Hrsg. von Roman Horak. Wien und Berlin: Turia + Kant; Roman Horak (2019): Jenseits der Kulturwissenschaften. Beiträge zu Cultural Studies, Popular- und Massenkultur. Wien: Löcker; Jürgen Mittelstraß (2020): Leonardo-Welten. Zwischen Kunst und Wissenschaft. Weilerswist: Velbrück Wissenschaft; Jürgen Mittelstraß (2021): Fröhliche Wissenschaft? Philosophische Grenzgänge zwischen Wissenschaft und Gesellschaft. Weilerswist: Velbrück Wissenschaft.}}}, year = {{2023}}, } @misc{50403, author = {{Troike, Manuel}}, booktitle = {{SAMPLES}}, issn = {{1216-8001}}, publisher = {{Gesellschaft für Popularmusikforschung}}, title = {{{Rezension zu Dagmar Abfalter und Rosa Reitsamer (Hg.) (2022) »Music as Labour – Inequalities and Activism in the Past and Present.«}}}, volume = {{21}}, year = {{2023}}, } @misc{52527, author = {{Kraft, Kerstin}}, publisher = {{Kraft K. & Schmitt S. 2023. Almost Fragrant Pseudobotany: A Bouquet of Encounters With Faux Flora Across Time – A Visual Essay. In: Philippopoulos-Mihalopoulos, A et al (eds.), SMELL. London: University of Westminster Press. DOI: https://doi.org/10.16997/book68.d}}, title = {{{A Bouquet of Encounters With Faux Flora Across Time – A Visual Essay.}}}, year = {{2023}}, } @article{34883, author = {{Diester, Michel}}, journal = {{Rabbit Eye - Zeitschrift für Filmforschung, 013}}, number = {{013}}, title = {{{Oddly satisfying und die Genugtuung der Anschaulichkeit}}}, year = {{2022}}, } @inbook{41148, author = {{Jacke, Christoph and Venker, Thomas and Roenneke, Stefanie and Godlewsky, Tanja}}, booktitle = {{~Vibes – The IASPM D-A-CH Series. Volume No. 2: „Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)”.}}, title = {{{Hoffnung POP: Publizistisch-gestalterische Arbeits- und Lebensmodelle im postdigitalen Zeitalter unter Berücksichtigung der transformierenden Rahmenbedingungen. Drei beobachtend-teilnehmende Fallstudien vor dem Hintergrund einer gemeinsamen Forschungsperspektive.}}}, year = {{2022}}, } @inbook{41149, author = {{Jacke, Christoph and Devine, Kyle}}, booktitle = {{~Vibes – The IASPM D-A-CH Series. Volume No. 2: „Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)”.}}, title = {{{Sustainability, Solutionism, and the Problem of Music. Kyle Devine interviewed by Christoph Jacke.}}}, year = {{2022}}, } @article{40282, author = {{Jacke, Christoph and Venker, Thomas}}, journal = {{Kaput - Magazin für Insolvenz & Pop}}, title = {{{"Zwischen Hartz IV und Vollverbeamtung verläuft nur eine ganz dünne Grenze". Quo-Vadis Pop-Lehre? Eine journalistische Umfrage unter Lehrenden}}}, year = {{2022}}, } @book{37244, abstract = {{Transformations of various kinds have always shaped societies and especially its cultures and research – triggered, for example, by wars, revolutions, shifts in social orders, pandemics, etc. They have led to uncertainty and social upheaval, but also to innovation and change. As pop music cultures, in their entire breadth, can be described as seismographs of social, political, economic, ecological, media, artistic, and technological transformations, in and through them, fields of tensions, disruptions, and lines of conflict become not only visible, audible, and perceptible, but also communicable and thus, negotiable. Volume No. 2 of ~Vibes – The IASPM D-A-CH Series, which is based on the 4th Biennial IASPM D-A-CH conference at Paderborn University/online, takes a closer look at the transformative moments of pop music cultures by theorizing, empiricizing, historicizing, and, finally, politicizing them.}}, editor = {{Flath, Beate and Jacke, Christoph and Troike, Manuel}}, issn = {{2748-6389}}, pages = {{307}}, publisher = {{International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica}}, title = {{{Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)}}}, volume = {{2}}, year = {{2022}}, } @inbook{37246, abstract = {{Manuel Troike talks to the Swiss ethnomusicologist Dr. Thomas Burkhalter about his music documentary Contradict – Ideas for a New World. Together with Peter Guyer, Burkhalter gives six musicians from Ghana a chance to speak, to look at the changing values of our time from the African continent, and to show how trends, ideas and visions are increasingly decentralised in a globalised world.}}, author = {{Burkhalter, Thomas and Troike, Manuel}}, booktitle = {{Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)}}, editor = {{Flath, Beate and Jacke, Christoph and Troike, Manuel}}, issn = {{2748-6389}}, pages = {{225--230}}, publisher = {{International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica}}, title = {{{Contradict – Ideas for a New World. A Talk between Thomas Burkhalter and Manuel Troike about the documentary film Contradict.}}}, volume = {{2}}, year = {{2022}}, } @inbook{45281, abstract = {{

The volume is dedicated to youth drawings, created for a competition by the famous Circus Krone in Munich, 1958. The extraordinary depictions and artworks represent the traditional circus culture and its artistic fields of action, a cultural heritage of teenagers from the post-war generation. For them, the circus was an interesting and inspiring subject. It was still the era of the popular circus world, with its legendary dressage acts and famous wild animal tamers, whose great transformation only began later. In addition, lines of connection to the artist and circus performer Alexander Camaro (1901–1991) are outlined. New aspects for historical youth drawing research as well as for circus research are presented. With contributions by Prof. em. Dr. Kunibert Bering, Dr. Larissa Eikermann, Prof. Dr. Iris Kolhoff-Kahl and Dr. Sabine Weichel-Kickert.

}}, author = {{Eikermann, Larissa}}, booktitle = {{Der Malwettbewerb Circus Krone, 1958. Ein kulturelles Erbe der Nachkriegsgeneration}}, isbn = {{9783828878556}}, pages = {{125--133}}, publisher = {{Tectum Verlag}}, title = {{{Werke zum Zirkus aus der DDR - Kinderzeichnungen aus dem Jahre 1980}}}, doi = {{10.5771/9783828878556}}, volume = {{Bd. 34}}, year = {{2022}}, } @book{40253, abstract = {{Popevents in ihren unterschiedlichsten Ausprägungen stehen in vielfältigen Wechselbeziehungen mit ihrem jeweiligen Umfeld. Insbesondere Strukturen, Prozesse, Mechanismen und Dynamiken des Managements sowie der Politiken dieser besonderen Eventkulturen - ebenso wie die darin eingeschriebenen Normen, Normierungen, Werte und Wertbildungsprozesse - prägen das Beziehungsgefüge, in dem sich »PopEventKulturen« konstituieren. Die Beiträger*innen des Bandes thematisieren transdisziplinär Gravitationsfelder dieser spezifischen Kulturen und analysieren u.a. Wertschöpfungsnetzwerke, Ausbildungswege und Rollenbilder, kulturpolitische Selbstverständnisse und demokratiepolitische Herausforderungen.}}, editor = {{Flath, Beate and Jacke, Christoph}}, isbn = {{9783837653243}}, issn = {{2702-4342}}, pages = {{214}}, publisher = {{transcript Verlag}}, title = {{{PopEventKulturen an den Schnittstellen von Management und Politik}}}, doi = {{10.14361/9783839453247}}, year = {{2022}}, } @inbook{40241, author = {{Flath, Beate and Jacke, Christoph}}, booktitle = {{Transdisziplinäre Popkulturstudien}}, issn = {{2702-4342}}, pages = {{9--17}}, publisher = {{transcript Verlag}}, title = {{{PopEventKulturen an den Schnittstellen von Management und Politik}}}, doi = {{10.14361/9783839453247-001}}, volume = {{2}}, year = {{2022}}, }